CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R2101> Scott Troyer <4201> O gente brunette <4202> Missa O gente brunette: Sanctus New material Expand

New material

<R2102> Scott Troyer <4203> O gente brunette <4204> Missa O gente brunette: Sanctus New material Expand

New material

<R2103> Scott Troyer <4205> O gente brunette <4206> Missa O gente brunette: Sanctus New material Expand

New material

<R2104> Scott Troyer <4207> O gente brunette <4208> Missa O gente brunette: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R2105> Scott Troyer <4209> O gente brunette <4210> Missa O gente brunette: Sanctus New material Expand

New material

<R2106> Scott Troyer <4211> O gente brunette <4212> Missa O gente brunette: Sanctus New material Expand

New material

<R2107> Scott Troyer <4213> O gente brunette <4214> Missa O gente brunette: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2108> Scott Troyer <4215> O gente brunette <4216> Missa O gente brunette: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R2109> Scott Troyer <4217> O gente brunette <4218> Missa O gente brunette: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R2110> Scott Troyer <4219> O gente brunette <4220> Missa O gente brunette: Sanctus New material Expand

New material

<R2111> Scott Troyer <4221> O gente brunette <4222> Missa O gente brunette: Sanctus New material Expand

New material

<R2112> Scott Troyer <4223> O gente brunette <4224> Missa O gente brunette: Sanctus New material Expand

New material

<R2113> Scott Troyer <4225> O gente brunette <4226> Missa O gente brunette: Sanctus New material Expand

New material

<R2114> Scott Troyer <4227> O gente brunette <4228> Missa O gente brunette: Sanctus New material Expand

New material

<R2115> Scott Troyer <4229> O gente brunette <4230> Missa O gente brunette: Sanctus New material Expand

New material

<R2116> Scott Troyer <4231> O gente brunette <4232> Missa O gente brunette: Agnus Dei New material Expand

New material

<R2117> Scott Troyer <4233> O gente brunette <4234> Missa O gente brunette: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R2118> Scott Troyer <4235> O gente brunette <4236> Missa O gente brunette: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R2119> Scott Troyer <4237> O gente brunette <4238> Missa O gente brunette: Agnus Dei New material Expand

New material

<R2120> Scott Troyer <4239> O gente brunette <4240> Missa O gente brunette: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2121> Scott Troyer <4241> O gente brunette <4242> Missa O gente brunette: Agnus Dei New material Expand

New material

<R2122> Scott Troyer <4243> O gente brunette <4244> Missa O gente brunette: Agnus Dei New material Expand

New material

<R2123> Ian Lorenz <4245> Quo abiit dilectus tuus <4246> Missa Quo abiit dilectus tuus: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R2124> Ian Lorenz <4247> Quo abiit dilectus tuus <4248> Missa Quo abiit dilectus tuus: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: True

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2125> Ian Lorenz <4249> Quo abiit dilectus tuus <4250> Missa Quo abiit dilectus tuus: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2126> Ian Lorenz <4251> Quo abiit dilectus tuus <4252> Missa Quo abiit dilectus tuus: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2127> Ian Lorenz <4253> Quo abiit dilectus tuus <4254> Missa Quo abiit dilectus tuus: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R2128> Ian Lorenz <4255> Quo abiit dilectus tuus <4256> Missa Quo abiit dilectus tuus: Agnus Dei Omission Expand

Omission

<R2129> Ian Lorenz <4257> Quo abiit dilectus tuus <4258> Missa Quo abiit dilectus tuus: Agnus Dei Omission Expand

Omission

<R2130> Ian Lorenz <4259> Quo abiit dilectus tuus <4260> Missa Quo abiit dilectus tuus: Agnus Dei Omission Expand

Omission

<R2131> Ian Lorenz <4261> Quo abiit dilectus tuus <4262> Missa Quo abiit dilectus tuus: Agnus Dei Omission Expand

Omission

<R2132> Ian Lorenz <4263> Quo abiit dilectus tuus <4264> Missa Quo abiit dilectus tuus: Agnus Dei Omission Expand

Omission

<R2133> Ian Lorenz <4265> Quo abiit dilectus tuus <4266> Missa Quo abiit dilectus tuus: Agnus Dei Omission Expand

Omission

<R2134> Ian Lorenz <4267> Quo abiit dilectus tuus <4268> Missa Quo abiit dilectus tuus: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R2135> Ian Lorenz <4269> Quo abiit dilectus tuus <4270> Missa Quo abiit dilectus tuus: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2136> Ian Lorenz <4271> Quo abiit dilectus tuus <4272> Missa Quo abiit dilectus tuus: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R2137> Ian Lorenz <4273> Quo abiit dilectus tuus <4274> Missa Quo abiit dilectus tuus: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R2138> Ian Lorenz <4275> Quo abiit dilectus tuus <4276> Missa Quo abiit dilectus tuus: Agnus Dei New material Expand

New material

<R2139> Stephanie Schlagel <4277> Benedicta es <4278> Missa Benedicta es: Gloria Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

Remarks: First NIm amplified by addition of countersubject in second Ct in m.1

<R2140> Stephanie Schlagel <4279> Benedicta es <4280> Missa Benedicta es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: 3 voice NIm in Josquin becomes 5 voice NIm in Palestrina

<R2141> Stephanie Schlagel <4281> Benedicta es <4282> Missa Benedicta es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: 4-voice NIm in Josquin -> 3 voice NIm in Palestrina.

