CRIM

Citations: The Renaissance Imitation Mass Project

Relationship <R889>

Observer: Raphaëlle Rouzic

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Monnayage : change of rhythmic durations Metrically shifted : Model: M5/8/12 -> Mass: S4/4/4 Embellished : In the three first entries, the melody continues (embellishment for the Superius ans Tenor voices) + Truncated : for the Altus voice

Engraved by Verovio 2.2.0-dev-[undefined] 52 mus. mus. mus. Pre mus. Pre ces Pre ces no no ces no stras, Pre stras, ces no Vir stras, stras, go Vir

<1777>

Fuga

Voices:
Bassus
Discantus
Tenor
Contratenor

Melodic interval of entry: 8+8-5+

Time interval of entry: M5/8/12

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Engraved by Verovio 2.2.0-dev-[undefined] 75 a. a. Ho san Ho san Ho san

<1778>

Periodic entry

Voices:
Bassus
Tenor
Superius
Contratenor

Melodic interval of entry: 1+8+4-

Time interval of entry: S4/4/4

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False