CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R901> Ian Lorenz <1801> Je suis déshéritée <1802> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R902> Ian Lorenz <1803> Je suis déshéritée <1804> Missa Je suis déshéritée: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R903> Ian Lorenz <1805> Je suis déshéritée <1806> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R904> Ian Lorenz <1807> Je suis déshéritée <1808> Missa Je suis déshéritée: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

<R905> Alexis Risler <1809> Benedicta es <1810> Missa Benedicta es: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: True

New combination: True

Remarks: Model in triple meter, Mass in duple. Duos in the model always at 8-. In the mass, duos are either 8-, 5+ or 1+

<R906> Ian Lorenz <1811> Je suis déshéritée <1812> Missa Je suis déshéritée: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R907> Ian Lorenz <1813> Je suis déshéritée <1814> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R908> Ian Lorenz <1815> Je suis déshéritée <1816> Missa Je suis déshéritée: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R909> Ian Lorenz <1817> Je suis déshéritée <1818> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R910> Ian Lorenz <1819> Je suis déshéritée <1820> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R911> Alexis Risler <1821> Benedicta es <1822> Missa Benedicta es: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Head of the motive from the model is embellished to create a new sogetto. Relationship is strengthened by the fact that the two passages begin with the same syllables "Et Re-"

<R912> Ian Lorenz <1823> Je suis déshéritée <1824> Missa Je suis déshéritée: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R913> Ian Lorenz <1825> Je suis déshéritée <1826> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R914> Ian Lorenz <1827> Je suis déshéritée <1828> Missa Je suis déshéritée: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

<R915> Ian Lorenz <1829> Je suis déshéritée <1830> Missa Je suis déshéritée: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R916> Ian Lorenz <1831> Je suis déshéritée <1832> Missa Je suis déshéritée: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R917> Ian Lorenz <1833> Je suis déshéritée <1834> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R918> Ian Lorenz <1835> Je suis déshéritée <1836> Missa Je suis déshéritée: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R919> Ian Lorenz <1837> Je suis déshéritée <1838> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R920> Alexis Risler <1839> Benedicta es <1840> Missa Benedicta es: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Lower part of the NIM of the model is used as a sogetto to create ID and Fuga in the mass

<R921> Alexis Risler <1841> Benedicta es <1842> Missa Benedicta es: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R922> Ian Lorenz <1843> Je suis déshéritée <1844> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R923> Ian Lorenz <1845> Je suis déshéritée <1846> Missa Je suis déshéritée: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R924> Ian Lorenz <1847> Je suis déshéritée <1848> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R925> Alexis Risler <1849> Benedicta es <1850> Missa Benedicta es: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R926> Ian Lorenz <1851> Je suis déshéritée <1852> Missa Je suis déshéritée: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R927> Ian Lorenz <1853> Je suis déshéritée <1854> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R928> Ian Lorenz <1855> Je suis déshéritée <1856> Missa Je suis déshéritée: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R929> Ian Lorenz <1857> Je suis déshéritée <1858> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R930> Ian Lorenz <1859> Je suis déshéritée <1860> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R931> Ian Lorenz <1861> Je suis déshéritée <1862> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R932> Ian Lorenz <1863> Je suis déshéritée <1864> Missa Je suis déshéritée: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R933> Raphaëlle Rouzic <1865> Mente Tota (from Vultuum tuum) <1866> Missa Mente tota: Sanctus Mechanical transformation, Non-mechanical transformation Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Amplified : Model: FUGA (2 voices) -> Mass: PEN (4 voices + added entrie) Metrically shifted : Model: S3 -> Mass: S6/6/6

<R934> Ian Lorenz <1867> Je suis déshéritée <1868> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R935> Ian Lorenz <1869> Je suis déshéritée <1870> Missa Je suis déshéritée: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

<R936> Ian Lorenz <1871> Je suis déshéritée <1872> Missa Je suis déshéritée: Sanctus New material Expand

