CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R405> Alessandra Ignesti <809> Veni sponsa Christi <810> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R406> Manon Manfredi <811> Tota pulchra es <812> Missa Tota pulchra es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: La citaiton du superius du modèle va jusqu'a la mesure 59 de la messe, elle est embellished.

<R407> Alessandra Ignesti <813> Veni sponsa Christi <814> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R408> Alessandra Ignesti <815> Veni sponsa Christi <816> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R409> Ian Lorenz <817> Je suis déshéritée <818> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R410> Ian Lorenz <819> Je suis déshéritée <820> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R411> Damien Bonnec <821> Quare fremuerunt gentes <822> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R412> Ian Lorenz <823> Je suis déshéritée <824> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Time interval has shifted from the model to the mass. Dovetail voice in new relation to cadence.

<R413> Damien Bonnec <825> Quare fremuerunt gentes <826> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: True

New combination: False

Remarks: Entries are closer in the mass

<R414> Ian Lorenz <827> Je suis déshéritée <828> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R415> Damien Bonnec <829> Quare fremuerunt gentes <830> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R416> Damien Bonnec <831> Quare fremuerunt gentes <832> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R417> Ian Lorenz <833> Je suis déshéritée <834> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Soggetto in model is now a Fuga in the mass

<R418> Damien Bonnec <835> Quare fremuerunt gentes <836> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R419> Ian Lorenz <837> Je suis déshéritée <838> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R420> Damien Bonnec <839> Quare fremuerunt gentes <840> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R421> Damien Bonnec <841> Quare fremuerunt gentes <842> Missa Quare fremuerunt gentes: Kyrie Quotation Expand

Quotation

Exact: True

Monnayage: False

<R424> Max Le Mée <847> Vidi speciosam <848> Missa Vidi speciosam: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R425> Max Le Mée <849> Vidi speciosam <850> Missa Vidi speciosam: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R426> Max Le Mée <851> Vidi speciosam <852> Missa Vidi speciosam: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R427> Damien Bonnec <853> Quare fremuerunt gentes <854> Missa Quare fremuerunt gentes: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R428> Damien Bonnec <855> Quare fremuerunt gentes <856> Missa Quare fremuerunt gentes: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R430> Manon Manfredi <859> Tota pulchra es <860> Missa Tota pulchra es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: On peut aussi dire truncated puisque ce soggetto fait partie d'une HR qui n'existe plus dans la messe. (les autres voix de l'HR sont retirées).

<R431> Manon Manfredi <861> Tota pulchra es <862> Missa Tota pulchra es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: On peut aussi dire truncated puisque ce soggetto fait partie d'une HR qui n'existe plus dans la messe. (les autres voix de l'HR sont retirées).

<R432> Manon Manfredi <863> Tota pulchra es <864> Missa Tota pulchra es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Il manque dans la messe la fin du motif.

<R433> Manon Manfredi <865> Tota pulchra es <866> Missa Tota pulchra es: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: True

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Peut-être un peu d'extrapolation, mais c'est un peu léger pour être considéré comme un "New material", mais il y a quand même un schéma musical à relever.

<R434> Damien Bonnec <867> Quare fremuerunt gentes <868> Missa Quare fremuerunt gentes: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R435> Manon Manfredi <869> Tota pulchra es <870> Missa Tota pulchra es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R436> Manon Manfredi <871> Tota pulchra es <872> Missa Tota pulchra es: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R437> Manon Manfredi <873> Tota pulchra es <874> Missa Tota pulchra es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R438> Manon Manfredi <875> Tota pulchra es <876> Missa Tota pulchra es: Sanctus Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: Quotaion exact de la voix de ténor, et transposé à l'octave de la voix de superius.

<R439> Manon Manfredi <877> Tota pulchra es <878> Missa Tota pulchra es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R440> Manon Manfredi <879> Tota pulchra es <880> Missa Tota pulchra es: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: transposé à l'octave par rapport au supérius du modèle

<R441> Manon Manfredi <881> Tota pulchra es <882> Missa Tota pulchra es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: même nombre d'entrées, sur les mêmes notes, seulement l'ordre des entrées et les intervalles de temps qui changent.

<R442> Alexis Risler <883> Benedicta es <884> Missa Benedicta es: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R444> Scott Troyer <887> O gente brunette <888> Missa O gente brunette: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R445> Scott Troyer <889> O gente brunette <890> Missa O gente brunette: Gloria Quotation Expand

Quotation

Exact: True

Monnayage: False

<R446> Scott Troyer <891> O gente brunette <892> Missa O gente brunette: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Also: Transposed

<R447> Scott Troyer <893> O gente brunette <894> Missa O gente brunette: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R448> Scott Troyer <895> O gente brunette <896> Missa O gente brunette: Gloria New material Expand

New material

<R449> Scott Troyer <897> O gente brunette <898> Missa O gente brunette: Gloria New material Expand

New material

<R450> Scott Troyer <899> O gente brunette <900> Missa O gente brunette: Gloria New material Expand

