CRIM

Citations: The Renaissance Imitation Mass Project

Relationships

ID Observer Model Derivative Relationship type Show details
<R492> Admin <1001> Ave Maria <1002> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R491> Admin <1027> Ave Maria <1028> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R490> Admin <997> Ave Maria <998> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R493> Admin <1045> Ave Maria <1046> Missa Ave Maria: Credo Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R576> Admin <1215> Je suis déshéritée <1216> Missa Je suis déshéritée: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

<R574> Admin <1211> Je suis déshéritée <1212> Missa Je suis déshéritée: Kyrie Quotation Expand

Quotation

Exact: True

Monnayage: False

<R202> Damien Bonnec <410> Quare fremuerunt gentes <411> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: This ornemental soggetto seems to be an anticipation of the next section

<R192> Damien Bonnec <390> Quare fremuerunt gentes <391> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The last entry of this fuga is shorter in the mass (M6) than in the model (M7)

<R171> Damien Bonnec <348> Quare fremuerunt gentes <349> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: Sort of anticipation in the mass of this soggetto

<R173> Damien Bonnec <352> Quare fremuerunt gentes <353> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The mass propose a new ornementation of this soggetto

<R177> Damien Bonnec <360> Quare fremuerunt gentes <361> Missa Quare fremuerunt gentes: Kyrie Quotation Expand

Quotation

Exact: True

Monnayage: False

<R182> Damien Bonnec <370> Quare fremuerunt gentes <371> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: SB1 less in the mass (you will note a little omission at the end, the "A" disppeared)

<R198> Damien Bonnec <402> Quare fremuerunt gentes <403> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Two more entries (1 entry + 1 "tonal" entry) are added in anticipation in the mass.

<R199> Damien Bonnec <404> Quare fremuerunt gentes <405> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: Two more entries (1 entry + 1 "tonal" entry) are added in anticipation in the mass.

<R175> Damien Bonnec <356> Quare fremuerunt gentes <357> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: The mass propose a new ornementation of this soggetto

<R356> Damien Bonnec <726> Quare fremuerunt gentes <727> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R167> Damien Bonnec <339> Quare fremuerunt gentes <340> Missa Quare fremuerunt gentes: Kyrie Quotation Expand

Quotation

Exact: False

Monnayage: True

<R166> Damien Bonnec <337> Quare fremuerunt gentes <338> Missa Quare fremuerunt gentes: Kyrie Mechanical transformation Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R169> Damien Bonnec <344> Quare fremuerunt gentes <345> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

Remarks: The head of the counter soggetto is added on a new voice (primus tenor), just before his exact citation by the contratenor. Sort of new combination of it.

<R162> Damien Bonnec <329> Quare fremuerunt gentes <330> Missa Quare fremuerunt gentes: Kyrie Non-mechanical transformation Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: At the beginning, B1 more in the mass