CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R367> Anne Nautré <748> Susanne un jour <749> Missa Susanne un jour: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: Le matériau polyphonique du modèle est cité aux cinq voix, avec quelques modifications rythmiques.

<R464> Anne Nautré <945> Susanne un jour <946> Missa Susanne un jour: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Le contresujet de la chanson est traité en PEn dans le credo.

<R270> Anne Nautré <550> Susanne un jour <551> Missa Susanne un jour: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Sounding in different voices concerne l'inversion des voix T et Q dans la messe. Transformation amplified concerne la double présentation dans la messe du module de la chanson

<R460> Anne Nautré <937> Susanne un jour <938> Missa Susanne un jour: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Du Nim de la chanson, Lassus conserve uniquement l'imitation du contre-sujet. Ce motif peut être perçu comme le nouveau sogetto dans la messe.

<R461> Anne Nautré <939> Susanne un jour <940> Missa Susanne un jour: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R200> Jon Oddie <406> Benedicta es <407> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Mouton embellishes the chant's original stepwise descent by inserting a lower-neighbor G into both segments

<R193> Jon Oddie <392> Benedicta es <393> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R201> Jon Oddie <408> Benedicta es <409> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Chant embellished with a single passing crotchet (Bb-(A)-G)

<R191> Jon Oddie <388> Benedicta es <389> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R189> Jon Oddie <384> Benedicta es <385> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R188> Jon Oddie <382> Benedicta es <383> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R187> Jon Oddie <380> Benedicta es <381> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R186> Jon Oddie <378> Benedicta es <379> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Last note of chant segment embellished with a cantizans cadential figure

<R185> Jon Oddie <376> Benedicta es <377> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Chant melody ornamented with passing notes (crotchet A, G)

<R196> Jon Oddie <398> Benedicta es <399> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R209> Jon Oddie <424> Benedicta es <425> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R465> Anne Nautré <947> Susanne un jour <948> Missa Susanne un jour: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Motif mélodique de la chanson de Lupi traité en fugue dans le credo.