CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R1301> Stephanie Schlagel <2601> Ave Maria <2602> Missa Ave Maria: Sanctus New material Expand

New material

<R1302> Stephanie Schlagel <2603> Ave Maria <2604> Missa Ave Maria: Sanctus Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: True

Monnayage: False

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R1303> Stephanie Schlagel <2605> Ave Maria <2606> Missa Ave Maria: Sanctus New material Expand

New material

<R1304> Stephanie Schlagel <2607> Ave Maria <2608> Missa Ave Maria: Sanctus New material Expand

New material

<R1305> Stephanie Schlagel <2609> Ave Maria <2610> Missa Ave Maria: Sanctus New material Expand

New material

<R1306> Stephanie Schlagel <2611> Ave Maria <2612> Missa Ave Maria: Sanctus New material Expand

New material

<R1307> Alessandra Ignesti <2613> Mente Tota (from Vultuum tuum) <2614> Missa Mente tota: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: True

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1308> Alessandra Ignesti <2615> Mente Tota (from Vultuum tuum) <2616> Missa Mente tota: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1309> Alessandra Ignesti <2617> Mente Tota (from Vultuum tuum) <2618> Missa Mente tota: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1310> Alessandra Ignesti <2619> Mente Tota (from Vultuum tuum) <2620> Missa Mente tota: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1311> Alessandra Ignesti <2621> Mente Tota (from Vultuum tuum) <2622> Missa Mente tota: Kyrie None Expand

Relationship

Remarks: Sounding in different voices, with some melodic changes in the tenorizans.

<R1312> Alessandra Ignesti <2623> Mente Tota (from Vultuum tuum) <2624> Missa Mente tota: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1313> Anne Nautré <2625> Voulant honneur <2626> Missa Voulant honneur: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: Matériel polyphonique cité aux quatre voix, quelques omissions/modifications (voir sélection).

<R1314> Anne Nautré <2627> Voulant honneur <2628> Missa Voulant honneur: Kyrie Quotation Expand

Quotation

Exact: True

Monnayage: False

<R1315> Alessandra Ignesti <2629> Mente Tota (from Vultuum tuum) <2630> Missa Mente tota: Kyrie Omission Expand

Omission

<R1316> Anne Nautré <2631> Voulant honneur <2632> Missa Voulant honneur: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Le sogetto de la chanson est traité en Nim dans la messe, ajout d'un contre-sujet absent de la chanson.

<R1317> Alessandra Ignesti <2633> Mente Tota (from Vultuum tuum) <2634> Missa Mente tota: Kyrie Omission Expand

Omission

<R1318> Damien Bonnec <2635> Je suis déshéritée <2636> Missa Je suis déshéritée: Sanctus Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1319> Damien Bonnec <2637> Je suis déshéritée <2638> Missa Je suis déshéritée: Sanctus Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1320> Alessandra Ignesti <2639> Mente Tota (from Vultuum tuum) <2640> Missa Mente tota: Kyrie New material Expand

New material

<R1321> Damien Bonnec <2641> Je suis déshéritée <2642> Missa Je suis déshéritée: Sanctus Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1322> Damien Bonnec <2643> Je suis déshéritée <2644> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1323> Damien Bonnec <2645> Je suis déshéritée <2646> Missa Je suis déshéritée: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1324> Anne Nautré <2647> Voulant honneur <2648> Missa Voulant honneur: Kyrie Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Le matériel polyphonique est en quotation monnayage à toutes les voix. Les modifications rythmiques entraînent la transformation du Nim de la chanson en une simple Fuga dans la messe.

<R1325> Damien Bonnec <2649> Je suis déshéritée <2650> Missa Je suis déshéritée: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1326> Damien Bonnec <2651> Je suis déshéritée <2652> Missa Je suis déshéritée: Sanctus Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1327> Damien Bonnec <2653> Je suis déshéritée <2654> Missa Je suis déshéritée: Sanctus Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: In the mass, the contratenor is transposed (D).

<R1328> Damien Bonnec <2655> Je suis déshéritée <2656> Missa Je suis déshéritée: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1329> Damien Bonnec <2657> Je suis déshéritée <2658> Missa Je suis déshéritée: Sanctus Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1330> Damien Bonnec <2659> Je suis déshéritée <2660> Missa Je suis déshéritée: Sanctus Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: "New combination", because the soggetto is strictly reproduced in the mass, and not in the model. A fuga's combination more strict.

