CRIM

Citations: The Renaissance Imitation Mass Project

Missa Baisez moy: Kyrie [CRIM_Mass_0017_1]

Mass movement

Relationships as derivative

ID Observer Relationship type Model Derivative Show details
<R589> Max Le Mée Quotation <1177> Baisez moy <1178> Expand

Quotation

Exact: False

Monnayage: True

Remarks: It hurts me not to point out an exact quotation: a very slight embellishment at Contra and Discantus, and the contra finishing on E prevents me from that. For now, I do not consider it is a change of voice role, for they are all in 'the same order'and the same heights.

<R590> Max Le Mée Quotation <1179> Baisez moy <1180> Expand

Quotation

Exact: False

Monnayage: True

Remarks: The soggetto is slightly embellished. For this reason, I indicate a quotation with monnayage, but also an embellishment.

<R591> Max Le Mée Quotation <1181> Baisez moy <1182> Expand

Quotation

Exact: False

Monnayage: True

<R592> Max Le Mée New material <1183> Baisez moy <1184> -

New material

Remarks: Here, the Barriton provides an accompaniement to the other voices, without citing the model.

<R593> Max Le Mée Non-mechanical transformation <1185> Baisez moy <1186> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Two entries are missing in the mass, ut it is still a quotation of the other voices.

<R800> Max Le Mée Non-mechanical transformation <1599> Baisez moy <1600> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R801> Max Le Mée Non-mechanical transformation <1601> Baisez moy <1602> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R802> Max Le Mée Mechanical transformation <1603> Baisez moy <1604> Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: True

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: True

Remarks: The second voice comes first, and vice versa, that's why I put an inversion, even though it might not be the best vocabulary to designate this behaviour.

<R2587> Richard Freedman Quotation <1177> Baisez moy <1178> Expand

Quotation

Exact: True

Monnayage: False

<R2588> Richard Freedman Non-mechanical transformation <1179> Baisez moy <1180> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R2589> Richard Freedman Non-mechanical transformation <1181> Baisez moy <1182> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: True

New combination: False

Remarks: The Altus of Josquin is transposed as S of Févin, resulting in high texture for Passus et sepultus est, which thus 'descends'. Fevin jumped ahead for this after much New Material

<R2590> Richard Freedman Non-mechanical transformation <1183> Baisez moy <1184> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: The Mass also has a singleton added entry in the Tenor at m. 176ff.

<R2591> Richard Freedman Non-mechanical transformation <1185> Baisez moy <1186> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False