CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R128> Ian Lorenz <260> Je suis déshéritée <261> Missa Je suis déshéritée: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R127> Ian Lorenz <257> Je suis déshéritée <258> Missa Je suis déshéritée: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Transposed soggetto against itself

<R126> Ian Lorenz <255> Je suis déshéritée <256> Missa Je suis déshéritée: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

Remarks: While the cadence has been changed to be evaded, Gombert nearly quotes all of the bassus, tenor, and contratenor at this moment

<R125> Ian Lorenz <253> Je suis déshéritée <254> Missa Je suis déshéritée: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R124> Ian Lorenz <251> Je suis déshéritée <252> Missa Je suis déshéritée: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

<R123> Ian Lorenz <249> Je suis déshéritée <250> Missa Je suis déshéritée: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R118> Ian Lorenz <239> Je suis déshéritée <240> Missa Je suis déshéritée: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R122> Ian Lorenz <247> Je suis déshéritée <248> Missa Je suis déshéritée: Kyrie Omission Expand

Omission

Remarks: Cadence in the Gombert would require alterations to the musica ficta and would be very crunchy.

<R121> Ian Lorenz <245> Je suis déshéritée <246> Missa Je suis déshéritée: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R62> Agostino Magro <125> Je suis déshéritée <126> Missa Je suis déshéritée: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

<R120> Ian Lorenz <243> Je suis déshéritée <244> Missa Je suis déshéritée: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

<R119> Ian Lorenz <241> Je suis déshéritée <242> Missa Je suis déshéritée: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R117> Ian Lorenz <237> Je suis déshéritée <238> Missa Je suis déshéritée: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R116> Ian Lorenz <235> Je suis déshéritée <236> Missa Je suis déshéritée: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R115> Ian Lorenz <233> Je suis déshéritée <234> Missa Je suis déshéritée: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R114> Ian Lorenz <231> Je suis déshéritée <232> Missa Je suis déshéritée: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R113> Agostino Magro <229> Je suis déshéritée <230> Missa Je suis déshéritée: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R112> Agostino Magro <227> Je suis déshéritée <228> Missa Je suis déshéritée: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R111> Agostino Magro <225> Je suis déshéritée <226> Missa Je suis déshéritée: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

<R110> Agostino Magro <223> Je suis déshéritée <224> Missa Je suis déshéritée: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Le Soggetto du modèle est repété une deuxième fois au t de la messe en imitation avec le ct