CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R2411> Peter Schubert <4821> Ave Maria <4822> Missa Ave Maria: Credo Non-mechanical transformation, New material Expand

Non-mechanical transformation, New material

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: 4-vv NIm in model is made into duo in mass

<R2412> Peter Schubert <4823> Ave Maria <4824> Missa Ave Maria: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R2413> Peter Schubert <4825> Ave Maria <4826> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: opening duo of motet is sounded amidst other entries

<R2414> Peter Schubert <4827> Ave Maria <4828> Missa Ave Maria: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2415> Peter Schubert <4829> Ave Maria <4830> Missa Ave Maria: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R2416> Peter Schubert <4831> Ave Maria <4832> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: one melody of Nim in model becomes fuga in mass

<R2417> Peter Schubert <4833> Ave Maria <4834> Missa Ave Maria: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R2418> Peter Schubert <4835> Ave Maria <4836> Missa Ave Maria: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: just 2 chords

<R2419> Peter Schubert <4837> Ave Maria <4838> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: tenor and bass come in sooner than in model

<R2420> Peter Schubert <4839> Ave Maria <4840> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: tenor-bass duo comes in sooner than in model

<R2421> Peter Schubert <4841> Ave Maria <4842> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: middle of 3 time intervals shorter in mass

<R2422> Peter Schubert <4843> Ave Maria <4844> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: same as previous duo but truncated less

<R2423> Peter Schubert <4845> Ave Maria <4846> Missa Ave Maria: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: This duo not truncated at all!

<R2424> Peter Schubert <4847> Ave Maria <4848> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: mass shrinks time intervals of imitation, melodic continuations are altered

<R2425> Peter Schubert <4849> Ave Maria <4850> Missa Ave Maria: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2426> Peter Schubert <4851> Ave Maria <4852> Missa Ave Maria: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2427> Peter Schubert <4853> Ave Maria <4854> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: homorhythmic phrase (NIm) cantus same, new bass line

<R2428> Peter Schubert <4855> Ave Maria <4856> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: time and pitch intervals altered, csh's new

<R2429> Peter Schubert <4857> Ave Maria <4858> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: levin repeats the motive sequentially more times than Joaquin did

<R2430> Peter Schubert <4859> Ave Maria <4860> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: mass continues duo differently

<R2431> Peter Schubert <4861> Ave Maria <4862> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: mass continues duo differently

<R2432> Peter Schubert <4863> Ave Maria <4864> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: lower line of NIm used with new csj

<R2433> Peter Schubert <4865> Ave Maria <4866> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: upper line of NIm used with new csj

<R2434> Peter Schubert <4867> Ave Maria <4868> Missa Ave Maria: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: new material is in other voices

<R2435> Peter Schubert <4869> Ave Maria <4870> Missa Ave Maria: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R2436> Peter Schubert <4871> Ave Maria <4872> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: lower line of NIm has new csj

<R2437> Peter Schubert <4873> Ave Maria <4874> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2438> Peter Schubert <4875> Ave Maria <4876> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: lower line of NIm made into ID

<R2439> Peter Schubert <4877> Ave Maria <4878> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: three melodies from NIm recombined

<R2440> Peter Schubert <4879> Ave Maria <4880> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: tenor line of motet surrounded by new multiple PEns

<R2441> Peter Schubert <4881> Ave Maria <4882> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: 4-vv NIm with same soprano line, slightly different bass

<R2442> Peter Schubert <4883> Ave Maria <4884> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: embellished 4-vv NIm

<R2443> Peter Schubert <4885> Ave Maria <4886> Missa Ave Maria: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2444> Peter Schubert <4888> Missa Ave Maria: Kyrie <4887> Missa Ave Maria: Sanctus Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2445> Peter Schubert <4889> Ave Maria <4890> Missa Ave Maria: Sanctus Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2446> Peter Schubert <4891> Ave Maria <4892> Missa Ave Maria: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: end of soggetto in model used as end of soggetto in mass

<R2447> Peter Schubert <4893> Ave Maria <4894> Missa Ave Maria: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

<R2448> Peter Schubert <4895> Ave Maria <4896> Missa Ave Maria: Sanctus Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R2449> Peter Schubert <4897> Ave Maria <4898> Missa Ave Maria: Sanctus Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2450> Peter Schubert <4899> Ave Maria <4900> Missa Ave Maria: Sanctus Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Remarks: same pitch interval, new time interval

<R2451> Peter Schubert <4901> Ave Maria <4902> Missa Ave Maria: Sanctus Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: same entire triple mens tenor line, mass replaces other three voices with new csj's

