CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R278> Alessandra Ignesti <567> Veni sponsa Christi <568> Missa Veni sponsa Christi: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R279> Alessandra Ignesti <569> Veni sponsa Christi <570> Missa Veni sponsa Christi: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R281> Raphaëlle Rouzic <573> Veni sponsa Christi <574> Missa Veni sponsa Christi: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R283> Alessandra Ignesti <577> Veni sponsa Christi <578> Missa Veni sponsa Christi: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R284> Raphaëlle Rouzic <579> Veni sponsa Christi <580> Missa Veni sponsa Christi: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

Remarks: Doen't follows the order of the melodic patterns of the motet

<R285> Alessandra Ignesti <581> Veni sponsa Christi <582> Missa Veni sponsa Christi: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R286> Raphaëlle Rouzic <583> Veni sponsa Christi <584> Missa Veni sponsa Christi: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

<R287> Alessandra Ignesti <585> Veni sponsa Christi <586> Missa Veni sponsa Christi: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R255> Alessandra Ignesti <520> Veni sponsa Christi <521> Missa Veni sponsa Christi: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R308> Alessandra Ignesti <627> Veni sponsa Christi <628> Missa Veni sponsa Christi: Sanctus New material Expand

New material

Remarks: This soggetto has a slight resemblance with the "Accipe" soggetto (Tenor, bars 19-21).

<R214> Raphaëlle Rouzic <434> Veni sponsa Christi <435> Missa Veni sponsa Christi: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R215> Raphaëlle Rouzic <436> Veni sponsa Christi <437> Missa Veni sponsa Christi: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: The role of the two voices is interverted

<R216> Raphaëlle Rouzic <438> Veni sponsa Christi <439> Missa Veni sponsa Christi: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R221> Raphaëlle Rouzic <448> Veni sponsa Christi <449> Missa Veni sponsa Christi: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Remarks: Because of the lag of the entrie of the Superius, the metric is shifted

<R222> Raphaëlle Rouzic <450> Veni sponsa Christi <451> Missa Veni sponsa Christi: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R204> Raphaëlle Rouzic <414> Veni sponsa Christi <415> Missa Veni sponsa Christi: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R234> Alessandra Ignesti <478> Veni sponsa Christi <479> Missa Veni sponsa Christi: Kyrie New material Expand

New material

<R289> Alessandra Ignesti <589> Veni sponsa Christi <590> Missa Veni sponsa Christi: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R237> Alessandra Ignesti <484> Veni sponsa Christi <485> Missa Veni sponsa Christi: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

<R290> Alessandra Ignesti <591> Veni sponsa Christi <592> Missa Veni sponsa Christi: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True