CRIM

Citations: The Renaissance Imitation Mass Project

Observations

ID Observer Piece Observation type Show details
<801> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<802> Manon Manfredi [CRIM_Mass_0009_2] Missa Tota pulchra es: Gloria Homorhythm Expand

Homorhythm

Voices:
[Tenor]
[Tenor]
[Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<803> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 5+

Time interval of entry: S2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<804> Manon Manfredi [CRIM_Mass_0009_2] Missa Tota pulchra es: Gloria Fuga Expand

Fuga

Voices:
[Bassus]
[Tenor]

Melodic interval of entry: 5+

Time interval of entry: M5

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<805> Alessandra Ignesti [CRIM_Model_0019] Veni sponsa Christi Imitative duo Expand

Imitative duo

Voices:
Cantus
Altus
Tenor
Bassus

Melodic interval of entry: 5-4-5-

Time interval of entry: B1/4/1

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<806> Alessandra Ignesti [CRIM_Mass_0019_5] Missa Veni sponsa Christi: Agnus Dei Non-imitative duo Expand

Non-imitative duo

Voices:
Cantus
Tenor
QuintaPars
Bassus

Melodic interval of entry: 8-

Time interval of entry: B3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<807> Alessandra Ignesti [CRIM_Model_0019] Veni sponsa Christi Imitative duo Expand

Imitative duo

Voices:
Cantus
Altus
Tenor
Bassus

Melodic interval of entry: 5-4-5-

Time interval of entry: B1/4

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<808> Alessandra Ignesti [CRIM_Mass_0019_5] Missa Veni sponsa Christi: Agnus Dei Fuga Expand

Fuga

Voices:
Cantus
Altus
QuintaPars

Melodic interval of entry: 5-4-

Time interval of entry: B1/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<809> Alessandra Ignesti [CRIM_Model_0019] Veni sponsa Christi Fuga Expand

Fuga

Voices:
Tenor
Cantus
Altus
Tenor
Bassus
Altus
Cantus
Bassus

Melodic interval of entry: 8+5-4-5-8+8+12-

Time interval of entry: M8/4/12/8/8/10/12

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<810> Alessandra Ignesti [CRIM_Mass_0019_5] Missa Veni sponsa Christi: Agnus Dei Non-imitative duo Expand

Non-imitative duo

Voices:
Cantus
Altus
QuintaPars
Tenor

Melodic interval of entry: 8-

Time interval of entry: S6

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<811> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<812> Manon Manfredi [CRIM_Mass_0009_2] Missa Tota pulchra es: Gloria Fuga Expand

Fuga

Voices:
[Tenor]
[Bassus]

Melodic interval of entry: 8-

Time interval of entry: M2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<813> Alessandra Ignesti [CRIM_Model_0019] Veni sponsa Christi Fuga Expand

Fuga

Voices:
Altus
Tenor
Cantus
Bassus
Altus
Cantus
Bassus

Melodic interval of entry: 5-8+12-8+8+11-

Time interval of entry: M2/6/8/8/8/10

Periodic: False

Strict: True

Flexed: False

Sequential: True

Inverted: False

Retrograde: False

Remarks: Two entries are not sequential: Tenor (bars 38-40) and Bassus (bars 48-50).

<814> Alessandra Ignesti [CRIM_Mass_0019_5] Missa Veni sponsa Christi: Agnus Dei Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
Cantus
Tenor
QuintaPars

Melodic interval of entry: 5-4-

Time interval of entry: M4/8

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
QuintaPars
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<815> Alessandra Ignesti [CRIM_Model_0019] Veni sponsa Christi Fuga Expand

Fuga

Voices:
Altus
Cantus
Bassus
Tenor
Cantus
Altus
Bassus
Cantus
Altus
Tenor

Melodic interval of entry: 5+8-4+8+4-8-8+4-5-

Time interval of entry: M6/6/8/4/2/9/11/2/8

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<816> Alessandra Ignesti [CRIM_Mass_0019_5] Missa Veni sponsa Christi: Agnus Dei Fuga Expand

