CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R142> Max Le Mée <289> Vidi speciosam <290> Missa Vidi speciosam: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R144> Max Le Mée <293> Vidi speciosam <294> Missa Vidi speciosam: Gloria New material Expand

New material

<R478> Max Le Mée <973> Vidi speciosam <974> Missa Vidi speciosam: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R98> Max Le Mée <199> Vidi speciosam <200> Missa Vidi speciosam: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: I consider that the CAD is a quotation. The huge Fg of the model is severely truncated in the mass.

<R96> Max Le Mée <195> Vidi speciosam <196> Missa Vidi speciosam: Credo New material Expand

New material

Remarks: I deem the HR on 'Iesum Christum' important enough to be noticed as New Material.

<R76> Max Le Mée <153> Vidi speciosam <154> Missa Vidi speciosam: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R77> Max Le Mée <155> Vidi speciosam <156> Missa Vidi speciosam: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R78> Max Le Mée <157> Vidi speciosam <158> Missa Vidi speciosam: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The 'answer' of the ID, in the model, is turned into a soggetto, repeated in the mass as a countrapuntal block duplicated at contra and bassus.

<R81> Max Le Mée <163> Vidi speciosam <164> Missa Vidi speciosam: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: It is truncated for the fuga becomes a NIM, so that the soggetto is only used twice in the mass. It is amplified for the little CAD becomes overlapping CAD, based on a NIM.

<R100> Max Le Mée <203> Vidi speciosam <204> Missa Vidi speciosam: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The fuga becomes an ID, is it a truncation, a new combination?... The Mechanical Transformation is for the CAD.

<R104> Max Le Mée <211> Vidi speciosam <212> Missa Vidi speciosam: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: The 'main soggetto' is turned into an HR, and developed into a fuga.

<R106> Max Le Mée <215> Vidi speciosam <216> Missa Vidi speciosam: Credo Omission Expand

Omission

Remarks: It looks like this New Material replaces 'de super rivos aquarum', which is omited.

<R105> Max Le Mée <213> Vidi speciosam <214> Missa Vidi speciosam: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R149> Max Le Mée <303> Vidi speciosam <304> Missa Vidi speciosam: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: Some added entries to both the modules that I do not take into account.

<R107> Max Le Mée <217> Vidi speciosam <218> Missa Vidi speciosam: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: I also indicate a truncation for all the fuga accompanying the Duo in the model is not present in the mass.

<R390> Scott Troyer <794> O gente brunette <795> Missa O gente brunette: Gloria Quotation Expand

Quotation

Exact: True

Monnayage: False

<R391> Scott Troyer <796> O gente brunette <797> Missa O gente brunette: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R392> Scott Troyer <798> O gente brunette <799> Missa O gente brunette: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R320> Scott Troyer <651> O gente brunette <652> Missa O gente brunette: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: The bassus retains the melodic motion presented in the earlier quotation of this passage (5-). This quotation is a transposition of the earlier quotation of the same passage (4-).

<R319> Scott Troyer <649> O gente brunette <650> Missa O gente brunette: Kyrie New material Expand

New material