CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R2401> Peter Schubert <4801> Ave Maria <4802> Missa Ave Maria: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2402> Peter Schubert <4803> Ave Maria <4804> Missa Ave Maria: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2403> Peter Schubert <4805> Ave Maria <4806> Missa Ave Maria: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2404> Peter Schubert <4807> Ave Maria <4808> Missa Ave Maria: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2405> Peter Schubert <4809> Ave Maria <4810> Missa Ave Maria: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2406> Peter Schubert <4811> Ave Maria <4812> Missa Ave Maria: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R2407> Peter Schubert <4813> Ave Maria <4814> Missa Ave Maria: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2408> Peter Schubert <4815> Ave Maria <4816> Missa Ave Maria: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: True

Remarks: old csj shifted and new combination are the same, no?

<R2409> Peter Schubert <4817> Missa Ave Maria: Credo <4818> Missa Ave Maria: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

<R2410> Peter Schubert <4819> Missa Ave Maria: Credo <4820> Missa Ave Maria: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

<R2411> Peter Schubert <4821> Ave Maria <4822> Missa Ave Maria: Credo Non-mechanical transformation, New material Expand

Non-mechanical transformation, New material

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: 4-vv NIm in model is made into duo in mass

<R2412> Peter Schubert <4823> Ave Maria <4824> Missa Ave Maria: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R2413> Peter Schubert <4825> Ave Maria <4826> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: opening duo of motet is sounded amidst other entries

<R2414> Peter Schubert <4827> Ave Maria <4828> Missa Ave Maria: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2415> Peter Schubert <4829> Ave Maria <4830> Missa Ave Maria: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R2416> Peter Schubert <4831> Ave Maria <4832> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: one melody of Nim in model becomes fuga in mass

<R2417> Peter Schubert <4833> Ave Maria <4834> Missa Ave Maria: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R2418> Peter Schubert <4835> Ave Maria <4836> Missa Ave Maria: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: just 2 chords

<R2419> Peter Schubert <4837> Ave Maria <4838> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: tenor and bass come in sooner than in model

<R2420> Peter Schubert <4839> Ave Maria <4840> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: tenor-bass duo comes in sooner than in model

<R2421> Peter Schubert <4841> Ave Maria <4842> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: middle of 3 time intervals shorter in mass

<R2422> Peter Schubert <4843> Ave Maria <4844> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: same as previous duo but truncated less

<R2423> Peter Schubert <4845> Ave Maria <4846> Missa Ave Maria: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: This duo not truncated at all!

<R2424> Peter Schubert <4847> Ave Maria <4848> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: mass shrinks time intervals of imitation, melodic continuations are altered

<R2425> Peter Schubert <4849> Ave Maria <4850> Missa Ave Maria: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2426> Peter Schubert <4851> Ave Maria <4852> Missa Ave Maria: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2427> Peter Schubert <4853> Ave Maria <4854> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: homorhythmic phrase (NIm) cantus same, new bass line

<R2428> Peter Schubert <4855> Ave Maria <4856> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: time and pitch intervals altered, csh's new

<R2429> Peter Schubert <4857> Ave Maria <4858> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: levin repeats the motive sequentially more times than Joaquin did

<R2430> Peter Schubert <4859> Ave Maria <4860> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: mass continues duo differently

<R2431> Peter Schubert <4861> Ave Maria <4862> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: mass continues duo differently

<R2432> Peter Schubert <4863> Ave Maria <4864> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: lower line of NIm used with new csj

<R2433> Peter Schubert <4865> Ave Maria <4866> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: upper line of NIm used with new csj

<R2434> Peter Schubert <4867> Ave Maria <4868> Missa Ave Maria: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: new material is in other voices

<R2435> Peter Schubert <4869> Ave Maria <4870> Missa Ave Maria: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R2436> Peter Schubert <4871> Ave Maria <4872> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: lower line of NIm has new csj

<R2437> Peter Schubert <4873> Ave Maria <4874> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2438> Peter Schubert <4875> Ave Maria <4876> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: lower line of NIm made into ID

<R2439> Peter Schubert <4877> Ave Maria <4878> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: three melodies from NIm recombined

<R2440> Peter Schubert <4879> Ave Maria <4880> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: tenor line of motet surrounded by new multiple PEns