<R2452> Peter Schubert <4903> Ave Maria <4904> Missa Ave Maria: Sanctus Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2453> Peter Schubert <4905> Ave Maria <4906> Missa Ave Maria: Sanctus Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Remarks: same pitch interval, new time interval

<R2454> Peter Schubert <4907> Ave Maria <4908> Missa Ave Maria: Sanctus Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: same entire triple mens tenor line, mass replaces other three voices with new csj's

<R2455> Peter Schubert <4909> Ave Maria <4910> Missa Ave Maria: Sanctus Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2456> Peter Schubert <4911> Ave Maria <4912> Missa Ave Maria: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

<R2457> Peter Schubert <4913> Ave Maria <4914> Missa Ave Maria: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: nothing is accidental

<R2458> Peter Schubert <4915> Ave Maria <4916> Missa Ave Maria: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

<R2459> Peter Schubert <4917> Ave Maria <4918> Missa Ave Maria: Sanctus Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2460> Peter Schubert <4919> Ave Maria <4920> Missa Ave Maria: Sanctus Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R2461> Peter Schubert <4921> Ave Maria <4922> Missa Ave Maria: Sanctus Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2462> Peter Schubert <4923> Ave Maria <4924> Missa Ave Maria: Agnus Dei Quotation Expand

Quotation

Exact: False

Monnayage: True

<R2463> Peter Schubert <4925> Ave Maria <4926> Missa Ave Maria: Agnus Dei Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: duo in mass is more like t-b version in motet than s-a version

<R2464> Peter Schubert <4927> Ave Maria <4928> Missa Ave Maria: Agnus Dei Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Remarks: 3-vv NIm (contains imitation) 5-6 progression, same intervals, rhythm jiggered

<R2465> Peter Schubert <4929> Ave Maria <4930> Missa Ave Maria: Agnus Dei Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: outer-voice duo filled in differently

<R2466> Peter Schubert <4931> Ave Maria <4932> Missa Ave Maria: Agnus Dei Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: soggetto from NIm lengthened by insertion, made into PEn

<R2467> Peter Schubert <4933> Veni sponsa Christi <4934> Missa Veni sponsa Christi: Kyrie Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2468> Peter Schubert <4935> Veni sponsa Christi <4936> Missa Veni sponsa Christi: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: model is 4-vv, mass makes IDs

<R2469> Peter Schubert <4937> Veni sponsa Christi <4938> Missa Veni sponsa Christi: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: free full-textured fuga becomes pair of NIms

<R2470> Peter Schubert <4939> Veni sponsa Christi <4940> Missa Veni sponsa Christi: Kyrie Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2471> Peter Schubert <4941> Veni sponsa Christi <4942> Missa Veni sponsa Christi: Kyrie Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: free fuga in motet becomes pair of Noms in mass

<R2472> Peter Schubert <4943> Veni sponsa Christi <4944> Missa Veni sponsa Christi: Kyrie Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2473> Peter Schubert <4945> Veni sponsa Christi <4946> Missa Veni sponsa Christi: Kyrie Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: free fuga in both but different

<R2474> Peter Schubert <4947> Veni sponsa Christi <4948> Missa Veni sponsa Christi: Kyrie Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: True

Remarks: Pen + ID in motet replaced with free fuga in mass

<R2475> Peter Schubert <4949> Veni sponsa Christi <4950> Missa Veni sponsa Christi: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: True

Remarks: imitative duo inverted at octave in mass

<R2476> Peter Schubert <4951> Veni sponsa Christi <4952> Missa Veni sponsa Christi: Gloria Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2477> Peter Schubert <4953> Veni sponsa Christi <4954> Missa Veni sponsa Christi: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: answering duo is NIm in mass, was ID in motet

<R2478> Peter Schubert <4955> Veni sponsa Christi <4956> Missa Veni sponsa Christi: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Remarks: first appearance of accipe coronam soggetto in bass instead of tenor

<R2479> Peter Schubert <4957> Veni sponsa Christi <4958> Missa Veni sponsa Christi: Gloria Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: True

<R2480> Peter Schubert <4959> Veni sponsa Christi <4960> Missa Veni sponsa Christi: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: second note, C, is chromaticised in mass

<R2481> Peter Schubert <4961> Veni sponsa Christi <4962> Missa Veni sponsa Christi: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: ID transposed down a 4th

<R2482> Peter Schubert <4963> Veni sponsa Christi <4964> Missa Veni sponsa Christi: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: True

Remarks: mass duo is motet duo inverted at the 12th

<R2483> Peter Schubert <4965> Veni sponsa Christi <4966> Missa Veni sponsa Christi: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: True

Remarks: answering duo in pair of IDs is inverted at 12th

<R2484> Peter Schubert <4967> Veni sponsa Christi <4968> Missa Veni sponsa Christi: Gloria Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: parallel tenths down a third in mass

