CRIM

Citations: The Renaissance Imitation Mass Project

Observations

ID Observer Piece Observation type Show details
<4601> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4602> Scott Troyer [CRIM_Mass_0011_4] Missa Je n’en puis plus durer: Sanctus Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Bassus

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

<4603> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4604> Scott Troyer [CRIM_Mass_0011_4] Missa Je n’en puis plus durer: Sanctus Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Bassus

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

<4605> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer None -

Observation

<4606> Scott Troyer [CRIM_Mass_0011_4] Missa Je n’en puis plus durer: Sanctus Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: G

<4607> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4608> Scott Troyer [CRIM_Mass_0011_5] Missa Je n’en puis plus durer: Agnus Dei Periodic entry Expand

Periodic entry

Voices:
[Contratenor]
2.Tenor
1.Tenor
[Superius]
[Bassus]
1.Tenor
2.Tenor
[Superius]
[Bassus]

Melodic interval of entry: 1+1+8+8-1+1+8+12-

Time interval of entry: M3

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Added: True

Invertible: False

Remarks: All added entries are 5- or 4+, and form a fuga of their own.

<4609> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4610> Scott Troyer [CRIM_Mass_0011_5] Missa Je n’en puis plus durer: Agnus Dei Fuga Expand

Fuga

Voices:
[Bassus]
[Contratenor]
[Contratenor]

Melodic interval of entry: 8+1+

Time interval of entry: S3/6

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4611> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4612> Scott Troyer [CRIM_Mass_0011_5] Missa Je n’en puis plus durer: Agnus Dei Periodic entry Expand

Periodic entry

Voices:
1.Tenor
[Superius]
2.Tenor

Melodic interval of entry: 8+8-

Time interval of entry: M3

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<4613> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer Soggetto Expand

Soggetto

Voice:
Contratenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4614> Scott Troyer [CRIM_Mass_0011_5] Missa Je n’en puis plus durer: Agnus Dei Fuga Expand

Fuga

Voices:
[Contratenor]
[Superius]
2.Tenor
1.Tenor
2.Tenor
1.Tenor

Melodic interval of entry: 8+8-1+1+1+

Time interval of entry: S5/3/3/3/6

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4615> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer None -

Observation

<4616> Scott Troyer [CRIM_Mass_0011_5] Missa Je n’en puis plus durer: Agnus Dei Contrapuntal duo -

Contrapuntal duo

Voices:
[Superius]
[Contratenor]

<4617> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer Fuga Expand

Fuga

Voices:
Superius
Bassus
Tenor

Melodic interval of entry: 8-1+

Time interval of entry: S3/4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4618> Scott Troyer [CRIM_Mass_0011_5] Missa Je n’en puis plus durer: Agnus Dei Non-imitative duo Expand

Non-imitative duo

Voices:
[Superius]
[Contratenor]
2.Tenor
[Superius]
1.Tenor
[Bassus]
1.Tenor
2.Tenor
[Bassus]
[Superius]
[Contratenor]
1.Tenor
[Superius]
2.Tenor
[Bassus]
[Superius]

Melodic interval of entry: 1+1+8+12-

Time interval of entry: S4/4/4/4

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Invertible: True

Remarks: The musical event consists of five non-imitative trios, each of which also contains an imitative duo. Because the figure is written in invertible counterpoint, tracking the uppermost voice does not actually capture the entirety of the figure's modulation. Instead, I have tracked the modulation of the first soggetto to enter. The entries of the trios also occur periodically.

<4619> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer None -

Observation

<4620> Scott Troyer [CRIM_Mass_0011_5] Missa Je n’en puis plus durer: Agnus Dei Imitative duo Expand

Imitative duo

Voices:
[Contratenor]
[Superius]
1.Tenor
[Superius]
2.Tenor
[Bassus]
1.Tenor
[Contratenor]
2.Tenor
[Superius]

Melodic interval of entry: 5+5-5+5-8-4+5+5-5+

Time interval of entry: S1/3/1/3/1/2/2/3/1

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

Remarks: The second entry of each pair differs rhythmically from the first. This rhythmic variation remains constant throughout all five presentations of the duo.

<4621> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer None -

Observation

<4622> Scott Troyer [CRIM_Mass_0011_5] Missa Je n’en puis plus durer: Agnus Dei Cadence Expand

Cadence

Cantizans: [Contratenor]

Tenorizans: 2.Tenor

Type: authentic

Tone: G

Remarks: Evaded.

