CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R509> Ian Lorenz <1017> Je suis déshéritée <1018> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R510> Ian Lorenz <1019> Je suis déshéritée <1020> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R511> Ian Lorenz <1021> Je suis déshéritée <1022> Missa Je suis déshéritée: Gloria New material Expand

New material

<R512> Ian Lorenz <1023> Je suis déshéritée <1024> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R513> Ian Lorenz <1025> Je suis déshéritée <1026> Missa Je suis déshéritée: Gloria New material Expand

New material

<R514> Ian Lorenz <1027> Je suis déshéritée <1028> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: True

New combination: False

<R515> Ian Lorenz <1029> Je suis déshéritée <1030> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R516> Ian Lorenz <1031> Je suis déshéritée <1032> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R517> Ian Lorenz <1033> Je suis déshéritée <1034> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R518> Ian Lorenz <1035> Je suis déshéritée <1036> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R519> Ian Lorenz <1037> Je suis déshéritée <1038> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R520> Ian Lorenz <1039> Je suis déshéritée <1040> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R521> Ian Lorenz <1041> Je suis déshéritée <1042> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R522> Ian Lorenz <1043> Je suis déshéritée <1044> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R523> Ian Lorenz <1045> Je suis déshéritée <1046> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R524> Ian Lorenz <1047> Je suis déshéritée <1048> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R525> Ian Lorenz <1049> Je suis déshéritée <1050> Missa Je suis déshéritée: Gloria New material Expand

New material

<R526> Ian Lorenz <1051> Je suis déshéritée <1052> Missa Je suis déshéritée: Gloria New material Expand

New material

<R527> Ian Lorenz <1053> Je suis déshéritée <1054> Missa Je suis déshéritée: Gloria New material Expand

New material

<R528> Ian Lorenz <1055> Je suis déshéritée <1056> Missa Je suis déshéritée: Gloria New material Expand

New material

<R529> Ian Lorenz <1057> Je suis déshéritée <1058> Missa Je suis déshéritée: Gloria New material Expand

New material

<R530> Ian Lorenz <1059> Je suis déshéritée <1060> Missa Je suis déshéritée: Gloria New material Expand

New material

<R531> Ian Lorenz <1061> Je suis déshéritée <1062> Missa Je suis déshéritée: Gloria New material Expand

New material

<R532> Ian Lorenz <1063> Je suis déshéritée <1064> Missa Je suis déshéritée: Gloria New material Expand

New material

<R533> Ian Lorenz <1065> Je suis déshéritée <1066> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R534> Ian Lorenz <1067> Je suis déshéritée <1068> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R535> Ian Lorenz <1069> Je suis déshéritée <1070> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R536> Ian Lorenz <1071> Je suis déshéritée <1072> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R537> Manon Manfredi <1073> Tota pulchra es <1074> Missa Tota pulchra es: Sanctus Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: Si ces cadences sont à relever c'est parce qu'elles sont présentées à la fin de la même section.

<R538> Manon Manfredi <1075> Tota pulchra es <1076> Missa Tota pulchra es: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: Le superius du modèle est transposé à l'octave inférieure dans la messe. les voix sont échangées dans la messe superius = C et ténor = G, dans le modèle superius = G ténor = C.

<R539> Manon Manfredi <1077> Tota pulchra es <1078> Missa Tota pulchra es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Ténor transposé à l'octave

<R540> Manon Manfredi <1079> Tota pulchra es <1080> Missa Tota pulchra es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Amplified pour la forme 7 entrées pour la messe contre 5 dans le modèle. reduced car il manque pour chaque entrée la tête du motif. cette fuga est tuilé avec la précédente qui est la citation du modèle mesure 82. certaines voix transposées à l'octave inférieure.

<R541> Raphaëlle Rouzic <1081> Mente Tota (from Vultuum tuum) <1082> Missa Mente tota: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R542> Raphaëlle Rouzic <1083> Mente Tota (from Vultuum tuum) <1084> Missa Mente tota: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Omission of the ConterSubject if we take it as the base of the Relationship

<R543> Raphaëlle Rouzic <1085> Mente Tota (from Vultuum tuum) <1086> Missa Mente tota: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R544> Raphaëlle Rouzic <1087> Mente Tota (from Vultuum tuum) <1088> Missa Mente tota: Kyrie New material Expand

New material

<R545> Raphaëlle Rouzic <1089> Mente Tota (from Vultuum tuum) <1090> Missa Mente tota: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R546> Raphaëlle Rouzic <1091> Mente Tota (from Vultuum tuum) <1092> Missa Mente tota: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R547> Raphaëlle Rouzic <1093> Mente Tota (from Vultuum tuum) <1094> Missa Mente tota: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R548> Raphaëlle Rouzic <1095> Mente Tota (from Vultuum tuum) <1096> Missa Mente tota: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R549> Raphaëlle Rouzic <1097> Mente Tota (from Vultuum tuum) <1098> Missa Mente tota: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R550> Raphaëlle Rouzic <1099> Mente Tota (from Vultuum tuum) <1100> Missa Mente tota: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Instead of three motifs there is just one motif in sequencial imitation

<R551> Manon Manfredi <1101> Tota pulchra es <1102> Missa Tota pulchra es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Quotation exact du soggetto mais truncated car ce n'est plus une ID il manque un départ sur G.