<R2441> Peter Schubert <4881> Ave Maria <4882> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: 4-vv NIm with same soprano line, slightly different bass

<R2442> Peter Schubert <4883> Ave Maria <4884> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: embellished 4-vv NIm

<R2443> Peter Schubert <4885> Ave Maria <4886> Missa Ave Maria: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2444> Peter Schubert <4887> Missa Ave Maria: Sanctus <4888> Missa Ave Maria: Kyrie Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2445> Peter Schubert <4889> Ave Maria <4890> Missa Ave Maria: Sanctus Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2446> Peter Schubert <4891> Ave Maria <4892> Missa Ave Maria: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: end of soggetto in model used as end of soggetto in mass

<R2447> Peter Schubert <4893> Ave Maria <4894> Missa Ave Maria: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

<R2448> Peter Schubert <4895> Ave Maria <4896> Missa Ave Maria: Sanctus Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R2449> Peter Schubert <4897> Ave Maria <4898> Missa Ave Maria: Sanctus Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2450> Peter Schubert <4899> Ave Maria <4900> Missa Ave Maria: Sanctus Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Remarks: same pitch interval, new time interval

<R2451> Peter Schubert <4901> Ave Maria <4902> Missa Ave Maria: Sanctus Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: same entire triple mens tenor line, mass replaces other three voices with new csj's

<R2452> Peter Schubert <4903> Ave Maria <4904> Missa Ave Maria: Sanctus Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2453> Peter Schubert <4905> Ave Maria <4906> Missa Ave Maria: Sanctus Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Remarks: same pitch interval, new time interval

<R2454> Peter Schubert <4907> Ave Maria <4908> Missa Ave Maria: Sanctus Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: same entire triple mens tenor line, mass replaces other three voices with new csj's

<R2455> Peter Schubert <4909> Ave Maria <4910> Missa Ave Maria: Sanctus Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2456> Peter Schubert <4911> Ave Maria <4912> Missa Ave Maria: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

<R2457> Peter Schubert <4913> Ave Maria <4914> Missa Ave Maria: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: nothing is accidental

<R2458> Peter Schubert <4915> Ave Maria <4916> Missa Ave Maria: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

<R2459> Peter Schubert <4917> Ave Maria <4918> Missa Ave Maria: Sanctus Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2460> Peter Schubert <4919> Ave Maria <4920> Missa Ave Maria: Sanctus Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R2461> Peter Schubert <4921> Ave Maria <4922> Missa Ave Maria: Sanctus Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2462> Peter Schubert <4923> Ave Maria <4924> Missa Ave Maria: Agnus Dei Quotation Expand

Quotation

Exact: False

Monnayage: True

<R2463> Peter Schubert <4925> Ave Maria <4926> Missa Ave Maria: Agnus Dei Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: duo in mass is more like t-b version in motet than s-a version

<R2464> Peter Schubert <4927> Ave Maria <4928> Missa Ave Maria: Agnus Dei Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Remarks: 3-vv NIm (contains imitation) 5-6 progression, same intervals, rhythm jiggered

<R2465> Peter Schubert <4929> Ave Maria <4930> Missa Ave Maria: Agnus Dei Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: outer-voice duo filled in differently

<R2466> Peter Schubert <4931> Ave Maria <4932> Missa Ave Maria: Agnus Dei Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: soggetto from NIm lengthened by insertion, made into PEn

<R2467> Peter Schubert <4933> Veni sponsa Christi <4934> Missa Veni sponsa Christi: Kyrie Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2468> Peter Schubert <4935> Veni sponsa Christi <4936> Missa Veni sponsa Christi: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: model is 4-vv, mass makes IDs

<R2469> Peter Schubert <4937> Veni sponsa Christi <4938> Missa Veni sponsa Christi: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: free full-textured fuga becomes pair of NIms

<R2470> Peter Schubert <4939> Veni sponsa Christi <4940> Missa Veni sponsa Christi: Kyrie Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2471> Peter Schubert <4941> Veni sponsa Christi <4942> Missa Veni sponsa Christi: Kyrie Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: free fuga in motet becomes pair of Noms in mass

<R2472> Peter Schubert <4943> Veni sponsa Christi <4944> Missa Veni sponsa Christi: Kyrie Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2473> Peter Schubert <4945> Veni sponsa Christi <4946> Missa Veni sponsa Christi: Kyrie Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: free fuga in both but different

