CRIM

Citations: The Renaissance Imitation Mass Project

Observations

ID Observer Piece Observation type Show details
<501> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Homorhythm Expand

Homorhythm

Voices:
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<502> Ian Lorenz [CRIM_Mass_0007_2] Missa Je suis déshéritée: Gloria Homorhythm Expand

Homorhythm

Voices:
Superius
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<503> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Homorhythm Expand

Homorhythm

Voices:
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<504> Ian Lorenz [CRIM_Mass_0007_2] Missa Je suis déshéritée: Gloria Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<505> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Superius
Tenor
Altus
Superius
Tenor

Melodic interval of entry: 5-1+5+5-

Time interval of entry: M2/6/7/2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: The third entrance (altus) is flexed between its first and second notes, so that Eb-Eb replaces D-Eb. This could be considered an entrance at the second above the tenor (changing the intervals to 5-2+4+5-) but it seems better to judge from the remainder of the subject, excluding the "flexed" first note. The final two entrances in superius and tenor are freely augmented (but strict in respect to each other, except for the lengths of the first two notes).

<506> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<507> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M8

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<508> Ian Lorenz [CRIM_Mass_0007_2] Missa Je suis déshéritée: Gloria Fuga Expand

Fuga

Voices:
Superius
Contratenor

Melodic interval of entry: 8-

Time interval of entry: M6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<509> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Soggetto, Counter-soggetto Expand

Soggetto, Counter-soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voice:-

Rhythmic durations: True

Melodic intervals: True

<510> Ian Lorenz [CRIM_Mass_0007_2] Missa Je suis déshéritée: Gloria Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 7-

Time interval of entry: M4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<511> Anne Nautré [CRIM_Model_0020] Susanne un jour Non-imitative duo, Homorhythm Expand

Non-imitative duo, Homorhythm

Voices:
Superius
Contratenor
Tenor
QuintaPars

Melodic interval of entry: 8-

Time interval of entry: B2

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Voices:
Superius
Contratenor
Tenor
QuintaPars
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

Remarks: HR concerne les mesures 38 - 40 NIM concerne les mesures 46 - 50

<512> Anne Nautré [CRIM_Mass_0020_1] Missa Susanne un jour: Kyrie Non-imitative duo, Form and process Expand

Non-imitative duo, Form and process

Voices:
[Superius]
Contratenor
Tenor
TenorSecundus

Melodic interval of entry: 8-

Time interval of entry: B2

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Internal repetition: True

Remarks: NIM concerne les mesures 63-67 Internal repetition concerne les mesures 70-75/75-80

<513> Anne Nautré [CRIM_Model_0020] Susanne un jour Fuga Expand

Fuga

Voices:
Bassus
QuintaPars
Superius
Contratenor
Tenor

Melodic interval of entry: 5+4+4-5-

Time interval of entry: M1/4/2/8

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Ici la fugue est utilisée comme introduction à la longue séquence de quotation à partir de la mesure 55

<514> Anne Nautré [CRIM_Mass_0020_1] Missa Susanne un jour: Kyrie None -

Observation

<515> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 8-

Time interval of entry: M1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<516> Manon Manfredi [CRIM_Mass_0009_3] Missa Tota pulchra es: Credo Fuga Expand

Fuga

Voices:
[Tenor]
[Tenor]

Melodic interval of entry: 1+

Time interval of entry: M2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<517> Alessandra Ignesti [CRIM_Model_0019] Veni sponsa Christi None -

Observation

<518> Alessandra Ignesti [CRIM_Mass_0019_1] Missa Veni sponsa Christi: Kyrie Imitative duo Expand

Imitative duo

Voices:
Cantus
Altus
Tenor
Bassus

Melodic interval of entry: 5-4-5-

Time interval of entry: B1/4/1

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

<519> Alessandra Ignesti [CRIM_Model_0019] Veni sponsa Christi None -

Observation

<520> Alessandra Ignesti [CRIM_Mass_0019_1] Missa Veni sponsa Christi: Kyrie None -

Observation

<521> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Imitative duo Expand

Imitative duo

Voices:
Contratenor
Bassus
Superius
Tenor

Melodic interval of entry: 8-4+8-

Time interval of entry: M2/8/2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<522> Manon Manfredi [CRIM_Mass_0009_3] Missa Tota pulchra es: Credo Fuga Expand

