CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R1111> Ian Lorenz <2221> Je suis déshéritée <2222> Missa Je suis déshéritée: Agnus Dei New material Expand

New material

<R1112> Ian Lorenz <2223> Je suis déshéritée <2224> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1113> Ian Lorenz <2225> Je suis déshéritée <2226> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1114> Ian Lorenz <2227> Je suis déshéritée <2228> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1115> Ian Lorenz <2229> Je suis déshéritée <2230> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1116> Raphaëlle Rouzic <2231> Veni sponsa Christi <2232> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Metrically shifted : Model: M8/8/8/8 -> Mass: M2/5/10/10 Monnayage : change of rhythmic durations Head of the motif : Model: 3 minims -> Mass: 1 semi-breve + 1 minim

<R1117> Ian Lorenz <2233> Je suis déshéritée <2234> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

<R1118> Ian Lorenz <2235> Je suis déshéritée <2236> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

<R1119> Ian Lorenz <2237> Je suis déshéritée <2238> Missa Je suis déshéritée: Agnus Dei Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R1120> Raphaëlle Rouzic <2239> Veni sponsa Christi <2240> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Metrically shifted : Model: M8/8/8/8 -> Mass: M8/2 Monnayage : change of rhythmic durations Head of the motif : Model: 3 minims -> Mass: 1 semi-breve + 1 minim Transposed : the second entrie: Model C -> Mass: G

<R1121> Ian Lorenz <2241> Je suis déshéritée <2242> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1122> Ian Lorenz <2243> Je suis déshéritée <2244> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1123> Raphaëlle Rouzic <2245> Veni sponsa Christi <2246> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: + metrically shifted : Model: S2/10/2 -> Mass: S1/6/1

<R1124> Ian Lorenz <2247> Je suis déshéritée <2248> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1125> Raphaëlle Rouzic <2249> Veni sponsa Christi <2250> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Metrically shifted : Model: S2/10/2 -> Mass: S2/4 Truncated : The melody of the ID (model) is truncated, it has only the head motif.

<R1126> Ian Lorenz <2251> Je suis déshéritée <2252> Missa Je suis déshéritée: Agnus Dei Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R1127> Ian Lorenz <2253> Je suis déshéritée <2254> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1128> Ian Lorenz <2255> Je suis déshéritée <2256> Missa Je suis déshéritée: Agnus Dei Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1129> Ian Lorenz <2257> Je suis déshéritée <2258> Missa Je suis déshéritée: Agnus Dei New material Expand

New material

<R1130> Raphaëlle Rouzic <2259> Veni sponsa Christi <2260> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Monnayage : change of rhythmic durations The head motif of the ID (model) is reduced in some "structural" tones. Possibly, the first note of this reduction has been transformed. B -> G

<R1131> Raphaëlle Rouzic <2261> Veni sponsa Christi <2262> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Metrically shifted : Model: M8/4 -> Mass: M7/5/7/10 Monnayage : change of rhythmic durations Head of the motif : Model: 3 minims -> Mass: 1 minim + 1 semi-breve or 2 semi-breve Embellished : the three first minimes of the motif (model) are embellished

<R1132> Stephanie Schlagel <2263> Ave Maria <2264> Missa Ave Maria: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1133> Stephanie Schlagel <2265> Ave Maria <2266> Missa Ave Maria: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1134> Stephanie Schlagel <2267> Ave Maria <2268> Missa Ave Maria: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1135> Stephanie Schlagel <2269> Ave Maria <2270> Missa Ave Maria: Kyrie New material Expand

New material

<R1136> Stephanie Schlagel <2271> Ave Maria <2272> Missa Ave Maria: Kyrie New material Expand

New material

<R1137> Stephanie Schlagel <2273> Ave Maria <2274> Missa Ave Maria: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: soggetto itself is also amplified

<R1138> Stephanie Schlagel <2275> Ave Maria <2276> Missa Ave Maria: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1139> Raphaëlle Rouzic <2277> Veni sponsa Christi <2278> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Monnayage : change of rhythmic durations Metrically shifted : Model: M8/8/8/8 -> Mass: M5/7 Transposed : Model: G/C/C -> Mass: C/F/C Reduced : Mass: The Superius and QuintaPars are reduced to the head motif only. The Tenor voice has his conterpoint reduced too.

