CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R701> Ian Lorenz <1401> Je suis déshéritée <1402> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R702> Ian Lorenz <1403> Je suis déshéritée <1404> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R703> Ian Lorenz <1405> Je suis déshéritée <1406> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R704> Ian Lorenz <1407> Je suis déshéritée <1408> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R705> Damien Bonnec <1409> Quare fremuerunt gentes <1410> Missa Quare fremuerunt gentes: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The quotation is here, even if it's transformed (some variations, with a mix of embellishment and monneyage)

<R706> Ian Lorenz <1411> Je suis déshéritée <1412> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R707> Ian Lorenz <1413> Je suis déshéritée <1414> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R708> Ian Lorenz <1415> Je suis déshéritée <1416> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R709> Ian Lorenz <1417> Je suis déshéritée <1418> Missa Je suis déshéritée: Credo New material Expand

New material

<R710> Damien Bonnec <1419> Quare fremuerunt gentes <1420> Missa Quare fremuerunt gentes: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

Remarks: In the mass, the contratenor participates in the fuga

<R711> Ian Lorenz <1421> Je suis déshéritée <1422> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R712> Ian Lorenz <1423> Je suis déshéritée <1424> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R713> Ian Lorenz <1425> Je suis déshéritée <1426> Missa Je suis déshéritée: Credo New material Expand

New material

<R714> Damien Bonnec <1427> Quare fremuerunt gentes <1428> Missa Quare fremuerunt gentes: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R715> Ian Lorenz <1429> Je suis déshéritée <1430> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: Soggetto happens twice in succession in the mass

<R716> Ian Lorenz <1431> Je suis déshéritée <1432> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R717> Damien Bonnec <1433> Quare fremuerunt gentes <1434> Missa Quare fremuerunt gentes: Gloria Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R718> Ian Lorenz <1435> Je suis déshéritée <1436> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R719> Damien Bonnec <1437> Quare fremuerunt gentes <1438> Missa Quare fremuerunt gentes: Gloria Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R720> Ian Lorenz <1439> Je suis déshéritée <1440> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R721> Ian Lorenz <1441> Je suis déshéritée <1442> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R722> Ian Lorenz <1443> Je suis déshéritée <1444> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R723> Ian Lorenz <1445> Je suis déshéritée <1446> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R724> Ian Lorenz <1447> Je suis déshéritée <1448> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R725> Ian Lorenz <1449> Je suis déshéritée <1450> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R726> Ian Lorenz <1451> Je suis déshéritée <1452> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R727> Damien Bonnec <1453> Quare fremuerunt gentes <1454> Missa Quare fremuerunt gentes: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R728> Damien Bonnec <1455> Quare fremuerunt gentes <1456> Missa Quare fremuerunt gentes: Gloria Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R729> Damien Bonnec <1457> Quare fremuerunt gentes <1458> Missa Quare fremuerunt gentes: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R730> Damien Bonnec <1459> Quare fremuerunt gentes <1460> Missa Quare fremuerunt gentes: Gloria Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R731> Damien Bonnec <1461> Quare fremuerunt gentes <1462> Missa Quare fremuerunt gentes: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: "amplified" means there is more time between the two elements of the fuga in the mass than in the model

<R732> Damien Bonnec <1463> Quare fremuerunt gentes <1464> Missa Quare fremuerunt gentes: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R733> Damien Bonnec <1465> Quare fremuerunt gentes <1466> Missa Quare fremuerunt gentes: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R734> Damien Bonnec <1467> Quare fremuerunt gentes <1468> Missa Quare fremuerunt gentes: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R735> Damien Bonnec <1469> Quare fremuerunt gentes <1470> Missa Quare fremuerunt gentes: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R736> Damien Bonnec <1471> Quare fremuerunt gentes <1472> Missa Quare fremuerunt gentes: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The soggetto is not exactly the same: one note could be truncated in the mass.

<R737> Damien Bonnec <1473> Quare fremuerunt gentes <1474> Missa Quare fremuerunt gentes: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Sometimes, entries are truncated (cf. bassus + second tenor)

<R738> Ian Lorenz <1475> Je suis déshéritée <1476> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R739> Ian Lorenz <1477> Je suis déshéritée <1478> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R740> Ian Lorenz <1479> Je suis déshéritée <1480> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

<R741> Ian Lorenz <1481> Je suis déshéritée <1482> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R742> Ian Lorenz <1483> Je suis déshéritée <1484> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R743> Ian Lorenz <1485> Je suis déshéritée <1486> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R744> Ian Lorenz <1487> Je suis déshéritée <1488> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R745> Ian Lorenz <1489> Je suis déshéritée <1490> Missa Je suis déshéritée: Credo New material Expand

