CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R1501> Anne Nautré <3001> Voulant honneur <3002> Missa Voulant honneur: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Remarks: Le sogetto au superius de la chanson est exposé dans la messe: les premières mesures sont chantées par la voix de contra, les mesures suivantes par la voix de superius.

<R1502> Anne Nautré <3003> Voulant honneur <3004> Missa Voulant honneur: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1503> Anne Nautré <3005> Voulant honneur <3006> Missa Voulant honneur: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: La citation s'interrompt aux mesures 7 et 8 de la messe, puis reprend jusqu'à la cadence.

<R1504> Anne Nautré <3007> Voulant honneur <3008> Missa Voulant honneur: Gloria Quotation, New material Expand

Quotation, New material

Exact: False

Monnayage: True

Remarks: Le début du gloria cite le modèle à toues les voix. On observe l'insertion d'un new material, aux mesures 6-8, avec les bicinia BT et SA. Le bicinium SA s'inspire du modèle (m.7-8 aux mêmes voix), mais les intervalles harmonique entre les deux voix supérieures ne sont pas les mêmes, à cause du décalage rythmique: dans la chanson = 3-4-6-8, dans le gloria = 3-5-6-6

<R1505> Anne Nautré <3009> Voulant honneur <3010> Missa Voulant honneur: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: La fuga du gloria réunit deux sogetti de la messe, en profitant du fait que tous deux comment par une tierce ascendante. A: citation monnayage des m.6-8 de la chanson, transposée. T: citation monnayage des m.21-23 de la chanson.

<R1506> Anne Nautré <3011> Voulant honneur <3012> Missa Voulant honneur: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1507> Alessandra Ignesti <3013> Mente Tota (from Vultuum tuum) <3014> Missa Mente tota: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1508> Alessandra Ignesti <3015> Mente Tota (from Vultuum tuum) <3016> Missa Mente tota: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: The incipit of the soggetto in the Gloria has a slight resemblance with the incipit of the soggetto (of a NIm) in the motet.

<R1509> Alessandra Ignesti <3017> Mente Tota (from Vultuum tuum) <3018> Missa Mente tota: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1510> Alessandra Ignesti <3019> Mente Tota (from Vultuum tuum) <3020> Missa Mente tota: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1511> Alessandra Ignesti <3021> Mente Tota (from Vultuum tuum) <3022> Missa Mente tota: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1512> Alessandra Ignesti <3023> Mente Tota (from Vultuum tuum) <3024> Missa Mente tota: Sanctus None Expand

Relationship

<R1513> Alessandra Ignesti <3025> Mente Tota (from Vultuum tuum) <3026> Missa Mente tota: Sanctus New material Expand

New material

<R1514> Alessandra Ignesti <3027> Mente Tota (from Vultuum tuum) <3028> Missa Mente tota: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1515> Alessandra Ignesti <3029> Mente Tota (from Vultuum tuum) <3030> Missa Mente tota: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1516> Alessandra Ignesti <3031> Mente Tota (from Vultuum tuum) <3032> Missa Mente tota: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1517> Alessandra Ignesti <3033> Mente Tota (from Vultuum tuum) <3034> Missa Mente tota: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1518> Alessandra Ignesti <3035> Mente Tota (from Vultuum tuum) <3036> Missa Mente tota: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1519> Alessandra Ignesti <3037> Mente Tota (from Vultuum tuum) <3038> Missa Mente tota: Sanctus None Expand

Relationship

Remarks: This correspondence between these two cadences is suggested by the musical context.