Fuga

Voices:
[Tenor]
[Bassus]
[Tenor]

Melodic interval of entry: 8-4+

Time interval of entry: M2/8

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<523> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 5+

Time interval of entry: M4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<524> Manon Manfredi [CRIM_Mass_0009_3] Missa Tota pulchra es: Credo Fuga Expand

Fuga

Voices:
[Tenor]
[Tenor]
[Tenor]
[Bassus]

Melodic interval of entry: 4+4-5-

Time interval of entry: M2/4/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<525> Manon Manfredi [CRIM_Model_0011] Tota pulchra es None -

Observation

<526> Manon Manfredi [CRIM_Mass_0009_3] Missa Tota pulchra es: Credo Fuga Expand

Fuga

Voices:
[Tenor]
[Tenor]
[Bassus]
[Tenor]
[Bassus]
[Tenor]
[Tenor]

Melodic interval of entry: 2+8-7+7-7+2+

Time interval of entry: M6/2/2/4/2/4/1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<527> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 5+

Time interval of entry: M4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<528> Manon Manfredi [CRIM_Mass_0009_3] Missa Tota pulchra es: Credo Fuga Expand

Fuga

Voices:
[Tenor]
[Tenor]
[Bassus]
[Tenor]

Melodic interval of entry: 4-4-4+

Time interval of entry: M2/4/4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<529> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Imitative duo Expand

Imitative duo

Voices:
Cantus
Altus
Tenor
Bassus

Melodic interval of entry: 5-5-

Time interval of entry: S2/10/2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<530> Raphaëlle Rouzic [CRIM_Mass_0019_2] Missa Veni sponsa Christi: Gloria Imitative duo Expand

Imitative duo

Voices:
Tenor
Bassus
Cantus
Altus

Melodic interval of entry: 5-5-

Time interval of entry: S4/2/4

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: First I saw the PEN (T>S>B>A: S2 8+5-8+) And because of the intervals of the duos I prefered to show the imitative duos

<531> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Interval patterns Expand

Interval patterns

Voices:
Cantus
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<532> Raphaëlle Rouzic [CRIM_Mass_0019_2] Missa Veni sponsa Christi: Gloria Interval patterns Expand

Interval patterns

Voices:
Bassus
Cantus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<533> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Fuga Expand

Fuga

Voices:
Altus
Cantus
Bassus

Melodic interval of entry: 5+8-

Time interval of entry: S5/6

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<534> Raphaëlle Rouzic [CRIM_Mass_0019_2] Missa Veni sponsa Christi: Gloria Fuga Expand

Fuga

Voices:
Tenor
Bassus
Cantus
Altus

Melodic interval of entry: 5-5+5-

Time interval of entry: M2/1/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<535> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Counter-soggetto, Fuga Expand

Counter-soggetto, Fuga

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voices:
Contratenor
Tenor

Melodic interval of entry: 1+

Time interval of entry: M8

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<536> Manon Manfredi [CRIM_Mass_0009_3] Missa Tota pulchra es: Credo Non-imitative duo Expand

Non-imitative duo

Voices:
[Bassus]
[Tenor]
[Tenor]
[Tenor]

Melodic interval of entry: 5-5+5-

Time interval of entry: M1/7/1

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<537> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Form and process Expand

Form and process

Internal repetition: True

Range: 97-103,104-110

<538> Manon Manfredi [CRIM_Mass_0009_3] Missa Tota pulchra es: Credo Form and process Expand

Form and process

Internal repetition: True

Range: 185-192,192-201

<539> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Imitative duo Expand

Imitative duo

Voices:
Superius
Contratenor
Tenor
Bassus

Melodic interval of entry: 4-5-4-

Time interval of entry: B2/7/2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<540> Manon Manfredi [CRIM_Mass_0009_5] Missa Tota pulchra es: Agnus Dei Fuga Expand

Fuga

Voices:
[Tenor]
[Bassus]
[Tenor]
[Tenor]

Melodic interval of entry: 8-8+1+

Time interval of entry: S1/2/4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<541> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Fuga Expand

