CRIM

Citations: The Renaissance Imitation Mass Project

Observations

ID Observer Piece Observation type Show details
<4701> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Superior

Tenorizans: Contratenor

Type: authentic

Tone: D

<4702> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Cadence Expand

Cadence

Cantizans: Contratenor

Tenorizans: Superius

Type: authentic

Tone: G

Remarks: Evaded

<4703> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<4704> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Fuga Expand

Fuga

Voices:
Superius
Contratenor

Melodic interval of entry: 4-

Time interval of entry: M2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4705> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Soggetto Expand

Soggetto

Voice:
Contratenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4706> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Soggetto Expand

Soggetto

Voice:
Contratenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4707> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Contrapuntal duo -

Contrapuntal duo

Voices:
Contratenor
Superior

Remarks: Module: 465653568

<4708> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Fuga Expand

Fuga

Voices:
Superius
Contratenor

Melodic interval of entry: 5-

Time interval of entry: M6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4709> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<4710> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: D

<4711> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Soggetto Expand

Soggetto

Voice:
Contratenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4712> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Soggetto Expand

Soggetto

Voice:
Contratenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4713> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor
Superior

Melodic interval of entry: 4+1+5+

Time interval of entry: M8/8/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4714> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Fuga Expand

Fuga

Voices:
Contratenor
Superius

Melodic interval of entry: 5+

Time interval of entry: M2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4715> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<4716> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: G

<4717> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Imitative duo Expand

Imitative duo

Voices:
Superior
Contratenor
Tenor
Bassus

Melodic interval of entry: 8-

Time interval of entry: M8/12/8

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: First Module: 6,5,5,10,8,6,5,3,5,3,5,6,5,4 Second Module: 6,5,5,10,8,6,5,3,5,3,5,6,5,4

<4718> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Imitative duo Expand

Imitative duo

Voices:
Superius
Contratenor
Tenor
Bassus

Melodic interval of entry: 8-

Time interval of entry: M2/8/6

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: First Module: 536665 Second Module: 536665

<4719> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<4720> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: D

<4721> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Contrapuntal duo -

Contrapuntal duo

Voices:
Contratenor
Superior

Remarks: Module: 8656533468653346564343

<4722> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 11+

Time interval of entry: M4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4723> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<4724> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: D

<4725> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<4726> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Fuga Expand

Fuga

Voices:
Bassus
Tenor
Superius

Melodic interval of entry: 1+8+

Time interval of entry: M4/4

Periodic: True

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4727> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<4728> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: Bb

<4729> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<4730> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<4731> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor
Superior
Tenor
Bassus

Melodic interval of entry: 2+4+4+4-8-

Time interval of entry: M8/6/6/6/8

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: First tenor entrance, second tenor entrance, and the final bass entrance are melodically flexed to make a fourth instead of a fifth

<4732> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Contrapuntal duo -

Contrapuntal duo

Voices:
Contratenor
Superius

Remarks: Module: 3653468

<4733> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor
Superior
Tenor
Bassus

Melodic interval of entry: 2+4+4+4-8-

Time interval of entry: M8/6/6/6/8

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: First Tenor entrance, second tenor entrance, and final Bass entrance are melodically flexed to make a fourth instead of a fifth

<4734> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Fuga Expand

Fuga

Voices:
Tenor
Bassus

Melodic interval of entry: 4-

Time interval of entry: M2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4735> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<4736> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Cadence Expand

Cadence

Cantizans: Contratenor

Tenorizans: Superius

Type: authentic

Tone: G

Remarks: Evaded

<4737> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Contrapuntal duo -

Contrapuntal duo

Voices:
Contratenor
Superior

Remarks: Module: 465653568

<4738> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Contrapuntal duo -

Contrapuntal duo

Voices:
Contratenor
Superius

Remarks: Module: 465653568

<4739> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor
Superior

Melodic interval of entry: 4+1+5+

Time interval of entry: M8/8/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4740> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Fuga Expand

Fuga

Voices:
Bassus
Tenor
Superius
Contratenor
Tenor

Melodic interval of entry: 5+5+5-4-

Time interval of entry: M6/2/6/6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4741> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<4742> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Cadence Expand