New material

<R937> Ian Lorenz <1873> Je suis déshéritée <1874> Missa Je suis déshéritée: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R938> Ian Lorenz <1875> Je suis déshéritée <1876> Missa Je suis déshéritée: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R939> Ian Lorenz <1877> Je suis déshéritée <1878> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R940> Ian Lorenz <1879> Je suis déshéritée <1880> Missa Je suis déshéritée: Sanctus New material Expand

New material

<R941> Ian Lorenz <1881> Je suis déshéritée <1882> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R942> Ian Lorenz <1883> Je suis déshéritée <1884> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R943> Raphaëlle Rouzic <1885> Mente Tota (from Vultuum tuum) <1886> Missa Mente tota: Sanctus Quotation, Mechanical transformation Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

Remarks: Metrically shifted : Model: M8/8 -> Mass: M6 Monnayage : change of rhythmic durations Mass: the added entrie is truncated

<R944> Ian Lorenz <1887> Je suis déshéritée <1888> Missa Je suis déshéritée: Sanctus New material Expand

New material

<R945> Ian Lorenz <1889> Je suis déshéritée <1890> Missa Je suis déshéritée: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R946> Ian Lorenz <1891> Je suis déshéritée <1892> Missa Je suis déshéritée: Sanctus Quotation Expand

Quotation

Exact: False

Monnayage: True

<R947> Ian Lorenz <1893> Je suis déshéritée <1894> Missa Je suis déshéritée: Sanctus New material Expand

New material

<R948> Ian Lorenz <1895> Je suis déshéritée <1896> Missa Je suis déshéritée: Sanctus New material Expand

New material

<R949> Ian Lorenz <1897> Je suis déshéritée <1898> Missa Je suis déshéritée: Sanctus New material Expand

New material

<R950> Ian Lorenz <1899> Je suis déshéritée <1900> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R951> Ian Lorenz <1901> Je suis déshéritée <1902> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R952> Ian Lorenz <1903> Je suis déshéritée <1904> Missa Je suis déshéritée: Sanctus New material Expand

New material

<R953> Ian Lorenz <1905> Je suis déshéritée <1906> Missa Je suis déshéritée: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R954> Ian Lorenz <1907> Je suis déshéritée <1908> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R955> Raphaëlle Rouzic <1909> Mente Tota (from Vultuum tuum) <1910> Missa Mente tota: Agnus Dei Quotation, Mechanical transformation, Non-mechanical transformation Expand

Quotation, Mechanical transformation, Non-mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Sound in different voices, it's more the change of voice role which is important here Metrically shifted : Model: S4/4/4 -> Mass: S2/6/2 Embellished : Some notes and rests had been added at the Superius and Tenor voices Monnayage : change of rhythmic durations

<R956> Ian Lorenz <1911> Je suis déshéritée <1912> Missa Je suis déshéritée: Sanctus New material Expand

New material

<R957> Ian Lorenz <1913> Je suis déshéritée <1914> Missa Je suis déshéritée: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R958> Ian Lorenz <1915> Je suis déshéritée <1916> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R959> Ian Lorenz <1917> Je suis déshéritée <1918> Missa Je suis déshéritée: Sanctus New material Expand

New material

<R960> Ian Lorenz <1919> Je suis déshéritée <1920> Missa Je suis déshéritée: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R961> Ian Lorenz <1921> Je suis déshéritée <1922> Missa Je suis déshéritée: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R962> Ian Lorenz <1923> Je suis déshéritée <1924> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R963> Ian Lorenz <1925> Je suis déshéritée <1926> Missa Je suis déshéritée: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R964> Ian Lorenz <1927> Je suis déshéritée <1928> Missa Je suis déshéritée: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R965> Scott Troyer <1929> O gente brunette <1930> Missa O gente brunette: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R966> Scott Troyer <1931> O gente brunette <1932> Missa O gente brunette: Credo New material Expand