<R1520> Alessandra Ignesti <3039> Mente Tota (from Vultuum tuum) <3040> Missa Mente tota: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1521> Alessandra Ignesti <3041> Mente Tota (from Vultuum tuum) <3042> Missa Mente tota: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1522> Alessandra Ignesti <3043> Mente Tota (from Vultuum tuum) <3044> Missa Mente tota: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1523> Alessandra Ignesti <3045> Mente Tota (from Vultuum tuum) <3046> Missa Mente tota: Sanctus New material Expand

New material

<R1524> Alessandra Ignesti <3047> Mente Tota (from Vultuum tuum) <3048> Missa Mente tota: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1525> Alessandra Ignesti <3049> Mente Tota (from Vultuum tuum) <3050> Missa Mente tota: Sanctus New material Expand

New material

<R1526> Alessandra Ignesti <3051> Mente Tota (from Vultuum tuum) <3052> Missa Mente tota: Sanctus New material Expand

New material

<R1527> Alessandra Ignesti <3053> Mente Tota (from Vultuum tuum) <3054> Missa Mente tota: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1528> Raphaëlle Rouzic <3055> Veni sponsa Christi <3056> Missa Veni sponsa Christi: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Exact quotation of the modules. Reduced : In this FUGA of the mass the : - Bassus: fourth note - Tenor: third note - Altus: third note of the head motif are not repeated The upper note of the head motif in the model: 1 semi breve +1 minim The upper note of the head motif in the mass: 1 semi breve

<R1529> Raphaëlle Rouzic <3057> Veni sponsa Christi <3058> Missa Veni sponsa Christi: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Ce nouveau SOGGETTO est composé de deux SOGGETTI du modèle (le premier et le second) En détails nous avons : - la 3ce inférieure (commune aux deux SOGGETTI) - les deux mouvements conjoints ascendants (second SOGGETTO) - un mouvement conjoint ascendant supplémentaire (premier SOGGETTO) - 3ce inférieure (nouveau) - un mouvement conjoint descendant Entre la 5e et la 7e (dernière note du motif de tête) c'est une quarte descendante (commun aux deux SOGGETTI)

<R1530> Anne Nautré <3059> Voulant honneur <3060> Missa Voulant honneur: Gloria Quotation Expand

Quotation

Exact: True

Monnayage: False

<R1531> Raphaëlle Rouzic <3061> Veni sponsa Christi <3062> Missa Veni sponsa Christi: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Ce nouveau SOGGETTO est composé de deux SOGGETTI du modèle (le premier et le second) En détails nous avons : - la 3ce inférieure (commune aux deux SOGGETTI) - les deux mouvements conjoints ascendants (second SOGGETTO) - un mouvement conjoint ascendant supplémentaire (premier SOGGETTO) - 3ce inférieure (nouveau) - un mouvement conjoint descendant Entre la 5e et la 7e (dernière note du motif de tête) c'est une quarte descendante (commun aux deux SOGGETTI)

<R1532> Anne Nautré <3063> Voulant honneur <3064> Missa Voulant honneur: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1533> Raphaëlle Rouzic <3065> Veni sponsa Christi <3066> Missa Veni sponsa Christi: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Ce nouveau SOGGETTO est composé de deux SOGGETTI du modèle (le premier et le second) En détails nous avons : - la 3ce inférieure (commune aux deux SOGGETTI) - les deux mouvements conjoints ascendants (second SOGGETTO) - un mouvement conjoint ascendant supplémentaire (premier SOGGETTO) - 3ce inférieure (nouveau) - un mouvement conjoint descendant Entre la 5e et la 7e (dernière note du motif de tête) c'est une quarte descendante (commun aux deux SOGGETTI)

<R1534> Anne Nautré <3067> Voulant honneur <3068> Missa Voulant honneur: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: La cadence en ré authente est devenue une cadence phrygienne, par le déplacement du semi-ton dans la clausule de ténor.

<R1535> Raphaëlle Rouzic <3069> Veni sponsa Christi <3070> Missa Veni sponsa Christi: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Ce nouveau SOGGETTO n'est pas un évènement anodin puisqu'il fait l'objet d'un travail sur une sous-section entière ("Hosanna"). Le changement de mensuration et l'uniformité des rythmes (en semi breve) appuient cette mise en lumière. Ce nouveau SOGGETTO est composé de deux SOGGETTI du modèle (le premier et le second) En détails nous avons : - la 3ce inférieure (commune aux deux SOGGETTI) - les deux mouvements conjoints ascendants (second SOGGETTO) - un mouvement conjoint ascendant supplémentaire (premier SOGGETTO) - 3ce inférieure (nouveau) - un mouvement conjoint descendant Entre la 5e et la 7e (dernière note du motif de tête) c'est une quarte descendante (commun aux deux SOGGETTI)

<R1536> Alessandra Ignesti <3071> Mente Tota (from Vultuum tuum) <3072> Missa Mente tota: Agnus Dei Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The PEn in the model is broken into two parts and generates two NIms in the mass movement, one set to the words "Agnus Dei,"the other one set to the words "Qui tollis peccata mundi."