<R1331> Damien Bonnec <2661> Je suis déshéritée <2662> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1332> Damien Bonnec <2663> Je suis déshéritée <2664> Missa Je suis déshéritée: Sanctus Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: the principal soggetto of the model is now transposed and superposed with this bassus's pattern

<R1333> Damien Bonnec <2665> Je suis déshéritée <2666> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1334> Damien Bonnec <2667> Je suis déshéritée <2668> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1335> Damien Bonnec <2669> Je suis déshéritée <2670> Missa Je suis déshéritée: Sanctus Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1336> Damien Bonnec <2671> Je suis déshéritée <2672> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: The contratenor voice is omitted in the mass.

<R1337> Damien Bonnec <2673> Je suis déshéritée <2674> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Two melodic moment in the model (superius) are united in one soggetto in the mass (soggetto), then takes place a short imitation with it

<R1338> Damien Bonnec <2675> Je suis déshéritée <2676> Missa Je suis déshéritée: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1339> Damien Bonnec <2677> Je suis déshéritée <2678> Missa Je suis déshéritée: Sanctus Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1340> Damien Bonnec <2679> Je suis déshéritée <2680> Missa Je suis déshéritée: Sanctus Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): False

Melodically inverted: True

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The soggetto in the mass seems to be an ornementation of the inverted melodic pattern

<R1341> Damien Bonnec <2681> Je suis déshéritée <2682> Missa Je suis déshéritée: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1342> Alessandra Ignesti <2683> Mente Tota (from Vultuum tuum) <2684> Missa Mente tota: Kyrie Omission Expand

Omission

<R1343> Alessandra Ignesti <2685> Mente Tota (from Vultuum tuum) <2686> Missa Mente tota: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1344> Alessandra Ignesti <2687> Mente Tota (from Vultuum tuum) <2688> Missa Mente tota: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1345> Alessandra Ignesti <2689> Mente Tota (from Vultuum tuum) <2690> Missa Mente tota: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1346> Alessandra Ignesti <2691> Mente Tota (from Vultuum tuum) <2692> Missa Mente tota: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1347> Alessandra Ignesti <2693> Mente Tota (from Vultuum tuum) <2694> Missa Mente tota: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: True

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1348> Alessandra Ignesti <2695> Mente Tota (from Vultuum tuum) <2696> Missa Mente tota: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Correspondence based on musical context.

<R1349> Drew Ivarson <2697> Susanne un jour <2698> Susanne un jour Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: Homorhythm quoted and re-voiced on the same text

<R1350> Drew Ivarson <2699> Susanne un jour <2700> Missa Susanne un jour: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Superius melody embellished at the cadence, other lines unchanged

<R1351> Drew Ivarson <2701> Susanne un jour <2702> Missa Susanne un jour: Kyrie New material Expand

New material

<R1352> Drew Ivarson <2703> Susanne un jour <2704> Missa Susanne un jour: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: Large section quoted wholesale with small embellishments

<R1353> Alexis Risler <2705> Benedicta es <2706> Missa Benedicta es: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Only the lowest voice of Josquin's NIMs is used by Morales

<R1354> Alexis Risler <2707> Benedicta es <2708> Missa Benedicta es: Credo New material Expand

New material

<R1355> Alexis Risler <2709> Benedicta es <2710> Missa Benedicta es: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

<R1356> Alexis Risler <2711> Benedicta es <2712> Missa Benedicta es: Credo New material Expand

New material

<R1357> Alexis Risler <2713> Benedicta es <2714> Missa Benedicta es: Credo New material Expand

New material

<R1358> Alexis Risler <2715> Benedicta es <2716> Missa Benedicta es: Credo New material Expand

New material

<R1359> Alexis Risler <2717> Benedicta es <2718> Missa Benedicta es: Credo New material Expand

New material

<R1360> Alexis Risler <2719> Benedicta es <2720> Missa Benedicta es: Credo New material Expand

New material

<R1361> Alexis Risler <2721> Benedicta es <2722> Missa Benedicta es: Credo New material Expand

New material

<R1362> Alexis Risler <2723> Benedicta es <2724> Missa Benedicta es: Credo New material Expand

New material

<R1363> Alexis Risler <2725> Benedicta es <2726> Missa Benedicta es: Credo New material Expand

New material

<R1364> Alexis Risler <2727> Benedicta es <2728> Missa Benedicta es: Sanctus New material Expand

New material

<R1365> Alexis Risler <2729> Benedicta es <2730> Missa Benedicta es: Sanctus New material Expand

New material

<R1366> Alexis Risler <2731> Benedicta es <2732> Missa Benedicta es: Agnus Dei New material Expand

New material

<R1367> Raphaëlle Rouzic <2733> Veni sponsa Christi <2734> Missa Veni sponsa Christi: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Amplified : Model: ID -> Mass: NIM (3 duos)

