CRIM

Citations: The Renaissance Imitation Mass Project

Observations

ID Observer Piece Observation type Show details
<4302> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei None -

Observation

<4303> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Contratenor

Tenorizans: Superior

Type: authentic

Tone: G

Dovetail voice: Bassus

Dovetail interval: 5-

<4304> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei None -

Observation

<4305> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Imitative duo Expand

Imitative duo

Voices:
Bassus
Superior
Contratenor
Superior
Bassus
Tenor

Melodic interval of entry: 5+5-

Time interval of entry: M2/8/2/14/2

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: First Module: 56654356 Second Module: 56654356 Third Module: 56654356

<4306> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei None -

Observation

<4307> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Superior
Contratenor

Melodic interval of entry: 8-

Time interval of entry: M4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Superius entrance is flexed by an additional minim

<4308> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei None -

Observation

<4309> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Contrapuntal duo, Fuga Expand

Contrapuntal duo, Fuga

Voices:
Bassus
Tenor

Voices:
Bassus
Tenor
Contratenor
Superior

Melodic interval of entry: 4+4+5+

Time interval of entry: M2/1/3

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Contratenor entrance in the Fuga is flexed by an additional minim. Module in the CD: 566543

<4310> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei None -

Observation

<4311> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Superior

Tenorizans: Tenor

Type: authentic

Tone: G

<4312> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei None -

Observation

<4313> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Imitative duo Expand

Imitative duo

Voices:
Superior
Contratenor
Tenor
Bassus

Melodic interval of entry: 8-

Time interval of entry: M8/12/8

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: First Module: 6,5,5,10,8,6,5,3,5,3,5,6,5,4 Second Module: 6,5,5,10,8,6,5,3,5,3,5,6,5,4

<4314> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei None -

Observation

<4315> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Contrapuntal duo -

Contrapuntal duo

Voices:
Contratenor
Superior

Remarks: Module: 8656533468653346564343

<4316> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei None -

Observation

<4317> Jon Oddie [CRIM_Model_0021] Benedicta es Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4318> Jon Oddie [CRIM_Mass_0018_3] Missa Benedicta es: Credo Contrapuntal duo -

Contrapuntal duo

Voices:
[Cantus]
[Altus]

Remarks: Same CS as in the other mvt. openings (excepting the Agnus), but without the second entrance which is present in Kyrie, Gloria and Sanctus.

<4319> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor
Superior
Tenor
Bassus

Melodic interval of entry: 2+4+4+4-8-

Time interval of entry: M8/6/6/6/8

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: First Tenor entrance, second Tenor, and final Bass entrance are flexed to make an initial fourth instead of a fifth

<4320> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei Periodic entry Expand

Periodic entry

Voices:
[Superius]
QuintaPars
[Tenor]
[Bassus]

Melodic interval of entry: 4-5-4-

Time interval of entry: S3/3/3

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: First Module: 8,10,6,5,6,6,5 Second Module: 8,10,6,5,6,6,5

<4321> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Soggetto Expand

Soggetto

Voice:
Bassus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4322> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei Soggetto Expand

Soggetto

Voice:
[Contratenor]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4323> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor
Superior
Tenor
Bassus

Melodic interval of entry: 2+4+4+4-8-

Time interval of entry: M8/6/6/6/8

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: First Tenor entrance, second Tenor entrance, and final Bass entrance are melodically flexed to make a fourth instead of a fifth

<4324> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei Fuga Expand

Fuga

Voices:
[Contratenor]
QuintaPars

Melodic interval of entry: 5+

Time interval of entry: S3

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Module: 1,3,-3,-4,-6,-3,-4,-3,-3

<4325> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor
Superior
Tenor
Bassus

Melodic interval of entry: 2+4+4+4-8-

Time interval of entry: M8/6/6/6/8

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: First Tenor entrance, second Tenor, and final Bass entrances are melodically flexed to make a fourth instead of a fifth

<4326> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei Fuga Expand

Fuga

Voices:
[Superius]
[Bassus]

Melodic interval of entry: 8-

Time interval of entry: S3

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Module: 12,10,5,10,12,10

<4327> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4328> Jon Oddie [CRIM_Mass_0018_3] Missa Benedicta es: Credo Fuga Expand

Fuga

Voices:
[Tenor]
[Bassus]
[Cantus]

Melodic interval of entry: 4-11+

Time interval of entry: S3/1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: First entrance is a fragmentary pre-imitation.

