CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R610> Ian Lorenz <1219> Je suis déshéritée <1220> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R611> Ian Lorenz <1221> Je suis déshéritée <1222> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R612> Ian Lorenz <1223> Je suis déshéritée <1224> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R613> Ian Lorenz <1225> Je suis déshéritée <1226> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R614> Ian Lorenz <1227> Je suis déshéritée <1228> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R616> Ian Lorenz <1231> Je suis déshéritée <1232> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Reduced because the event was a three-voice complex in the model and it has been reduced to two voices in the mass.

<R617> Raphaëlle Rouzic <1233> Mente Tota (from Vultuum tuum) <1234> Missa Mente tota: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Amplified : Model: 2 voices -> Mass: 3 voices

<R618> Ian Lorenz <1235> Je suis déshéritée <1236> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The Superius of the chanson becomes the Tenor of the Mass.

<R619> Ian Lorenz <1237> Je suis déshéritée <1238> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R620> Ian Lorenz <1239> Je suis déshéritée <1240> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R621> Ian Lorenz <1241> Je suis déshéritée <1242> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R622> Ian Lorenz <1243> Je suis déshéritée <1244> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R623> Raphaëlle Rouzic <1245> Mente Tota (from Vultuum tuum) <1246> Missa Mente tota: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: There are two different things in the Contrapuntal Duo : - 1 Soggetto - 1 Fuga flexed The Relationship is related to the Soggetto -> Model Relationship related to the Fuga flexed - TrM: Sounding in different voices (Model: 4 voices -> Mass: 2 voices) (+ the Bassus goes deeper in the quotation than the Tenor) - Quotation: Monnayage (rhythmic durations are change in the Bassus)

<R624> Ian Lorenz <1247> Je suis déshéritée <1248> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

<R625> Ian Lorenz <1249> Je suis déshéritée <1250> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R626> Ian Lorenz <1251> Je suis déshéritée <1252> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R627> Ian Lorenz <1253> Je suis déshéritée <1254> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R628> Ian Lorenz <1255> Je suis déshéritée <1256> Missa Je suis déshéritée: Credo New material Expand

New material

<R629> Ian Lorenz <1257> Je suis déshéritée <1258> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: True

Amplified: False

Truncated: True

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R630> Scott Troyer <1259> O gente brunette <1260> Missa O gente brunette: Gloria New material Expand

New material

<R631> Scott Troyer <1261> O gente brunette <1262> Missa O gente brunette: Gloria New material Expand

New material

<R632> Ian Lorenz <1263> Je suis déshéritée <1264> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R633> Scott Troyer <1265> O gente brunette <1266> Missa O gente brunette: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R634> Scott Troyer <1267> O gente brunette <1268> Missa O gente brunette: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R635> Scott Troyer <1269> O gente brunette <1270> Missa O gente brunette: Gloria New material Expand

New material

<R636> Scott Troyer <1271> O gente brunette <1272> Missa O gente brunette: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R637> Scott Troyer <1273> O gente brunette <1274> Missa O gente brunette: Gloria New material Expand

New material

<R638> Scott Troyer <1275> O gente brunette <1276> Missa O gente brunette: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R639> Scott Troyer <1277> O gente brunette <1278> Missa O gente brunette: Gloria New material Expand

New material

<R640> Scott Troyer <1279> O gente brunette <1280> Missa O gente brunette: Gloria New material Expand

New material

<R641> Scott Troyer <1281> O gente brunette <1282> Missa O gente brunette: Gloria New material Expand

New material

<R642> Scott Troyer <1283> O gente brunette <1284> Missa O gente brunette: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R643> Damien Bonnec <1285> Quare fremuerunt gentes <1286> Missa Quare fremuerunt gentes: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Here, "amplified" could mean "stretched in time".