Cadence

Cantizans: Contratenor

Tenorizans: Bassus

Type: phrygian

Tone: D

<4743> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Contratenor
Superior
Tenor
Bassus

Melodic interval of entry: 8+5+8-1-

Time interval of entry: M8/5/11/9

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4744> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Periodic entry Expand

Periodic entry

Voices:
Bassus
Tenor
Contratenor
Superius

Melodic interval of entry: 5+5+4+

Time interval of entry: M6/6/6

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: First Module: 5636 Second Module: 5636 Third Module: 5636

<4745> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Superior

Tenorizans: Tenor

Type: authentic

Tone: D

<4746> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo None -

Observation

<4747> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<4748> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Fuga Expand

Fuga

Voices:
Bassus
Tenor

Melodic interval of entry: 5+

Time interval of entry: M4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4749> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Superior
Contratenor
Tenor
Bassus
Superior

Melodic interval of entry: 5-5-1-8+

Time interval of entry: M2/4/6/8

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4750> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Fuga Expand

Fuga

Voices:
Superius
Contratenor
Tenor
Bassus
Superius
Contratenor

Melodic interval of entry: 4-5-1-8+4-

Time interval of entry: M2/4/6/4/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4751> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Contratenor
Tenor
Bassus
Superior

Melodic interval of entry: 4-5-9+

Time interval of entry: M6/4/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4752> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Fuga Expand

Fuga

Voices:
Tenor
Bassus
Contratenor
Superius

Melodic interval of entry: 8-8+5+

Time interval of entry: M6/6/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4753> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Contratenor
Tenor
Bassus
Superior

Melodic interval of entry: 4-5-9+

Time interval of entry: M6/4/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4754> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Fuga Expand

Fuga

Voices:
Tenor
Bassus
Superius
Contratenor

Melodic interval of entry: 5-9+2-

Time interval of entry: M4/4/4

Periodic: True

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4755> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<4756> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: Bb

<4757> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Periodic entry Expand

Periodic entry

Voices:
Contratenor
Tenor
Bassus

Melodic interval of entry: 5-5-

Time interval of entry: M4/4

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: First Module: 8438 Second Module: 843(5)8

<4758> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Periodic entry Expand

Periodic entry

Voices:
Contratenor
Bassus
Tenor

Melodic interval of entry: 8-4+

Time interval of entry: M2/2

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: First Module: 12,5,8,10 Second Module: 1,8,5,3---IC13

<4759> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Soggetto Expand

Soggetto

Voice:
Superior

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4760> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4761> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Superior
Contratenor
Bassus
Tenor

Melodic interval of entry: 4-5-5+

Time interval of entry: M6/4/6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4762> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Contrapuntal duo -

Contrapuntal duo

Voices:
Bassus
Tenor

Remarks: Module: 18538

<4763> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<4764> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: G

Remarks: Evaded

<4765> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Bassus

Type: phrygian

Tone: D

<4766> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Bassus

Type: phrygian

Tone: D

Remarks: Not shown through musica ficta

<4767> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Contrapuntal duo -

Contrapuntal duo

Voices:
Superior
Tenor

Remarks: Module: 10,9,6,5,6,6,6,7,6,7,6,8

<4768> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Imitative duo Expand

Imitative duo

Voices:
Superius
Tenor
Contratenor
Bassus
Superius
Tenor

Melodic interval of entry: 5-5+

Time interval of entry: M2/10/2/8/2

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: First Module: 8,10,9,6,5,6,6,6,6 Second Module: 8,10,9,6,5,6,6,6(8) Third Module: 8,10,9,6,5,6,6,6,6

<4769> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: -

Tenorizans: -

Type: plagal

Tone: G

<4770> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Cadence Expand

Cadence

Cantizans: -

Tenorizans: -

Type: plagal

Tone: G

<4771> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Superior

Tenorizans: Tenor

Type: authentic

Tone: G

<4772> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

Remarks: Evaded

<4773> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Contratenor
Superior
Tenor

Melodic interval of entry: 5+8-

Time interval of entry: M2/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4774> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo None -

Observation

<4775> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Contratenor
Bassus
Superior
Contratenor

Melodic interval of entry: 4-12+5-

Time interval of entry: M2/6/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4776> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo None -