<R2485> Peter Schubert <4969> Veni sponsa Christi <4970> Missa Veni sponsa Christi: Gloria Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2486> Peter Schubert <4971> Veni sponsa Christi <4972> Missa Veni sponsa Christi: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: True

Remarks: ID in motet becomes Pen in Mass

<R2487> Peter Schubert <4973> Veni sponsa Christi <4974> Missa Veni sponsa Christi: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R2488> Peter Schubert <4975> Veni sponsa Christi <4976> Missa Veni sponsa Christi: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: True

Remarks: no module because no overlap, but same time interval

<R2489> Peter Schubert <4977> Veni sponsa Christi <4978> Missa Veni sponsa Christi: Gloria Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: full texture in mass

<R2490> Peter Schubert <4979> Veni sponsa Christi <4980> Missa Veni sponsa Christi: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: rhythmic values altered but same interval framework

<R2491> Peter Schubert <4981> Veni sponsa Christi <4982> Missa Veni sponsa Christi: Gloria Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: singleton in mass

<R2492> Peter Schubert <4983> Veni sponsa Christi <4984> Missa Veni sponsa Christi: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: 3-vv NIm soggetto in cantus,

<R2493> Peter Schubert <4985> Veni sponsa Christi <4986> Missa Veni sponsa Christi: Gloria Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: mass has fourth stretto entry inserted in tenor between alto and cantus

<R2494> Peter Schubert <4987> Veni sponsa Christi <4988> Missa Veni sponsa Christi: Gloria Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

Remarks: rhythmic values altered, same interval framework

<R2495> Peter Schubert <4989> Veni sponsa Christi <4990> Missa Veni sponsa Christi: Gloria Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R2496> Peter Schubert <4991> Veni sponsa Christi <4992> Missa Veni sponsa Christi: Credo Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Remarks: duo continuations vary, middle entry farther away in mass

<R2497> Peter Schubert <4993> Veni sponsa Christi <4994> Missa Veni sponsa Christi: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: singleton

<R2498> Peter Schubert <4995> Veni sponsa Christi <4996> Missa Veni sponsa Christi: Credo Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: singleton in mass transposed up a 4th

<R2499> Peter Schubert <4997> Veni sponsa Christi <4998> Missa Veni sponsa Christi: Credo Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: imitative duo becomes pair of IDs

<R2500> Peter Schubert <4999> Veni sponsa Christi <5000> Missa Veni sponsa Christi: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: opening soggetto now fully clothed

<R2501> Peter Schubert <5001> Veni sponsa Christi <5002> Missa Veni sponsa Christi: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2502> Peter Schubert <5003> Veni sponsa Christi <5004> Missa Veni sponsa Christi: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: full texture continues with next soggetto in order of motet

<R2503> Peter Schubert <5005> Veni sponsa Christi <5006> Missa Veni sponsa Christi: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: full texture continues with next (last) soggetto in order of motet

<R2504> Peter Schubert <5007> Veni sponsa Christi <5008> Missa Veni sponsa Christi: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: first soggetto of motet used as bass line in mass in full texture. This process continues...

<R2505> Peter Schubert <5009> Veni sponsa Christi <5010> Missa Veni sponsa Christi: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: bass quotes next soggetto in order in motet (same process as tenor earlier)

<R2506> Peter Schubert <5011> Veni sponsa Christi <5012> Missa Veni sponsa Christi: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: bass sounds next soggetto from motet in order, now in full texture

<R2507> Jon Oddie <5013> Mente Tota (from Vultuum tuum) <5014> Missa Mente tota: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Willaert quoted the full NIm from Josquin's motet earlier, at bb. 73-76; here, only one of the two subjects is present in full, and the cantizans cadence from the other subject has been interpolated into a new subject, which begins the next canonic phrase.

<R2508> Jon Oddie <5015> Mente Tota (from Vultuum tuum) <5016> Missa Mente tota: Gloria Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: True

Remarks: Willaert's canonic ID is based on imitation at the upper fifth; we can understand this as taking the second and third entrances from Josquin's PEn lattice and shifting the upper entrance down an octave, transforming 12+ imitation into 5+. The first note of the subject is treated in monnayage (it sets two syllables, "Et in", instead of one, "Men-")

<R2509> Jon Oddie <5017> Mente Tota (from Vultuum tuum) <5018> Missa Mente tota: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

Remarks: This is a fairly weak relationship: these triadic motives in the free voices at the outset of Willaert's Gloria could be thought of as related to Josquin's motive for "Preces nostras", but they could also simply be seen as generic material

<R2510> Jon Oddie <5019> Mente Tota (from Vultuum tuum) <5020> Missa Mente tota: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False