CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R1011> Raphaëlle Rouzic <2021> Mente Tota (from Vultuum tuum) <2022> Missa Mente tota: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Transposed : The last entrie : Model: >A on D Mass: >S on G Monnayage : change of rhythmic durations Metrically shifted : Model: M5/8/12 -> Mass: S3/3/3 Embellished : Each head motif is followed by a counterpoint

<R1012> Raphaëlle Rouzic <2023> Mente Tota (from Vultuum tuum) <2024> Missa Mente tota: Agnus Dei Quotation Expand

Quotation

Exact: True

Monnayage: False

Remarks: Quotation of : - the HR musical type - the Bassus and the Superius - the IP P3 B>S - the first notes of the two other voices (Altus and Tenor)

<R1013> Raphaëlle Rouzic <2025> Mente Tota (from Vultuum tuum) <2026> Missa Mente tota: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Amplified : CD -> ID Truncated : Model: measure 96

<R1014> Raphaëlle Rouzic <2027> Mente Tota (from Vultuum tuum) <2028> Missa Mente tota: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1015> Raphaëlle Rouzic <2029> Mente Tota (from Vultuum tuum) <2030> Missa Mente tota: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Quotation - Omission of some notes : Model: Discantus voice : - mes.94: A - mes.95: G Altus voice : - mes.94: omission of the measure - mes.95: D Tenor voice : - mes.94: D - mes.95: C and Bb Bassus voice : - mes.94: G and Bb - mes.95: F and G

<R1016> Max Le Mée <2031> Baisez moy <2032> Missa Baisez moy: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1017> Max Le Mée <2033> Baisez moy <2034> Missa Baisez moy: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1018> Max Le Mée <2035> Baisez moy <2036> Missa Baisez moy: Sanctus Quotation Expand

Quotation

Exact: True

Monnayage: False

<R1019> Max Le Mée <2037> Baisez moy <2038> Missa Baisez moy: Sanctus Quotation, Non-mechanical transformation Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1020> Max Le Mée <2039> Baisez moy <2040> Missa Baisez moy: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1021> Max Le Mée <2041> Baisez moy <2042> Missa Baisez moy: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1022> Max Le Mée <2043> Baisez moy <2044> Missa Baisez moy: Sanctus New material Expand

New material

<R1023> Max Le Mée <2045> Baisez moy <2046> Missa Baisez moy: Sanctus New material Expand

New material

<R1024> Max Le Mée <2047> Baisez moy <2048> Missa Baisez moy: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1025> Stephanie Schlagel <2049> Ave Maria <2050> Missa Ave Maria: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1026> Max Le Mée <2051> Baisez moy <2052> Missa Baisez moy: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1027> Max Le Mée <2053> Baisez moy <2054> Missa Baisez moy: Agnus Dei Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1028> Stephanie Schlagel <2055> Ave Maria <2056> Missa Ave Maria: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1029> Max Le Mée <2057> Baisez moy <2058> Missa Baisez moy: Agnus Dei Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1030> Stephanie Schlagel <2059> Ave Maria <2060> Missa Ave Maria: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1031> Stephanie Schlagel <2061> Ave Maria <2062> Missa Ave Maria: Gloria Quotation Expand

Quotation

Exact: True

Monnayage: False

<R1032> Max Le Mée <2063> Baisez moy <2064> Missa Baisez moy: Agnus Dei Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: True

Retrograde: True

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Remarks: I am still a bit astonished from this transformation... Such extraordinary skills and observation Forestier had!

<R1033> Stephanie Schlagel <2065> Ave Maria <2066> Missa Ave Maria: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: NiM has become fuga using S as source of BT

<R1034> Stephanie Schlagel <2067> Ave Maria <2068> Missa Ave Maria: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1035> Stephanie Schlagel <2069> Ave Maria <2070> Missa Ave Maria: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: New CS; second Tenor entry is flexed

<R1036> Stephanie Schlagel <2071> Ave Maria <2072> Missa Ave Maria: Gloria New material Expand

New material

<R1037> Raphaëlle Rouzic <2073> Veni sponsa Christi <2074> Missa Veni sponsa Christi: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: Monnayage : some notes and rhythmic durations had been changed

<R1038> Stephanie Schlagel <2075> Ave Maria <2076> Missa Ave Maria: Gloria Quotation Expand

Quotation

Exact: True

Monnayage: False

<R1039> Stephanie Schlagel <2077> Ave Maria <2078> Missa Ave Maria: Gloria New material Expand