<R552> Manon Manfredi <1103> Tota pulchra es <1104> Missa Tota pulchra es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R553> Raphaëlle Rouzic <1105> Mente Tota (from Vultuum tuum) <1106> Missa Mente tota: Kyrie Quotation Expand

Quotation

Exact: True

Monnayage: False

<R554> Manon Manfredi <1107> Tota pulchra es <1108> Missa Tota pulchra es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R555> Manon Manfredi <1109> Tota pulchra es <1110> Missa Tota pulchra es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R556> Anne Nautré <1111> Susanne un jour <1112> Missa Susanne un jour: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: La valeur rythmique de la première note est inégale dans les entrées de la chanson, mais égale dans les entrées du Credo.

<R557> Scott Troyer <1113> Baisez moy <1114> Tota pulchra es Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: TEST

<R558> Scott Troyer <1115> Baisez moy <1116> Tota pulchra es Omission Expand

Omission

<R559> Anne Nautré <1117> Susanne un jour <1118> Missa Susanne un jour: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Le Nim de la chanson (deux couples) est présenté une troisième fois dans la messe : sujet au tenor (troisième entrée de la fugue), contre-sujet tronqué au bassus.

<R560> Anne Nautré <1119> Susanne un jour <1120> Missa Susanne un jour: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R561> Anne Nautré <1121> Susanne un jour <1122> Missa Susanne un jour: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Du Nim de la chanson, Lassus conserve uniquement l'imitation du contre-sujet. Ce motif peut être perçu comme le nouveau sogetto dans la messe.

<R562> Anne Nautré <1123> Susanne un jour <1124> Missa Susanne un jour: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R563> Manon Manfredi <1125> O gente brunette <1126> Missa O gente brunette: Kyrie Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R564> Raphaëlle Rouzic <1127> Mente Tota (from Vultuum tuum) <1128> Missa Mente tota: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

<R565> Anne Nautré <1129> Susanne un jour <1130> Missa Susanne un jour: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Le contresujet de la chanson est traité en PEn dans le credo.

<R566> Anne Nautré <1131> Susanne un jour <1132> Missa Susanne un jour: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Motif mélodique de la chanson de Lupi traité en fugue dans le credo.

<R567> Anne Nautré <1133> Susanne un jour <1134> Missa Susanne un jour: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: Quotation monnayage: valeurs rythmiques légèrement modifiées. Trans mech: la voix de Q dans la chanson est chanté au B dans la messe

<R568> Manon Manfredi <1135> O gente brunette <1136> Missa O gente brunette: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R569> Manon Manfredi <1137> O gente brunette <1138> Missa O gente brunette: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R570> Anne Nautré <1139> Susanne un jour <1140> Missa Susanne un jour: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Dans la chanson, le motif et son renversement sont entendus simultanément, en homorythmie ; dans la messe, ils sont décalés, car traités en fugue, et transposés.

<R571> Manon Manfredi <1141> O gente brunette <1142> Missa O gente brunette: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R572> Manon Manfredi <1143> O gente brunette <1144> Missa O gente brunette: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R573> Manon Manfredi <1145> O gente brunette <1146> Missa O gente brunette: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R574> Manon Manfredi <1147> O gente brunette <1148> Missa O gente brunette: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Embellished pour les soggetti Sinon l'HR n'est plus à quatre voix elle est d'abord à trois voix puis deux par deux.

<R575> Manon Manfredi <1149> O gente brunette <1150> Missa O gente brunette: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Dans le modèle de Champion la section est répétée à l'identique, cette même section reprise dans la messe, est elle aussi répétée à l'identique mais elle est truncated puisque seulement les deux premières mesures sont reprises.

<R576> Manon Manfredi <1151> O gente brunette <1152> Missa O gente brunette: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

<R577> Manon Manfredi <1153> O gente brunette <1154> Missa O gente brunette: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

<R578> Max Le Mée <1155> Vidi speciosam <1156> Missa Vidi speciosam: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The first duo of the mass contains an anticipation of the countersubject in the soggetto, making it embellished and amplified at the same time.

