CRIM

Citations: The Renaissance Imitation Mass Project

Relationship <R85>

Observer: Max Le Mée

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: I consider the cadence of the mass as a new material, for it does not resemble at all the CAD in the model on 'con surgens', though it is at the same place on a point of view of form (the second Kyrie will start on the material of 'pulchra ut luna').

Engraved by Verovio 2.2.0-dev-[undefined] 7 bam, sam sic di spe ut co lum sam sic ut ci o sam bam, co Vi di sic ut co vi di a lum bam, spe ci lum bam, spe ci o scen den co o sam sam sic tem de lum sic ut co a ut co lum su per ri bam, a lum bam, scen den

<169>

Fuga

Voices:
Contratenor
Bassus
SecundusTenor
Superius
Bassus
Contratenor
Superius

Melodic interval of entry: 5-1+8+4-8+5-5+

Time interval of entry: S1/3/2/5/2/1/5

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: A fuga that is quite free. I cannot find any 'bigger'structural element.

Engraved by Verovio 2.2.0-dev-[undefined] 32 Chri ste e son, e lei Chri ste e lei son, Chri ste e son, Chri son, lei lei ste e lei Chri ste e son, son, Chri son, Chri lei ste e lei ste e lei Chri ste son, son, son, e lei Chri ste e

<170>

Fuga, Cadence

Voices:
I.Tenor
[II.Tenor]
[Contratenor]
I.Tenor
[Bassus]
[Bassus]
[Superius]
[Bassus]
[Contratenor]
I.Tenor

Melodic interval of entry: 1+5+5-4-5-8+

Time interval of entry: S2/3/1/1/5/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Cantizans: [Superius]

Tenorizans: I.Tenor

Type: plagal

Tone: D

Dovetail voice: [Superius]

Remarks: End of the Christe.