CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R1911> Jon Oddie <3821> Benedicta es <3822> Missa Benedicta es: Gloria New material Expand

New material

<R1912> Anne Nautré <3823> Voulant honneur <3824> Missa Voulant honneur: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1913> Anne Nautré <3825> Voulant honneur <3826> Missa Voulant honneur: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1914> Anne Nautré <3827> Voulant honneur <3828> Missa Voulant honneur: Sanctus Quotation Expand

Quotation

Exact: True

Monnayage: False

<R1915> Anne Nautré <3829> Voulant honneur <3830> Missa Voulant honneur: Sanctus Quotation Expand

Quotation

Exact: True

Monnayage: False

<R1916> Anne Nautré <3831> Voulant honneur <3832> Missa Voulant honneur: Sanctus Quotation Expand

Quotation

Exact: True

Monnayage: False

<R1917> Ian Lorenz <3833> Quo abiit dilectus tuus <3834> Missa Quo abiit dilectus tuus: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1918> Raphaëlle Rouzic <3835> Veni sponsa Christi <3836> Missa Veni sponsa Christi: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Metriccally shifted : Model: M8/8/8/8 -> Mass: M1/1 Reduced : Bassus voice Embellished : Superius and Tenor voices

<R1919> Ian Lorenz <3837> Quo abiit dilectus tuus <3838> Missa Quo abiit dilectus tuus: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1920> Jon Oddie <3839> Benedicta es <3840> Missa Benedicta es: Gloria New material Expand

New material

<R1921> Jon Oddie <3841> Benedicta es <3842> Missa Benedicta es: Gloria Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: Exact quotation of the soggetto except for slightly simplified ornamentation in Morales

<R1922> Jon Oddie <3843> Benedicta es <3844> Missa Benedicta es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Morales turns a brief fuga duo from Josquin into an extended ID + NIm presentation.

<R1923> Ian Lorenz <3845> Quo abiit dilectus tuus <3846> Missa Quo abiit dilectus tuus: Gloria Quotation Expand

Quotation

Exact: True

Monnayage: False

<R1924> Ian Lorenz <3847> Quo abiit dilectus tuus <3848> Missa Quo abiit dilectus tuus: Gloria Omission Expand

Omission

<R1925> Anne Nautré <3849> Voulant honneur <3850> Missa Voulant honneur: Agnus Dei Quotation Expand

Quotation

Exact: True

Monnayage: False

<R1926> Ian Lorenz <3851> Quo abiit dilectus tuus <3852> Missa Quo abiit dilectus tuus: Gloria Omission Expand

Omission

<R1927> Anne Nautré <3853> Voulant honneur <3854> Missa Voulant honneur: Agnus Dei Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1928> Jon Oddie <3855> Benedicta es <3856> Missa Benedicta es: Gloria Quotation Expand

Quotation

Exact: True

Monnayage: False

<R1929> Ian Lorenz <3857> Quo abiit dilectus tuus <3858> Missa Quo abiit dilectus tuus: Gloria Omission Expand

Omission

<R1930> Ian Lorenz <3859> Quo abiit dilectus tuus <3860> Missa Quo abiit dilectus tuus: Gloria Omission Expand

Omission

<R1931> Anne Nautré <3861> Voulant honneur <3862> Missa Voulant honneur: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1932> Anne Nautré <3863> Voulant honneur <3864> Missa Voulant honneur: Agnus Dei Quotation Expand

Quotation

Exact: True

Monnayage: False

<R1933> Jon Oddie <3865> Benedicta es <3866> Missa Benedicta es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: NIm formed from two different rhythmicisations / ornamentations of the same chant segment, plus a free continuation in the upper voice. The lower voice of the NIm is identical to the variant subject entrance in the tenor of bb. 67-69. When the upper voice of the NIm in bb. 81-2 is considered together with the preceding note, it gives a complete statement of the chant fragment; this note is not included in the repetition of the NIm in bb. 83-86. Also unusually (if the text underlay is to be believed), the NIm crosses the text boundary between "deprecationem nostram" and "Qui sedes ad dexteram Patris"

<R1934> Jon Oddie <3867> Benedicta es <3868> Missa Benedicta es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1935> Anne Nautré <3869> Voulant honneur <3870> Missa Voulant honneur: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Les voix de A et T du sanctus combinent deux motifs de la voix de T du modèle pour faire cadence.

