CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R301> Manon Manfredi <601> Tota pulchra es <602> Missa Tota pulchra es: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R302> Alessandra Ignesti <603> Veni sponsa Christi <604> Missa Veni sponsa Christi: Kyrie New material Expand

New material

<R303> Manon Manfredi <605> Tota pulchra es <606> Missa Tota pulchra es: Agnus Dei Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R304> Anne Nautré <607> Susanne un jour <608> Missa Susanne un jour: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R305> Manon Manfredi <609> Tota pulchra es <610> Missa Tota pulchra es: Kyrie None Expand

Relationship

Remarks: L'ID du modèle devient une fugue dans la messe.

<R306> Alessandra Ignesti <611> Veni sponsa Christi <612> Missa Veni sponsa Christi: Kyrie New material Expand

New material

<R307> Alessandra Ignesti <613> Veni sponsa Christi <614> Missa Veni sponsa Christi: Kyrie New material Expand

New material

<R308> Alessandra Ignesti <615> Veni sponsa Christi <616> Missa Veni sponsa Christi: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R309> Alessandra Ignesti <617> Veni sponsa Christi <618> Missa Veni sponsa Christi: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R310> Scott Troyer <619> O gente brunette <620> Missa O gente brunette: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: The soggetto from the model has been transformed into an ID in the mass.

<R311> Scott Troyer <621> O gente brunette <622> Missa O gente brunette: Kyrie Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: The contrapuntal duo in the model is transformed into a PEn in the mass. The first entry has been transposed up a second to accommodate the transformation.

<R312> Alessandra Ignesti <623> Veni sponsa Christi <624> Missa Veni sponsa Christi: Gloria New material Expand

New material

Remarks: The soggetto of the PEn bears a slight resemblance with the head of the soggetto Veni sponsa (Cantus, bars 7-8), but this did not seem enough to establish a relation between the two.

<R313> Alessandra Ignesti <625> Veni sponsa Christi <626> Missa Veni sponsa Christi: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R314> Alessandra Ignesti <627> Veni sponsa Christi <628> Missa Veni sponsa Christi: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R315> Alessandra Ignesti <629> Veni sponsa Christi <630> Missa Veni sponsa Christi: Gloria None Expand

Relationship

<R316> Alessandra Ignesti <631> Veni sponsa Christi <632> Missa Veni sponsa Christi: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R317> Manon Manfredi <633> Tota pulchra es <634> Missa Tota pulchra es: Kyrie Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: True

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Embellished: pour la voix de superius Exact: pour la voix de ténor qui cite la basse du modèle. Reduced: pour la voix d'alto et de basse.

<R318> Manon Manfredi <635> Tota pulchra es <636> Missa Tota pulchra es: Kyrie Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Amplified pour la forme puisque la fugue du modèle à quatre entrées devient une fugue à sept entrées dans la messe. et truncated pour la mélodie de la fugue qui supprime le ré.

<R319> Anne Nautré <637> Susanne un jour <638> Missa Susanne un jour: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R320> Manon Manfredi <639> Tota pulchra es <640> Missa Tota pulchra es: Kyrie Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R321> Anne Nautré <641> Susanne un jour <642> Missa Susanne un jour: Gloria Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Quotation exact: première présentation du module dans la messe, m.94-97. Transformation amplified: le module de la chanson est entendu trois fois dans la messe. Transformation truncated: la voix de Q qui accompagne le duo dans la chanson, n'est pas présent dans les deuxième et troisième expositions du module dans la messe.

<R322> Manon Manfredi <643> Tota pulchra es <644> Missa Tota pulchra es: Kyrie Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R323> Manon Manfredi <645> Tota pulchra es <646> Missa Tota pulchra es: Kyrie Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: On remarque que dans le motif il remplace la descente "ré do" par une tierce "ré-si"

<R324> Anne Nautré <647> Susanne un jour <648> Missa Susanne un jour: Gloria Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Sounding in different voices concerne l'inversion des voix T et Q dans la messe. Transformation amplified concerne la double présentation dans la messe du module de la chanson

<R325> Manon Manfredi <649> Tota pulchra es <650> Missa Tota pulchra es: Kyrie Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R326> Alessandra Ignesti <651> Veni sponsa Christi <652> Missa Veni sponsa Christi: Gloria New material Expand

New material

<R327> Alessandra Ignesti <653> Veni sponsa Christi <654> Missa Veni sponsa Christi: Gloria Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: True

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Remarks: Inversion of the last three notes.