<4329> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<4330> Jon Oddie [CRIM_Mass_0018_3] Missa Benedicta es: Credo Cantus firmus, Fuga Expand

Cantus firmus, Fuga

Voice:
[Cantus]

Rhythmic durations: False

Melodic intervals: True

Voices:
[Altus]
[Tenor]
[Bassus]

Melodic interval of entry: 1+4-

Time interval of entry: M6/6

Periodic: True

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4331> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4332> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei Soggetto Expand

Soggetto

Voice:
QuintaPars

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4333> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<4334> Jon Oddie [CRIM_Mass_0018_3] Missa Benedicta es: Credo Fuga Expand

Fuga

Voices:
[Bassus]
[Tenor]

Melodic interval of entry: 5+

Time interval of entry: M1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4335> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<4336> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei Cadence Expand

Cadence

Cantizans: [Superius]

Tenorizans: [Tenor]

Type: authentic

Tone: D

<4337> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<4338> Jon Oddie [CRIM_Mass_0018_3] Missa Benedicta es: Credo Fuga Expand

Fuga

Voices:
[Altus]
[Cantus]
[Tenor]

Melodic interval of entry: 8+12-

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4339> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Contratenor
Superior

Melodic interval of entry: 5+

Time interval of entry: B1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Module: 4,6,5,6,5,3,5,6,8

<4340> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei None -

Observation

<4341> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<4342> Jon Oddie [CRIM_Mass_0018_3] Missa Benedicta es: Credo Fuga Expand

Fuga

Voices:
[Bassus]
[Tenor]

Melodic interval of entry: 5+

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<4343> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor
Superior

Melodic interval of entry: 4+1+5+

Time interval of entry: M8/8/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4344> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei None -

Observation

<4345> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Contratenor
Superior
Tenor
Bassus

Melodic interval of entry: 8+5+8-1-

Time interval of entry: M8/5/11/9

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4346> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei Fuga Expand

Fuga

Voices:
[Contratenor]
[Superius]

Melodic interval of entry: 5+

Time interval of entry: B1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Module: 876833

<4347> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<4348> Jon Oddie [CRIM_Mass_0018_3] Missa Benedicta es: Credo Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
[Cantus]
[Tenor]
[Bassus]
[Altus]
[Cantus]

Melodic interval of entry: 8-5-8+5+

Time interval of entry: M6/6/4/4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Altus]
[Tenor]

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<4349> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<4350> Jon Oddie [CRIM_Mass_0018_3] Missa Benedicta es: Credo Non-imitative duo Expand

Non-imitative duo

Voices:
[Altus]
[Tenor]
[Cantus]
[Altus]

Melodic interval of entry: 4+

Time interval of entry: M6

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: Also various added entries anticipate and echo the countersubject of the NIM

<4351> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<4352> Jon Oddie [CRIM_Mass_0018_3] Missa Benedicta es: Credo Fuga Expand

Fuga

Voices:
[Tenor]
[Bassus]
[Altus]

Melodic interval of entry: 5-8+

Time interval of entry: M5/5

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<4353> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Contratenor
Superior
Tenor
Bassus

Melodic interval of entry: 8+5+8-1-

Time interval of entry: M8/5/11/9

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4354> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei Fuga Expand

Fuga

Voices:
[Tenor]
QuintaPars
[Bassus]

Melodic interval of entry: 4+8-

Time interval of entry: M6/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4355> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<4356> Jon Oddie [CRIM_Mass_0018_3] Missa Benedicta es: Credo Fuga, Non-imitative duo, Interval patterns Expand

Fuga, Non-imitative duo, Interval patterns

Voices:
[Altus]
[Altus]
[Tenor]
[Altus]

Melodic interval of entry: 5-5+3-

Time interval of entry: M4/2/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Cantus]
[Bassus]
[Tenor]
[Bassus]

Melodic interval of entry: 4-

Time interval of entry: B1

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Voices:
[Bassus]
[Cantus]

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<4357> Jon Oddie [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[Contratenor]
[Discantus]

Melodic interval of entry: 5+

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4358> Jon Oddie [CRIM_Mass_0018_3] Missa Benedicta es: Credo Imitative duo Expand

Imitative duo

Voices:
[Bassus]
[Tenor]
[Bassus]
[Altus]

Melodic interval of entry: 5+5-5+

Time interval of entry: S1/13/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: The repeated duos framing the central singleton entrance have imitative beginnings and a short non-imitative tail in the lower voice.

<4359> Jon Oddie [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[QuintaVox]
[Bassus]

Melodic interval of entry: 8-

Time interval of entry: S5

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4360> Jon Oddie [CRIM_Mass_0018_3] Missa Benedicta es: Credo Fuga Expand

Fuga

Voices:
[Cantus]
[Bassus]

Melodic interval of entry: 12-

Time interval of entry: S5

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4361> Jon Oddie [CRIM_Model_0023] Benedicta es Imitative duo Expand

Imitative duo

Voices:
Cantus
Sexta pars
Quinta pars
Bassus
Sexta pars
Quinta pars
Bassus

Melodic interval of entry: 7+11-5+7+11-

Time interval of entry: S1/1/3/1/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: Cantus has anticipatory entry before the IDs (which are themselves PENs

<4362> Jon Oddie [CRIM_Mass_0018_3] Missa Benedicta es: Credo Fuga, Periodic entry Expand

Fuga, Periodic entry

Voices:
[Altus]
[Cantus]
[Bassus]
[Tenor]
[Cantus]
[Bassus]

Melodic interval of entry: 7+11-1+4+11-

Time interval of entry: M2/2/4/4/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voice: -

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: True

Remarks: The fuga contains the same PEn as found in the model.