<R1537> Alessandra Ignesti <3073> Mente Tota (from Vultuum tuum) <3074> Missa Mente tota: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1538> Alessandra Ignesti <3075> Mente Tota (from Vultuum tuum) <3076> Missa Mente tota: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1539> Alessandra Ignesti <3077> Mente Tota (from Vultuum tuum) <3078> Missa Mente tota: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1540> Alessandra Ignesti <3079> Mente Tota (from Vultuum tuum) <3080> Missa Mente tota: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1541> Raphaëlle Rouzic <3081> Veni sponsa Christi <3082> Missa Veni sponsa Christi: Sanctus Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Metrically shifted : Model: S2/10/2 -> Mass: S2/2 Reduced : The PeN presents only the head motif and a short melodic conclusion.

<R1542> Raphaëlle Rouzic <3083> Veni sponsa Christi <3084> Missa Veni sponsa Christi: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

Remarks: Metrically shifted : Model: S5/6 -> Mass: S6 Transposed : Model: G/D -> Mass: D/G New counterpoint after the head motif

<R1543> Alessandra Ignesti <3085> Mente Tota (from Vultuum tuum) <3086> Missa Mente tota: Agnus Dei Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

<R1544> Alessandra Ignesti <3087> Mente Tota (from Vultuum tuum) <3088> Missa Mente tota: Agnus Dei None Expand

Relationship

<R1545> Raphaëlle Rouzic <3089> Veni sponsa Christi <3090> Missa Veni sponsa Christi: Sanctus Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Embellished : repetition of the first note Model: 2 minims -> Mass: 3 minims Metrically shifted : Model: S4/4 -> Mass: M2/2 Transposed : Model: D/G/G -> Mass: G/G/G Monnayage : of some rhythmic durations

<R1546> Alessandra Ignesti <3091> Mente Tota (from Vultuum tuum) <3092> Missa Mente tota: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1547> Alessandra Ignesti <3093> Mente Tota (from Vultuum tuum) <3094> Missa Mente tota: Agnus Dei None Expand

Relationship

<R1548> Alessandra Ignesti <3095> Mente Tota (from Vultuum tuum) <3096> Missa Mente tota: Agnus Dei New material Expand

New material

<R1549> Alessandra Ignesti <3097> Mente Tota (from Vultuum tuum) <3098> Missa Mente tota: Agnus Dei New material Expand

New material

<R1550> Alessandra Ignesti <3099> Mente Tota (from Vultuum tuum) <3100> Missa Mente tota: Agnus Dei New material Expand

New material

<R1551> Raphaëlle Rouzic <3101> Veni sponsa Christi <3102> Missa Veni sponsa Christi: Sanctus Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Embellished : repetition of the first note Model: 2 minims -> Mass: 3 minims Transposed : Model: D/G/G -> Mass: C/C/C Metrically shifted : Model: S4/4 -> Mass: M2/2 Monnayage : of some rhythmic durations

<R1552> Alessandra Ignesti <3103> Mente Tota (from Vultuum tuum) <3104> Missa Mente tota: Agnus Dei Quotation, New material Expand

Quotation, New material

Exact: True

Monnayage: False

Remarks: The soggetto is quoted exactly, but it is not involved in the NIm. The prosecution of the soggetto (and the NIm itself) has been described as New Material.