Fuga

Voices:
Superius
Contratenor
Tenor
Bassus

Melodic interval of entry: 8-1+8-

Time interval of entry: M9/26/9

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<542> Manon Manfredi [CRIM_Mass_0009_5] Missa Tota pulchra es: Agnus Dei Fuga Expand

Fuga

Voices:
[Tenor]
[Bassus]
[Tenor]
[Tenor]

Melodic interval of entry: 8-8+1+

Time interval of entry: S1/2/4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<543> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Cantus firmus Expand

Cantus firmus

Voice:-

Rhythmic durations: True

Melodic intervals: True

<544> Manon Manfredi [CRIM_Mass_0009_1] Missa Tota pulchra es: Kyrie Cantus firmus Expand

Cantus firmus

Voice:-

Rhythmic durations: True

Melodic intervals: True

<545> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<546> Manon Manfredi [CRIM_Mass_0009_1] Missa Tota pulchra es: Kyrie Contrapuntal duo -

Contrapuntal duo

Voices:
[Tenor]
[Tenor]

<547> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Cantus firmus Expand

Cantus firmus

Voice:-

Rhythmic durations: True

Melodic intervals: True

<548> Manon Manfredi [CRIM_Mass_0009_1] Missa Tota pulchra es: Kyrie Contrapuntal duo -

Contrapuntal duo

Voices:
[Tenor]
[Tenor]

<549> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Periodic entry Expand

Periodic entry

Voices:
Tenor
Bassus
Altus

Melodic interval of entry: 5-8+

Time interval of entry: M8/8

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<550> Raphaëlle Rouzic [CRIM_Mass_0019_2] Missa Veni sponsa Christi: Gloria Fuga Expand

Fuga

Voices:
Cantus
Altus
Tenor

Melodic interval of entry: 5-1+

Time interval of entry: S2/4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Before the entrie of the Superius we have three notes, those notes (Homorhythm SATB) prevents the qualification of PEn (S4 5-1+)

<551> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Periodic entry Expand

Periodic entry

Voices:
Altus
Cantus
Bassus
Altus
Cantus

Melodic interval of entry: 4+5-8+1+

Time interval of entry: M8/8/8/8

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: Added entrie Bassus Measure 48-50 @4- M10

<552> Raphaëlle Rouzic [CRIM_Mass_0019_2] Missa Veni sponsa Christi: Gloria Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
Tenor
Bassus

Melodic interval of entry: 5-

Time interval of entry: M2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Bassus
Cantus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<553> Scott Troyer [CRIM_Model_0002] O gente brunette None -

Observation

<554> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie None -

Observation

<555> Scott Troyer [CRIM_Model_0002] O gente brunette Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<556> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<557> Scott Troyer [CRIM_Model_0002] O gente brunette Soggetto Expand

Soggetto

Voice:
Contratenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<558> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Soggetto Expand

Soggetto

Voice:
[Contratenor]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<559> Scott Troyer [CRIM_Model_0002] O gente brunette Soggetto Expand

Soggetto

Voice:
Bassus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<560> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Soggetto Expand

Soggetto

Voice:
[Bassus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<561> Scott Troyer [CRIM_Model_0002] O gente brunette Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<562> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Soggetto Expand

Soggetto

Voice:
[Superius]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<563> Alessandra Ignesti [CRIM_Model_0019] Veni sponsa Christi Soggetto Expand

Soggetto

Voice:
Cantus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<564> Alessandra Ignesti [CRIM_Mass_0019_1] Missa Veni sponsa Christi: Kyrie None -

Observation

<565> Alessandra Ignesti [CRIM_Model_0019] Veni sponsa Christi Cadence Expand

Cadence

Cantizans: Altus

Tenorizans: Cantus

Type: authentic

Tone: G

Dovetail voice: Bassus

Dovetail interval: 8-

<566> Alessandra Ignesti [CRIM_Mass_0019_1] Missa Veni sponsa Christi: Kyrie None -

Observation

<567> Alessandra Ignesti [CRIM_Model_0019] Veni sponsa Christi Cadence Expand

Cadence

Cantizans: Bassus

Tenorizans: Tenor

Type: authentic

Tone: G

Dovetail voice: Altus

Dovetail interval: 8+

<568> Alessandra Ignesti [CRIM_Mass_0019_1] Missa Veni sponsa Christi: Kyrie Cadence Expand

Cadence

Cantizans: Bassus

Tenorizans: Tenor

Type: authentic

Tone: G

Dovetail voice: Cantus

<569> Max Le Mée [CRIM_Model_0001] Vidi speciosam Imitative duo Expand

Imitative duo

Voices:
Superius
Contratenor
SecundusTenor
Bassus

Melodic interval of entry: 5-4-5-

Time interval of entry: S3/7/3

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: Added entry at Primus Tenor.

