CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R201> Damien Bonnec <401> Quare fremuerunt gentes <402> Missa Quare fremuerunt gentes: Kyrie Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Contratenor in the model, Primus tenor in the mass. Sermisy used only the head of the counter sogetto

<R202> Damien Bonnec <403> Quare fremuerunt gentes <404> Missa Quare fremuerunt gentes: Kyrie Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R203> Damien Bonnec <405> Quare fremuerunt gentes <406> Missa Quare fremuerunt gentes: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

<R204> Raphaëlle Rouzic <407> Veni sponsa Christi <408> Missa Veni sponsa Christi: Gloria Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Same place (Model-Mass)

<R205> Damien Bonnec <409> Quare fremuerunt gentes <410> Missa Quare fremuerunt gentes: Kyrie Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

Remarks: The head of the counter soggetto is added on a new voice (primus tenor), just before his exact citation by the contratenor. Sort of new combination of it.

<R206> Damien Bonnec <411> Quare fremuerunt gentes <412> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: In the mass, difference of SB1 less

<R207> Damien Bonnec <413> Quare fremuerunt gentes <414> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Sort of anticipation in the mass of this soggetto

<R208> Raphaëlle Rouzic <415> Veni sponsa Christi <416> Missa Veni sponsa Christi: Gloria Omission Expand

Omission

<R209> Damien Bonnec <417> Quare fremuerunt gentes <418> Missa Quare fremuerunt gentes: Kyrie Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The mass propose a new ornementation of this soggetto

<R210> Anne Nautré <419> Susanne un jour <420> Missa Susanne un jour: Kyrie Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: Dans l'ensemble, citation exacte de la section contrapuntique. Quelques légères modifications dans la messe: T2 m.8, 21-22, C m.21. Arrivée à la cadence modifiée à toutes les voix.

<R211> Damien Bonnec <421> Quare fremuerunt gentes <422> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The mass propose a new ornementation of this soggetto

<R212> Manon Manfredi <423> Tota pulchra es <424> Missa Tota pulchra es: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: La fugue devient ID avec l'ajout du motif au ténor

<R213> Damien Bonnec <425> Quare fremuerunt gentes <426> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The mass propose a new ornementation of this soggetto

<R214> Damien Bonnec <427> Quare fremuerunt gentes <428> Missa Quare fremuerunt gentes: Kyrie Quotation Expand

Quotation

Exact: True

Monnayage: False

<R215> Manon Manfredi <429> Tota pulchra es <430> Missa Tota pulchra es: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: HR devient PEN

<R216> Manon Manfredi <431> Tota pulchra es <432> Missa Tota pulchra es: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R217> Anne Nautré <433> Susanne un jour <434> Missa Susanne un jour: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Amplification de la petite fugue de la chanson: dans la messe, les trois voix supérieures sont impliquées, on a au total 8 entrées du motifs étalées sur 15 mesures. A partir de m.42, le superius reprend seul le motif à trois reprises, en guise de clausule.

<R218> Manon Manfredi <435> Tota pulchra es <436> Missa Tota pulchra es: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R219> Raphaëlle Rouzic <437> Veni sponsa Christi <438> Missa Veni sponsa Christi: Gloria Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R220> Manon Manfredi <439> Tota pulchra es <440> Missa Tota pulchra es: Credo Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R221> Raphaëlle Rouzic <441> Veni sponsa Christi <442> Missa Veni sponsa Christi: Gloria Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: True

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R222> Damien Bonnec <443> Quare fremuerunt gentes <444> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: SB1 less in the mass (you will note a little omission at the end, the "A" disappeared)

<R223> Raphaëlle Rouzic <445> Veni sponsa Christi <446> Missa Veni sponsa Christi: Gloria Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

<R224> Damien Bonnec <447> Quare fremuerunt gentes <448> Missa Quare fremuerunt gentes: Kyrie Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: It's quite the same thing, we can note just few omissions and ornementations. The reduction concerns bars 21-22 of the model: there are merged in one measure in the mass (cf. bar 20).