<R1553> Alessandra Ignesti <3105> Mente Tota (from Vultuum tuum) <3106> Missa Mente tota: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1554> Alessandra Ignesti <3107> Mente Tota (from Vultuum tuum) <3108> Missa Mente tota: Agnus Dei Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1555> Alessandra Ignesti <3109> Mente Tota (from Vultuum tuum) <3110> Missa Mente tota: Agnus Dei Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1556> Anne Nautré <3111> Voulant honneur <3112> Missa Voulant honneur: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1557> Alessandra Ignesti <3113> Mente Tota (from Vultuum tuum) <3114> Missa Mente tota: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1558> Anne Nautré <3115> Voulant honneur <3116> Missa Voulant honneur: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1559> Anne Nautré <3117> Voulant honneur <3118> Missa Voulant honneur: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Le ténor du gloria cite la voix de ténor du modèle. Le bassus reprend les motifs du tenor, pour les besoins de l'imitation.

<R1560> Alessandra Ignesti <3119> Mente Tota (from Vultuum tuum) <3120> Missa Mente tota: Agnus Dei Quotation Expand

Quotation

Exact: True

Monnayage: False

<R1561> Anne Nautré <3121> Voulant honneur <3122> Missa Voulant honneur: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Le ténor du gloria cite la voix de ténor du modèle. Le bassus reprend les motifs du tenor, pour les besoins de l'imitation.

<R1562> Raphaëlle Rouzic <3123> Veni sponsa Christi <3124> Missa Veni sponsa Christi: Sanctus Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Transposed : Model: D/G/G -> Mass: G/G/C/G/C/C Metrically shifted : Model: S4/4 -> Mass: M2/2/2/2/2 Monnayage : of some rhythmic durations Embellished : repetition of the first note Model: 2 minims -> Mass: 3 minims Amplified : Model: PeN (3 voices) -> Mass: PeN (6 voices)

<R1563> Alessandra Ignesti <3125> Mente Tota (from Vultuum tuum) <3126> Missa Mente tota: Agnus Dei Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1564> Anne Nautré <3127> Voulant honneur <3128> Missa Voulant honneur: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1565> Anne Nautré <3129> Voulant honneur <3130> Missa Voulant honneur: Gloria Quotation Expand

Quotation

Exact: True

Monnayage: False

<R1566> Anne Nautré <3131> Voulant honneur <3132> Missa Voulant honneur: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: La sélection laisse apparaître le procédé de citation utilisé par Sermisy: la phrase du modèle est découpée en plusieurs parties dans la messe, entre lesquelles s'intercale un nouveau matériau.

<R1567> Anne Nautré <3133> Voulant honneur <3134> Missa Voulant honneur: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1568> Anne Nautré <3135> Voulant honneur <3136> Missa Voulant honneur: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1569> Anne Nautré <3137> Voulant honneur <3138> Missa Voulant honneur: Credo Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1570> Anne Nautré <3139> Voulant honneur <3140> Missa Voulant honneur: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1571> Anne Nautré <3141> Voulant honneur <3142> Missa Voulant honneur: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1572> Anne Nautré <3143> Voulant honneur <3144> Missa Voulant honneur: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1573> Anne Nautré <3145> Voulant honneur <3146> Missa Voulant honneur: Credo Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1574> Anne Nautré <3147> Voulant honneur <3148> Missa Voulant honneur: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1575> Anne Nautré <3149> Voulant honneur <3150> Missa Voulant honneur: Credo Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Remarks: Inversion du rôle des voix entre S et T.

<R1576> Anne Nautré <3151> Voulant honneur <3152> Missa Voulant honneur: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1577> Anne Nautré <3153> Voulant honneur <3154> Missa Voulant honneur: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: La deuxième partie des motifs sélectionnés dans le gloria (après les trois semi-brèves) pourraient provenir du motif sélectionné dans la messe. Le lien n'est pas évident, mais Sermisy semble souvent utiliser cette technique: isoler un motif d'une des voix du modèle et le traiter à plusieurs voix dans la messe.

<R1578> Anne Nautré <3155> Voulant honneur <3156> Missa Voulant honneur: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Remarks: Le contratenor de la messe est constitué d'un mélange des voix A et T du modèle = transformation non-mechanical

<R1579> Raphaëlle Rouzic <3157> Veni sponsa Christi <3158> Missa Veni sponsa Christi: Credo Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Monnayage : of the rhythmic durations of the head motif Metrically shifted : Model: S2/10/2 -> Mass: S2 Le monnayage des valeurs rythmiques décale les modules de la FUGA malgré le fait que le "time interval" ne soit pas modifié. Truncated : the FUGA of the mass only quote the five first notes of the model. After that, a new counterpoint begin.