<R1140> Raphaëlle Rouzic <2279> Veni sponsa Christi <2280> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Monnayage : change of rhythmic durations Metrically shifted : Model: M6/6 -> Mass: M2/2 Transposed : Model: D/A/A -> Mass: A/E/A Truncated : The head motif of the second entrie (Tenor) is truncated

<R1141> Raphaëlle Rouzic <2281> Veni sponsa Christi <2282> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Embellished : Mass: Altus: Some notes had been added Metrically shifted : Model: M4/2/9/11/2/8 -> Mass: M2/8/6 Monnayage : change of some rhythmic durations

<R1142> Raphaëlle Rouzic <2283> Veni sponsa Christi <2284> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Invertible Counterpoint Transposed: The third entrie is transposed : Model: A -> Mass: D Monnayage : change of some rhythmic durations (third entrie: monnayage of the head motif)

<R1143> Raphaëlle Rouzic <2285> Veni sponsa Christi <2286> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Monnayage : change of some rhythmic durations Metrically shifted : Model: M4/2/9/11/2/8 -> Mass: M4/14/4 Transposed : Model: D/D/A/A -> Mass: D/D/E/E

<R1144> Alexis Risler <2287> Benedicta es <2288> Missa Benedicta es: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: CS of Josquin's NIM is used in C mes. 20-23, transposed and metrically shifted

<R1145> Alexis Risler <2289> Benedicta es <2290> Missa Benedicta es: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: True

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1146> Raphaëlle Rouzic <2291> Veni sponsa Christi <2292> Missa Veni sponsa Christi: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: It's more an "allusion" of the model than a quotation of a particular motif. There is no quotation of the head motif of the FUGA of the model. What's important here is the counterpoint after the head motif and the importance of the intervals of the fifth and the fourth. Metrically shifted : Model: S5/6 -> Mass: M6/8/5

<R1147> Alexis Risler <2293> Benedicta es <2294> Missa Benedicta es: Gloria New material Expand

New material

<R1148> Alexis Risler <2295> Benedicta es <2296> Missa Benedicta es: Gloria New material Expand

New material

<R1149> Alexis Risler <2297> Benedicta es <2298> Missa Benedicta es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Only one voice of the model is used as sogetto for a Fuga: Contratenor in first module of Model

<R1150> Raphaëlle Rouzic <2299> Veni sponsa Christi <2300> Missa Veni sponsa Christi: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1151> Alexis Risler <2301> Benedicta es <2302> Missa Benedicta es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1152> Alexis Risler <2303> Benedicta es <2304> Missa Benedicta es: Credo New material Expand

New material

<R1153> Alexis Risler <2305> Benedicta es <2306> Missa Benedicta es: Credo New material Expand

New material

<R1154> Alexis Risler <2307> Benedicta es <2308> Missa Benedicta es: Credo New material Expand

New material

<R1155> Raphaëlle Rouzic <2309> Veni sponsa Christi <2310> Missa Veni sponsa Christi: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Transposed : the fourth entry Model: F -> Mass: C Metrically shifted : Model: S4/4/4/4 -> Mass: S1/4/4 Monnayage : change of some rhythmic durations

<R1156> Alexis Risler <2311> Benedicta es <2312> Missa Benedicta es: Credo New material Expand

New material

<R1157> Jon Oddie <2314> Benedicta es <2313> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1158> Jon Oddie <2316> Benedicta es <2315> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Chant melody embellished with final cantizans cadence and combined with 3 countersubjects to form 4-voice NIMs.

<R1159> Jon Oddie <2318> Benedicta es <2317> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Chant melody provides one of the two soggettos for three overlapping two-voice NIMs. The simple cadence in the chant (A-G-F-G-G) is embellished with a leap up of a third followed by a descent to an under-third cantizans figure (A-C-B-A-G-G-F#-E-G).

<R1160> Jon Oddie <2320> Benedicta es <2319> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The simple cadence formula of the chant (-G-A-G) is embellished by interpolating a more active descending-fourth motive (C-B-A-G)

<R1161> Jon Oddie <2322> Benedicta es <2321> Benedicta es New material Expand

New material

Remarks: This motive could be seen as new material interpolated into the chant preceding the A-G descent on "maris", or as a foreshadowing/borrowing of the following chant segment ("stella vocaris") - perhaps a musical device suggested by the "maris/vocaris" rhyme?

<R1162> Jon Oddie <2324> Benedicta es <2323> Benedicta es Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: "New counter subject" only in the sense that the chant melody is formed into overlapping fuga

<R1163> Raphaëlle Rouzic <2325> Veni sponsa Christi <2326> Missa Veni sponsa Christi: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Metrically shifted : Model: S4/4/4/4 -> Mass: M2/5/1 Transposed : Model: G/C/F/F/F -> Mass: C/F/F/A Monnayage : change of some rhythmic durations and notes (Tenor voice)

<R1164> Raphaëlle Rouzic <2327> Veni sponsa Christi <2328> Missa Veni sponsa Christi: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Metrically shifted : Model: M4/2/9/11/2/8 -> Mass: M2/10/11/5/2/4 La relationship est fondée sur les mesures 55 à 67 du modèle car ces mesures correspondent à la fin de Kyrie de la messe (55 à 67 également). Mais du point de vue des entrées il serait plus judicieux de choisir le passage allant des mesures 50 à 61. Modèle: mesures 50 à 61 : entrées sur D/A/A/D/D/A/A Kyrie: mesures 55 à 67 : entrées sur D/A/A/D/D/A/A Mais ce choix ne serait pas cohérent avec la cadence finale. Certaines entrées seront donc transposées : Modèle: 55 à 67 - Kyrie: 55 à 67 D/D/A/A/D/E/A - D/A/A/D/D/A/A Monnayage : change of some rhythmic durations

