CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R401> Manon Manfredi <801> Tota pulchra es <802> Missa Tota pulchra es: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R402> Manon Manfredi <803> Tota pulchra es <804> Missa Tota pulchra es: Gloria Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R403> Alessandra Ignesti <805> Veni sponsa Christi <806> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R404> Alessandra Ignesti <807> Veni sponsa Christi <808> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R405> Alessandra Ignesti <809> Veni sponsa Christi <810> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R406> Manon Manfredi <811> Tota pulchra es <812> Missa Tota pulchra es: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: La citaiton du superius du modèle va jusqu'a la mesure 59 de la messe, elle est embellished.

<R407> Alessandra Ignesti <813> Veni sponsa Christi <814> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R408> Alessandra Ignesti <815> Veni sponsa Christi <816> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R409> Ian Lorenz <817> Je suis déshéritée <818> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R410> Ian Lorenz <819> Je suis déshéritée <820> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R411> Damien Bonnec <821> Quare fremuerunt gentes <822> Missa Quare fremuerunt gentes: Kyrie Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R412> Ian Lorenz <823> Je suis déshéritée <824> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Time interval has shifted from the model to the mass

<R413> Damien Bonnec <825> Quare fremuerunt gentes <826> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Entries are closer in the mass

<R414> Ian Lorenz <827> Je suis déshéritée <828> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R415> Damien Bonnec <829> Quare fremuerunt gentes <830> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R416> Damien Bonnec <831> Quare fremuerunt gentes <832> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R417> Ian Lorenz <833> Je suis déshéritée <834> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Soggetto in model is now a Fuga in the mass

<R418> Damien Bonnec <835> Quare fremuerunt gentes <836> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R419> Ian Lorenz <837> Je suis déshéritée <838> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R420> Damien Bonnec <839> Quare fremuerunt gentes <840> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R421> Damien Bonnec <841> Quare fremuerunt gentes <842> Missa Quare fremuerunt gentes: Kyrie Quotation Expand

Quotation

Exact: True

Monnayage: False

<R422> Anne Nautré <843> Susanne un jour <844> Missa Susanne un jour: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: Le matériau polyphonique du modèle est cité aux cinq voix, avec quelques modifications rythmiques.

<R423> Anne Nautré <845> Susanne un jour <846> Missa Susanne un jour: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: Citation aux 5 voix du matériau polyphonique de la chanson. Quelques légères modifications rythmiques à l’intérieur des voix, liées au placement du texte.

<R424> Max Le Mée <847> Vidi speciosam <848> Missa Vidi speciosam: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R425> Max Le Mée <849> Vidi speciosam <850> Missa Vidi speciosam: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: True

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R426> Max Le Mée <851> Vidi speciosam <852> Missa Vidi speciosam: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R427> Damien Bonnec <853> Quare fremuerunt gentes <854> Missa Quare fremuerunt gentes: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R428> Damien Bonnec <855> Quare fremuerunt gentes <856> Missa Quare fremuerunt gentes: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R429> Damien Bonnec <857> Quare fremuerunt gentes <858> Missa Quare fremuerunt gentes: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R430> Manon Manfredi <859> Tota pulchra es <860> Missa Tota pulchra es: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: On peut aussi dire truncated puisque ce soggetto fait partie d'une HR qui n'existe plus dans la messe. (les autres voix de l'HR sont retirées).

<R431> Manon Manfredi <861> Tota pulchra es <862> Missa Tota pulchra es: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: On peut aussi dire truncated puisque ce soggetto fait partie d'une HR qui n'existe plus dans la messe. (les autres voix de l'HR sont retirées).

<R432> Manon Manfredi <863> Tota pulchra es <864> Missa Tota pulchra es: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Il manque dans la messe la fin du motif.

<R433> Manon Manfredi <865> Tota pulchra es <866> Missa Tota pulchra es: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: True

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Peut-être un peu d'extrapolation, mais c'est un peu léger pour être considéré comme un "New material", mais il y a quand même un schéma musical à relever.

<R434> Damien Bonnec <867> Quare fremuerunt gentes <868> Missa Quare fremuerunt gentes: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R435> Manon Manfredi <869> Tota pulchra es <870> Missa Tota pulchra es: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R436> Manon Manfredi <871> Tota pulchra es <872> Missa Tota pulchra es: Gloria Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R437> Manon Manfredi <873> Tota pulchra es <874> Missa Tota pulchra es: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R438> Manon Manfredi <875> Tota pulchra es <876> Missa Tota pulchra es: Sanctus Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Quotaion exact de la voix de ténor, et transposé à l'octave de la voix de superius.

<R439> Manon Manfredi <877> Tota pulchra es <878> Missa Tota pulchra es: Sanctus Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R440> Manon Manfredi <879> Tota pulchra es <880> Missa Tota pulchra es: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: transposé à l'octave par rapport au supérius du modèle

<R441> Manon Manfredi <881> Tota pulchra es <882> Missa Tota pulchra es: Sanctus None Expand

Relationship

Remarks: même nombre d'entrées, sur les mêmes notes, seulement l'ordre des entrées et les intervalles de temps qui changent.

<R442> Alexis Risler <883> Benedicta es <884> Missa Benedicta es: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R443> Anne Nautré <885> Susanne un jour <886> Missa Susanne un jour: Gloria New material Expand

New material

Remarks: Transformation truncated: concerne le sogetto à S, qui dans la messe s'arrête sur le la avec le motif d'imitation (see assertion) et ne fait pas entendre la fin du motif de la chanson, ré-ré-sib (m.30-31). La fuga sur le motif rythmique peut être considéré comme un new material car il n'est pas issu de la chanson.Ce new material sert de jonction entre les deux citations polyphoniques "elle leur dit" et "de ce corps mien", et se dissout dans cette seconde citation. La relationship omission semble pertinente car le compositeur évacue clairement le passage "par deloyauté" pour le remplacer par la fuga.