Fuga

Voices:
Altus
Tenor
Cantus
Bassus
QuintaPars
Cantus
Bassus
Tenor
QuintaPars
Cantus
Altus
Cantus

Melodic interval of entry: 4-4+11-4+11+8-2-2+8+7-8+

Time interval of entry: M2/2/10/2/10/4/2/6/4/10/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<817> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Cadence, Interval patterns Expand

Cadence, Interval patterns

Cantizans: Superius

Tenorizans: Tenor

Type: -

Tone: D

Voices:
Superius
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<818> Ian Lorenz [CRIM_Mass_0007_2] Missa Je suis déshéritée: Gloria Cadence, Interval patterns Expand

Cadence, Interval patterns

Cantizans: Superius

Tenorizans: Tenor

Type: -

Tone: D

Voices:
Superius
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<819> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Cadence, Interval patterns Expand

Cadence, Interval patterns

Cantizans: Superius

Tenorizans: Tenor

Type: -

Tone: D

Voices:
Superius
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<820> Ian Lorenz [CRIM_Mass_0007_2] Missa Je suis déshéritée: Gloria Cadence, Interval patterns Expand

Cadence, Interval patterns

Cantizans: Superius

Tenorizans: Tenor

Type: -

Tone: D

Voices:
Superius
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<821> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Fuga Expand

Fuga

Voices:
Contratenor
PrimusTenor
Superius
SecundusTenor
PrimusTenor
SecundusTenor

Melodic interval of entry: 5-8+11-2-5+

Time interval of entry: M12/4/2/1/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<822> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Fuga Expand

Fuga

Voices:
[Contratenor]
[Superius]
I.Tenor
[Bassus]
I.Tenor
2.Tenor

Melodic interval of entry: 4+11-2-3+3+

Time interval of entry: M16/2/5/0/9

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<823> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: F

Dovetail voice: Bassus

Dovetail interval: 8-

<824> Ian Lorenz [CRIM_Mass_0007_2] Missa Je suis déshéritée: Gloria Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: F

Dovetail voice: Bassus

Dovetail interval: 4-

<825> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Fuga Expand

Fuga

Voices:
[Bassus]
SecundusTenor
SecundusTenor
Superius

Melodic interval of entry: 8+1+8+

Time interval of entry: M6/28/1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<826> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Fuga Expand

Fuga

Voices:
I.Tenor
[Bassus]
[Contratenor]
2.Tenor

Melodic interval of entry: 5-5+1+

Time interval of entry: M6/1/1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<827> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Homorhythm Expand

Homorhythm

Voices:
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<828> Ian Lorenz [CRIM_Mass_0007_2] Missa Je suis déshéritée: Gloria Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

<829> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Soggetto Expand

Soggetto

Voice:
PrimusTenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<830> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Fuga Expand

Fuga

Voices:
[Bassus]
2.Tenor

Melodic interval of entry: 5+

Time interval of entry: M9

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<831> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Fuga Expand

Fuga

Voices:
PrimusTenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M6

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<832> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Fuga Expand

Fuga

Voices:
2.Tenor
[Superius]
I.Tenor

Melodic interval of entry: 8+8-

Time interval of entry: M2/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<833> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<834> Ian Lorenz [CRIM_Mass_0007_2] Missa Je suis déshéritée: Gloria Fuga Expand

Fuga

Voices:
Tenor
Bassus

Melodic interval of entry: 4-

Time interval of entry: M6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<835> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Fuga Expand

Fuga

Voices:
[Bassus]
SecundusTenor
PrimusTenor
Contratenor
Superius

Melodic interval of entry: 5+4+5+4+

Time interval of entry: M3/1/2/6

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<836> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Fuga Expand

Fuga

Voices:
[Contratenor]
[Superius]
[Bassus]
I.Tenor
2.Tenor
[Contratenor]
[Superius]