New material

<R967> Ian Lorenz <1933> Je suis déshéritée <1934> Missa Je suis déshéritée: Sanctus Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R968> Scott Troyer <1935> O gente brunette <1936> Missa O gente brunette: Credo New material Expand

New material

<R969> Ian Lorenz <1937> Je suis déshéritée <1938> Missa Je suis déshéritée: Sanctus Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R970> Scott Troyer <1939> O gente brunette <1940> Missa O gente brunette: Credo New material Expand

New material

<R971> Scott Troyer <1941> O gente brunette <1942> Missa O gente brunette: Credo New material Expand

New material

<R972> Scott Troyer <1943> O gente brunette <1944> Missa O gente brunette: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R973> Scott Troyer <1945> O gente brunette <1946> Missa O gente brunette: Credo Quotation Expand

Quotation

Exact: False

Monnayage: True

<R974> Scott Troyer <1947> O gente brunette <1948> Missa O gente brunette: Credo New material Expand

New material

<R975> Scott Troyer <1949> O gente brunette <1950> Missa O gente brunette: Credo New material Expand

New material

<R976> Scott Troyer <1951> O gente brunette <1952> Missa O gente brunette: Credo New material Expand

New material

<R977> Scott Troyer <1953> O gente brunette <1954> Missa O gente brunette: Credo New material Expand

New material

<R978> Scott Troyer <1955> O gente brunette <1956> Missa O gente brunette: Credo New material Expand

New material

<R979> Scott Troyer <1957> O gente brunette <1958> Missa O gente brunette: Credo New material Expand

New material

<R980> Scott Troyer <1959> O gente brunette <1960> Missa O gente brunette: Credo New material Expand

New material

<R981> Scott Troyer <1961> O gente brunette <1962> Missa O gente brunette: Credo New material Expand

New material

<R982> Stephanie Schlagel <1963> Ave Maria <1964> Missa Ave Maria: Agnus Dei New material Expand

New material

<R983> Stephanie Schlagel <1965> Ave Maria <1966> Missa Ave Maria: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: S soggetto has been joined to a new CS and presented as NIM (vs. Fg in motet)

<R984> Stephanie Schlagel <1967> Ave Maria <1968> Missa Ave Maria: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: A has been altered

<R985> Stephanie Schlagel <1969> Ave Maria <1970> Missa Ave Maria: Agnus Dei Quotation Expand

Quotation

Exact: True

Monnayage: False

<R986> Stephanie Schlagel <1971> Ave Maria <1972> Missa Ave Maria: Agnus Dei New material Expand

New material

<R987> Stephanie Schlagel <1973> Ave Maria <1974> Missa Ave Maria: Agnus Dei New material Expand

New material

<R988> Stephanie Schlagel <1975> Ave Maria <1976> Missa Ave Maria: Agnus Dei New material Expand

New material

<R989> Ian Lorenz <1977> Je suis déshéritée <1978> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R990> Ian Lorenz <1979> Je suis déshéritée <1980> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R991> Ian Lorenz <1981> Je suis déshéritée <1982> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R992> Ian Lorenz <1983> Je suis déshéritée <1984> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

<R993> Ian Lorenz <1985> Je suis déshéritée <1986> Missa Je suis déshéritée: Agnus Dei Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

<R994> Ian Lorenz <1987> Je suis déshéritée <1988> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R995> Ian Lorenz <1989> Je suis déshéritée <1990> Missa Je suis déshéritée: Agnus Dei New material Expand

New material

<R996> Ian Lorenz <1991> Je suis déshéritée <1992> Missa Je suis déshéritée: Agnus Dei Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R997> Ian Lorenz <1993> Je suis déshéritée <1994> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

<R998> Ian Lorenz <1995> Je suis déshéritée <1996> Missa Je suis déshéritée: Agnus Dei Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R999> Ian Lorenz <1997> Je suis déshéritée <1998> Missa Je suis déshéritée: Agnus Dei Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

<R1000> Ian Lorenz <1999> Je suis déshéritée <2000> Missa Je suis déshéritée: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False