<R225> Jon Oddie <449> Benedicta es <450> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Chant melody ornamented with passing notes (crotchet A, G)

<R226> Jon Oddie <451> Benedicta es <452> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Last note of chant segment embellished with a cantizans cadential figure

<R227> Manon Manfredi <453> Tota pulchra es <454> Missa Tota pulchra es: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R228> Jon Oddie <455> Benedicta es <456> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R229> Jon Oddie <457> Benedicta es <458> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R230> Manon Manfredi <459> Tota pulchra es <460> Missa Tota pulchra es: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R231> Jon Oddie <461> Benedicta es <462> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R232> Ian Lorenz <463> Je suis déshéritée <464> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R233> Jon Oddie <465> Benedicta es <466> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R234> Damien Bonnec <467> Quare fremuerunt gentes <468> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The last entry of this fuga is shorter in the mass (M6) than in the model (M7)

<R235> Ian Lorenz <469> Je suis déshéritée <470> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R236> Ian Lorenz <471> Je suis déshéritée <472> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R237> Jon Oddie <473> Benedicta es <474> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R238> Ian Lorenz <475> Je suis déshéritée <476> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R239> Ian Lorenz <477> Je suis déshéritée <478> Missa Je suis déshéritée: Gloria Non-mechanical transformation, New material Expand

Non-mechanical transformation, New material

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Fuga made out of new motive

<R240> Jon Oddie <479> Benedicta es <480> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R241> Ian Lorenz <481> Je suis déshéritée <482> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R242> Damien Bonnec <483> Quare fremuerunt gentes <484> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Two more entries (1 entry + 1 "tonal" entry) are added in anticipation in the mass.

<R243> Damien Bonnec <485> Quare fremuerunt gentes <486> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Two more entries (1 entry + 1 "tonal" entry) are added in anticipation in the mass.

<R244> Jon Oddie <487> Benedicta es <488> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Mouton embellishes the chant's original stepwise descent by inserting a lower-neighbor G into both segments

<R245> Jon Oddie <489> Benedicta es <490> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Chant embellished with a single passing crotchet (Bb-(A)-G)

<R246> Damien Bonnec <491> Quare fremuerunt gentes <492> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: This ornemental soggetto seems to be an anticipation of the next section

<R247> Ian Lorenz <493> Je suis déshéritée <494> Missa Je suis déshéritée: Gloria Non-mechanical transformation, New material Expand

Non-mechanical transformation, New material

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R248> Raphaëlle Rouzic <495> Veni sponsa Christi <496> Missa Veni sponsa Christi: Gloria Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R249> Ian Lorenz <497> Je suis déshéritée <498> Missa Je suis déshéritée: Gloria Non-mechanical transformation, New material Expand

Non-mechanical transformation, New material

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R250> Damien Bonnec <499> Quare fremuerunt gentes <500> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: This long soggetto in the mass may be a reminiscence of a counter soggetto, at the very beginning

<R251> Ian Lorenz <501> Je suis déshéritée <502> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R252> Ian Lorenz <503> Je suis déshéritée <504> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R253> Jon Oddie <505> Benedicta es <506> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R254> Ian Lorenz <507> Je suis déshéritée <508> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R255> Ian Lorenz <509> Je suis déshéritée <510> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R256> Anne Nautré <511> Susanne un jour <512> Missa Susanne un jour: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: Matériau polyphonique de la chanson repris à toutes les voix dans la messe, avec répétition de la section finale dans le kyrie (cf. internal repetition)

<R257> Anne Nautré <513> Susanne un jour <514> Missa Susanne un jour: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Le motif du tenor (m.58-39 de la chanson) est traité en fugue dans la messe, et sert d'introduction à la citation polyphonique mentionnée dans le commentaire suivant.

<R258> Manon Manfredi <515> Tota pulchra es <516> Missa Tota pulchra es: Credo Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R259> Alessandra Ignesti <517> Veni sponsa Christi <518> Missa Veni sponsa Christi: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

<R260> Alessandra Ignesti <519> Veni sponsa Christi <520> Missa Veni sponsa Christi: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

<R261> Manon Manfredi <521> Tota pulchra es <522> Missa Tota pulchra es: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R262> Manon Manfredi <523> Tota pulchra es <524> Missa Tota pulchra es: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R263> Manon Manfredi <525> Tota pulchra es <526> Missa Tota pulchra es: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R264> Manon Manfredi <527> Tota pulchra es <528> Missa Tota pulchra es: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R265> Raphaëlle Rouzic <529> Veni sponsa Christi <530> Missa Veni sponsa Christi: Gloria Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R266> Raphaëlle Rouzic <531> Veni sponsa Christi <532> Missa Veni sponsa Christi: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: The role of the two voices is interverted

<R267> Raphaëlle Rouzic <533> Veni sponsa Christi <534> Missa Veni sponsa Christi: Gloria Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R268> Manon Manfredi <535> Tota pulchra es <536> Missa Tota pulchra es: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Le contre sujet de la fugue du modèle (présenté à la basse) est transformé dans la messe en NIM, présenté avec le motif de cette même fugue.

