CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R1211> Damien Bonnec <2421> Je suis déshéritée <2422> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1212> Damien Bonnec <2423> Je suis déshéritée <2424> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1213> Jon Oddie <2426> Benedicta es <2425> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1214> Damien Bonnec <2427> Je suis déshéritée <2428> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1215> Damien Bonnec <2429> Je suis déshéritée <2430> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1216> Damien Bonnec <2431> Je suis déshéritée <2432> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1217> Damien Bonnec <2433> Je suis déshéritée <2434> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: True

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The model's soggetto is reduced to few notes (the structurals notes in fact).

<R1218> Damien Bonnec <2435> Je suis déshéritée <2436> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1219> Damien Bonnec <2437> Je suis déshéritée <2438> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

<R1220> Damien Bonnec <2439> Je suis déshéritée <2440> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: In the mass, the superius'soggetto is stretched, and so "amplified"

<R1221> Damien Bonnec <2441> Je suis déshéritée <2442> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1222> Damien Bonnec <2443> Je suis déshéritée <2444> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1223> Damien Bonnec <2445> Je suis déshéritée <2446> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1224> Damien Bonnec <2447> Je suis déshéritée <2448> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R1225> Damien Bonnec <2449> Je suis déshéritée <2450> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The soggetto is presented in augmentation in the Mass.

<R1226> Damien Bonnec <2451> Je suis déshéritée <2452> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1227> Damien Bonnec <2453> Je suis déshéritée <2454> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1228> Damien Bonnec <2455> Je suis déshéritée <2456> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1229> Damien Bonnec <2457> Je suis déshéritée <2458> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1230> Damien Bonnec <2459> Je suis déshéritée <2460> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1231> Damien Bonnec <2461> Je suis déshéritée <2462> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1232> Damien Bonnec <2463> Je suis déshéritée <2464> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1233> Damien Bonnec <2465> Je suis déshéritée <2466> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Soggetto of model presented in augmentation in the Mass.

<R1234> Damien Bonnec <2467> Je suis déshéritée <2468> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Soggetto of the model presented in Augmentation in the Mass

<R1235> Damien Bonnec <2469> Je suis déshéritée <2470> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1236> Damien Bonnec <2471> Je suis déshéritée <2472> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1237> Damien Bonnec <2473> Je suis déshéritée <2474> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R1238> Damien Bonnec <2475> Je suis déshéritée <2476> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

<R1239> Damien Bonnec <2477> Je suis déshéritée <2478> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1240> Damien Bonnec <2479> Je suis déshéritée <2480> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1241> Damien Bonnec <2481> Je suis déshéritée <2482> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1242> Damien Bonnec <2483> Je suis déshéritée <2484> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R1243> Damien Bonnec <2485> Je suis déshéritée <2486> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R1244> Damien Bonnec <2487> Je suis déshéritée <2488> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1245> Damien Bonnec <2489> Je suis déshéritée <2490> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R1246> Damien Bonnec <2491> Je suis déshéritée <2492> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1247> Damien Bonnec <2493> Je suis déshéritée <2494> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1248> Damien Bonnec <2495> Je suis déshéritée <2496> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1249> Damien Bonnec <2497> Je suis déshéritée <2498> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1250> Damien Bonnec <2499> Je suis déshéritée <2500> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R1251> Damien Bonnec <2501> Je suis déshéritée <2502> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R1252> Damien Bonnec <2503> Je suis déshéritée <2504> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Remarks: The last entry is shifted (S3 and not S2 as in the model)

<R1253> Damien Bonnec <2505> Je suis déshéritée <2506> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1254> Damien Bonnec <2507> Je suis déshéritée <2508> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1255> Damien Bonnec <2509> Je suis déshéritée <2510> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1256> Damien Bonnec <2511> Je suis déshéritée <2512> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1257> Damien Bonnec <2513> Je suis déshéritée <2514> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: The second note (mass's soggetto) has been truncated in the model

<R1258> Damien Bonnec <2515> Je suis déshéritée <2516> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1259> Damien Bonnec <2517> Je suis déshéritée <2518> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1260> Damien Bonnec <2519> Je suis déshéritée <2520> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1261> Damien Bonnec <2521> Je suis déshéritée <2522> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1262> Damien Bonnec <2523> Je suis déshéritée <2524> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: In the mass, the tenor is transposed

<R1263> Damien Bonnec <2525> Je suis déshéritée <2526> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1264> Damien Bonnec <2527> Je suis déshéritée <2528> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1265> Damien Bonnec <2529> Je suis déshéritée <2530> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1266> Damien Bonnec <2531> Je suis déshéritée <2532> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1267> Damien Bonnec <2533> Je suis déshéritée <2534> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1268> Damien Bonnec <2535> Je suis déshéritée <2536> Missa Je suis déshéritée: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R1269> Damien Bonnec <2537> Je suis déshéritée <2538> Missa Je suis déshéritée: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1270> Damien Bonnec <2539> Je suis déshéritée <2540> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1271> Damien Bonnec <2541> Je suis déshéritée <2542> Missa Je suis déshéritée: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1272> Jon Oddie <2544> Benedicta es <2543> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1273> Jon Oddie <2546> Benedicta es <2545> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1274> Jon Oddie <2547> Benedicta es <2548> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1275> Jon Oddie <2550> Benedicta es <2549> Benedicta es New material Expand

New material

<R1276> Jon Oddie <2552> Benedicta es <2551> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Josquin ornaments the chant melody's simple scalar descent of a fourth (C-B-A-G) by introducing an extra G (C-B-G-A-G). This seems to be a standard way of ornamenting this scalar motive, also used by other composers treating the same chant melody (?)