<R1165> Damien Bonnec <2329> Je suis déshéritée <2330> Missa Je suis déshéritée: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R1166> Damien Bonnec <2331> Je suis déshéritée <2332> Missa Je suis déshéritée: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

<R1167> Damien Bonnec <2333> Je suis déshéritée <2334> Missa Je suis déshéritée: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1168> Damien Bonnec <2335> Je suis déshéritée <2336> Missa Je suis déshéritée: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1169> Damien Bonnec <2337> Je suis déshéritée <2338> Missa Je suis déshéritée: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R1170> Damien Bonnec <2339> Je suis déshéritée <2340> Missa Je suis déshéritée: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1171> Damien Bonnec <2341> Je suis déshéritée <2342> Missa Je suis déshéritée: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1172> Damien Bonnec <2343> Je suis déshéritée <2344> Missa Je suis déshéritée: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1173> Damien Bonnec <2345> Je suis déshéritée <2346> Missa Je suis déshéritée: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1174> Damien Bonnec <2347> Je suis déshéritée <2348> Missa Je suis déshéritée: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1175> Damien Bonnec <2349> Je suis déshéritée <2350> Missa Je suis déshéritée: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1176> Damien Bonnec <2351> Je suis déshéritée <2352> Missa Je suis déshéritée: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

<R1177> Damien Bonnec <2353> Je suis déshéritée <2354> Missa Je suis déshéritée: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1178> Damien Bonnec <2355> Je suis déshéritée <2356> Missa Je suis déshéritée: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1179> Damien Bonnec <2357> Je suis déshéritée <2358> Missa Je suis déshéritée: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1180> Damien Bonnec <2359> Je suis déshéritée <2360> Missa Je suis déshéritée: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1181> Damien Bonnec <2361> Je suis déshéritée <2362> Missa Je suis déshéritée: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1182> Damien Bonnec <2363> Je suis déshéritée <2364> Missa Je suis déshéritée: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1183> Damien Bonnec <2365> Je suis déshéritée <2366> Missa Je suis déshéritée: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: True

<R1184> Damien Bonnec <2367> Je suis déshéritée <2368> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: True

<R1185> Damien Bonnec <2369> Je suis déshéritée <2370> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1186> Damien Bonnec <2371> Je suis déshéritée <2372> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1187> Damien Bonnec <2373> Je suis déshéritée <2374> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1188> Damien Bonnec <2375> Je suis déshéritée <2376> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1189> Damien Bonnec <2377> Je suis déshéritée <2378> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1190> Damien Bonnec <2379> Je suis déshéritée <2380> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1191> Damien Bonnec <2381> Je suis déshéritée <2382> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1192> Damien Bonnec <2383> Je suis déshéritée <2384> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Also invertible counterpoint

<R1193> Damien Bonnec <2385> Je suis déshéritée <2386> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: The second note of the model's soggetto seems to have been removed in the mass's soggetto

<R1194> Damien Bonnec <2387> Je suis déshéritée <2388> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1195> Damien Bonnec <2389> Je suis déshéritée <2390> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1196> Damien Bonnec <2391> Je suis déshéritée <2392> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1197> Damien Bonnec <2393> Je suis déshéritée <2394> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1198> Damien Bonnec <2395> Je suis déshéritée <2396> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: The mass's fuga's soggetto uses the last entry of the model's fuga and this one is amplified.

<R1199> Damien Bonnec <2397> Je suis déshéritée <2398> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: "amplified" means "stretched in time"

<R1200> Damien Bonnec <2399> Je suis déshéritée <2400> Missa Je suis déshéritée: Gloria Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1201> Damien Bonnec <2401> Je suis déshéritée <2402> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1202> Damien Bonnec <2403> Je suis déshéritée <2404> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

Remarks: The fuga is more strict in the mass than in the model (it explains the "amplified")

<R1203> Damien Bonnec <2405> Je suis déshéritée <2406> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1204> Damien Bonnec <2407> Je suis déshéritée <2408> Missa Je suis déshéritée: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R1205> Damien Bonnec <2409> Je suis déshéritée <2410> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1206> Damien Bonnec <2411> Je suis déshéritée <2412> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1207> Damien Bonnec <2413> Je suis déshéritée <2414> Missa Je suis déshéritée: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1208> Damien Bonnec <2415> Je suis déshéritée <2416> Missa Je suis déshéritée: Gloria Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Embellished: True

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1209> Damien Bonnec <2417> Je suis déshéritée <2418> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

<R1210> Damien Bonnec <2419> Je suis déshéritée <2420> Missa Je suis déshéritée: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False