CRIM

Citations: The Renaissance Imitation Mass Project

Observations

ID Observer Piece Observation type Show details
<401> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Counter-soggetto Expand

Counter-soggetto

Voice:-

Rhythmic durations: True

Melodic intervals: True

<402> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Counter-soggetto Expand

Counter-soggetto

Voice:-

Rhythmic durations: True

Melodic intervals: True

<403> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Soggetto Expand

Soggetto

Voice:
PrimusTenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Remarks: Head of the principal soggetto (cf. superius)

<404> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Soggetto Expand

Soggetto

Voice:
2.Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<405> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Soggetto Expand

Soggetto

Voice:
[Bassus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<406> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Soggetto Expand

Soggetto

Voice:
[Bassus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<407> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Fuga Expand

Fuga

Voices:
Cantus
Altus

Melodic interval of entry: 5-

Time interval of entry: M4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<408> Raphaëlle Rouzic [CRIM_Mass_0019_2] Missa Veni sponsa Christi: Gloria Fuga Expand

Fuga

Voices:
Tenor
Altus
Cantus

Melodic interval of entry: 4+5+

Time interval of entry: M1/3

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<409> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Counter-soggetto Expand

Counter-soggetto

Voice:-

Rhythmic durations: True

Melodic intervals: True

<410> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Counter-soggetto, Periodic entry Expand

Counter-soggetto, Periodic entry

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voices:
I.Tenor
[Contratenor]

Melodic interval of entry: 1+

Time interval of entry: B1

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: True

Invertible: False

Remarks: New entry added in the beggining with the Primus tenor (concerning just the head of the counter soggetto)

<411> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Soggetto Expand

Soggetto

Voice:
SecundusTenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<412> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Soggetto Expand

Soggetto

Voice:
2.Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<413> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Soggetto Expand

Soggetto

Voice:
PrimusTenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<414> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Soggetto Expand

Soggetto

Voice:
I.Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<415> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Periodic entry, Interval patterns Expand

Periodic entry, Interval patterns

Voices:
Tenor
Bassus
Altus

Melodic interval of entry: 5-8+

Time interval of entry: M8/8

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: True

Invertible: False

Voices:
Bassus
Cantus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: Added entries : Sup.+Bassus 8+4- S5/6

<416> Raphaëlle Rouzic [CRIM_Mass_0019_2] Missa Veni sponsa Christi: Gloria None -

Observation

<417> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Soggetto Expand

Soggetto

Voice:
PrimusTenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<418> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Soggetto Expand

Soggetto

Voice:
I.Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<419> Anne Nautré [CRIM_Model_0020] Susanne un jour Form and process Expand

Form and process

Internal repetition: True

Comment: Section à 5 voix, répétée à partir de m.20 avec inversion de T et Q

<420> Anne Nautré [CRIM_Mass_0020_1] Missa Susanne un jour: Kyrie Form and process Expand

Form and process

Comment: Section contrapuntique à 5 voix

<421> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Soggetto Expand

Soggetto

Voice:
PrimusTenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<422> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Soggetto Expand

Soggetto

Voice:
I.Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<423> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Fuga Expand

Fuga

Voices:
Bassus
Contratenor
Superius

Melodic interval of entry: 8+8+

Time interval of entry: M3/7

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<424> Manon Manfredi [CRIM_Mass_0009_3] Missa Tota pulchra es: Credo Imitative duo Expand

Imitative duo

Voices:
[Tenor]
[Tenor]
[Bassus]
[Tenor]

Melodic interval of entry: 1+8-8+

Time interval of entry: M2/8/2

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

<425> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Soggetto Expand

Soggetto

Voice:
Contratenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<426> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Soggetto Expand

Soggetto

Voice:
[Contratenor]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<427> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Cadence Expand

Cadence

Cantizans: Contratenor

Tenorizans: PrimusTenor

Type: authentic

Tone: G

Dovetail voice: Superius

<428> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Cadence Expand

Cadence

Cantizans: [Contratenor]

Tenorizans: I.Tenor

Type: authentic

Tone: G

Dovetail voice: [Superius]

<429> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<430> Manon Manfredi [CRIM_Mass_0009_3] Missa Tota pulchra es: Credo Periodic entry Expand

Periodic entry

Voices:
[Tenor]
[Tenor]
[Bassus]

Melodic interval of entry: 5-5-

Time interval of entry: M1/1

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<431> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<432> Manon Manfredi [CRIM_Mass_0009_3] Missa Tota pulchra es: Credo Homorhythm Expand

Homorhythm

Voices:
[Tenor]
[Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<433> Anne Nautré [CRIM_Model_0020] Susanne un jour Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 8-

Time interval of entry: B1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<434> Anne Nautré [CRIM_Mass_0020_1] Missa Susanne un jour: Kyrie Fuga Expand

Fuga

Voices:
Contratenor
[Superius]
Tenor
[Superius]
Tenor
Contratenor
Tenor
[Superius]

Melodic interval of entry: 5+8-8+8-1+1+8+

Time interval of entry: M5/6/12/6/9/12/6

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<435> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<436> Manon Manfredi [CRIM_Mass_0009_3] Missa Tota pulchra es: Credo Homorhythm Expand

