CRIM

Citations: The Renaissance Imitation Mass Project

Relationship <R100>

Observer: Max Le Mée

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: True

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: It is truncated for the fuga becomes a NIM, so that the soggetto is only used twice in the mass. It is amplified for the little CAD becomes overlapping CAD, based on a NIM.

<199>

Observation

<200>

Non-imitative duo

Voices:
[Superius]
[II.Tenor]
[Contratenor]
[Bassus]

Melodic interval of entry: 8-4+8-

Time interval of entry: M1/7/1

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Cantizans: [Superius]

Tenorizans: [II.Tenor]

Type: authentic

Tone: D

Dovetail voice: [Contratenor]

Dovetail interval: 4+

Remarks: A NIM forming overlapping cadences.the cadence I indicate is the first one.