CRIM

Citations: The Renaissance Imitation Mass Project

Relationship <R75>

Observer: Alexis Risler

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: The sogetto from Josquin is embellished and used in a broader new combination

Engraved by Verovio 2.2.0-dev-[undefined] 63 lu mi na quo il A quo il quo il lu lu mi na A lu mi na mi na ris, ris, quo il ris, a A ris, lu mi na quo il lu quo il il lu mi mi na lu mi na na ris], [il lu [il lu mi ris. ris, a quo il mi na ris, il ris, a lu mi na

<149>

Fuga

Voices:
[Bassus]
[SextaVox]
[Bassus]

Melodic interval of entry: 1+1+

Time interval of entry: S3/3

Periodic: True

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Engraved by Verovio 2.2.0-dev-[undefined] 22 ctus ctus] Do mi ctus] Do Do ctus] nus De mi nus mi nus Do us Sa De us Sa De us Sa mi nus ba Do De us Sa oth, [Sa ba oth, mi nus ba [Do ba oth, De us Sa oth, mi ne De us

<150>

Fuga, Imitative duo, Interval patterns

Voices:
Contratenor
Discantus
Bassus

Melodic interval of entry: 5+4-

Time interval of entry: S5/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Contratenor
Tenor
Contratenor
Tenor

Melodic interval of entry: 5-5+5-

Time interval of entry: S1/24/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Voices:
Tenor
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: The two IDs are far from each other, but there are 3 "singleton" in between, entered here as Fuga