<R1936> Anne Nautré <3871> Voulant honneur <3872> Missa Voulant honneur: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1937> Ian Lorenz <3873> Quo abiit dilectus tuus <3874> Missa Quo abiit dilectus tuus: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1938> Ian Lorenz <3875> Quo abiit dilectus tuus <3876> Missa Quo abiit dilectus tuus: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1939> Ian Lorenz <3877> Quo abiit dilectus tuus <3878> Missa Quo abiit dilectus tuus: Gloria New material Expand

New material

<R1940> Ian Lorenz <3879> Quo abiit dilectus tuus <3880> Missa Quo abiit dilectus tuus: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1941> Scott Troyer <3881> Je n’en puis plus durer <3882> Missa Je n’en puis plus durer: Gloria New material Expand

New material

<R1942> Scott Troyer <3883> Je n’en puis plus durer <3884> Missa Je n’en puis plus durer: Gloria New material Expand

New material

<R1943> Jon Oddie <3885> Benedicta es <3886> Missa Benedicta es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1944> Ian Lorenz <3887> Quo abiit dilectus tuus <3888> Missa Quo abiit dilectus tuus: Gloria New material Expand

New material

<R1945> Jon Oddie <3889> Benedicta es <3890> Missa Benedicta es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1946> Ian Lorenz <3891> Quo abiit dilectus tuus <3892> Missa Quo abiit dilectus tuus: Gloria New material Expand

New material

<R1947> Ian Lorenz <3893> Quo abiit dilectus tuus <3894> Missa Quo abiit dilectus tuus: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1948> Ian Lorenz <3895> Quo abiit dilectus tuus <3896> Missa Quo abiit dilectus tuus: Gloria New material Expand

New material

<R1949> Ian Lorenz <3897> Quo abiit dilectus tuus <3898> Missa Quo abiit dilectus tuus: Gloria New material Expand

New material

<R1950> Scott Troyer <3899> Je n’en puis plus durer <3900> Missa Je n’en puis plus durer: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1951> Scott Troyer <3901> Je n’en puis plus durer <3902> Missa Je n’en puis plus durer: Gloria New material Expand

New material

<R1952> Scott Troyer <3903> Je n’en puis plus durer <3904> Missa Je n’en puis plus durer: Gloria New material Expand

New material

<R1953> Scott Troyer <3905> Je n’en puis plus durer <3906> Missa Je n’en puis plus durer: Gloria New material Expand

New material

<R1954> Ian Lorenz <3907> Quo abiit dilectus tuus <3908> Missa Quo abiit dilectus tuus: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Soggetto is embellished in the Mass

<R1955> Ian Lorenz <3909> Quo abiit dilectus tuus <3910> Missa Quo abiit dilectus tuus: Gloria Quotation Expand

Quotation

Exact: True

Monnayage: False

<R1956> Scott Troyer <3911> Je n’en puis plus durer <3912> Missa Je n’en puis plus durer: Gloria New material Expand

New material

<R1957> Scott Troyer <3913> Je n’en puis plus durer <3914> Missa Je n’en puis plus durer: Gloria New material Expand

New material

<R1958> Ian Lorenz <3915> Quo abiit dilectus tuus <3916> Missa Quo abiit dilectus tuus: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1959> Ian Lorenz <3917> Quo abiit dilectus tuus <3918> Missa Quo abiit dilectus tuus: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1960> Scott Troyer <3919> Je n’en puis plus durer <3920> Missa Je n’en puis plus durer: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R1961> Ian Lorenz <3921> Quo abiit dilectus tuus <3922> Missa Quo abiit dilectus tuus: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1962> Ian Lorenz <3923> Quo abiit dilectus tuus <3924> Missa Quo abiit dilectus tuus: Gloria New material Expand