Melodic interval of entry: 5+12-5+4+3+6+

Time interval of entry: S1/4/1/3/1/3

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<837> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<838> Ian Lorenz [CRIM_Mass_0007_2] Missa Je suis déshéritée: Gloria Fuga Expand

Fuga

Voices:
Superius
Contratenor
Tenor

Melodic interval of entry: 5-4-

Time interval of entry: M4/8

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<839> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Fuga Expand

Fuga

Voices:
[Bassus]
SecundusTenor
PrimusTenor

Melodic interval of entry: 5+1+

Time interval of entry: M1/6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<840> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Fuga Expand

Fuga

Voices:
[Bassus]
I.Tenor
[Superius]
2.Tenor
[Bassus]
I.Tenor
[Bassus]
2.Tenor
I.Tenor
[Bassus]

Melodic interval of entry: 5+1+8+8-5-5+5-5+8-

Time interval of entry: M2/5/1/10/2/19/1/5/8

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<841> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Form and process Expand

Form and process

Comment: All this block is reproducted in the mass

<842> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Form and process Expand

Form and process

Comment: All this block comes from the model

<843> Anne Nautré [CRIM_Model_0020] Susanne un jour Soggetto, Cadence Expand

Soggetto, Cadence

Voice:
Superius

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

Cantizans: Superius

Tenorizans: QuintaPars

Type: authentic

Tone: G

Remarks: Cadence m.27-28

<844> Anne Nautré [CRIM_Mass_0020_2] Missa Susanne un jour: Gloria Soggetto, Homorhythm, Cadence Expand

Soggetto, Homorhythm, Cadence

Voice:
[Superius]

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
[Superius]
Tenor
Bassus

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

Cantizans: [Superius]

Tenorizans: Contratenor

Type: authentic

Tone: G

Remarks: Cadence m.43-44 Écriture en contrepoint libre, syllabique, proche de l'homorythmie.

<845> Anne Nautré [CRIM_Model_0020] Susanne un jour Fuga, Cadence Expand

Fuga, Cadence

Voices:
Superius
Tenor

Melodic interval of entry: 8-

Time interval of entry: M6

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Cantizans: Tenor

Tenorizans: QuintaPars

Type: authentic

Tone: D

Remarks: Cadence m.35-36 Les entrées de Q et B ne font pas partie de la fuga car les intervalles mélodiques sont différents ; cependant, leur structure rythmique et la disposition des entrées incite à les entendre comme participant au mouvement fugué.

<846> Anne Nautré [CRIM_Mass_0020_2] Missa Susanne un jour: Gloria Fuga, Cadence Expand

Fuga, Cadence

Voices:
[Superius]
Tenor

Melodic interval of entry: 8-

Time interval of entry: M6

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Cantizans: Tenor

Tenorizans: TenorSecundus

Type: authentic

Tone: D

Remarks: cadence m.51

<847> Max Le Mée [CRIM_Model_0001] Vidi speciosam Imitative duo Expand

Imitative duo

Voices:
Superius
Contratenor
PrimusTenor
Bassus

Melodic interval of entry: 4-5-4-

Time interval of entry: S3/5/3

Strict: False

Flexed: False

Flexed, tonal: True

Invertible: False

Remarks: Two added entries, turning the ID into a fuga.

<848> Max Le Mée [CRIM_Mass_0002_5] Missa Vidi speciosam: Agnus Dei Imitative duo Expand

Imitative duo

Voices:
I.Tenor
[Bassus]
[Superius]
[Contratenor]
[II.Tenor]
[Bassus]

Melodic interval of entry: 4-4+4-5-4+

Time interval of entry: S3/4/3/4/3

Strict: False

Flexed: False

Flexed, tonal: True

Invertible: False

<849> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
Contratenor
Bassus
PrimusTenor
SecundusTenor
Superius
Bassus

Melodic interval of entry: 8-4+1+8+8-

Time interval of entry: B2/1/1/1/1

Periodic: True

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Even though the contra comes a bit early, I count it as periodic entries.