<R579> Max Le Mée <1157> Vidi speciosam <1158> Missa Vidi speciosam: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R580> Max Le Mée <1159> Vidi speciosam <1160> Missa Vidi speciosam: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R581> Manon Manfredi <1161> O gente brunette <1162> Missa O gente brunette: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Amplified pour la forme Embellished pour les motifs

<R582> Manon Manfredi <1163> O gente brunette <1164> Missa O gente brunette: Sanctus Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R583> Manon Manfredi <1165> O gente brunette <1166> Missa O gente brunette: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

<R584> Anne Nautré <1167> Susanne un jour <1168> Missa Susanne un jour: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: True

<R585> Manon Manfredi <1169> O gente brunette <1170> Missa O gente brunette: Sanctus Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Quotation monnayage transposed, pour le soggetto du superius. La fugue est Amplified

<R586> Anne Nautré <1171> Susanne un jour <1172> Missa Susanne un jour: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Le bicinium de la chanson (SA m.50-53) est tronqué dans la messe, et amplifié rythmiquement à partir de la moitié. La voix de Q dans la chanson est passée au B dans la messe.

<R587> Anne Nautré <1173> Susanne un jour <1174> Missa Susanne un jour: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Transformation embellished: la voix de T est issue de la voix de Q dans la chanson mais est très ornée dans la messe. Transformation amplified: le milieu de la citation (do-sib au S, chanson m.50) est divisée par deux rythmiquement, à toutes les voix.

<R588> Anne Nautré <1175> Susanne un jour <1176> Missa Susanne un jour: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R589> Max Le Mée <1177> Baisez moy <1178> Missa Baisez moy: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: It hurts me not to point out an exact quotation: a very slight embellishment at Contra and Discantus, and the contra finishing on E prevents me from that. For now, I do not consider it is a change of voice role, for they are all in 'the same order'and the same heights.

<R590> Max Le Mée <1179> Baisez moy <1180> Missa Baisez moy: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: The soggetto is slightly embellished. For this reason, I indicate a quotation with monnayage, but also an embellishment.

<R591> Max Le Mée <1181> Baisez moy <1182> Missa Baisez moy: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

<R592> Max Le Mée <1183> Baisez moy <1184> Missa Baisez moy: Kyrie New material Expand

New material

Remarks: Here, the Barriton provides an accompaniement to the other voices, without citing the model.

<R593> Max Le Mée <1185> Baisez moy <1186> Missa Baisez moy: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Two entries are missing in the mass, ut it is still a quotation of the other voices.

<R594> Damien Bonnec <1187> Quare fremuerunt gentes <1188> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R595> Damien Bonnec <1189> Quare fremuerunt gentes <1190> Missa Quare fremuerunt gentes: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R596> Damien Bonnec <1191> Quare fremuerunt gentes <1192> Missa Quare fremuerunt gentes: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R597> Raphaëlle Rouzic <1193> Mente Tota (from Vultuum tuum) <1194> Missa Mente tota: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: We can also see (at the four first notes of the Altus voice) the structural tones of the melody (measures 36-40 of the model)

<R598> Damien Bonnec <1195> Quare fremuerunt gentes <1196> Missa Quare fremuerunt gentes: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R599> Damien Bonnec <1197> Quare fremuerunt gentes <1198> Missa Quare fremuerunt gentes: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Omission, in the mass, of the most flexed entries of this model's fuga

<R600> Raphaëlle Rouzic <1199> Mente Tota (from Vultuum tuum) <1200> Missa Mente tota: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Reduced: measure 32: Bassus: the repetition of the G note has been omitted

<R601> Damien Bonnec <1201> Quare fremuerunt gentes <1202> Missa Quare fremuerunt gentes: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R603> Raphaëlle Rouzic <1205> Mente Tota (from Vultuum tuum) <1206> Missa Mente tota: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Tenor of the Motet is used as the Superius of the Mass. Both treated as HR.

<R604> Damien Bonnec <1207> Quare fremuerunt gentes <1208> Missa Quare fremuerunt gentes: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: This exact quotation concerns only the head of the soggetto. The quotation of the bassus extends a little more, quite embellished

<R605> Raphaëlle Rouzic <1209> Mente Tota (from Vultuum tuum) <1210> Missa Mente tota: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R606> Damien Bonnec <1211> Quare fremuerunt gentes <1212> Missa Quare fremuerunt gentes: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R607> Damien Bonnec <1213> Quare fremuerunt gentes <1214> Missa Quare fremuerunt gentes: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Remarks: In the mass, voices are less strict than in the model. Also, contratenor and second tenor are shorter.

<R608> Ian Lorenz <1215> Je suis déshéritée <1216> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R609> Ian Lorenz <1217> Je suis déshéritée <1218> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True