New material

<R451> Scott Troyer <901> O gente brunette <902> Missa O gente brunette: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R452> Scott Troyer <903> O gente brunette <904> Missa O gente brunette: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R453> Scott Troyer <905> O gente brunette <906> Missa O gente brunette: Gloria New material Expand

New material

<R454> Scott Troyer <907> O gente brunette <908> Missa O gente brunette: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R455> Scott Troyer <909> O gente brunette <910> Missa O gente brunette: Gloria New material Expand

New material

<R456> Scott Troyer <911> O gente brunette <912> Missa O gente brunette: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R457> Scott Troyer <913> O gente brunette <914> Missa O gente brunette: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R458> Scott Troyer <915> O gente brunette <916> Missa O gente brunette: Gloria New material Expand

New material

<R459> Scott Troyer <917> O gente brunette <918> Missa O gente brunette: Gloria New material Expand

New material

<R460> Scott Troyer <919> O gente brunette <920> Missa O gente brunette: Gloria New material Expand

New material

<R461> Scott Troyer <921> O gente brunette <922> Missa O gente brunette: Gloria New material Expand

New material

<R462> Scott Troyer <923> O gente brunette <924> Missa O gente brunette: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R463> Ian Lorenz <925> Je suis déshéritée <926> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R464> Ian Lorenz <927> Je suis déshéritée <928> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R465> Ian Lorenz <929> Je suis déshéritée <930> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R466> Ian Lorenz <931> Je suis déshéritée <932> Missa Je suis déshéritée: Gloria New material Expand

New material

<R467> Ian Lorenz <933> Je suis déshéritée <934> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R468> Ian Lorenz <935> Je suis déshéritée <936> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R469> Ian Lorenz <937> Je suis déshéritée <938> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R470> Ian Lorenz <939> Je suis déshéritée <940> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R471> Ian Lorenz <941> Je suis déshéritée <942> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R472> Ian Lorenz <943> Je suis déshéritée <944> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R473> Ian Lorenz <945> Je suis déshéritée <946> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Remarks: Cadence in the model turns into an evasion of that cadence at this point in the mass

<R474> Ian Lorenz <947> Je suis déshéritée <948> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R475> Ian Lorenz <949> Je suis déshéritée <950> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R476> Ian Lorenz <951> Je suis déshéritée <952> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R477> Ian Lorenz <953> Je suis déshéritée <954> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R478> Ian Lorenz <955> Je suis déshéritée <956> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R479> Ian Lorenz <957> Je suis déshéritée <958> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R480> Ian Lorenz <959> Je suis déshéritée <960> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R481> Ian Lorenz <961> Je suis déshéritée <962> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R482> Ian Lorenz <963> Je suis déshéritée <964> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R483> Ian Lorenz <965> Je suis déshéritée <966> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: The opening two Soggetti of the tenor in the model are used on top of one another in the mass to form a new combination

<R484> Ian Lorenz <967> Je suis déshéritée <968> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R485> Ian Lorenz <969> Je suis déshéritée <970> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R486> Ian Lorenz <971> Je suis déshéritée <972> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R487> Ian Lorenz <973> Je suis déshéritée <974> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: True

New combination: False

<R488> Ian Lorenz <975> Je suis déshéritée <976> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R489> Ian Lorenz <977> Je suis déshéritée <978> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Material around Soggetto is the final phrase of the model in which Cadéac repeats the final bars. Gombert seems to include this repetition only in a three-voice context with different counterpoint

<R490> Ian Lorenz <979> Je suis déshéritée <980> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R491> Ian Lorenz <981> Je suis déshéritée <982> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R492> Ian Lorenz <983> Je suis déshéritée <984> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: 3-voice Fuga within a 3-voice NIm

<R493> Ian Lorenz <985> Je suis déshéritée <986> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R494> Ian Lorenz <987> Je suis déshéritée <988> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R495> Ian Lorenz <989> Je suis déshéritée <990> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R496> Ian Lorenz <991> Je suis déshéritée <992> Missa Je suis déshéritée: Gloria New material Expand

New material

<R497> Ian Lorenz <993> Je suis déshéritée <994> Missa Je suis déshéritée: Gloria New material Expand

New material

<R498> Ian Lorenz <995> Je suis déshéritée <996> Missa Je suis déshéritée: Gloria New material Expand

New material

<R499> Ian Lorenz <997> Je suis déshéritée <998> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R500> Ian Lorenz <999> Je suis déshéritée <1000> Missa Je suis déshéritée: Gloria New material Expand

New material

<R501> Ian Lorenz <1001> Je suis déshéritée <1002> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R502> Ian Lorenz <1003> Je suis déshéritée <1004> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R503> Ian Lorenz <1005> Je suis déshéritée <1006> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R504> Ian Lorenz <1007> Je suis déshéritée <1008> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R505> Ian Lorenz <1009> Je suis déshéritée <1010> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R506> Ian Lorenz <1011> Je suis déshéritée <1012> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R507> Ian Lorenz <1013> Je suis déshéritée <1014> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R508> Ian Lorenz <1015> Je suis déshéritée <1016> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False