<R2142> Stephanie Schlagel <4283> Benedicta es <4284> Missa Benedicta es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: True

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: 2 -voice NIm in Josquin becomes 3 voice NIm in Palestrina. 3 statements of NIm in Josquin become 2 in Palestrina

<R2143> Scott Troyer <4285> O gente brunette <4286> Missa O gente brunette: Agnus Dei New material Expand

New material

<R2144> Scott Troyer <4287> O gente brunette <4288> Missa O gente brunette: Agnus Dei New material Expand

New material

<R2145> Scott Troyer <4289> O gente brunette <4290> Missa O gente brunette: Agnus Dei New material Expand

New material

<R2146> Scott Troyer <4291> O gente brunette <4292> Missa O gente brunette: Agnus Dei New material Expand

New material

<R2147> Scott Troyer <4293> O gente brunette <4294> Missa O gente brunette: Agnus Dei New material Expand

New material

<R2148> Scott Troyer <4295> O gente brunette <4296> Missa O gente brunette: Agnus Dei New material Expand

New material

<R2149> Stephanie Schlagel <4297> Benedicta es <4298> Missa Benedicta es: Gloria New material Expand

New material

<R2150> Ian Lorenz <4299> Quo abiit dilectus tuus <4300> Missa Quo abiit dilectus tuus: Agnus Dei Omission Expand

Omission

<R2151> Ian Lorenz <4301> Quo abiit dilectus tuus <4302> Missa Quo abiit dilectus tuus: Agnus Dei Omission Expand

Omission

<R2152> Ian Lorenz <4303> Quo abiit dilectus tuus <4304> Missa Quo abiit dilectus tuus: Agnus Dei Omission Expand

Omission

<R2153> Ian Lorenz <4305> Quo abiit dilectus tuus <4306> Missa Quo abiit dilectus tuus: Agnus Dei Omission Expand

Omission

<R2154> Ian Lorenz <4307> Quo abiit dilectus tuus <4308> Missa Quo abiit dilectus tuus: Agnus Dei Omission Expand

Omission

<R2155> Ian Lorenz <4309> Quo abiit dilectus tuus <4310> Missa Quo abiit dilectus tuus: Agnus Dei Omission Expand

Omission

<R2156> Ian Lorenz <4311> Quo abiit dilectus tuus <4312> Missa Quo abiit dilectus tuus: Agnus Dei Omission Expand

Omission

<R2157> Ian Lorenz <4313> Quo abiit dilectus tuus <4314> Missa Quo abiit dilectus tuus: Agnus Dei Omission Expand

Omission

<R2158> Ian Lorenz <4315> Quo abiit dilectus tuus <4316> Missa Quo abiit dilectus tuus: Agnus Dei Omission Expand

Omission

<R2159> Jon Oddie <4317> Benedicta es <4318> Missa Benedicta es: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2160> Ian Lorenz <4319> Quo abiit dilectus tuus <4320> Missa Quo abiit dilectus tuus: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R2161> Ian Lorenz <4321> Quo abiit dilectus tuus <4322> Missa Quo abiit dilectus tuus: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2162> Ian Lorenz <4323> Quo abiit dilectus tuus <4324> Missa Quo abiit dilectus tuus: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R2163> Ian Lorenz <4325> Quo abiit dilectus tuus <4326> Missa Quo abiit dilectus tuus: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R2164> Jon Oddie <4327> Benedicta es <4328> Missa Benedicta es: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: True

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Mouton's duo contains parallel fourths between upper voices, which become near parallel fifths between outer voices in Morales. Ornamenting the subject with anticipations is not just decoration, but also necessary to avoid obvious parallels

<R2165> Jon Oddie <4329> Benedicta es <4330> Missa Benedicta es: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: True

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2166> Ian Lorenz <4331> Quo abiit dilectus tuus <4332> Missa Quo abiit dilectus tuus: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2167> Jon Oddie <4333> Benedicta es <4334> Missa Benedicta es: Credo New material Expand

New material

<R2168> Ian Lorenz <4335> Quo abiit dilectus tuus <4336> Missa Quo abiit dilectus tuus: Agnus Dei New material Expand

New material

<R2169> Jon Oddie <4337> Benedicta es <4338> Missa Benedicta es: Credo New material Expand

New material

<R2170> Ian Lorenz <4339> Quo abiit dilectus tuus <4340> Missa Quo abiit dilectus tuus: Agnus Dei Omission Expand

Omission

<R2171> Jon Oddie <4341> Benedicta es <4342> Missa Benedicta es: Credo New material Expand