<4363> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<4364> Jon Oddie [CRIM_Mass_0018_3] Missa Benedicta es: Credo Fuga Expand

Fuga

Voices:
[Tenor]
[Cantus]

Melodic interval of entry: 8+

Time interval of entry: B3

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4365> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Contratenor
Superior
Tenor
Bassus

Melodic interval of entry: 8+5+8-1-

Time interval of entry: M8/5/11/9

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4366> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei Imitative duo Expand

Imitative duo

Voices:
[Contratenor]
[Tenor]
[Superius]
QuintaPars

Melodic interval of entry: 8+

Time interval of entry: M2/6/2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: True

Remarks: First Module: -4,-8,-6,-3 Second Module: 5,1,3,6 IC8

<4367> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Soggetto Expand

Soggetto

Voice:
Bassus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4368> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei Soggetto Expand

Soggetto

Voice:
[Bassus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4369> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Contratenor
Superior
Tenor
Bassus

Melodic interval of entry: 8+5+8-1-

Time interval of entry: M8/5/11/9

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4370> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei Fuga Expand

Fuga

Voices:
[Contratenor]
[Superius]

Melodic interval of entry: 8+

Time interval of entry: M4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4371> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Contratenor
Superior
Tenor
Bassus

Melodic interval of entry: 8+5+8-1-

Time interval of entry: M8/5/11/9

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4372> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei Fuga Expand

Fuga

Voices:
[Tenor]
[Bassus]

Melodic interval of entry: 8-

Time interval of entry: M6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4373> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Superior

Tenorizans: Tenor

Type: authentic

Tone: D

<4374> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei None -

Observation

<4375> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Superior
Contratenor
Tenor
Bassus
Superior

Melodic interval of entry: 5-5-1-8+

Time interval of entry: M2/4/6/8

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4376> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei None -

Observation

<4377> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Contratenor
Tenor
Bassus
Superior

Melodic interval of entry: 4-5-9+

Time interval of entry: M6/4/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4378> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei None -

Observation

<4379> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Periodic entry Expand

Periodic entry

Voices:
Contratenor
Tenor
Bassus

Melodic interval of entry: 5-5-

Time interval of entry: M4/4

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: First Module: 8438 Second Module: 843(5)8

<4380> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei None -

Observation

<4381> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Superior
Contratenor
Bassus
Tenor

Melodic interval of entry: 4-5-5+

Time interval of entry: M6/4/6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4382> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei None -

Observation

<4383> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer None -

Observation

<4384> Scott Troyer [CRIM_Mass_0011_3] Missa Je n’en puis plus durer: Credo Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

<4385> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer None -

Observation

<4386> Scott Troyer [CRIM_Mass_0011_3] Missa Je n’en puis plus durer: Credo Fuga Expand

Fuga

Voices:
Bassus
Tenor

Melodic interval of entry: 5+

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4387> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga, Cadence Expand

Fuga, Cadence

Voices:
Superior
Tenor

Melodic interval of entry: 8-

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Cantizans: Superior

Tenorizans: Tenor

Type: authentic

Tone: G

Remarks: Module: 10,9,6,5,6,6,6,7,6,7,6,8 Cadence not shown through musica ficta

<4388> Ian Lorenz [CRIM_Mass_0013_5] Missa Quo abiit dilectus tuus: Agnus Dei Fuga, Cadence Expand

Fuga, Cadence

Voices:
[Superius]
[Tenor]

Melodic interval of entry: 8-

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Cantizans: [Superius]

Tenorizans: [Tenor]

Type: authentic

Tone: G

Remarks: Module: 10,9,6,5,6,6,6,7,6,7,6,8 Cadence not shown through musica ficta

<4389> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer None -

Observation

<4390> Scott Troyer [CRIM_Mass_0011_3] Missa Je n’en puis plus durer: Credo Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

<4391> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer None -

Observation

<4392> Scott Troyer [CRIM_Mass_0011_3] Missa Je n’en puis plus durer: Credo Fuga Expand

Fuga

Voices:
Tenor
Bassus

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4393> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<4394> Scott Troyer [CRIM_Mass_0011_3] Missa Je n’en puis plus durer: Credo Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<4395> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer None -

Observation

<4396> Scott Troyer [CRIM_Mass_0011_3] Missa Je n’en puis plus durer: Credo Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

<4397> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<4398> Scott Troyer [CRIM_Mass_0011_3] Missa Je n’en puis plus durer: Credo Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

<4399> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<4400> Scott Troyer [CRIM_Mass_0011_3] Missa Je n’en puis plus durer: Credo Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<4401> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga, Cadence Expand

Fuga, Cadence

Voices:
Superior
Tenor

Melodic interval of entry: 8-

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Cantizans: Superior

Tenorizans: Tenor

Type: authentic

Tone: G

Remarks: Module: 10,9,6,5,6,6,6,7,6,7,6,8