<R444> Scott Troyer <887> O gente brunette <888> Missa O gente brunette: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R445> Scott Troyer <889> O gente brunette <890> Missa O gente brunette: Gloria Quotation Expand

Quotation

Exact: True

Monnayage: False

<R446> Scott Troyer <891> O gente brunette <892> Missa O gente brunette: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R447> Scott Troyer <893> O gente brunette <894> Missa O gente brunette: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R448> Scott Troyer <895> O gente brunette <896> Missa O gente brunette: Gloria New material Expand

New material

<R449> Scott Troyer <897> O gente brunette <898> Missa O gente brunette: Gloria New material Expand

New material

<R450> Scott Troyer <899> O gente brunette <900> Missa O gente brunette: Gloria New material Expand

New material

<R451> Scott Troyer <901> O gente brunette <902> Missa O gente brunette: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R452> Scott Troyer <903> O gente brunette <904> Missa O gente brunette: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R453> Scott Troyer <905> O gente brunette <906> Missa O gente brunette: Gloria New material Expand

New material

<R454> Scott Troyer <907> O gente brunette <908> Missa O gente brunette: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R455> Scott Troyer <909> O gente brunette <910> Missa O gente brunette: Gloria New material Expand

New material

<R456> Scott Troyer <911> O gente brunette <912> Missa O gente brunette: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R457> Scott Troyer <913> O gente brunette <914> Missa O gente brunette: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R458> Scott Troyer <915> O gente brunette <916> Missa O gente brunette: Gloria New material Expand

New material

<R459> Scott Troyer <917> O gente brunette <918> Missa O gente brunette: Gloria New material Expand

New material

<R460> Scott Troyer <919> O gente brunette <920> Missa O gente brunette: Gloria New material Expand

New material

<R461> Scott Troyer <921> O gente brunette <922> Missa O gente brunette: Gloria New material Expand

New material

<R462> Scott Troyer <923> O gente brunette <924> Missa O gente brunette: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R463> Ian Lorenz <925> Je suis déshéritée <926> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R464> Ian Lorenz <927> Je suis déshéritée <928> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R465> Ian Lorenz <929> Je suis déshéritée <930> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R466> Ian Lorenz <931> Je suis déshéritée <932> Missa Je suis déshéritée: Gloria New material Expand

New material

<R467> Ian Lorenz <933> Je suis déshéritée <934> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R468> Ian Lorenz <935> Je suis déshéritée <936> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R469> Ian Lorenz <937> Je suis déshéritée <938> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R470> Ian Lorenz <939> Je suis déshéritée <940> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R471> Ian Lorenz <941> Je suis déshéritée <942> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: True

Monnayage: False

<R472> Ian Lorenz <943> Je suis déshéritée <944> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R473> Ian Lorenz <945> Je suis déshéritée <946> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Remarks: Cadence in the model turns into an evasion of that cadence at this point in the mass

<R474> Ian Lorenz <947> Je suis déshéritée <948> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R475> Ian Lorenz <949> Je suis déshéritée <950> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R476> Ian Lorenz <951> Je suis déshéritée <952> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R477> Ian Lorenz <953> Je suis déshéritée <954> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R478> Ian Lorenz <955> Je suis déshéritée <956> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R479> Ian Lorenz <957> Je suis déshéritée <958> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R480> Ian Lorenz <959> Je suis déshéritée <960> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R481> Ian Lorenz <961> Je suis déshéritée <962> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R482> Ian Lorenz <963> Je suis déshéritée <964> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R483> Ian Lorenz <965> Je suis déshéritée <966> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: The opening two Soggetti of the tenor in the model are used on top of one another in the mass to form a new combination

<R484> Ian Lorenz <967> Je suis déshéritée <968> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R485> Ian Lorenz <969> Je suis déshéritée <970> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R486> Ian Lorenz <971> Je suis déshéritée <972> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R487> Ian Lorenz <973> Je suis déshéritée <974> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R488> Ian Lorenz <975> Je suis déshéritée <976> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R489> Ian Lorenz <977> Je suis déshéritée <978> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Material around Soggetto is the final phrase of the model in which Cadéac repeats the final bars. Gombert seems to include this repetition only in a three-voice context with different counterpoint

<R490> Ian Lorenz <979> Je suis déshéritée <980> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R491> Ian Lorenz <981> Je suis déshéritée <982> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R492> Ian Lorenz <983> Je suis déshéritée <984> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: 3-voice Fuga within a 3-voice NIm

<R493> Ian Lorenz <985> Je suis déshéritée <986> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R494> Ian Lorenz <987> Je suis déshéritée <988> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R495> Ian Lorenz <989> Je suis déshéritée <990> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R496> Ian Lorenz <991> Je suis déshéritée <992> Missa Je suis déshéritée: Gloria New material Expand

New material

<R497> Ian Lorenz <993> Je suis déshéritée <994> Missa Je suis déshéritée: Gloria New material Expand

New material

<R498> Ian Lorenz <995> Je suis déshéritée <996> Missa Je suis déshéritée: Gloria New material Expand

New material

<R499> Ian Lorenz <997> Je suis déshéritée <998> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R500> Ian Lorenz <999> Je suis déshéritée <1000> Missa Je suis déshéritée: Gloria New material Expand

New material