New material

<R1040> Stephanie Schlagel <2079> Ave Maria <2080> Missa Ave Maria: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Fevin repetition of ST fuga alludes to wholesale repetition of NiM in Josquin

<R1041> Alexis Risler <2081> Benedicta es <2082> Missa Benedicta es: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1042> Alexis Risler <2083> Benedicta es <2084> Missa Benedicta es: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Only one voice of the HR complex of the model is borrowed

<R1043> Alexis Risler <2085> Benedicta es <2086> Missa Benedicta es: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1044> Alexis Risler <2087> Benedicta es <2088> Missa Benedicta es: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1045> Alexis Risler <2089> Benedicta es <2090> Missa Benedicta es: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: True

New combination: False

<R1046> Alexis Risler <2091> Benedicta es <2092> Missa Benedicta es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1047> Alexis Risler <2094> Missa Benedicta es: Kyrie <2093> Missa Benedicta es: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1048> Alexis Risler <2095> Benedicta es <2096> Missa Benedicta es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Only the beginning of the sogetto is used by Morales, so the sogetto has been "reduced"

<R1049> Alexis Risler <2097> Benedicta es <2098> Missa Benedicta es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1050> Alexis Risler <2099> Benedicta es <2100> Missa Benedicta es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Same presentation type with the same sogetto, but used in a different way

<R1051> Alexis Risler <2101> Benedicta es <2102> Missa Benedicta es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1052> Alexis Risler <2103> Benedicta es <2104> Missa Benedicta es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1053> Alexis Risler <2105> Benedicta es <2106> Missa Benedicta es: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: Sogetto and CS are quotations. Only difference is that the second NIM in Morales has been transposed up an 8va First time that the beginning of Josquin's motet is used by Morales. It occurs on the word "Benedictus", referring to the "Benedicta" of the motet.

<R1054> Alexis Risler <2107> Benedicta es <2108> Missa Benedicta es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1055> Alexis Risler <2109> Benedicta es <2110> Missa Benedicta es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Top parts of the NIMs in both the model and mass are exact quotation

<R1056> Alexis Risler <2111> Benedicta es <2112> Missa Benedicta es: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

Remarks: Same modules as the model, but different voicing

<R1057> Stephanie Schlagel <2113> Ave Maria <2114> Missa Ave Maria: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

<R1058> Stephanie Schlagel <2115> Ave Maria <2116> Missa Ave Maria: Gloria New material Expand

New material

<R1059> Stephanie Schlagel <2117> Ave Maria <2118> Missa Ave Maria: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1060> Stephanie Schlagel <2119> Ave Maria <2120> Missa Ave Maria: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1061> Stephanie Schlagel <2121> Ave Maria <2122> Missa Ave Maria: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1062> Ian Lorenz <2123> Je suis déshéritée <2124> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1063> Manon Manfredi <2125> O gente brunette <2126> Missa O gente brunette: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R1064> Manon Manfredi <2127> O gente brunette <2128> Missa O gente brunette: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: transposed pour le superius, amplified pour le forme reduced pour le soggetto

<R1065> Manon Manfredi <2129> O gente brunette <2130> Missa O gente brunette: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: transposed superius à l'octave. rythmes allongés

<R1066> Manon Manfredi <2131> O gente brunette <2132> Missa O gente brunette: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1067> Manon Manfredi <2133> O gente brunette <2134> Missa O gente brunette: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Transpo basse

<R1068> Manon Manfredi <2135> O gente brunette <2136> Missa O gente brunette: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1069> Manon Manfredi <2137> O gente brunette <2138> Missa O gente brunette: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1070> Manon Manfredi <2139> O gente brunette <2140> Missa O gente brunette: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R1071> Manon Manfredi <2141> O gente brunette <2142> Missa O gente brunette: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R1072> Manon Manfredi <2143> O gente brunette <2144> Missa O gente brunette: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R1073> Manon Manfredi <2145> O gente brunette <2146> Missa O gente brunette: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R1074> Manon Manfredi <2147> O gente brunette <2148> Missa O gente brunette: Credo Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: utilise le rythme du 2eme thèmre du modèle, m12 du modèle.

<R1075> Manon Manfredi <2149> O gente brunette <2150> Missa O gente brunette: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: True

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Transposed pour Alto.