<R1277> Jon Oddie <2554> Benedicta es <2553> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1278> Jon Oddie <2556> Benedicta es <2555> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1279> Jon Oddie <2557> Benedicta es <2557> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: My initial impression was that Josquin uses only the chant melody for "fieres et" in this section, omitting the following segment on "et ipse frater" - but maybe one could argue that the chant melody is still present in the bass, in highly ornamented/disguised form. Is it significant that the Josquin also has different text here? (frater vs. Pater)

<R1280> Jon Oddie <2560> Benedicta es <2559> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The descending-fourth motive in the chant is embellished in the same way as previously at "Te Deus pater"

<R1281> Jon Oddie <2562> Benedicta es <2561> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1282> Jon Oddie <2564> Benedicta es <2563> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1283> Jon Oddie <2566> Benedicta es <2565> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1284> Jon Oddie <2568> Benedicta es <2567> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1285> Jon Oddie <2570> Benedicta es <2569> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1286> Jon Oddie <2572> Benedicta es <2571> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1287> Jon Oddie <2574> Benedicta es <2573> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1288> Jon Oddie <2576> Benedicta es <2575> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Josquin uses only the head-motive of the chant phrase, omitting its cadence and following it with free counterpoint in the motet

<R1289> Jon Oddie <2577> Benedicta es <2578> Benedicta es Omission Expand

Omission

Remarks: Cadence of the chant phrase omitted, replaced with free counterpoint

<R1290> Jon Oddie <2580> Benedicta es <2579> Benedicta es Non-mechanical transformation, New material Expand

Non-mechanical transformation, New material

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Polyphony is unrelated to corresponding chant segment (?)

<R1291> Jon Oddie <2581> Benedicta es <2582> Benedicta es New material Expand

New material

<R1292> Jon Oddie <2584> Benedicta es <2583> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1293> Jon Oddie <2586> Benedicta es <2585> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: "Countersubject" can be considered a truncated/decapitated version of the chant subject. (These NIms are embedded in a lattice of fuga entries - see other relationship for this passage & chant segment)

<R1294> Jon Oddie <2588> Benedicta es <2587> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Chant melody and polyphony are both identical to preceding phrase, "Nunc mater exora natum", which see.

<R1295> Jon Oddie <2590> Benedicta es <2589> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1296> Jon Oddie <2592> Benedicta es <2591> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The chant melody is "re-spliced" in a similar way to "Ave plena gratia (b. 99): A-B-A-G-... in the chant becomes B-C-A-G-... in the motet

<R1297> Jon Oddie <2594> Benedicta es <2593> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The chant melody is "re-spliced" in a similar way to "Ave plena gratia (b. 99): A-B-A-G-... in the chant becomes B-C-A-G-... in the motet

<R1298> Jon Oddie <2596> Benedicta es <2595> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The chant melody is "re-spliced" in a similar way to "Ave plena gratia (b. 99): A-B-A-G-... in the chant becomes B-C-A-G-... in the motet

<R1299> Stephanie Schlagel <2597> Ave Maria <2598> Missa Ave Maria: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1300> Stephanie Schlagel <2599> Ave Maria <2600> Missa Ave Maria: Sanctus Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: New countersubject in Fevin bassus repeats

<R1301> Stephanie Schlagel <2601> Ave Maria <2602> Missa Ave Maria: Sanctus New material Expand

New material

<R1302> Stephanie Schlagel <2603> Ave Maria <2604> Missa Ave Maria: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R1303> Stephanie Schlagel <2605> Ave Maria <2606> Missa Ave Maria: Sanctus New material Expand

New material

<R1304> Stephanie Schlagel <2607> Ave Maria <2608> Missa Ave Maria: Sanctus New material Expand

New material

<R1305> Stephanie Schlagel <2609> Ave Maria <2610> Missa Ave Maria: Sanctus New material Expand

New material

<R1306> Stephanie Schlagel <2611> Ave Maria <2612> Missa Ave Maria: Sanctus New material Expand

New material

<R1307> Alessandra Ignesti <2613> Mente Tota (from Vultuum tuum) <2614> Missa Mente tota: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: True

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1308> Alessandra Ignesti <2615> Mente Tota (from Vultuum tuum) <2616> Missa Mente tota: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1309> Alessandra Ignesti <2617> Mente Tota (from Vultuum tuum) <2618> Missa Mente tota: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1310> Alessandra Ignesti <2619> Mente Tota (from Vultuum tuum) <2620> Missa Mente tota: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True