New material

<R746> Ian Lorenz <1491> Je suis déshéritée <1492> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R747> Ian Lorenz <1493> Je suis déshéritée <1494> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R748> Ian Lorenz <1495> Je suis déshéritée <1496> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R749> Ian Lorenz <1497> Je suis déshéritée <1498> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R750> Ian Lorenz <1499> Je suis déshéritée <1500> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R751> Ian Lorenz <1501> Je suis déshéritée <1502> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R752> Ian Lorenz <1503> Je suis déshéritée <1504> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R753> Ian Lorenz <1505> Je suis déshéritée <1506> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R754> Ian Lorenz <1507> Je suis déshéritée <1508> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R755> Ian Lorenz <1509> Je suis déshéritée <1510> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R756> Ian Lorenz <1511> Je suis déshéritée <1512> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R757> Ian Lorenz <1513> Je suis déshéritée <1514> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R758> Ian Lorenz <1515> Je suis déshéritée <1516> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R759> Ian Lorenz <1517> Je suis déshéritée <1518> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R760> Ian Lorenz <1519> Je suis déshéritée <1520> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R761> Ian Lorenz <1521> Je suis déshéritée <1522> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R762> Ian Lorenz <1523> Je suis déshéritée <1524> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R763> Ian Lorenz <1525> Je suis déshéritée <1526> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R764> Ian Lorenz <1527> Je suis déshéritée <1528> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R765> Ian Lorenz <1529> Je suis déshéritée <1530> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R766> Ian Lorenz <1531> Je suis déshéritée <1532> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R767> Raphaëlle Rouzic <1533> Mente Tota (from Vultuum tuum) <1534> Missa Mente tota: Gloria Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Amplified : Fuga -> PEN First insertion for this passage measures 63 to 71

<R768> Raphaëlle Rouzic <1535> Mente Tota (from Vultuum tuum) <1536> Missa Mente tota: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

Remarks: PEN (3 voices) -> Fuga (2 voices) Second insertion for this passage measures 63 to 71

<R769> Raphaëlle Rouzic <1537> Mente Tota (from Vultuum tuum) <1538> Missa Mente tota: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Modèle: Je ne considère pas les deux duos B>S et T>A (mesures 36 à 42) comme un Nim puisque les "time interval" entre les deux voix de chaque duo ne sont pas identiques (M6/8) et que l'intervalle n'est pas identique non plus (4+8+). Third proposition for this passage measures 63 to 71.

<R770> Raphaëlle Rouzic <1539> Mente Tota (from Vultuum tuum) <1540> Missa Mente tota: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Modèle: Je ne considère pas les deux duos B>S et T>A (mesures 36 à 42) comme un Nim puisque les "time interval" entre les deux voix de chaque duo ne sont pas identiques (M6/8) et que l'intervalle n'est pas identique non plus (4+8+). Fourth proposition for this passage measures 63 to 71.

<R771> Raphaëlle Rouzic <1541> Mente Tota (from Vultuum tuum) <1542> Missa Mente tota: Credo Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Monnayage : Mass: measure 3 at the Altus (G -> G/F) Metrically shifted: S4/4/4 -> S4/42/4 Truncated : The melody at the Altus stop after the D note in the mass (not in the model)

<R772> Raphaëlle Rouzic <1543> Mente Tota (from Vultuum tuum) <1544> Missa Mente tota: Credo Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Truncated : The PEN of the model is truncated. Monnayage: change of the rhythmic durations + the first note of the motif of the mass

<R773> Anne Nautré <1545> Susanne un jour <1546> Missa Susanne un jour: Sanctus None Expand

Relationship

Remarks: Les entrées sont resserrées par rapport aux modèles.

<R774> Raphaëlle Rouzic <1547> Mente Tota (from Vultuum tuum) <1548> Missa Mente tota: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Amplified : 1 voice -> 2 voices It's not a real quotation. It's more an "allusion" of the model.

<R775> Anne Nautré <1549> Susanne un jour <1550> Missa Susanne un jour: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Le contresujet de la chanson est traité en fugue de la messe, sans le sogetto qui lui est associé dans la chanson.

<R776> Raphaëlle Rouzic <1551> Mente Tota (from Vultuum tuum) <1552> Missa Mente tota: Credo Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: Monnayage : change of the rhythmic durations.

<R777> Raphaëlle Rouzic <1553> Mente Tota (from Vultuum tuum) <1554> Missa Mente tota: Credo Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Remarks: Metrically shifted: S4 -> S8 Monnayage : measures 24 > B and 26 > T (G -> G/F)

<R778> Anne Nautré <1555> Susanne un jour <1556> Missa Susanne un jour: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: Réutilisation dans la messe d'un motif rythmique caractéristique de la chanson.

<R779> Raphaëlle Rouzic <1557> Mente Tota (from Vultuum tuum) <1558> Missa Mente tota: Credo Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

Remarks: Transposed : Model: Bb-G -> Mass: G-D Monnayage : change of rhythmic durations It's not a real quotation, it's more an "allusion" of the model.

<R780> Raphaëlle Rouzic <1559> Mente Tota (from Vultuum tuum) <1560> Missa Mente tota: Credo Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

Remarks: Monnayage : change of rhythmic durations Different voices: S>A -> B>T Transposed : Bb-G -> D-A It's not a real quotation, it's more an "allusion" of the model.