<R644> Ian Lorenz <1287> Je suis déshéritée <1288> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R645> Ian Lorenz <1289> Je suis déshéritée <1290> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R646> Ian Lorenz <1291> Je suis déshéritée <1292> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R647> Ian Lorenz <1293> Je suis déshéritée <1294> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R648> Ian Lorenz <1295> Je suis déshéritée <1296> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R649> Ian Lorenz <1297> Je suis déshéritée <1298> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

<R650> Ian Lorenz <1299> Je suis déshéritée <1300> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R651> Ian Lorenz <1301> Je suis déshéritée <1302> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R652> Ian Lorenz <1303> Je suis déshéritée <1304> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R653> Ian Lorenz <1305> Je suis déshéritée <1306> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R654> Ian Lorenz <1307> Je suis déshéritée <1308> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R655> Ian Lorenz <1309> Je suis déshéritée <1310> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R656> Ian Lorenz <1311> Je suis déshéritée <1312> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R657> Ian Lorenz <1313> Je suis déshéritée <1314> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R658> Ian Lorenz <1315> Je suis déshéritée <1316> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R659> Ian Lorenz <1317> Je suis déshéritée <1318> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R660> Ian Lorenz <1319> Je suis déshéritée <1320> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R661> Ian Lorenz <1321> Je suis déshéritée <1322> Missa Je suis déshéritée: Credo New material Expand

New material

<R662> Ian Lorenz <1323> Je suis déshéritée <1324> Missa Je suis déshéritée: Credo New material Expand

New material

<R663> Ian Lorenz <1325> Je suis déshéritée <1326> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R664> Ian Lorenz <1327> Je suis déshéritée <1328> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R665> Ian Lorenz <1329> Je suis déshéritée <1330> Missa Je suis déshéritée: Credo New material Expand

New material

<R666> Ian Lorenz <1331> Je suis déshéritée <1332> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R667> Ian Lorenz <1333> Je suis déshéritée <1334> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R668> Ian Lorenz <1335> Je suis déshéritée <1336> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R669> Ian Lorenz <1337> Je suis déshéritée <1338> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: True

New combination: False

<R670> Ian Lorenz <1339> Je suis déshéritée <1340> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R671> Ian Lorenz <1341> Je suis déshéritée <1342> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R672> Ian Lorenz <1343> Je suis déshéritée <1344> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R673> Ian Lorenz <1345> Je suis déshéritée <1346> Missa Je suis déshéritée: Credo New material Expand

New material

<R674> Ian Lorenz <1347> Je suis déshéritée <1348> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R675> Ian Lorenz <1349> Je suis déshéritée <1350> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

<R676> Ian Lorenz <1351> Je suis déshéritée <1352> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R677> Ian Lorenz <1353> Je suis déshéritée <1354> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R678> Ian Lorenz <1355> Je suis déshéritée <1356> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R679> Ian Lorenz <1357> Je suis déshéritée <1358> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R680> Ian Lorenz <1359> Je suis déshéritée <1360> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R681> Ian Lorenz <1361> Je suis déshéritée <1362> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R682> Anne Nautré <1363> Susanne un jour <1364> Missa Susanne un jour: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Le contresujet de la chanson (sol mib do sol) est remplacé par le motif à C, qui est inspiré du sogetto ; on est à la limite entre Nim et ID.

<R683> Anne Nautré <1365> Susanne un jour <1366> Missa Susanne un jour: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: Monnayage: dans la messe, la valeur rythmique de la première note du sogetto est la même à toutes les entrées

<R684> Anne Nautré <1367> Susanne un jour <1368> Missa Susanne un jour: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: Valeurs rythmiques du sogetto réduites, sans conséquences sur les intervalles sogetto-counter subject

<R685> Anne Nautré <1369> Susanne un jour <1370> Missa Susanne un jour: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R686> Raphaëlle Rouzic <1371> Mente Tota (from Vultuum tuum) <1372> Missa Mente tota: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: The Relationship type is based on the mix of the two solutions. Nous avons l'Interval Pattern P3 du couple Superius-Altus, le tête de motif du couple Superius-Altus et la fin de motif du couple Tenor-Bassus (à partir de la deuxième note de la mesure 37 jusqu'à 38 au Bassus)