<570> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Imitative duo Expand

Imitative duo

Voices:
[Superius]
[Contratenor]
I.Tenor
[Bassus]

Melodic interval of entry: 5-4-5-

Time interval of entry: S3/14/3

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: Added entry at Secondus Tenor.

<571> Max Le Mée [CRIM_Model_0001] Vidi speciosam None -

Observation

<572> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Counter-soggetto, Imitative duo Expand

Counter-soggetto, Imitative duo

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voices:
[Contratenor]
[Superius]

Melodic interval of entry: 5+

Time interval of entry: B1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

<573> Max Le Mée [CRIM_Model_0001] Vidi speciosam Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: False

Melodic intervals: False

Ostinato: False

Periodic: False

<574> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga Expand

Fuga

Voices:
[Superius]
[Contratenor]
[Bassus]
[II.Tenor]
I.Tenor

Melodic interval of entry: 5-8-4+5+

Time interval of entry: S1/2/1/3

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<575> Alessandra Ignesti [CRIM_Model_0019] Veni sponsa Christi None -

Observation

<576> Alessandra Ignesti [CRIM_Mass_0019_1] Missa Veni sponsa Christi: Kyrie Imitative duo Expand

Imitative duo

Voices:
Cantus
Altus
Tenor
Bassus

Melodic interval of entry: 4-5-4-

Time interval of entry: M6/8/6

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: The shared melodic/rhythmic contour of the soggetto is shorter in the second duo.

<577> Max Le Mée [CRIM_Model_0001] Vidi speciosam Imitative duo Expand

Imitative duo

Voices:
SecundusTenor
Superius
Bassus
Contratenor

Melodic interval of entry: 8+4-8+

Time interval of entry: M3/11/3

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

Remarks: Anticipated at Contratenor.

<578> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Imitative duo Expand

Imitative duo

Voices:
[Contratenor]
[Superius]
[Bassus]
I.Tenor
[Contratenor]
I.Tenor

Melodic interval of entry: 5+5-5+4+4-

Time interval of entry: S1/2/1/6/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: One entry anticipates the modules at Superius. Added entry at Secondus Tenor.

<579> Alessandra Ignesti [CRIM_Model_0019] Veni sponsa Christi Cadence Expand

Cadence

Cantizans: Altus

Tenorizans: Cantus

Type: authentic

Tone: G

Dovetail voice: Tenor

Dovetail interval: 4-

<580> Alessandra Ignesti [CRIM_Mass_0019_1] Missa Veni sponsa Christi: Kyrie Cadence Expand

Cadence

Cantizans: Cantus

Tenorizans: Tenor

Type: authentic

Tone: G

Dovetail voice: Cantus

<581> Alessandra Ignesti [CRIM_Model_0019] Veni sponsa Christi Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<582> Alessandra Ignesti [CRIM_Mass_0019_1] Missa Veni sponsa Christi: Kyrie None -

Observation

<583> Alessandra Ignesti [CRIM_Model_0019] Veni sponsa Christi Fuga Expand

Fuga

Voices:
Tenor
Cantus
Altus
Tenor
Bassus
Altus
Cantus
Bassus

Melodic interval of entry: 8+5-4-5-8+8+12-

Time interval of entry: M8/4/12/8/8/9

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<584> Alessandra Ignesti [CRIM_Mass_0019_1] Missa Veni sponsa Christi: Kyrie None -

Observation

<585> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
SecundusTenor
Contratenor
PrimusTenor
Bassus
Contratenor
SecundusTenor
Bassus

Melodic interval of entry: 4+4-8+5-9+6-2+

Time interval of entry: S2/1/2/2/1/1/3

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<586> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga Expand