<4623> Peter Schubert [CRIM_Model_0008] Ave Maria None -

Observation

<4624> Peter Schubert [CRIM_Mass_0005_2] Missa Ave Maria: Gloria Soggetto Expand

Soggetto

Voice:
Sup[erius]

Rhythmic durations: True

Melodic intervals: False

Ostinato: False

Periodic: False

<4625> Peter Schubert [CRIM_Model_0008] Ave Maria None -

Observation

<4626> Peter Schubert [CRIM_Mass_0005_2] Missa Ave Maria: Gloria None -

Observation

<4627> Peter Schubert [CRIM_Model_0008] Ave Maria None -

Observation

<4628> Peter Schubert [CRIM_Mass_0005_2] Missa Ave Maria: Gloria Imitative duo Expand

Imitative duo

Voices:
Altus
Sup[erius]

Melodic interval of entry: 8+

Time interval of entry: S5

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<4629> Peter Schubert [CRIM_Model_0008] Ave Maria None -

Observation

<4630> Peter Schubert [CRIM_Mass_0005_2] Missa Ave Maria: Gloria Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4631> Peter Schubert [CRIM_Model_0008] Ave Maria Imitative duo Expand

Imitative duo

Voices:
[Superius]
Altus

Melodic interval of entry: 5-

Time interval of entry: B1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

<4632> Peter Schubert [CRIM_Mass_0005_2] Missa Ave Maria: Gloria None -

Observation

<4633> Peter Schubert [CRIM_Model_0008] Ave Maria Cadence Expand

Cadence

Cantizans: Altus

Tenorizans: Tenor

Type: authentic

Tone: G

<4634> Peter Schubert [CRIM_Mass_0005_2] Missa Ave Maria: Gloria Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Bassus

Type: authentic

Tone: G

<4635> Peter Schubert [CRIM_Model_0008] Ave Maria None -

Observation

<4636> Peter Schubert [CRIM_Mass_0005_2] Missa Ave Maria: Gloria None -

Observation

<4637> Peter Schubert [CRIM_Model_0008] Ave Maria None -

Observation

<4638> Peter Schubert [CRIM_Mass_0005_2] Missa Ave Maria: Gloria None -

Observation

<4639> Peter Schubert [CRIM_Model_0008] Ave Maria None -

Observation

<4640> Peter Schubert [CRIM_Mass_0005_2] Missa Ave Maria: Gloria Non-imitative duo Expand

Non-imitative duo

Voices:
Sup[erius]
Bassus

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: 4-vv NIm, Bb missing from mass

<4641> Peter Schubert [CRIM_Model_0008] Ave Maria None -

Observation

<4642> Peter Schubert [CRIM_Mass_0005_2] Missa Ave Maria: Gloria Non-imitative duo Expand

Non-imitative duo

Voices:
Tenor
Bassus

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<4643> Peter Schubert [CRIM_Model_0008] Ave Maria None -

Observation

<4644> Peter Schubert [CRIM_Mass_0005_2] Missa Ave Maria: Gloria Non-imitative duo Expand

Non-imitative duo

Voices:
Sup[erius]
Altus

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<4645> Peter Schubert [CRIM_Model_0008] Ave Maria None -

Observation

<4646> Peter Schubert [CRIM_Mass_0005_2] Missa Ave Maria: Gloria None -

Observation

<4647> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Contrapuntal duo -

Contrapuntal duo

Voices:
Contratenor
Superior

Remarks: Module: 67665346843

<4648> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Fuga Expand

Fuga

Voices:
Tenor
Bassus

Melodic interval of entry: 4-4+

Time interval of entry: M6/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4649> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Contrapuntal duo -

Contrapuntal duo

Voices:
Bassus
Tenor

Remarks: Module: 56663365336568

<4650> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo None -

Observation

<4651> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Contrapuntal duo Expand

Contrapuntal duo

Voices:
Contratenor
Superior

Voices:
Contratenor
Superior

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: Module: 156856333332431

<4652> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Contrapuntal duo -

Contrapuntal duo

Voices:
Contratenor
Superius

Remarks: Module: 565633243

<4653> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Tenor
Bassus
Contratenor
Superior
Tenor

Melodic interval of entry: 5-5+8+8-

Time interval of entry: M4/6/4/6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4654> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Fuga Expand

Fuga

Voices:
Tenor
Bassus
Contratenor
Superius
Tenor

Melodic interval of entry: 5-8+1+5-

Time interval of entry: M4/4/4/4

Periodic: True

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4655> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Soggetto Expand

Soggetto

Voice:
Contratenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voice:-

Rhythmic durations: True

Melodic intervals: True

Cantizans: Contratenor

Tenorizans: Superior

Type: authentic

Tone: G

Remarks: Evaded

<4656> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Soggetto Expand

Soggetto

Voice:
Contratenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voice:-

Rhythmic durations: True

Melodic intervals: True

<4657> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Imitative duo Expand

Imitative duo

Voices:
Bassus
Superior
Contratenor
Superior

Melodic interval of entry: 5+

Time interval of entry: M2/7/2

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: First Module: 56654356 Second Module: 56654356