<R687> Raphaëlle Rouzic <1373> Mente Tota (from Vultuum tuum) <1374> Missa Mente tota: Gloria Quotation Expand

Quotation

Exact: True

Monnayage: False

<R688> Raphaëlle Rouzic <1375> Mente Tota (from Vultuum tuum) <1376> Missa Mente tota: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Févin ne fait pas entendre la dernière itération du soggetto (truncation) Févin (quotation) les deux entrées ne sont ni transposées, ni metrically shifted + mesures 95 à 97 le Superius cite le Superius mesures 64 à 66 du modèle For me the truncation don't affect the quotation.

<R689> Raphaëlle Rouzic <1377> Mente Tota (from Vultuum tuum) <1378> Missa Mente tota: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Amplified : a soggetto -> ID Monnayage: of the rhythmic durations

<R690> Raphaëlle Rouzic <1379> Mente Tota (from Vultuum tuum) <1380> Missa Mente tota: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The first duo is an exact quotation, the second is a repetition an octave below.

<R691> Raphaëlle Rouzic <1381> Mente Tota (from Vultuum tuum) <1382> Missa Mente tota: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The first duo is an exact quotation, the second is a repetition an octave below.

<R692> Raphaëlle Rouzic <1383> Mente Tota (from Vultuum tuum) <1384> Missa Mente tota: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The Superius has been transposed and reharmonized

<R693> Raphaëlle Rouzic <1385> Mente Tota (from Vultuum tuum) <1386> Missa Mente tota: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Monnayage: change of rhythmic durations Embellished : New notes in the melody (E at the Superius) Amplified : CD -> NIM

<R694> Raphaëlle Rouzic <1387> Mente Tota (from Vultuum tuum) <1388> Missa Mente tota: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Monnayage: change of rhythmic durations measure 145 at the Tenor (G instead of Bb) Amplified : CD -> NIM

<R695> Raphaëlle Rouzic <1389> Mente Tota (from Vultuum tuum) <1390> Missa Mente tota: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Monnayage: change of rhythmic durations measure 151 at the Tenor (G instead of Bb) Amplified : CD -> NIM

<R696> Damien Bonnec <1391> Quare fremuerunt gentes <1392> Missa Quare fremuerunt gentes: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: The end of the soggetto is not the same (that's why we name that "embellished")

<R697> Damien Bonnec <1393> Quare fremuerunt gentes <1394> Missa Quare fremuerunt gentes: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The middle of the model's soggetto could be cut here in the mass.

<R698> Ian Lorenz <1395> Je suis déshéritée <1396> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R699> Ian Lorenz <1397> Je suis déshéritée <1398> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R700> Ian Lorenz <1399> Je suis déshéritée <1400> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R701> Ian Lorenz <1401> Je suis déshéritée <1402> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R702> Ian Lorenz <1403> Je suis déshéritée <1404> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R703> Ian Lorenz <1405> Je suis déshéritée <1406> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R704> Ian Lorenz <1407> Je suis déshéritée <1408> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R705> Damien Bonnec <1409> Quare fremuerunt gentes <1410> Missa Quare fremuerunt gentes: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The quotation is here, even if it's transformed (some variations, with a mix of embellishment and monneyage)

<R706> Ian Lorenz <1411> Je suis déshéritée <1412> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R707> Ian Lorenz <1413> Je suis déshéritée <1414> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R708> Ian Lorenz <1415> Je suis déshéritée <1416> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R709> Ian Lorenz <1417> Je suis déshéritée <1418> Missa Je suis déshéritée: Credo New material Expand

New material

<R710> Damien Bonnec <1419> Quare fremuerunt gentes <1420> Missa Quare fremuerunt gentes: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

Remarks: In the mass, the contratenor participates in the fuga