Homorhythm

Voices:
[Tenor]
[Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<437> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Periodic entry Expand

Periodic entry

Voices:
Altus
Cantus
Bassus
Altus
Cantus

Melodic interval of entry: 4+5-8+1+

Time interval of entry: M8/8/8/8

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: Added entries : Tenor (measure 38-40) Bassus (measure 42-44)

<438> Raphaëlle Rouzic [CRIM_Mass_0019_2] Missa Veni sponsa Christi: Gloria Soggetto, Homorhythm Expand

Soggetto, Homorhythm

Voice:
Cantus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
Cantus
Altus
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<439> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<440> Manon Manfredi [CRIM_Mass_0009_3] Missa Tota pulchra es: Credo Non-imitative duo Expand

Non-imitative duo

Voices:
[Bassus]
[Tenor]
[Tenor]
[Tenor]

Melodic interval of entry: 8+8-

Time interval of entry: M2/2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<441> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Soggetto Expand

Soggetto

Voice:
Bassus

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<442> Raphaëlle Rouzic [CRIM_Mass_0019_2] Missa Veni sponsa Christi: Gloria Soggetto, Homorhythm Expand

Soggetto, Homorhythm

Voice:
Cantus

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
Cantus
Altus
Bassus
Tenor

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

<443> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Soggetto Expand

Soggetto

Voice:
PrimusTenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<444> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Soggetto Expand

Soggetto

Voice:
I.Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<445> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Periodic entry Expand

Periodic entry

Voices:
Altus
Cantus
Bassus

Melodic interval of entry: 5+8-

Time interval of entry: M6/6

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<446> Raphaëlle Rouzic [CRIM_Mass_0019_2] Missa Veni sponsa Christi: Gloria Periodic entry Expand

Periodic entry

Voices:
Tenor
Altus
Cantus

Melodic interval of entry: 4+5+

Time interval of entry: M2/2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<447> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Form and process Expand

Form and process

Comment: All this block ("et populi meditati inania ?") is concerned by the citation process

<448> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Form and process Expand

Form and process

Comment: All this block is concerned by the citation process

<449> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<450> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<451> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<452> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<453> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Soggetto Expand

Soggetto

Voice:
Bassus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<454> Manon Manfredi [CRIM_Mass_0009_3] Missa Tota pulchra es: Credo Soggetto Expand

Soggetto

Voice:
[Bassus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<455> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<456> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<457> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<458> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<459> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Contrapuntal duo, Fuga Expand

Contrapuntal duo, Fuga

Voices:
Superius
Tenor

Voices:
Tenor
Superius

Melodic interval of entry: 5+

Time interval of entry: S2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<460> Manon Manfredi [CRIM_Mass_0009_3] Missa Tota pulchra es: Credo Imitative duo Expand

Imitative duo

Voices:
[Tenor]
[Tenor]
[Tenor]
[Bassus]

Melodic interval of entry: 4+4-5-

Time interval of entry: B4/28/3

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<461> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Superius
Tenor
Bassus

Melodic interval of entry: 5-4-

Time interval of entry: S1/6

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: The first two entrances are strict, as usual; the third is freely diminished in rhythm and lacks its final note (or one could say the final melodic interval is flexed from a 2nd, A-G to a 3rd, A-F)

<462> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<463> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<464> Ian Lorenz [CRIM_Mass_0007_2] Missa Je suis déshéritée: Gloria Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<465> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: The altus and bassus make use of two repeated motives: (1) a rising "cumulative fourth" consisting of a rising second + rising third in minims, and (2) a stepwise falling fourth in dotted minim & crotchets. In one place in the altus the two motives are spliced together to form a countermelody beneath the first note of the soggetto; otherwise they occur separately. The motives don't line up with the subject consistently, so they don't form NIms. Could be considered "contrapunto fugato"?

<466> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<467> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Fuga Expand

Fuga

Voices:
PrimusTenor
[Bassus]
SecundusTenor
PrimusTenor
Contratenor

Melodic interval of entry: 2-5+1+5+

Time interval of entry: M7/8/9/7

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<468> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Fuga Expand

Fuga

Voices:
I.Tenor
[Bassus]
2.Tenor
I.Tenor
[Contratenor]

Melodic interval of entry: 2-5+1+5+

Time interval of entry: M7/8/9/6

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<469> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<470> Ian Lorenz [CRIM_Mass_0007_2] Missa Je suis déshéritée: Gloria Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 8-

Time interval of entry: M6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<471> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<472> Ian Lorenz [CRIM_Mass_0007_2] Missa Je suis déshéritée: Gloria Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 8-

Time interval of entry: M6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<473> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Superius
Tenor
Bassus
Altus

Melodic interval of entry: 5-5-4+

Time interval of entry: S1/1/1

Periodic: False

Strict: False

Flexed: True

Sequential: True

Inverted: False

Retrograde: False

Remarks: The superius and tenor are in strict fuga at the lower fifth, as usual in this piece. The altus also follows the bassus in strict fuga at the lower fourth, but only the first two notes of the soggetto are the same between the superius/tenor and bassus/altus pairs. Possible hypothesis: having established the superius/tenor framework, Mouton attempted to elaborate it into a full four-voice stacked canon, but was forced to alter the third and fourth entrances because of contrapuntal difficulties?