<R1076> Manon Manfredi <2151> O gente brunette <2152> Missa O gente brunette: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: True

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1077> Alexis Risler <2153> Benedicta es <2154> Missa Benedicta es: Agnus Dei Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1078> Alexis Risler <2155> Benedicta es <2156> Missa Benedicta es: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: True

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Old CS has been embellished at the beginning. Presentation type has been reduced (from 3 NIMs to a single CD)

<R1079> Alexis Risler <2157> Benedicta es <2158> Missa Benedicta es: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Sogetto is an exact quotation, but used in new combinations

<R1080> Alexis Risler <2159> Benedicta es <2160> Missa Benedicta es: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1081> Alexis Risler <2161> Benedicta es <2162> Missa Benedicta es: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1082> Alexis Risler <2164> Missa Benedicta es: Credo <2163> Missa Benedicta es: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1083> Raphaëlle Rouzic <2165> Veni sponsa Christi <2166> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Monnayage : change of rhythmic durations Metrically shifted : Model: S2/10/2 -> Mass: S2 (despite these 2 semi-breve, the monnayage create a metric change)

<R1084> Raphaëlle Rouzic <2167> Veni sponsa Christi <2168> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

Remarks: Monnayage : change of rhythmic durations Metrically shifted : Model: S2/10/2 -> Mass: S4

<R1085> Alexis Risler <2169> Benedicta es <2170> Missa Benedicta es: Agnus Dei Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Remarks: Entries of the Fuga are inverted (5- in the model, 4+ in the mass)

<R1086> Alexis Risler <2171> Benedicta es <2172> Missa Benedicta es: Agnus Dei Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Remarks: Overlapping cadences are borrowed, but in different voices.

<R1087> Alexis Risler <2173> Benedicta es <2174> Missa Benedicta es: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: True

Remarks: Fuga is metrically shifted, then presented with new CS

<R1088> Stephanie Schlagel <2175> Ave Maria <2176> Missa Ave Maria: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1089> Alexis Risler <2177> Benedicta es <2178> Missa Benedicta es: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Only the top voice of Josquin's NIM is cited

<R1090> Ian Lorenz <2179> Je suis déshéritée <2180> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R1091> Ian Lorenz <2181> Je suis déshéritée <2182> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

<R1092> Alexis Risler <2183> Benedicta es <2184> Missa Benedicta es: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Only top voice of Josquin's NIM is quoted, presented with new CS

<R1093> Alexis Risler <2185> Benedicta es <2186> Missa Benedicta es: Agnus Dei Quotation Expand

Quotation

Exact: False

Monnayage: True

<R1094> Ian Lorenz <2187> Je suis déshéritée <2188> Missa Je suis déshéritée: Agnus Dei New material Expand

New material

<R1095> Raphaëlle Rouzic <2189> Veni sponsa Christi <2190> Missa Veni sponsa Christi: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Metrically shifted : Model: M8/4 -> Mass: M2/12/2 Embellished : the three first minimes of the motif (model) are embellished

<R1096> Ian Lorenz <2191> Je suis déshéritée <2192> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

<R1097> Ian Lorenz <2193> Je suis déshéritée <2194> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1098> Ian Lorenz <2195> Je suis déshéritée <2196> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1099> Ian Lorenz <2197> Je suis déshéritée <2198> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1100> Ian Lorenz <2199> Je suis déshéritée <2200> Missa Je suis déshéritée: Agnus Dei Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R1101> Ian Lorenz <2201> Je suis déshéritée <2202> Missa Je suis déshéritée: Agnus Dei Quotation Expand

Quotation

Exact: True

Monnayage: False

<R1102> Ian Lorenz <2203> Je suis déshéritée <2204> Missa Je suis déshéritée: Agnus Dei Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1103> Ian Lorenz <2205> Je suis déshéritée <2206> Missa Je suis déshéritée: Agnus Dei New material Expand

New material

<R1104> Ian Lorenz <2207> Je suis déshéritée <2208> Missa Je suis déshéritée: Agnus Dei New material Expand

New material

<R1105> Ian Lorenz <2209> Je suis déshéritée <2210> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R1106> Ian Lorenz <2211> Je suis déshéritée <2212> Missa Je suis déshéritée: Agnus Dei Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R1107> Ian Lorenz <2213> Je suis déshéritée <2214> Missa Je suis déshéritée: Agnus Dei New material Expand

New material

<R1108> Ian Lorenz <2215> Je suis déshéritée <2216> Missa Je suis déshéritée: Agnus Dei New material Expand

New material

<R1109> Ian Lorenz <2217> Je suis déshéritée <2218> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R1110> Ian Lorenz <2219> Je suis déshéritée <2220> Missa Je suis déshéritée: Agnus Dei New material Expand

New material