<850> Max Le Mée [CRIM_Mass_0002_5] Missa Vidi speciosam: Agnus Dei Fuga Expand

Fuga

Voices:
[Contratenor]
[Superius]
I.Tenor
[Bassus]
[II.Tenor]
I.Tenor
[Bassus]

Melodic interval of entry: 5+8-5-5+1+5-

Time interval of entry: B2/1/1/1/2/1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<851> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga, Cadence Expand

Fuga, Cadence

Voices:
SecundusTenor
PrimusTenor
Bassus
SecundusTenor
Contratenor
Superius
PrimusTenor
Bassus
SecundusTenor

Melodic interval of entry: 1+4-4+5+5+9-4-4+

Time interval of entry: S4/1/2/2/1/6/1/2

Periodic: False

Strict: False

Flexed: False

Sequential: True

Inverted: False

Retrograde: False

Cantizans: Superius

Tenorizans: SecundusTenor

Type: authentic

Tone: G

<852> Max Le Mée [CRIM_Mass_0002_5] Missa Vidi speciosam: Agnus Dei Fuga, Cadence Expand

Fuga, Cadence

Voices:
[II.Tenor]
[Contratenor]
[Bassus]
I.Tenor
[Superius]
[II.Tenor]
[Bassus]

Melodic interval of entry: 5+8-4+5+8-8-

Time interval of entry: M6/4/5/3/4/10

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Cantizans: [Superius]

Tenorizans: I.Tenor

Type: authentic

Tone: G

<853> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Fuga Expand

Fuga

Voices:
Superius
Contratenor
PrimusTenor
SecundusTenor

Melodic interval of entry: 8-1+5-

Time interval of entry: B0/1/5

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<854> Damien Bonnec [CRIM_Mass_0008_2] Missa Quare fremuerunt gentes: Gloria Fuga Expand

Fuga

Voices:
[Contratenor]
2.Tenor
[Superius]
[Bassus]
I.Tenor
I.Tenor

Melodic interval of entry: 1+8+12-5+4-

Time interval of entry: M4/4/2/2/17

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<855> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Fuga Expand

Fuga

Voices:
Superius
SecundusTenor

Melodic interval of entry: 12-

Time interval of entry: B6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<856> Damien Bonnec [CRIM_Mass_0008_2] Missa Quare fremuerunt gentes: Gloria Fuga Expand

Fuga

Voices:
[Superius]
I.Tenor

Melodic interval of entry: 12-

Time interval of entry: M21

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<857> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Form and process Expand

Form and process

Comment: All this block is reproduced in the mass

<858> Damien Bonnec [CRIM_Mass_0008_2] Missa Quare fremuerunt gentes: Gloria Form and process Expand

Form and process

Comment: All this block comes from the model

<859> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<860> Manon Manfredi [CRIM_Mass_0009_2] Missa Tota pulchra es: Gloria Fuga Expand

Fuga

Voices:
[Tenor]
[Tenor]

Melodic interval of entry: 5+

Time interval of entry: M5

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<861> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<862> Manon Manfredi [CRIM_Mass_0009_2] Missa Tota pulchra es: Gloria Fuga Expand

Fuga

Voices:
[Tenor]
[Tenor]

Melodic interval of entry: 5+

Time interval of entry: M5

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<863> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Imitative duo Expand

Imitative duo

Voices:
Contratenor
Bassus
Superius
Tenor

Melodic interval of entry: 8-4+8-

Time interval of entry: M2/8/2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<864> Manon Manfredi [CRIM_Mass_0009_2] Missa Tota pulchra es: Gloria Imitative duo Expand

Imitative duo

Voices:
[Bassus]
[Tenor]
[Tenor]
[Tenor]

Melodic interval of entry: 5+5-5+

Time interval of entry: M2/6/2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<865> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Imitative duo Expand

