CRIM

Citations: The Renaissance Imitation Mass Project

Relationship <R86>

Observer: Max Le Mée

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

Remarks: It is really the soggetto that is turned into another Fg. We can consider it as a Fg turned into a new Fg, with completely new voice roles...

<171>

Soggetto

Voice:
Superius

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
SecundusTenor
Contratenor
PrimusTenor
Superius
Bassus
Contratenor
SecundusTenor
Bassus

Melodic interval of entry: 5-4-8+5-9+6-7-

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Once again, quite a free Fg. I really cannot describe it in another way, and it looks like it will be the same for all the material of this model.

<172>

Fuga

Voices:
[Contratenor]
[II.Tenor]
I.Tenor
[Bassus]
[II.Tenor]
[Bassus]

Melodic interval of entry: 5-1+4-4+1+

Time interval of entry: M4/11/2/8/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False