CRIM

Citations: The Renaissance Imitation Mass Project

Missa Benedicta es: Gloria [CRIM_Mass_0015_2]

Mass movement

Relationships as model

ID Observer Relationship type Model Derivative Show details
<R33> Alexis Risler Mechanical transformation <65> <66> Missa Benedicta es: Gloria Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

Relationships as derivative

ID Observer Relationship type Model Derivative Show details
<R9> Alexis Risler Quotation <17> Benedicta es <18> Expand

Quotation

Exact: False

Monnayage: True

<R10> Alexis Risler Mechanical transformation <19> Benedicta es <20> Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: Fuga in Palestrina is 1+ instead of 8+, but otherwise exact quotation

<R11> Alexis Risler Quotation <21> Benedicta es <22> Expand

Quotation

Exact: True

Monnayage: False

<R12> Alexis Risler Non-mechanical transformation <23> Benedicta es <24> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R13> Alexis Risler Mechanical transformation <25> Benedicta es <26> Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: Fuga in Palestrina is 1+ instead of 8+, but otherwise exact quotation Same as Palestrina mes.7

<R14> Alexis Risler Quotation <27> Benedicta es <28> Expand

Quotation

Exact: False

Monnayage: True

<R15> Alexis Risler Non-mechanical transformation <29> Benedicta es <30> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: True

New combination: False

<R16> Alexis Risler Non-mechanical transformation <31> Benedicta es <32> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R17> Alexis Risler Non-mechanical transformation <33> Benedicta es <34> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R19> Alexis Risler Non-mechanical transformation <37> Benedicta es <38> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R20> Alexis Risler Mechanical transformation <39> Benedicta es <40> Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: True

Retrograde: False

Metrically shifted: False

Transposed: False

Double or invertible counterpoint: False

<R21> Alexis Risler Non-mechanical transformation <41> Benedicta es <42> Expand

Non-mechanical transformation

Embellished: True

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R22> Alexis Risler Non-mechanical transformation <43> Benedicta es <44> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R24> Alexis Risler Non-mechanical transformation <47> Benedicta es <48> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R25> Alexis Risler Mechanical transformation, Non-mechanical transformation <49> Benedicta es <50> Expand

Mechanical transformation, Non-mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: True

Double or invertible counterpoint: False

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R26> Alexis Risler Non-mechanical transformation <51> Benedicta es <52> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R27> Alexis Risler Quotation, Non-mechanical transformation <53> Benedicta es <54> Expand

Quotation, Non-mechanical transformation

Exact: True

Monnayage: False

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

<R29> Alexis Risler Mechanical transformation <57> Benedicta es <58> Expand

Mechanical transformation

Sounding in different voice(s): True

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: Some voices are transposed 8-, others not

<R31> Alexis Risler Quotation, Mechanical transformation <61> Benedicta es <62> Expand

Quotation, Mechanical transformation

Exact: False

Monnayage: True

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: False

Transposed: True

Double or invertible counterpoint: False

Remarks: The PEn is an exact quotation, but the third entry is an octave lower in the Mass

<R32> Alexis Risler Non-mechanical transformation <63> Benedicta es <64> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R33> Alexis Risler Mechanical transformation <65> Missa Benedicta es: Gloria <66> Expand

Mechanical transformation

Sounding in different voice(s): False

Melodically inverted: False

Retrograde: False

Metrically shifted: True

Transposed: False

Double or invertible counterpoint: False

<R34> Alexis Risler Non-mechanical transformation <67> Benedicta es <68> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: Also invertible counterpoint.

<R36> Alexis Risler Non-mechanical transformation <71> Benedicta es <72> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: PENs are similar, but the fact that the sogetti are slightly different creates different modules

<R37> Alexis Risler Non-mechanical transformation <73> Benedicta es <74> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

Remarks: 5-part module in homorythm in the model. Same 5 parts in the Mass, but not in homorythm.

<R38> Alexis Risler Non-mechanical transformation <75> Benedicta es <76> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R39> Alexis Risler Quotation <77> Benedicta es <78> Expand

Quotation

Exact: False

Monnayage: True

<R40> Alexis Risler Non-mechanical transformation <79> Benedicta es <80> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R41> Alexis Risler Non-mechanical transformation <81> Benedicta es <82> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R51> Alexis Risler Non-mechanical transformation <101> Benedicta es <102> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: True

New combination: False

<R1409> Alexis Risler New material <2817> Benedicta es <2818> -

New material

<R1410> Alexis Risler New material <2819> Benedicta es <2820> -

New material

<R1411> Alexis Risler New material <2821> Benedicta es <2822> -

New material

<R1413> Alexis Risler New material <2825> Benedicta es <2826> -

New material

<R2140> Stephanie Schlagel Non-mechanical transformation <4279> Benedicta es <4280> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: 3 voice NIm in Josquin becomes 5 voice NIm in Palestrina

<R2142> Stephanie Schlagel Non-mechanical transformation <4283> Benedicta es <4284> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: True

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: 2 -voice NIm in Josquin becomes 3 voice NIm in Palestrina. 3 statements of NIm in Josquin become 2 in Palestrina

<R2149> Stephanie Schlagel New material <4297> Benedicta es <4298> -

New material

<R28> Alexis Risler Non-mechanical transformation <55> Benedicta es <56> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: First entry is different, creating a new combination, but the three other entries are exactly the same (even if the last is transposed 8-)

<R18> Alexis Risler Non-mechanical transformation <35> Benedicta es <36> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

<R23> Alexis Risler Non-mechanical transformation <45> Benedicta es <46> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: False

New counter-subject: False

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: True

<R35> Alexis Risler Quotation <69> Benedicta es <70> Expand

Quotation

Exact: False

Monnayage: True

Remarks: Sogetto slightly different, but a big impact on the PENs based on it

<R2141> Stephanie Schlagel Non-mechanical transformation <4281> Benedicta es <4282> Expand

Non-mechanical transformation

Embellished: False

Reduced: True

Amplified: False

Truncated: False

New counter-subject: True

Old counter-subject shifted: False

Old counter-subject transposed: False

New combination: False

Remarks: 4-voice NIm in Josquin -> 3 voice NIm in Palestrina.

<R30> Alexis Risler Non-mechanical transformation <59> Benedicta es <60> Expand

Non-mechanical transformation

Embellished: False

Reduced: False

Amplified: False

Truncated: True

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: True

New combination: False

Remarks: In the Mass, one of the ID is identical to the model, the other is transposed in different voices

<R2139> Stephanie Schlagel Quotation, Non-mechanical transformation <4277> Benedicta es <4278> Expand

Quotation, Non-mechanical transformation

Exact: False

Monnayage: True

Embellished: False

Reduced: False

Amplified: True

Truncated: False

New counter-subject: False

Old counter-subject shifted: True

Old counter-subject transposed: False

New combination: False

Remarks: First NIm amplified by addition of countersubject in second Ct in m.1