CRIM

Citations: The Renaissance Imitation Mass Project

Relationship <R6>

Observer: David Fiala

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

Remarks: The Canon at Unisson 4 breves is made possible by the interpolation of 2 pauses (mes. 16-17 and 33-34)

Engraved by Verovio 2.2.0-dev-[undefined] Superius Contratenor Tenor SextaPars QuintaPars Bassus Bai Bai siez Bai Bai siez Bai Bai siez moy, siez siez moy, siez moy, bai siez moy, moy, moy, bai moy, bai siez moy, bai siez moy, bai bai siez bai bai siez moy, bai siez moy, siez

<11>

Fuga

Voices:
Bassus
Tenor

Melodic interval of entry: 4+

Time interval of entry: B1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Engraved by Verovio 2.2.0-dev-[undefined] [Discantus] Contratenor [TenorTertius] [TenorSecundus] Tenor[Primus] Bassus San San San ctus, ctus, ctus, San San [San ctus, San San ctus, ctus, ctus, ctus, San

<12>

Fuga

Voices:
Tenor[Primus]
[TenorSecundus]

Melodic interval of entry: 1+

Time interval of entry: B4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False