CRIM

Citations: The Renaissance Imitation Mass Project

Relationship <R52>

Observer: Alexis Risler

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Engraved by Verovio 2.2.0-dev-[undefined] 94 mit tens sic tens sic tens sic mit tens tens sic tens sic sa lu ta sa lu ta sa lu ta sa lu ta sa lu ta vit, sic vit, sic vit: sic vit, sic vit, sic sa lu ta sa lu ta sa lu ta sa lu ta sa lu ta vit: vit: vit: vit: vit: A A A A A ve ve ve ve A ple ve ple ple ve ple ple na na ple na na gra na

<103>

Homorhythm

Voices:
[Discantus]
[Contratenor]
[Tenor]
[SextaVox]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

Remarks: The whole passage is repeated. Same music, but different voices.

Engraved by Verovio 2.2.0-dev-[undefined] 30 Et ex tum. na tum Pa tre ex Pa tre na tum Pa tre na Et ex an te na tum na tum an tum an Pa tre na o mni a an an te te o mni te o mni tum an te o sae te o mni o mni a a sae a sae mni a sae a sae sae cu cu la. De cu cu la. cu la. cu la. um de De la. De De um de la. De

<104>

Non-imitative duo

Voices:
Discantus
Contratenor
Tenor
Contratenor
Discantus
Contratenor
Tenor
Contratenor
Discantus
Contratenor
Tenor
Contratenor

Melodic interval of entry: 8-8+8-8+8-

Time interval of entry: S3/3/3/3/3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: True

Remarks: There is also a fuga between the two bassus voices, 1+ S3