<474> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<475> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: D

Dovetail voice: Superius

<476> Ian Lorenz [CRIM_Mass_0007_2] Missa Je suis déshéritée: Gloria Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: D

Dovetail voice: Superius

<477> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voices:
Tenor
Contratenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Remarks: New material in Gombert related to the descending thirds from the 2nd and 4th phrases of the Cadéac in a new combination

<478> Ian Lorenz [CRIM_Mass_0007_2] Missa Je suis déshéritée: Gloria Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
Superius
Bassus
Contratenor

Melodic interval of entry: 7-5+

Time interval of entry: M4/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Bassus
Tenor

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<479> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Superius
Tenor
Altus
Bassus

Melodic interval of entry: 5-1+9-

Time interval of entry: S1/3/2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Superius/tenor in strict fuga at the lower fifth as usual. Third entrance in the altus truncated after its fourth note, after which it continues in free counterpoint. Fourth entrance dubious, if it is considered an imitative entrance at all: it comprises only the first two notes, with the interval between them flexed from a 2nd to a 3rd.

<480> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<481> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Soggetto, Counter-soggetto Expand

Soggetto, Counter-soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voice:-

Rhythmic durations: True

Melodic intervals: True

<482> Ian Lorenz [CRIM_Mass_0007_2] Missa Je suis déshéritée: Gloria Soggetto, Counter-soggetto Expand

Soggetto, Counter-soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voice:-

Rhythmic durations: True

Melodic intervals: True

<483> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Fuga Expand

Fuga

Voices:
[Bassus]
SecundusTenor
Contratenor
PrimusTenor
Superius

Melodic interval of entry: 4+5+5-8+

Time interval of entry: M4/4/16/6

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<484> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Fuga Expand

Fuga

Voices:
[Superius]
2.Tenor
[Bassus]
I.Tenor
[Contratenor]
2.Tenor
[Superius]

Melodic interval of entry: 5-4-4+5+5-8+

Time interval of entry: M4/4/4/7/14/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<485> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Fuga Expand

Fuga

Voices:
[Bassus]
SecundusTenor
Contratenor
PrimusTenor
Superius

Melodic interval of entry: 4+5+5-8+

Time interval of entry: M4/4/16/6

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<486> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Fuga Expand

Fuga

Voices:
[Superius]
2.Tenor
[Bassus]
I.Tenor
[Contratenor]
2.Tenor
[Superius]

Melodic interval of entry: 5-4-4+5+5-8+

Time interval of entry: M4/4/4/7/14/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<487> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga, Non-imitative duo, Form and process Expand

Fuga, Non-imitative duo, Form and process

Voices:
Superius
Tenor

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Altus
Bassus
Altus
Bassus

Melodic interval of entry: 1+

Time interval of entry: S7

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Internal repetition: True

Remarks: The chant melody has a built-in repetition at this point, and Mouton sets both repetitions identically, meaning that the complete four-voice complex formed by superius/tenor fuga + free altus and bassus is immediately repeated, without any change or exchange of voices,

<488> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<489> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<490> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<491> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Soggetto Expand

Soggetto

Voice:
[Bassus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<492> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Soggetto Expand

Soggetto

Voice:
2.Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<493> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voices:
Tenor
Contratenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Remarks: New motive in Gombert based upon a combination of the descending third motive and the dotted rhythm of the Cadéac

<494> Ian Lorenz [CRIM_Mass_0007_2] Missa Je suis déshéritée: Gloria Fuga, Interval patterns, Form and process Expand

Fuga, Interval patterns, Form and process

Voices:
Contratenor
Superius
Bassus

Melodic interval of entry: 5+7-

Time interval of entry: M2/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Bassus
Tenor

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Comment: Quite similar to the three-voice Fuga in mm.7-10.

<495> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Fuga Expand

Fuga

Voices:
Tenor
Cantus
Altus
Bassus
Cantus
Altus
Tenor

Melodic interval of entry: 8+4-8-8+4-5-

Time interval of entry: M4/2/9/11/2/8

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<496> Raphaëlle Rouzic [CRIM_Mass_0019_2] Missa Veni sponsa Christi: Gloria Imitative duo Expand

Imitative duo

Voices:
Bassus
Altus
Tenor
Cantus

Melodic interval of entry: 8+8+

Time interval of entry: M4/2/4

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<497> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voices:
Tenor
Contratenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<498> Ian Lorenz [CRIM_Mass_0007_2] Missa Je suis déshéritée: Gloria Imitative duo Expand

Imitative duo

Voices:
Bassus
Contratenor
Contratenor
Superius

Melodic interval of entry: 5+

Time interval of entry: M2

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: First module: 5665 Second module: 5665

<499> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Soggetto Expand

Soggetto

Voice:
PrimusTenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<500> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Soggetto Expand

Soggetto

Voice:
2.Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False