CRIM

Citations: The Renaissance Imitation Mass Project

Relationship <R124>

Observer: Max Le Mée

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Engraved by Verovio 2.2.0-dev-[undefined] 27 rum, a vos a qua rum, cu qua rum, rum, cu ius, rum, ius in cu ius ae sti ma in ae sti cu cu ius bi lis o ma bi lis o cu ius in in ae sti dor e dor ius in ae sti ma bi ma bi rat ni e rat ni ae sti lis o dor

<247>

Fuga

Voices:
PrimusTenor
Bassus
Superius
SecundusTenor
Contratenor
Superius
PrimusTenor

Melodic interval of entry: 4-8+4-4+5+8-

Time interval of entry: M5/3/1/11/2/8

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: The Fg is vaguely anticipated by the TenorII and the Contratenor.

Engraved by Verovio 2.2.0-dev-[undefined] 28 cu De um la. la. De cu la. de De o, lu um de De men de lu mi De o, lu men um ve rum de lu mi ne, de De o ve ne, De um De um De um ve rum de ve rum de De ve rum.

<248>

Fuga

Voices:
[Bassus]
I.Tenor
[Superius]
[II.Tenor]
[Bassus]
[Superius]
[II.Tenor]
I.Tenor
[Contratenor]
[Bassus]

Melodic interval of entry: 4+5+8-8-5+8-1+4+4-

Time interval of entry: M6/8/6/11/5/5/4/4/2/5

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: The first entries are melodically reduced. The opening 5th/4th jump is replaced by a fall of 4th/5th that directly leads to the original third note of the soggetto.