Observation

<4777> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Contratenor
Tenor

Melodic interval of entry: 8+4-

Time interval of entry: M2/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Potentially Modular: First Module: 6,10 Second Module: 6,3

<4778> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo None -

Observation

<4779> Peter Schubert [CRIM_Mass_0005_2] Missa Ave Maria: Gloria Imitative duo Expand

Imitative duo

Voices:
Altus
Sup[erius]

Melodic interval of entry: 8+

Time interval of entry: B5

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

<4780> Peter Schubert [CRIM_Mass_0005_1] Missa Ave Maria: Kyrie Imitative duo Expand

Imitative duo

Voices:
Altus
Sup[erius]

Melodic interval of entry: 8+

Time interval of entry: B5

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

<4781> Peter Schubert [CRIM_Mass_0005_2] Missa Ave Maria: Gloria Contrapuntal duo -

Contrapuntal duo

Voices:
Altus
Sup[erius]

<4782> Peter Schubert [CRIM_Mass_0005_1] Missa Ave Maria: Kyrie Contrapuntal duo -

Contrapuntal duo

Voices:
Altus
Sup[erius]

<4783> Peter Schubert [CRIM_Mass_0005_2] Missa Ave Maria: Gloria None -

Observation

<4784> Peter Schubert [CRIM_Mass_0005_1] Missa Ave Maria: Kyrie None -

Observation

<4785> Peter Schubert [CRIM_Model_0008] Ave Maria None -

Observation

<4786> Peter Schubert [CRIM_Mass_0005_2] Missa Ave Maria: Gloria Soggetto Expand

Soggetto

Voice:
Altus

Rhythmic durations: True

Melodic intervals: False

Ostinato: False

Periodic: False

<4787> Peter Schubert [CRIM_Model_0008] Ave Maria None -

Observation

<4788> Peter Schubert [CRIM_Mass_0005_2] Missa Ave Maria: Gloria None -

Observation

<4789> Peter Schubert [CRIM_Model_0008] Ave Maria Non-imitative duo Expand

Non-imitative duo

Voices:
[Superius]
Altus

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<4790> Peter Schubert [CRIM_Mass_0005_2] Missa Ave Maria: Gloria Non-imitative duo Expand

Non-imitative duo

Voices:
Sup[erius]
Altus

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<4791> Peter Schubert [CRIM_Model_0008] Ave Maria Non-imitative duo Expand

Non-imitative duo

Voices:
Tenor
Bassus

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<4792> Peter Schubert [CRIM_Mass_0005_2] Missa Ave Maria: Gloria Non-imitative duo Expand

Non-imitative duo

Voices:
Tenor
Bassus

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<4793> Peter Schubert [CRIM_Model_0008] Ave Maria Soggetto Expand

Soggetto

Voice:
Altus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4794> Peter Schubert [CRIM_Mass_0005_2] Missa Ave Maria: Gloria Soggetto Expand

Soggetto

Voice:
Sup[erius]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4795> Peter Schubert [CRIM_Model_0008] Ave Maria Non-imitative duo Expand

Non-imitative duo

Voices:
[Superius]
Altus

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<4796> Peter Schubert [CRIM_Mass_0005_2] Missa Ave Maria: Gloria Imitative duo Expand

Imitative duo

Voices:
Sup[erius]
Altus

Melodic interval of entry: 5-

Time interval of entry: B2

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: NIm in model becomes ID in mass

<4797> Peter Schubert [CRIM_Model_0008] Ave Maria Non-imitative duo Expand

Non-imitative duo

Voices:
Tenor
Bassus

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<4798> Peter Schubert [CRIM_Mass_0005_2] Missa Ave Maria: Gloria Imitative duo Expand

Imitative duo

Voices:
Tenor
Bassus

Melodic interval of entry: 5-

Time interval of entry: B2

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: NIm in model becomes ID in Mass

<4799> Peter Schubert [CRIM_Model_0008] Ave Maria Soggetto Expand

Soggetto

Voice:
[Superius]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4800> Peter Schubert [CRIM_Mass_0005_2] Missa Ave Maria: Gloria Soggetto Expand

Soggetto

Voice:
Sup[erius]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Remarks: Mass cuts into soggetto on second note