<R269> Manon Manfredi <537> Tota pulchra es <538> Missa Tota pulchra es: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: dans la messe comme dans le modèle les huit (sept dans le modèle) dernières mesures sont répétées à l'identique.

<R270> Manon Manfredi <539> Tota pulchra es <540> Missa Tota pulchra es: Agnus Dei Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: seul la voix de ténor 2 expose entièrement le sujet de l'ID du modèle.(quotation monnayage)

<R271> Manon Manfredi <541> Tota pulchra es <542> Missa Tota pulchra es: Agnus Dei Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Seul la voix de superius cite entièrement le sujet de la fugue du modèle.

<R272> Manon Manfredi <543> Tota pulchra es <544> Missa Tota pulchra es: Kyrie Quotation Expand

Quotation

Exact: True

Monnayage: False

<R273> Manon Manfredi <545> Tota pulchra es <546> Missa Tota pulchra es: Kyrie New material Expand

New material

<R274> Manon Manfredi <547> Tota pulchra es <548> Missa Tota pulchra es: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R275> Raphaëlle Rouzic <549> Veni sponsa Christi <550> Missa Veni sponsa Christi: Gloria Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Remarks: Because of the lag of the entrie of the Superius, the metric is shifted

<R276> Raphaëlle Rouzic <551> Veni sponsa Christi <552> Missa Veni sponsa Christi: Gloria Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R277> Scott Troyer <553> O gente brunette <554> Missa O gente brunette: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: The entire mass has been transposed 5-

<R278> Scott Troyer <555> O gente brunette <556> Missa O gente brunette: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The contratenor and bassus retained structural tones in the mass, altering some vertical sonorities found in the model.

<R279> Scott Troyer <557> O gente brunette <558> Missa O gente brunette: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R280> Scott Troyer <559> O gente brunette <560> Missa O gente brunette: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R281> Scott Troyer <561> O gente brunette <562> Missa O gente brunette: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

<R282> Alessandra Ignesti <563> Veni sponsa Christi <564> Missa Veni sponsa Christi: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

<R283> Alessandra Ignesti <565> Veni sponsa Christi <566> Missa Veni sponsa Christi: Kyrie None Expand

Relationship

<R284> Alessandra Ignesti <567> Veni sponsa Christi <568> Missa Veni sponsa Christi: Kyrie None Expand

Relationship

<R285> Max Le Mée <569> Vidi speciosam <570> Missa Vidi speciosam: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R286> Max Le Mée <571> Vidi speciosam <572> Missa Vidi speciosam: Gloria Non-mechanical transformation, New material Expand

Non-mechanical transformation, New material

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Apparently New Material. Resembles the counter subject we find in the Credo at the same place.

<R287> Max Le Mée <573> Vidi speciosam <574> Missa Vidi speciosam: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R288> Alessandra Ignesti <575> Veni sponsa Christi <576> Missa Veni sponsa Christi: Kyrie New material Expand

New material

<R289> Max Le Mée <577> Vidi speciosam <578> Missa Vidi speciosam: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R290> Alessandra Ignesti <579> Veni sponsa Christi <580> Missa Veni sponsa Christi: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R291> Alessandra Ignesti <581> Veni sponsa Christi <582> Missa Veni sponsa Christi: Kyrie Quotation Expand

Quotation

Exact: True

Monnayage: False

<R292> Alessandra Ignesti <583> Veni sponsa Christi <584> Missa Veni sponsa Christi: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R293> Max Le Mée <585> Vidi speciosam <586> Missa Vidi speciosam: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

<R294> Manon Manfredi <587> Tota pulchra es <588> Missa Tota pulchra es: Agnus Dei Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Quotation Monnayage pour la voix de superius qui est la seule à reprendre entièrement le motif de la fugue du modèle.

<R295> Max Le Mée <589> Vidi speciosam <590> Missa Vidi speciosam: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R296> Manon Manfredi <591> Tota pulchra es <592> Missa Tota pulchra es: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R297> Max Le Mée <593> Vidi speciosam <594> Missa Vidi speciosam: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R298> Manon Manfredi <595> Tota pulchra es <596> Missa Tota pulchra es: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R299> Max Le Mée <597> Vidi speciosam <598> Missa Vidi speciosam: Gloria Quotation Expand

Quotation

Exact: True

Monnayage: False

<R300> Max Le Mée <599> Vidi speciosam <600> Missa Vidi speciosam: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False