New material

<R1963> Ian Lorenz <3925> Quo abiit dilectus tuus <3926> Missa Quo abiit dilectus tuus: Gloria New material Expand

New material

<R1964> Scott Troyer <3927> Je n’en puis plus durer <3928> Missa Je n’en puis plus durer: Gloria New material Expand

New material

<R1965> Ian Lorenz <3929> Quo abiit dilectus tuus <3930> Missa Quo abiit dilectus tuus: Gloria New material Expand

New material

<R1966> Ian Lorenz <3931> Quo abiit dilectus tuus <3932> Missa Quo abiit dilectus tuus: Gloria New material Expand

New material

<R1967> Ian Lorenz <3933> Quo abiit dilectus tuus <3934> Missa Quo abiit dilectus tuus: Gloria Omission Expand

Omission

<R1968> Ian Lorenz <3935> Quo abiit dilectus tuus <3936> Missa Quo abiit dilectus tuus: Gloria Omission Expand

Omission

<R1969> Ian Lorenz <3937> Quo abiit dilectus tuus <3938> Missa Quo abiit dilectus tuus: Gloria Omission Expand

Omission

<R1970> Ian Lorenz <3939> Quo abiit dilectus tuus <3940> Missa Quo abiit dilectus tuus: Gloria Omission Expand

Omission

<R1971> Scott Troyer <3941> Je n’en puis plus durer <3942> Missa Je n’en puis plus durer: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The first presentation of the soggetto in the model has been omitted in the mass.

<R1972> Scott Troyer <3943> Je n’en puis plus durer <3944> Missa Je n’en puis plus durer: Gloria New material Expand

New material

Remarks: This is ID is an adaptation of a fuga also presented in the Kyrie and paired with the same borrowed material from the model.

<R1973> Ian Lorenz <3945> Quo abiit dilectus tuus <3946> Missa Quo abiit dilectus tuus: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1974> Ian Lorenz <3947> Quo abiit dilectus tuus <3948> Missa Quo abiit dilectus tuus: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1975> Ian Lorenz <3949> Quo abiit dilectus tuus <3950> Missa Quo abiit dilectus tuus: Gloria New material Expand

New material

<R1976> Scott Troyer <3951> Je n’en puis plus durer <3952> Missa Je n’en puis plus durer: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1977> Ian Lorenz <3953> Quo abiit dilectus tuus <3954> Missa Quo abiit dilectus tuus: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1978> Scott Troyer <3955> Je n’en puis plus durer <3956> Missa Je n’en puis plus durer: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1979> Ian Lorenz <3957> Quo abiit dilectus tuus <3958> Missa Quo abiit dilectus tuus: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1980> Scott Troyer <3959> Je n’en puis plus durer <3960> Missa Je n’en puis plus durer: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: The contratenor and bassus have been borrowed from the model, the superius has been omitted.

<R1981> Scott Troyer <3961> Je n’en puis plus durer <3962> Missa Je n’en puis plus durer: Gloria New material Expand

New material

<R1982> Ian Lorenz <3963> Quo abiit dilectus tuus <3964> Missa Quo abiit dilectus tuus: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1983> Ian Lorenz <3965> Quo abiit dilectus tuus <3966> Missa Quo abiit dilectus tuus: Gloria Omission Expand

Omission

<R1984> Scott Troyer <3967> Je n’en puis plus durer <3968> Missa Je n’en puis plus durer: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1985> Ian Lorenz <3969> Quo abiit dilectus tuus <3970> Missa Quo abiit dilectus tuus: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1986> Scott Troyer <3971> Je n’en puis plus durer <3972> Missa Je n’en puis plus durer: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

Remarks: The first entry of the soggetto in the model has been omitted in the mass

<R1987> Scott Troyer <3973> Je n’en puis plus durer <3974> Missa Je n’en puis plus durer: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

Remarks: The first three minims of the superius part have been transposed down a third.