<R781> Anne Nautré <1561> Susanne un jour <1562> Missa Susanne un jour: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: True

New combination: False

Remarks: Le contresujet de la chanson devient sogetto dans la messe ; il est transposé, et présenté aux voix qui faisaient entendre le sogetto dans la chanson.

<R782> Raphaëlle Rouzic <1563> Mente Tota (from Vultuum tuum) <1564> Missa Mente tota: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

<R783> Anne Nautré <1565> Susanne un jour <1566> Missa Susanne un jour: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Le motif sélectionné dans la messe est inspiré du sogetto de la chanson (truncated). Il est présenté aux voix de A et B: voix qui présentaient le contre-sujet dans la chanson

<R784> Raphaëlle Rouzic <1567> Mente Tota (from Vultuum tuum) <1568> Missa Mente tota: Credo Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

Remarks: Monnayage: in the second duo Metrically shifted: S7/8 -> S2/2

<R785> Raphaëlle Rouzic <1569> Mente Tota (from Vultuum tuum) <1570> Missa Mente tota: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Amplified: Mass: one more repetition

<R786> Raphaëlle Rouzic <1571> Mente Tota (from Vultuum tuum) <1572> Missa Mente tota: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Truncated : Model: 6 entries -> Mass: 4 entries

<R787> Raphaëlle Rouzic <1573> Mente Tota (from Vultuum tuum) <1574> Missa Mente tota: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: It's not a real quotation but an "allusion" of the model.

<R788> Raphaëlle Rouzic <1575> Mente Tota (from Vultuum tuum) <1576> Missa Mente tota: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: It's not a real quotation, more an "allusion" of the model. Amplified : Model: T>B -> Mass: T>B S>A

<R789> Raphaëlle Rouzic <1577> Mente Tota (from Vultuum tuum) <1578> Missa Mente tota: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Embellished : In the Mass, the melody goes on. Amplified : Model: S>A -> Mass: B>T B>T

<R790> Raphaëlle Rouzic <1579> Mente Tota (from Vultuum tuum) <1580> Missa Mente tota: Credo Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Monnayage : change of rhythmic durations It's not a real quotation, more an "allusion" of the model.

<R791> Raphaëlle Rouzic <1581> Mente Tota (from Vultuum tuum) <1582> Missa Mente tota: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: Make part of a large quotation of the model Mass: measures 101 to 106 Model: 86 to 91

<R792> Raphaëlle Rouzic <1583> Mente Tota (from Vultuum tuum) <1584> Missa Mente tota: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: Make part of a large quotation of the model Mass: measures 101 to 106 Model: 86 to 91

<R793> Raphaëlle Rouzic <1585> Mente Tota (from Vultuum tuum) <1586> Missa Mente tota: Credo Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Make part of a large quotation of the model Mass: measures 101 to 106 Model: 86 to 91

<R794> Raphaëlle Rouzic <1587> Mente Tota (from Vultuum tuum) <1588> Missa Mente tota: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: Monnayage : Mass: measure 110 Model: measure 105 It is a citation of the end of the model.

<R795> Raphaëlle Rouzic <1589> Mente Tota (from Vultuum tuum) <1590> Missa Mente tota: Credo Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Monnayage : change of rhythmic durations Amplified : Soggetto >T -> Fuga: B>T It is one of the possible relationships (c.f. assertion of the model)

<R796> Raphaëlle Rouzic <1591> Mente Tota (from Vultuum tuum) <1592> Missa Mente tota: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: On retrouve à la fin du motif de la messe l'intervalle de quinte descendante Amplified : Soggetto -> Fuga

<R797> Anne Nautré <1593> Susanne un jour <1594> Missa Susanne un jour: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Le début de l'agnus présente une structure semblable au début de la chanson, mais avec d’intéressantes modifications de matériaux: - Le sogetto de la chanson (sol sib do ré) a été tronqué pour donner un nouveau motif (A et B dans la messe) - Le contresujet de la chanson (sol mib do sol) est réutilisé en sogetto dans la messe, transposé - Le système des deux fugues imbriquées et reproduit dans la messe, mais sans le Nim, et avec inversion des voix: celles qui chantaient le sogetto sol-sib-do-ré dans la chanson chantent ré-sib-sol-ré dans la messe - Dans l'Agnus, la voix de T présente un mélange entre nouveau sogetto de la messe (premier intervalle) et sogetto tronqué de A et B (sib-la-sol-fa-sol).

<R798> Raphaëlle Rouzic <1595> Mente Tota (from Vultuum tuum) <1596> Missa Mente tota: Credo Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Remarks: Relationship with the PEN of the model : more specifically with the Soggetto at the Altus

<R799> Raphaëlle Rouzic <1597> Mente Tota (from Vultuum tuum) <1598> Missa Mente tota: Credo Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Monnayage : change of rhythmic durations Truncated : The soggetto of the mass doesn't quote the entire fuga of the model

<R800> Max Le Mée <1599> Baisez moy <1600> Missa Baisez moy: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False