<R328> Alessandra Ignesti <655> Veni sponsa Christi <656> Missa Veni sponsa Christi: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R329> Alessandra Ignesti <657> Veni sponsa Christi <658> Missa Veni sponsa Christi: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R330> Alessandra Ignesti <659> Veni sponsa Christi <660> Missa Veni sponsa Christi: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R331> Alessandra Ignesti <661> Veni sponsa Christi <662> Missa Veni sponsa Christi: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R332> Alessandra Ignesti <663> Veni sponsa Christi <664> Missa Veni sponsa Christi: Gloria New material Expand

New material

<R333> Alessandra Ignesti <665> Veni sponsa Christi <666> Missa Veni sponsa Christi: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R334> Alessandra Ignesti <667> Veni sponsa Christi <668> Missa Veni sponsa Christi: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R335> Alessandra Ignesti <669> Veni sponsa Christi <670> Missa Veni sponsa Christi: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R336> Raphaëlle Rouzic <671> Veni sponsa Christi <672> Missa Veni sponsa Christi: Gloria Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R337> Alessandra Ignesti <673> Veni sponsa Christi <674> Missa Veni sponsa Christi: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R338> Alessandra Ignesti <675> Veni sponsa Christi <676> Missa Veni sponsa Christi: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R339> Raphaëlle Rouzic <677> Veni sponsa Christi <678> Missa Veni sponsa Christi: Gloria Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

Remarks: Doen't follows the order of the melodic patterns of the motet

<R340> Alessandra Ignesti <679> Veni sponsa Christi <680> Missa Veni sponsa Christi: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R341> Raphaëlle Rouzic <681> Veni sponsa Christi <682> Missa Veni sponsa Christi: Gloria Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

<R342> Alessandra Ignesti <683> Veni sponsa Christi <684> Missa Veni sponsa Christi: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R343> Raphaëlle Rouzic <685> Veni sponsa Christi <686> Missa Veni sponsa Christi: Gloria Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R344> Alessandra Ignesti <687> Veni sponsa Christi <688> Missa Veni sponsa Christi: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R345> Alessandra Ignesti <689> Veni sponsa Christi <690> Missa Veni sponsa Christi: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R346> Alessandra Ignesti <691> Veni sponsa Christi <692> Missa Veni sponsa Christi: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R347> Alessandra Ignesti <693> Veni sponsa Christi <694> Missa Veni sponsa Christi: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R348> Anne Nautré <695> Susanne un jour <696> Missa Susanne un jour: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Comme nous l'avons dit dans l'observation précédente, le duo SA de la chanson m.50-53 est repris trois fois dans la messe, à partir de m.94. Les deuxième et troisième fois, ce duo est accompagné par le nouveau "contresujet" sélectionné, la première fois en duo, BT2, la deuxième fois à T seul. Ce new countersubject remplace la voix de T2 à la première exposition du duo m.94, qui elle reprend exactement la chanson.

<R349> Alessandra Ignesti <697> Veni sponsa Christi <698> Missa Veni sponsa Christi: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R350> Alessandra Ignesti <699> Veni sponsa Christi <700> Missa Veni sponsa Christi: Sanctus New material Expand

New material

<R351> Alessandra Ignesti <701> Veni sponsa Christi <702> Missa Veni sponsa Christi: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R352> Alessandra Ignesti <703> Veni sponsa Christi <704> Missa Veni sponsa Christi: Sanctus New material Expand

New material

<R353> Alessandra Ignesti <705> Veni sponsa Christi <706> Missa Veni sponsa Christi: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R354> Alessandra Ignesti <707> Veni sponsa Christi <708> Missa Veni sponsa Christi: Sanctus None Expand

Relationship

Remarks: The two cadences are on different pitches, but they are between two points of imitation that make use of the same soggetti in the model and mass (soggetto "accipe" and soggetto "quam tibi").

<R355> Alessandra Ignesti <709> Veni sponsa Christi <710> Missa Veni sponsa Christi: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R356> Alessandra Ignesti <711> Veni sponsa Christi <712> Missa Veni sponsa Christi: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R357> Alessandra Ignesti <713> Veni sponsa Christi <714> Missa Veni sponsa Christi: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R358> Alessandra Ignesti <715> Veni sponsa Christi <716> Missa Veni sponsa Christi: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R359> Alessandra Ignesti <717> Veni sponsa Christi <718> Missa Veni sponsa Christi: Sanctus New material Expand

New material

<R360> Alessandra Ignesti <719> Veni sponsa Christi <720> Missa Veni sponsa Christi: Sanctus New material Expand

New material

Remarks: This soggetto bears some resemblance with the soggetto "Accipe" (Altus, bars 19-21).

<R361> Alessandra Ignesti <721> Veni sponsa Christi <722> Missa Veni sponsa Christi: Sanctus New material Expand

New material

Remarks: This soggetto has some resemblance with the soggetto "Accipe" (19-21).

<R362> Alessandra Ignesti <723> Veni sponsa Christi <724> Missa Veni sponsa Christi: Sanctus New material Expand

New material

<R363> Alessandra Ignesti <725> Veni sponsa Christi <726> Missa Veni sponsa Christi: Sanctus New material Expand

New material

Remarks: This soggetto has a slight resemblance with the "Accipe" soggetto (Tenor, bars 19-21).

<R364> Alessandra Ignesti <727> Veni sponsa Christi <728> Missa Veni sponsa Christi: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R365> Alessandra Ignesti <729> Veni sponsa Christi <730> Missa Veni sponsa Christi: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R366> Scott Troyer <731> O gente brunette <732> Missa O gente brunette: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: In order to stagger entrances, the mass composer omitted one measure of the tenor voice found in the model in his adaptation of material.

