CRIM

Citations: The Renaissance Imitation Mass Project

Relationship <R81>

Observer: Max Le Mée

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: It is truncated for the fuga becomes a NIM, so that the soggetto is only used twice in the mass. It is amplified for the little CAD becomes overlapping CAD, based on a NIM.

<163>

Cadence

Cantizans: Primus Tenor

Tenorizans: Bassus

Type: authentic

Tone: D

Dovetail voice: Primus Tenor

Dovetail interval: 5+

Remarks: A little fuga leading to a small CAD.

<164>

Cadence

Cantizans: [Superius]

Tenorizans: [II. Tenor]

Type: authentic

Tone: D

Dovetail voice: [Contratenor]

Dovetail interval: 4+

Remarks: A NIM forming overlapping cadences.the cadence I indicate is the first one.