<R1988> Scott Troyer <3975> Je n’en puis plus durer <3976> Missa Je n’en puis plus durer: Credo New material Expand

New material

<R1989> Scott Troyer <3977> Je n’en puis plus durer <3978> Missa Je n’en puis plus durer: Credo New material Expand

New material

<R1990> Scott Troyer <3979> Je n’en puis plus durer <3980> Missa Je n’en puis plus durer: Credo New material Expand

New material

<R1991> Scott Troyer <3981> Je n’en puis plus durer <3982> Missa Je n’en puis plus durer: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1992> Scott Troyer <3983> Je n’en puis plus durer <3984> Missa Je n’en puis plus durer: Credo New material Expand

New material

<R1993> Scott Troyer <3985> Je n’en puis plus durer <3986> Missa Je n’en puis plus durer: Credo New material Expand

New material

<R1994> Scott Troyer <3987> Je n’en puis plus durer <3988> Missa Je n’en puis plus durer: Credo New material Expand

New material

<R1995> Scott Troyer <3989> Je n’en puis plus durer <3990> Missa Je n’en puis plus durer: Credo New material Expand

New material

<R1996> Scott Troyer <3991> Je n’en puis plus durer <3992> Missa Je n’en puis plus durer: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1997> Scott Troyer <3993> Je n’en puis plus durer <3994> Missa Je n’en puis plus durer: Credo New material Expand

New material

<R1998> Scott Troyer <3995> Je n’en puis plus durer <3996> Missa Je n’en puis plus durer: Credo New material Expand

New material

<R1999> Scott Troyer <3997> Je n’en puis plus durer <3998> Missa Je n’en puis plus durer: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: A fourth voice not present in the model has been added in the mass. The first three minims of the model's contratenor line are presented in the contratenor of the mass. The remainder of that soggetto is referenced in the superius of the mass.

<R2000> Scott Troyer <3999> Je n’en puis plus durer <4000> Missa Je n’en puis plus durer: Credo New material Expand

New material

<R2001> Scott Troyer <4001> Je n’en puis plus durer <4002> Missa Je n’en puis plus durer: Credo New material Expand

New material

<R2002> Raphaëlle Rouzic <4003> Veni sponsa Christi <4004> Missa Veni sponsa Christi: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: New counter subject : "Et vitam venturi" à la voix de Superius -> Modèle: mesures 50 à 57 >A>C>B

<R2003> Jon Oddie <4005> Benedicta es <4006> Missa Benedicta es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R2004> Jon Oddie <4007> Benedicta es <4008> Missa Benedicta es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: As in previous mvts., I claim that Morales could have borrowed the contrapuntal *structure* -- a chant cantus firmus which forms NIms against two entrances of a countersubject -- from Pieton, although the borrowed *material* is limited to the chant subject and the rising-fourth head-interval of the CS.

<R2005> Raphaëlle Rouzic <4009> Veni sponsa Christi <4010> Missa Veni sponsa Christi: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Monnayage : de la première note du motif Metrically shifted : Modèle: S3/3 -> Messe: S5

<R2006> Jon Oddie <4011> Benedicta es <4012> Missa Benedicta es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R2007> Jon Oddie <4013> Benedicta es <4014> Missa Benedicta es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The connection to the chant is fairly weak, and this could simply be considered 'new material'.

<R2008> Raphaëlle Rouzic <4015> Veni sponsa Christi <4016> Missa Veni sponsa Christi: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Monnayage of rhythmic durations Metrically shifted : Modèle: M4/2/9/11/2/8 -> Messe: M4/3/2

<R2009> Jon Oddie <4017> Benedicta es <4018> Missa Benedicta es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2010> Jon Oddie <4019> Benedicta es <4020> Missa Benedicta es: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: True

Remarks: Morales seems to have been inspired by Josquin's complex fuga on this subject, and perhaps attempted to outdo his model in the length and complexity of his own imitative development.