<R367> Scott Troyer <733> O gente brunette <734> Missa O gente brunette: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: The tenor line in the mass eliminates an accented passing tone in the preparation that is present in the model.

<R368> Alessandra Ignesti <735> Veni sponsa Christi <736> Missa Veni sponsa Christi: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R369> Alessandra Ignesti <737> Veni sponsa Christi <738> Missa Veni sponsa Christi: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R370> Scott Troyer <739> O gente brunette <740> Missa O gente brunette: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: The initial note in the bassus in the mass has been transposed up an octave, altering the melodic interval from the expected 4+ to 5-. This alteration moves the bassus into a more "comfortable" range than it would have been had it strictly adhered to the global transposition of 5-. Additionally, the final two notes of the superius line in the model were condensed in the mass from two minims to two semiminims. Because the length of the quoted material in the superius and tenor parts matches, as does the length of the material quoted in the contratenor and bassus parts, this could alternatively be understood as Marle quoting two simultaneous contrapuntal duos, an assertion that would not be made about the material in the model without seeing it through the lens of Marle's quotation. (Since the form does not allow me to select multiple contrapuntal duos, these will be cited separately)

<R371> Scott Troyer <741> O gente brunette <742> Missa O gente brunette: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

<R372> Scott Troyer <743> O gente brunette <744> Missa O gente brunette: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

<R373> Scott Troyer <745> O gente brunette <746> Missa O gente brunette: Kyrie New material Expand

New material

<R374> Scott Troyer <747> O gente brunette <748> Missa O gente brunette: Kyrie New material Expand

New material

<R375> Scott Troyer <749> O gente brunette <750> Missa O gente brunette: Kyrie Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: The bassus retains the melodic motion presented in the earlier quotation of this passage (5-). This quotation is a transposition of the earlier quotation of the same passage (4-).

<R376> Scott Troyer <751> O gente brunette <752> Missa O gente brunette: Kyrie Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R377> Scott Troyer <753> O gente brunette <754> Missa O gente brunette: Kyrie Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R378> Alessandra Ignesti <755> Veni sponsa Christi <756> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R379> Alessandra Ignesti <757> Veni sponsa Christi <758> Missa Veni sponsa Christi: Agnus Dei Quotation Expand

Quotation

Exact: False

Monnayage: True

<R380> Alessandra Ignesti <759> Veni sponsa Christi <760> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R381> Manon Manfredi <761> Tota pulchra es <762> Missa Tota pulchra es: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Reduction du soggetto

<R382> Manon Manfredi <763> Tota pulchra es <764> Missa Tota pulchra es: Gloria Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: Quotation exact du soggetto de la voix de Contratenor

<R383> Manon Manfredi <765> Tota pulchra es <766> Missa Tota pulchra es: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R384> Max Le Mée <767> Vidi speciosam <768> Missa Vidi speciosam: Sanctus Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The 'flexed tonal'entry becomes first, and the 'original'entry becomes second in the duos.

<R385> Max Le Mée <769> Vidi speciosam <770> Missa Vidi speciosam: Sanctus Omission Expand

Omission

<R386> Max Le Mée <771> Vidi speciosam <772> Missa Vidi speciosam: Sanctus Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R387> Max Le Mée <773> Vidi speciosam <774> Missa Vidi speciosam: Sanctus Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: The CAD takes more importance in the mass as it concludes a part.

<R388> Max Le Mée <775> Vidi speciosam <776> Missa Vidi speciosam: Sanctus Omission Expand

Omission

<R389> Manon Manfredi <777> Tota pulchra es <778> Missa Tota pulchra es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: La fugue devient un simple Soggetto dans la messe.

<R390> Max Le Mée <779> Vidi speciosam <780> Missa Vidi speciosam: Sanctus Omission Expand

Omission

<R391> Alessandra Ignesti <781> Veni sponsa Christi <782> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R392> Max Le Mée <783> Vidi speciosam <784> Missa Vidi speciosam: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R393> Max Le Mée <785> Vidi speciosam <786> Missa Vidi speciosam: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R394> Manon Manfredi <787> Tota pulchra es <788> Missa Tota pulchra es: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Amplified dans la forme: modèle fugue à 5 entrées, 7 dans la messe.

<R395> Manon Manfredi <789> Tota pulchra es <790> Missa Tota pulchra es: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R396> Manon Manfredi <791> Tota pulchra es <792> Missa Tota pulchra es: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: La fugue est répétée deux fois. superius transposé

<R397> Alessandra Ignesti <793> Veni sponsa Christi <794> Missa Veni sponsa Christi: Agnus Dei New material Expand

New material

<R398> Manon Manfredi <795> Tota pulchra es <796> Missa Tota pulchra es: Gloria Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R399> Manon Manfredi <797> Tota pulchra es <798> Missa Tota pulchra es: Gloria Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R400> Manon Manfredi <799> Tota pulchra es <800> Missa Tota pulchra es: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False