CRIM

Citations: The Renaissance Imitation Mass Project

Relationship <R86>

Observer: Max Le Mée

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: It is really the soggetto that is turned into another Fg. We can consider it as a Fg turned into a new Fg, with completely new voice roles...

Engraved by Verovio 2.2.0-dev-[undefined] 96 con sur sur gens, con sur gens, pul con sur gens, pul gens, chra ut lu gens, chra ut lu pul chra na, pul chra na, ut lu na, ut lu na, pul pul chra chra ut lu ut pul chra ut lu na, na, lu na, ut lu na, pul

<171>

Fuga

Voices:
SecundusTenor
Contratenor
PrimusTenor
Superius
Bassus
Contratenor
SecundusTenor
Bassus

Melodic interval of entry: 4+4-8+12-9+6-2+

Time interval of entry: S2/1/2/2/1/1/3

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Once again, quite a free Fg. I really cannot describe it in another way, and it looks like it will be the same for all the material of this model.

Engraved by Verovio 2.2.0-dev-[undefined] 39 Chri ste e lei lei Chri ste e lei son. son. son. son. son. Ky ri e e lei Ky ri Ky ri e e lei e e lei Ky son,

<172>

Fuga

Voices:
[Contratenor]
[II.Tenor]
[Superius]
I.Tenor
[Bassus]
[II.Tenor]
[Bassus]

Melodic interval of entry: 5-8+8-4-4+1+

Time interval of entry: M4/11/2/8/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False