Fuga

Voices:
[Bassus]
[Contratenor]
[Superius]
I.Tenor
[II.Tenor]
[Bassus]
I.Tenor
[II.Tenor]

Melodic interval of entry: 5+4+5-1+8-9+5-

Time interval of entry: S1/3/9/2/3/1/2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<587> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Fuga Expand

Fuga

Voices:
Superius
Contratenor
Tenor
Bassus

Melodic interval of entry: 8-1+8-

Time interval of entry: M9/26/9

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<588> Manon Manfredi [CRIM_Mass_0009_5] Missa Tota pulchra es: Agnus Dei Fuga Expand

Fuga

Voices:
[Bassus]
[Tenor]
[Tenor]
[Tenor]
[Tenor]
[Bassus]

Melodic interval of entry: 5+5-5+5-4-

Time interval of entry: M2/4/2/6/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<589> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
PrimusTenor
Contratenor
SecundusTenor
Superius
Bassus
PrimusTenor
SecundusTenor
PrimusTenor
Superius

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<590> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga Expand

Fuga

Voices:
[II.Tenor]
[Bassus]
[II.Tenor]

Melodic interval of entry: 1+1+

Time interval of entry: S4/3

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<591> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Fuga Expand

Fuga

Voices:
Tenor
Tenor
Superius
Contratenor
Bassus
Superius
Tenor
Bassus

Melodic interval of entry: 2+7+8-7-7+8-3-

Time interval of entry: M1/2/2/2/2/2/7

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<592> Manon Manfredi [CRIM_Mass_0009_5] Missa Tota pulchra es: Agnus Dei Fuga Expand

Fuga

Voices:
[Tenor]
[Bassus]
[Tenor]
[Tenor]
[Bassus]

Melodic interval of entry: 8-5-4+4-

Time interval of entry: M6/12/4/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<593> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
Bassus
SecundusTenor
Contratenor
Superius
PrimusTenor
Bassus

Melodic interval of entry: 4+5+5+5-4-

Time interval of entry: S2/1/2/1/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<594> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga Expand

Fuga

Voices:
[Superius]
[Contratenor]
[Bassus]
[II.Tenor]
[Bassus]

Melodic interval of entry: 9-4-8+4-

Time interval of entry: S2/1/3/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<595> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Imitative duo Expand

Imitative duo

Voices:
Contratenor
Bassus
Superius
Tenor

Melodic interval of entry: 8-4+8-

Time interval of entry: M2/8/2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<596> Manon Manfredi [CRIM_Mass_0009_5] Missa Tota pulchra es: Agnus Dei Fuga Expand

Fuga

Voices:
[Tenor]
[Tenor]

Melodic interval of entry: 1+

Time interval of entry: B1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<597> Max Le Mée [CRIM_Model_0001] Vidi speciosam Cadence Expand

Cadence

Cantizans: Contratenor

Tenorizans: Bassus

Type: authentic

Tone: A

Dovetail voice: Superius

<598> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Cadence Expand

Cadence

Cantizans: [Contratenor]

Tenorizans: [Bassus]

Type: authentic

Tone: A

Dovetail voice: [Superius]

<599> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga, Cadence Expand

Fuga, Cadence

Voices:
SecundusTenor
PrimusTenor
Superius
Bassus
Contratenor
PrimusTenor
SecundusTenor
Bassus
Contratenor
SecundusTenor

Melodic interval of entry: 1+8+5-8+8-4+8-8+1+

Time interval of entry: M2/2/3/4/5/2/3/5/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Cantizans: Superius

Tenorizans: PrimusTenor

Type: authentic

Tone: G

Dovetail voice: Superius

<600> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga, Cadence Expand

Fuga, Cadence

Voices:
I.Tenor
[Bassus]
[Superius]
[Contratenor]
[II.Tenor]
I.Tenor
[Bassus]
I.Tenor
[II.Tenor]

Melodic interval of entry: 5-5+5-5-1+8-8+1+

Time interval of entry: S2/1/1/2/2/2/2/2

Periodic: False

Strict: False

Flexed: True

Sequential: True

Inverted: False

Retrograde: False

Cantizans: [Superius]

Tenorizans: I.Tenor

Type: authentic

Tone: G

Dovetail voice: [Superius]