New material

<R2172> Ian Lorenz <4343> Quo abiit dilectus tuus <4344> Missa Quo abiit dilectus tuus: Agnus Dei Omission Expand

Omission

<R2173> Ian Lorenz <4345> Quo abiit dilectus tuus <4346> Missa Quo abiit dilectus tuus: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R2174> Jon Oddie <4347> Benedicta es <4348> Missa Benedicta es: Credo New material Expand

New material

<R2175> Jon Oddie <4349> Benedicta es <4350> Missa Benedicta es: Credo New material Expand

New material

<R2176> Jon Oddie <4351> Benedicta es <4352> Missa Benedicta es: Credo New material Expand

New material

<R2177> Ian Lorenz <4353> Quo abiit dilectus tuus <4354> Missa Quo abiit dilectus tuus: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2178> Jon Oddie <4355> Benedicta es <4356> Missa Benedicta es: Credo New material Expand

New material

<R2179> Jon Oddie <4357> Benedicta es <4358> Missa Benedicta es: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: A single fuga duo in Josquin becomes a repeated module in an ABA form (duo-singleton-duo) in Morales

<R2180> Jon Oddie <4359> Benedicta es <4360> Missa Benedicta es: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: True

Remarks: Not really double counterpoint since there is no overlap between the entrances, but imitation at the octave has been transformed into imitation at the lower twelfth

<R2181> Jon Oddie <4361> Benedicta es <4362> Missa Benedicta es: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

Remarks: This passage of fuga from Morales comes closest to Pieton's fuga on the same subject in its use of periodic entrances at a two-minim time interval, with entrances at 7+ and 11-

<R2182> Jon Oddie <4363> Benedicta es <4364> Missa Benedicta es: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Morales's choice of chant segment here seems to have been motivated by a resonance between the texts of the chant and the Credo: the original words associated with this chant segment are "et ex te verbum incarnatum", and here it is used for "et homo factus est". I have not checked to see if there are any other similarly "intertextual" references elsewhere in the mass.

<R2183> Ian Lorenz <4365> Quo abiit dilectus tuus <4366> Missa Quo abiit dilectus tuus: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R2184> Ian Lorenz <4367> Quo abiit dilectus tuus <4368> Missa Quo abiit dilectus tuus: Agnus Dei Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R2185> Ian Lorenz <4369> Quo abiit dilectus tuus <4370> Missa Quo abiit dilectus tuus: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2186> Ian Lorenz <4371> Quo abiit dilectus tuus <4372> Missa Quo abiit dilectus tuus: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2187> Ian Lorenz <4373> Quo abiit dilectus tuus <4374> Missa Quo abiit dilectus tuus: Agnus Dei Omission Expand

Omission

<R2188> Ian Lorenz <4375> Quo abiit dilectus tuus <4376> Missa Quo abiit dilectus tuus: Agnus Dei Omission Expand

Omission

<R2189> Ian Lorenz <4377> Quo abiit dilectus tuus <4378> Missa Quo abiit dilectus tuus: Agnus Dei Omission Expand

Omission

<R2190> Ian Lorenz <4379> Quo abiit dilectus tuus <4380> Missa Quo abiit dilectus tuus: Agnus Dei Omission Expand

Omission

<R2191> Ian Lorenz <4381> Quo abiit dilectus tuus <4382> Missa Quo abiit dilectus tuus: Agnus Dei Omission Expand

Omission

<R2192> Scott Troyer <4383> Je n’en puis plus durer <4384> Missa Je n’en puis plus durer: Credo New material Expand

New material

<R2193> Scott Troyer <4385> Je n’en puis plus durer <4386> Missa Je n’en puis plus durer: Credo New material Expand

New material

<R2194> Ian Lorenz <4387> Quo abiit dilectus tuus <4388> Missa Quo abiit dilectus tuus: Agnus Dei Quotation Expand

Quotation

Exact: False

Monnayage: True

<R2195> Scott Troyer <4389> Je n’en puis plus durer <4390> Missa Je n’en puis plus durer: Credo New material Expand

New material

<R2196> Scott Troyer <4391> Je n’en puis plus durer <4392> Missa Je n’en puis plus durer: Credo New material Expand

New material

<R2197> Scott Troyer <4393> Je n’en puis plus durer <4394> Missa Je n’en puis plus durer: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The superius line from the model is referenced in the tenor line of the mass. The bassus from the model has been retained, and the superius and the contratenor in the mass appear to be new material added to the borrowed superius-bassus pair from the model.

<R2198> Scott Troyer <4395> Je n’en puis plus durer <4396> Missa Je n’en puis plus durer: Credo New material Expand

New material

<R2199> Scott Troyer <4397> Je n’en puis plus durer <4398> Missa Je n’en puis plus durer: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: The quotation begins with the entry of the superius. The preceding material in the contratenor, tenor, and bassus does not appear to be referencing the model. It is unusual and worth noting that this musical event cites the model at its conclusion, rather than its onset.

<R2200> Scott Troyer <4399> Je n’en puis plus durer <4400> Missa Je n’en puis plus durer: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False