CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R343> Manon Manfredi <699> Tota pulchra es <700> Missa Tota pulchra es: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R436> Manon Manfredi <888> Tota pulchra es <889> Missa Tota pulchra es: Sanctus Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: Si ces cadences sont à relever c'est parce qu'elles sont présentées à la fin de la même section.

<R437> Manon Manfredi <890> Tota pulchra es <891> Missa Tota pulchra es: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: Le superius du modèle est transposé à l'octave inférieure dans la messe. les voix sont échangées dans la messe superius = C et ténor = G, dans le modèle superius = G ténor = C.

<R439> Manon Manfredi <894> Tota pulchra es <895> Missa Tota pulchra es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Amplified pour la forme 7 entrées pour la messe contre 5 dans le modèle. reduced car il manque pour chaque entrée la tête du motif. cette fuga est tuilé avec la précédente qui est la citation du modèle mesure 82. certaines voix transposées à l'octave inférieure.

<R344> Manon Manfredi <701> Tota pulchra es <702> Missa Tota pulchra es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R345> Manon Manfredi <703> Tota pulchra es <704> Missa Tota pulchra es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R346> Manon Manfredi <705> Tota pulchra es <706> Missa Tota pulchra es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R347> Manon Manfredi <707> Tota pulchra es <708> Missa Tota pulchra es: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R4> David Fiala <7> Tota pulchra es <8> Missa Tota pulchra es: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: GENERAL COMMENT. General rewriting of a SATB model in a Missa a vocibus paribus TTTB (meaning S of model is most of the time transposed 8- in Mass).

<R179> Manon Manfredi <364> Tota pulchra es <365> Missa Tota pulchra es: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R351> Manon Manfredi <715> Tota pulchra es <716> Missa Tota pulchra es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: La citaiton du superius du modèle va jusqu'a la mesure 59 de la messe, elle est embellished.

<R386> Manon Manfredi <786> Tota pulchra es <787> Missa Tota pulchra es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: même nombre d'entrées, sur les mêmes notes, seulement l'ordre des entrées et les intervalles de temps qui changent.

<R378> Manon Manfredi <770> Tota pulchra es <771> Missa Tota pulchra es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Peut-être un peu d'extrapolation, mais c'est un peu léger pour être considéré comme un "New material", mais il y a quand même un schéma musical à relever.

<R271> Manon Manfredi <552> Tota pulchra es <553> Missa Tota pulchra es: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R269> Manon Manfredi <548> Tota pulchra es <549> Missa Tota pulchra es: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: On remarque que dans le motif il remplace la descente "ré do" par une tierce "ré-si"

<R217> Manon Manfredi <440> Tota pulchra es <441> Missa Tota pulchra es: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Le contre sujet de la fugue du modèle (présenté à la basse) est transformé dans la messe en NIM, présenté avec le motif de cette même fugue.

<R268> Manon Manfredi <546> Tota pulchra es <547> Missa Tota pulchra es: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R453> Manon Manfredi <922> Tota pulchra es <923> Missa Tota pulchra es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R156> Manon Manfredi <317> Tota pulchra es <318> Missa Tota pulchra es: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R438> Manon Manfredi <892> Tota pulchra es <893> Missa Tota pulchra es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Ténor transposé à l'octave