Imitative duo

Voices:
Superius
Contratenor
Tenor
Bassus

Melodic interval of entry: 4-5-4-

Time interval of entry: B2/7/2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<866> Manon Manfredi [CRIM_Mass_0009_2] Missa Tota pulchra es: Gloria Fuga Expand

Fuga

Voices:
[Tenor]
[Bassus]
[Tenor]
[Tenor]

Melodic interval of entry: 8-8+1+

Time interval of entry: M4/8/6

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<867> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Fuga Expand

Fuga

Voices:
[Bassus]
SecundusTenor
PrimusTenor
Contratenor

Melodic interval of entry: 5+1+5+

Time interval of entry: M8/9/7

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<868> Damien Bonnec [CRIM_Mass_0008_2] Missa Quare fremuerunt gentes: Gloria Fuga Expand

Fuga

Voices:
[Contratenor]
I.Tenor
[Bassus]
2.Tenor
I.Tenor
[Bassus]
I.Tenor
[Superius]
[Bassus]
2.Tenor
[Superius]
2.Tenor

Melodic interval of entry: 8-2-5+4-1-2-5+5-5+8+8-

Time interval of entry: M2/6/2/8/6/8/6/8/10/4/12/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<869> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Imitative duo Expand

Imitative duo

Voices:
Contratenor
Bassus
Superius
Tenor

Melodic interval of entry: 8-11+8-

Time interval of entry: M2/8/2

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

<870> Manon Manfredi [CRIM_Mass_0009_2] Missa Tota pulchra es: Gloria Imitative duo Expand

Imitative duo

Voices:
[Tenor]
[Tenor]
[Tenor]
[Tenor]
[Tenor]

Melodic interval of entry: 5+8-4+

Time interval of entry: S2/5/2

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: Bassus in m. 88 is added entry, creating a kind of 5-voice fuga.

<871> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Fuga Expand

Fuga

Voices:
Contratenor
Tenor

Melodic interval of entry: 1+

Time interval of entry: S4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<872> Manon Manfredi [CRIM_Mass_0009_2] Missa Tota pulchra es: Gloria Fuga Expand

Fuga

Voices:
[Tenor]
[Tenor]

Melodic interval of entry: 1+

Time interval of entry: S4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<873> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Fuga Expand

Fuga

Voices:
Contratenor
Tenor

Melodic interval of entry: 1+

Time interval of entry: S4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<874> Manon Manfredi [CRIM_Mass_0009_2] Missa Tota pulchra es: Gloria Non-imitative duo Expand

Non-imitative duo

Voices:
[Tenor]
[Bassus]
[Tenor]
[Tenor]

Melodic interval of entry: 5-5+5-

Time interval of entry: M1/6/1

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<875> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Imitative duo Expand

Imitative duo

Voices:
Superius
Contratenor
Tenor
Bassus

Melodic interval of entry: 4-5-4-

Time interval of entry: B2/7/2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<876> Manon Manfredi [CRIM_Mass_0009_4] Missa Tota pulchra es: Sanctus Soggetto Expand

Soggetto

Voice:
[Tenor]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<877> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Fuga Expand

Fuga

Voices:
Superius
Contratenor
Tenor
Bassus

Melodic interval of entry: 8-1+8-

Time interval of entry: M9/26/9

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<878> Manon Manfredi [CRIM_Mass_0009_4] Missa Tota pulchra es: Sanctus Fuga Expand

Fuga

Voices:
[Tenor]
[Bassus]
[Tenor]
[Tenor]

Melodic interval of entry: 8-5+5-

Time interval of entry: M2/3/5

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<879> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Soggetto Expand

Soggetto

Voices:
Superius
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<880> Manon Manfredi [CRIM_Mass_0009_4] Missa Tota pulchra es: Sanctus Soggetto Expand

Soggetto

Voice:
[Tenor]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<881> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Fuga Expand