<4658> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Contrapuntal duo -

Contrapuntal duo

Voices:
Bassus
Tenor

Remarks: Module: 566543568768

<4659> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Superior

Type: authentic

Tone: D

<4660> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Bassus

Type: phrygian

Tone: D

<4661> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Imitative duo Expand

Imitative duo

Voices:
Bassus
Superior
Contratenor
Superior
Bassus
Tenor

Melodic interval of entry: 5+8-

Time interval of entry: M2/8/14/2

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: First Module: 56654356 Second Module: 56654356 Third Module: 56654356

<4662> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Contrapuntal duo -

Contrapuntal duo

Voices:
Bassus
Tenor

Remarks: Module: 5665435685768

<4663> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Superior
Contratenor

Melodic interval of entry: 8-

Time interval of entry: M4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Superius entrance is flexed by an additional minim

<4664> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Fuga Expand

Fuga

Voices:
Superius
Contratenor

Melodic interval of entry: 8-

Time interval of entry: M4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Superius entrance is flexed by an additional minim

<4665> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor
Superior

Melodic interval of entry: 4+4+5+

Time interval of entry: M2/1/3

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Tenor entrance is flexed by a minim

<4666> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo None -

Observation

<4667> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Contrapuntal duo Expand

Contrapuntal duo

Voices:
Bassus
Tenor

Comment: Same Module as the IDs in measures 68-75

Remarks: Module: 566543

<4668> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo None -

Observation

<4669> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Superior

Tenorizans: Tenor

Type: authentic

Tone: C

<4670> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo None -

Observation

<4671> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Contratenor
Tenor
Bassus
Superior

Melodic interval of entry: 4-5-9+

Time interval of entry: M6/4/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4672> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Fuga Expand

Fuga

Voices:
Tenor
Contratenor
Superius

Melodic interval of entry: 4+5+

Time interval of entry: M6/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4673> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<4674> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: phrygian

Tone: D

<4675> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Contratenor
Tenor
Bassus
Superior

Melodic interval of entry: 4-5-9+

Time interval of entry: M6/4/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4676> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Fuga Expand

Fuga

Voices:
Contratenor
Bassus
Tenor
Superius

Melodic interval of entry: 8-5+8+

Time interval of entry: M2/4/6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4677> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Bassus

Tenorizans: Tenor

Type: authentic

Tone: G

Remarks: Evaded

<4678> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: D

<4679> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Contratenor
Superior
Tenor

Melodic interval of entry: 5+8-

Time interval of entry: M2/2

Periodic: True

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4680> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Fuga Expand

Fuga

Voices:
Contratenor
Superius
Tenor
Bassus

Melodic interval of entry: 5+8-5-

Time interval of entry: M2/2/6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4681> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Contrapuntal duo -

Contrapuntal duo

Voices:
Superior
Tenor

Remarks: Module:10,9,6,5,6,6,6,7,6,7,6,8

<4682> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Tenor

Remarks: Module: 10,9,6,5,6,6,6,7,6,8,6,6,6,6,7,8,7,6,8

<4683> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Superior

Tenorizans: Tenor

Type: authentic

Tone: G

<4684> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<4685> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<4686> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Cadence Expand

Cadence

Cantizans: -

Tenorizans: -

Type: plagal

Tone: G

<4687> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor
Superior
Tenor
Bassus

Melodic interval of entry: 2+4+4+4-8-

Time interval of entry: M8/6/6/6/8

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: First Tenor entrance, Second Tenor entrance, and the final Bass entrance are melodically flexed to make a fourth instead of a fifth

<4688> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Fuga Expand

Fuga

Voices:
Tenor
Bassus

Melodic interval of entry: 4-

Time interval of entry: M8

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4689> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<4690> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Fuga Expand

Fuga

Voices:
Tenor
Bassus

Melodic interval of entry: 5-

Time interval of entry: M6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4691> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<4692> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Cadence Expand

Cadence

Cantizans: Bassus

Tenorizans: Tenor

Type: phrygian

Tone: A

Remarks: Evaded

<4693> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Superior
Contratenor
Tenor

Melodic interval of entry: 8+5-4-

Time interval of entry: M4/4/8

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4694> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo None -

Observation

<4695> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Superior
Contratenor
Tenor

Melodic interval of entry: 8+5-4-

Time interval of entry: M4/4/8

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4696> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Fuga Expand

Fuga

Voices:
Tenor
Bassus

Melodic interval of entry: 4-

Time interval of entry: M6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4697> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<4698> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Bassus

Type: authentic

Tone: G

<4699> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Imitative duo Expand

Imitative duo

Voices:
Superior
Contratenor
Tenor
Bassus

Melodic interval of entry: 5-

Time interval of entry: M4/13/4

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: First Module: 6,5,8,7,6,6,5,3,5,8,8,10 Second Module: 6,5,8,7,6,6,5,3,5,8,8,10

<4700> Ian Lorenz [CRIM_Mass_0013_3] Missa Quo abiit dilectus tuus: Credo Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

Remarks: Module: 5,8,7,6,6,5,3(4),5,8,8,10