<R1368> Alexis Risler <2735> Benedicta es <2736> Missa Benedicta es: Agnus Dei Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R1369> Raphaëlle Rouzic <2737> Veni sponsa Christi <2738> Missa Veni sponsa Christi: Sanctus Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Metrically shifted : Model: S5 -> Mass: S4/13/4 Embellished : The second and third notes of the head motif of the Sanctus are added

<R1370> Raphaëlle Rouzic <2739> Veni sponsa Christi <2740> Missa Veni sponsa Christi: Sanctus Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: True

Reduced: False

Amplified: True

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Truncated : two last entries Metrically shifted : Model: S5 -> Mass: S4/4/5/4 Embellished : The second and third notes are added. Amplified : Model: FUGA (2 voices) -> Mass: FUGA (5 voices)

<R1371> Raphaëlle Rouzic <2741> Veni sponsa Christi <2742> Missa Veni sponsa Christi: Sanctus New material Expand

New material

Remarks: The new material is in the idea of the free counterpoint of the model.

<R1372> Raphaëlle Rouzic <2743> Veni sponsa Christi <2744> Missa Veni sponsa Christi: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: New counter subject : Superposition of two different SOGGETTI

<R1373> Stephanie Schlagel <2745> Ave Maria <2746> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1374> Stephanie Schlagel <2747> Ave Maria <2748> Missa Ave Maria: Credo New material Expand

New material

<R1375> Stephanie Schlagel <2749> Ave Maria <2750> Missa Ave Maria: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1376> Stephanie Schlagel <2751> Ave Maria <2752> Missa Ave Maria: Credo New material Expand

New material

<R1377> Stephanie Schlagel <2753> Ave Maria <2754> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1378> Stephanie Schlagel <2755> Ave Maria <2756> Missa Ave Maria: Credo New material Expand

New material

Remarks: Fevin possibly derived from Josquin altus m. 78-79??

<R1379> Stephanie Schlagel <2757> Ave Maria <2758> Missa Ave Maria: Credo Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1380> Stephanie Schlagel <2759> Ave Maria <2760> Missa Ave Maria: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1381> Stephanie Schlagel <2761> Ave Maria <2762> Missa Ave Maria: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R1382> Stephanie Schlagel <2763> Ave Maria <2764> Missa Ave Maria: Credo New material Expand

New material

<R1383> Stephanie Schlagel <2765> Ave Maria <2766> Missa Ave Maria: Credo New material Expand

New material

<R1384> Stephanie Schlagel <2767> Ave Maria <2768> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: First ID in Fevin is truncated. Amplification through repetition of second SA pair

<R1385> Stephanie Schlagel <2769> Ave Maria <2770> Missa Ave Maria: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1386> Stephanie Schlagel <2771> Ave Maria <2772> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Soggetto from Josquin A m. 66-70 embedded in a new CS treated as fuga. Texture alludes to model 65-72

<R1387> Damien Bonnec <2773> Je suis déshéritée <2774> Missa Je suis déshéritée: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1388> Damien Bonnec <2775> Je suis déshéritée <2776> Missa Je suis déshéritée: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1389> Damien Bonnec <2777> Je suis déshéritée <2778> Missa Je suis déshéritée: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1390> Damien Bonnec <2779> Je suis déshéritée <2780> Missa Je suis déshéritée: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1391> Damien Bonnec <2781> Je suis déshéritée <2782> Missa Je suis déshéritée: Agnus Dei Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1392> Damien Bonnec <2783> Je suis déshéritée <2784> Missa Je suis déshéritée: Agnus Dei Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1393> Damien Bonnec <2785> Je suis déshéritée <2786> Missa Je suis déshéritée: Agnus Dei Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1394> Damien Bonnec <2787> Je suis déshéritée <2788> Missa Je suis déshéritée: Agnus Dei Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The last entry is transposed

<R1395> Stephanie Schlagel <2789> Ave Maria <2790> Missa Ave Maria: Credo New material Expand

New material

<R1396> Stephanie Schlagel <2791> Ave Maria <2792> Missa Ave Maria: Credo None Expand

Relationship

<R1397> Stephanie Schlagel <2793> Ave Maria <2794> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

<R1398> Stephanie Schlagel <2795> Ave Maria <2796> Missa Ave Maria: Credo Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1399> Stephanie Schlagel <2797> Ave Maria <2798> Missa Ave Maria: Credo New material Expand

New material

<R1400> Stephanie Schlagel <2799> Ave Maria <2800> Missa Ave Maria: Credo New material Expand

New material