<R1580> Anne Nautré <3159> Voulant honneur <3160> Missa Voulant honneur: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1581> Anne Nautré <3161> Voulant honneur <3162> Missa Voulant honneur: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1582> Anne Nautré <3163> Voulant honneur <3164> Missa Voulant honneur: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1583> Raphaëlle Rouzic <3165> Veni sponsa Christi <3166> Missa Veni sponsa Christi: Credo Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Monnayage : of the rhythmic durations of the head motif Truncated : the FUGA of the mass only quote the five first notes of the model. Metrically shifted : Les modules sont modifiés du fait du monnayage rythmique. Le "time interval" est également modifié : Modèle: S2 -> Messe: S1 La volonté peut être de vouloir créer une variété sans pour autant se détacher intégralement des modules du modèle.

<R1584> Anne Nautré <3167> Voulant honneur <3168> Missa Voulant honneur: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1585> Anne Nautré <3169> Voulant honneur <3170> Missa Voulant honneur: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Deux motifs extraits du tenor de la chanson sont utilisés chacun à une voix du bicinium sélectionné dans le Gloria.

<R1586> Anne Nautré <3171> Voulant honneur <3172> Missa Voulant honneur: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1587> Anne Nautré <3173> Voulant honneur <3174> Missa Voulant honneur: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1588> Anne Nautré <3175> Voulant honneur <3176> Missa Voulant honneur: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1589> Anne Nautré <3177> Voulant honneur <3178> Missa Voulant honneur: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1590> Anne Nautré <3179> Voulant honneur <3180> Missa Voulant honneur: Credo Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1591> Raphaëlle Rouzic <3181> Veni sponsa Christi <3182> Missa Veni sponsa Christi: Credo Mechanical transformation, Non-mechanical transformation, Omission Expand

Mechanical transformation, Non-mechanical transformation, Omission

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Omission : La mesure 22 du SOGGETTO n'a pas été intégrée à la citation. Cette mesure correspond à l'IP P3 S>B. Embellished : mesure 24 du modèle >B + anticipation du PeN >S (mes.11-12)

<R1592> Raphaëlle Rouzic <3183> Veni sponsa Christi <3184> Missa Veni sponsa Christi: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Omission : La mesure 22 du SOGGETTO n'a pas été intégrée à la citation. Cette mesure correspond à l'IP P3 S>B. Monnayage : of some rhythmic durations first notes : Model: 1 semi breve + 2 semi minims - > Mass: 1 minim and a half + 1 semi minim + 1 minim Monnayage of the notes: measure 23 at the Altus voice, it's an interval of a fifth below instead of a fifth above Reduced : Are presented only the 'structural tones'

<R1593> Alessandra Ignesti <3185> Mente Tota (from Vultuum tuum) <3186> Missa Mente tota: Credo Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R1594> Alessandra Ignesti <3187> Mente Tota (from Vultuum tuum) <3188> Missa Mente tota: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1595> Alessandra Ignesti <3189> Mente Tota (from Vultuum tuum) <3190> Missa Mente tota: Credo New material Expand

New material

<R1596> Alessandra Ignesti <3191> Mente Tota (from Vultuum tuum) <3192> Missa Mente tota: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1597> Alessandra Ignesti <3193> Mente Tota (from Vultuum tuum) <3194> Missa Mente tota: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1598> Alessandra Ignesti <3195> Mente Tota (from Vultuum tuum) <3196> Missa Mente tota: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1599> Alessandra Ignesti <3197> Mente Tota (from Vultuum tuum) <3198> Missa Mente tota: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: The controsoggetto is a bit different, but not too much. Otherwise, the presentation type is reproduced faithfully.

<R1600> Alessandra Ignesti <3199> Mente Tota (from Vultuum tuum) <3200> Missa Mente tota: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The IDs in the model are reproduced in the mass and the whole point of imitation is amplified with the addition of three more entries that generates a PEN and IP.