Fuga

Voices:
Tenor
Tenor
Superius
Contratenor
Bassus
Superius
Tenor
Bassus

Melodic interval of entry: 2+7+8-7-15+8-3-

Time interval of entry: M1/2/2/2/2/2/7

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<882> Manon Manfredi [CRIM_Mass_0009_4] Missa Tota pulchra es: Sanctus Fuga Expand

Fuga

Voices:
[Bassus]
[Tenor]
[Tenor]
[Tenor]
[Tenor]
[Bassus]
[Tenor]
[Tenor]
[Bassus]

Melodic interval of entry: 7+2+1+2-7-7+3-8-

Time interval of entry: S1/2/4/1/2/1/4/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<883> Alexis Risler [CRIM_Model_0017] Benedicta es Contrapuntal duo -

Contrapuntal duo

Voices:
[SextaVox]
[Bassus]

<884> Alexis Risler [CRIM_Mass_0015_5] Missa Benedicta es: Agnus Dei Non-imitative duo, Interval patterns Expand

Non-imitative duo, Interval patterns

Voices:
[Contratenor]
[QuintaVox]
[SextaVox]
[Bassus]
[Tenor]
[Bassus]
[Discantus]
[SextaVox]

Melodic interval of entry: 8-5+7+

Time interval of entry: S3/4/8

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: True

Voices:
[Discantus]
[Discantus]

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: Par 3rds between C and T in the third NIM

<885> Anne Nautré [CRIM_Model_0020] Susanne un jour Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
QuintaPars
Bassus

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

Remarks: On peut considérer: - la voix de S comme sogetto - les voix de A et T comme contrapuntal duo (mouvement continu en notes noires) - les voix de Q et B comme deuxième contrapuntal duo (interval patterns: chain 85)

<886> Anne Nautré [CRIM_Mass_0020_2] Missa Susanne un jour: Gloria Fuga Expand

Fuga

Voices:
TenorSecundus
[Superius]
Tenor
Contratenor
[Superius]
Bassus
Tenor
TenorSecundus
[Superius]
Contratenor

Melodic interval of entry: 5+8-8+4+8-8+4-8+2-

Time interval of entry: M1/1/3/1/1/5/4/7/9

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: L'imitation s'effectue sur un motif rythmique.

<887> Scott Troyer [CRIM_Model_0002] O gente brunette Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<888> Scott Troyer [CRIM_Mass_0003_2] Missa O gente brunette: Gloria Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<889> Scott Troyer [CRIM_Model_0002] O gente brunette Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: C

<890> Scott Troyer [CRIM_Mass_0003_2] Missa O gente brunette: Gloria Cadence Expand

Cadence

Cantizans: [Superius]

Tenorizans: [Tenor]

Type: authentic

Tone: F

<891> Scott Troyer [CRIM_Model_0002] O gente brunette Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<892> Scott Troyer [CRIM_Mass_0003_2] Missa O gente brunette: Gloria Fuga Expand

Fuga

Voices:
[Contratenor]
[Superius]

Melodic interval of entry: 4+

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<893> Scott Troyer [CRIM_Model_0002] O gente brunette Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: C

<894> Scott Troyer [CRIM_Mass_0003_2] Missa O gente brunette: Gloria Cadence Expand

Cadence

Cantizans: [Superius]

Tenorizans: [Contratenor]

Type: authentic

Tone: C

<895> Scott Troyer [CRIM_Model_0002] O gente brunette None -

Observation

<896> Scott Troyer [CRIM_Mass_0003_2] Missa O gente brunette: Gloria Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

<897> Scott Troyer [CRIM_Model_0002] O gente brunette None -

Observation

<898> Scott Troyer [CRIM_Mass_0003_2] Missa O gente brunette: Gloria Fuga Expand

Fuga

Voices:
[Superius]
[Tenor]

Melodic interval of entry: 8-

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<899> Scott Troyer [CRIM_Model_0002] O gente brunette None -

Observation

<900> Scott Troyer [CRIM_Mass_0003_2] Missa O gente brunette: Gloria Contrapuntal duo -

Contrapuntal duo

Voices:
[Contratenor]
[Bassus]