<R2474> Peter Schubert <4947> Veni sponsa Christi <4948> Missa Veni sponsa Christi: Kyrie Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: True

Remarks: Pen + ID in motet replaced with free fuga in mass

<R2475> Peter Schubert <4949> Veni sponsa Christi <4950> Missa Veni sponsa Christi: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: True

Remarks: imitative duo inverted at octave in mass

<R2476> Peter Schubert <4951> Veni sponsa Christi <4952> Missa Veni sponsa Christi: Gloria Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2477> Peter Schubert <4953> Veni sponsa Christi <4954> Missa Veni sponsa Christi: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: answering duo is NIm in mass, was ID in motet

<R2478> Peter Schubert <4955> Veni sponsa Christi <4956> Missa Veni sponsa Christi: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Remarks: first appearance of accipe coronam soggetto in bass instead of tenor

<R2479> Peter Schubert <4957> Veni sponsa Christi <4958> Missa Veni sponsa Christi: Gloria Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: True

<R2480> Peter Schubert <4959> Veni sponsa Christi <4960> Missa Veni sponsa Christi: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: second note, C, is chromaticised in mass

<R2481> Peter Schubert <4961> Veni sponsa Christi <4962> Missa Veni sponsa Christi: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: ID transposed down a 4th

<R2482> Peter Schubert <4963> Veni sponsa Christi <4964> Missa Veni sponsa Christi: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: True

Remarks: mass duo is motet duo inverted at the 12th

<R2483> Peter Schubert <4965> Veni sponsa Christi <4966> Missa Veni sponsa Christi: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: True

Remarks: answering duo in pair of IDs is inverted at 12th

<R2484> Peter Schubert <4967> Veni sponsa Christi <4968> Missa Veni sponsa Christi: Gloria Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: parallel tenths down a third in mass

<R2485> Peter Schubert <4969> Veni sponsa Christi <4970> Missa Veni sponsa Christi: Gloria Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2486> Peter Schubert <4971> Veni sponsa Christi <4972> Missa Veni sponsa Christi: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: True

Remarks: ID in motet becomes Pen in Mass

<R2487> Peter Schubert <4973> Veni sponsa Christi <4974> Missa Veni sponsa Christi: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R2488> Peter Schubert <4975> Veni sponsa Christi <4976> Missa Veni sponsa Christi: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: True

Remarks: no module because no overlap, but same time interval

<R2489> Peter Schubert <4977> Veni sponsa Christi <4978> Missa Veni sponsa Christi: Gloria Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: full texture in mass

<R2490> Peter Schubert <4979> Veni sponsa Christi <4980> Missa Veni sponsa Christi: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: rhythmic values altered but same interval framework

<R2491> Peter Schubert <4981> Veni sponsa Christi <4982> Missa Veni sponsa Christi: Gloria Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: singleton in mass

<R2492> Peter Schubert <4983> Veni sponsa Christi <4984> Missa Veni sponsa Christi: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: 3-vv NIm soggetto in cantus,

<R2493> Peter Schubert <4985> Veni sponsa Christi <4986> Missa Veni sponsa Christi: Gloria Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: mass has fourth stretto entry inserted in tenor between alto and cantus

<R2494> Peter Schubert <4987> Veni sponsa Christi <4988> Missa Veni sponsa Christi: Gloria Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

Remarks: rhythmic values altered, same interval framework

<R2495> Peter Schubert <4989> Veni sponsa Christi <4990> Missa Veni sponsa Christi: Gloria Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R2496> Peter Schubert <4991> Veni sponsa Christi <4992> Missa Veni sponsa Christi: Credo Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Remarks: duo continuations vary, middle entry farther away in mass

<R2497> Peter Schubert <4993> Veni sponsa Christi <4994> Missa Veni sponsa Christi: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: singleton

<R2498> Peter Schubert <4995> Veni sponsa Christi <4996> Missa Veni sponsa Christi: Credo Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: singleton in mass transposed up a 4th

<R2499> Peter Schubert <4997> Veni sponsa Christi <4998> Missa Veni sponsa Christi: Credo Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: imitative duo becomes pair of IDs

<R2500> Peter Schubert <4999> Veni sponsa Christi <5000> Missa Veni sponsa Christi: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: opening soggetto now fully clothed