CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R1> Ian Lorenz <1> Tota pulchra es <2> Missa Tota pulchra es: Credo Quotation Expand

Quotation

Exact: True

Monnayage: False

<R2> Ian Lorenz <3> Tota pulchra es <4> Missa Tota pulchra es: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

Remarks: Shifted and transposed

<R4> David Fiala <7> Tota pulchra es <8> Missa Tota pulchra es: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: GENERAL COMMENT. General rewriting of a SATB model in a Missa a vocibus paribus TTTB (meaning S of model is most of the time transposed 8- in Mass).

<R8> David Fiala <15> Baisez moy <16> Missa Baisez moy: Agnus Dei Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R9> Alexis Risler <17> Benedicta es <18> Missa Benedicta es: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R10> Alexis Risler <19> Benedicta es <20> Missa Benedicta es: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: Fuga in Palestrina is 1+ instead of 8+, but otherwise exact quotation

<R11> Alexis Risler <21> Benedicta es <22> Missa Benedicta es: Gloria Quotation Expand

Quotation

Exact: True

Monnayage: False

<R12> Alexis Risler <23> Benedicta es <24> Missa Benedicta es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R13> Alexis Risler <25> Benedicta es <26> Missa Benedicta es: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: Fuga in Palestrina is 1+ instead of 8+, but otherwise exact quotation Same as Palestrina mes.7

<R14> Alexis Risler <27> Benedicta es <28> Missa Benedicta es: Gloria Quotation Expand

Quotation

Exact: False

Monnayage: True

<R15> Alexis Risler <29> Benedicta es <30> Missa Benedicta es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R16> Alexis Risler <31> Benedicta es <32> Missa Benedicta es: Gloria Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R17> Alexis Risler <33> Benedicta es <34> Missa Benedicta es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R18> Alexis Risler <35> Benedicta es <36> Missa Benedicta es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R19> Alexis Risler <37> Benedicta es <38> Missa Benedicta es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R20> Alexis Risler <40> Benedicta es <41> Missa Benedicta es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R21> Alexis Risler <42> Benedicta es <43> Missa Benedicta es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R22> Alexis Risler <44> Benedicta es <45> Missa Benedicta es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R23> Alexis Risler <46> Benedicta es <47> Missa Benedicta es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R24> Alexis Risler <48> Benedicta es <49> Missa Benedicta es: Gloria Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False