CRIM

Citations: The Renaissance Imitation Mass Project

Observations

ID Observer Piece Observation type Show details
<4001> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer None -

Observation

<4002> Scott Troyer [CRIM_Mass_0011_3] Missa Je n’en puis plus durer: Credo Non-imitative duo Expand

Non-imitative duo

Voices:
Superius
Contratenor
Tenor
Bassus

Time interval of entry: B1

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Invertible: False

<4003> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Imitative duo Expand

Imitative duo

Voices:
Cantus
Altus
Tenor
Bassus

Melodic interval of entry: 5-5-

Time interval of entry: S2/10/2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<4004> Raphaëlle Rouzic [CRIM_Mass_0019_3] Missa Veni sponsa Christi: Credo Soggetto Expand

Soggetto

Voice:
Altus

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<4005> Jon Oddie [CRIM_Model_0021] Benedicta es Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4006> Jon Oddie [CRIM_Mass_0018_4] Missa Benedicta es: Sanctus Cantus firmus Expand

Cantus firmus

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voices:
AltusPrimus
Tenor
Bassus

Melodic interval of entry: 1+4-

Time interval of entry: M10/7

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Cantus]
AltusPrimus
[Cantus]
Tenor

Melodic interval of entry: 1+

Time interval of entry: M10

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<4007> Jon Oddie [CRIM_Model_0023] Benedicta es Fuga Expand

Fuga

Voices:
Altus
Quinta pars

Melodic interval of entry: 1+

Time interval of entry: B3

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Cantus
Altus
Cantus
Quinta pars

Melodic interval of entry: 1+

Time interval of entry: B3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<4008> Jon Oddie [CRIM_Mass_0018_4] Missa Benedicta es: Sanctus Fuga Expand

Fuga

Voices:
AltusPrimus
Tenor

Melodic interval of entry: 1+

Time interval of entry: S5

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Cantus]
AltusPrimus
[Cantus]
Tenor

Melodic interval of entry: 1+

Time interval of entry: S5

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<4009> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Periodic entry Expand

Periodic entry

Voices:
Altus
Cantus
Bassus

Melodic interval of entry: 5+8-

Time interval of entry: S3/3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: + anticipation mesures à 52 >T

<4010> Raphaëlle Rouzic [CRIM_Mass_0019_3] Missa Veni sponsa Christi: Credo Fuga Expand

Fuga

Voices:
Cantus
Altus

Melodic interval of entry: 1+

Time interval of entry: S5

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Flexed : Superius: première note de la mesure 144: 1 semi-brève pointée -> Altus: troisième note de la mesure 146: 1 minim

<4011> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

Voice:-

Rhythmic durations: False

Melodic intervals: True

Remarks: Segment 1 of the chant ("Benedicta") becomes the cantus firmus in the polyphony; segment 2 ("caelorum regina") becomes the ornamented fuga subjects

<4012> Jon Oddie [CRIM_Mass_0018_4] Missa Benedicta es: Sanctus Cantus firmus Expand

Cantus firmus

Voice:-

Rhythmic durations: False

Melodic intervals: True

Voices:
Bassus
[Cantus]
Bassus
Bassus
Bassus
[Cantus]
Tenor
Bassus

Melodic interval of entry: 11+15-4+4-15+8-11-

Time interval of entry: S1/5/6/4/2/2/3

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: The chant subject is treated very flexibly, with at least three different versions distinguishable on the basis of contour and rhythm. The connection between this segment of the chant and the recurring CS to the first segment is made clear in the first two entrances in the bass.

<4013> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<4014> Jon Oddie [CRIM_Mass_0018_4] Missa Benedicta es: Sanctus Fuga Expand

Fuga

Voices:
AltusPrimus
Tenor
Bassus
[Cantus]
AltusPrimus
Tenor

Melodic interval of entry: 4-5-12+5-4-

Time interval of entry: M2/6/6/6/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<4015> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Fuga Expand

Fuga

Voices:
Tenor
Cantus
Altus
Bassus
Cantus
Altus
Tenor

Melodic interval of entry: 8+4-8-8+4-5-

Time interval of entry: M4/2/9/11/2/8

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Flexed : - measure 58: Superius + Altus change of the last note of the head motif - measure 62: Tenor change of the last note of the head motif - measure 61 to 62: Bassus change of the rhythmic duration of the first note

<4016> Raphaëlle Rouzic [CRIM_Mass_0019_3] Missa Veni sponsa Christi: Credo Fuga Expand

Fuga

Voices:
Bassus
Cantus
Tenor
Altus

Melodic interval of entry: 8+4-2-

Time interval of entry: M4/3/2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Flexed : measure 1: change of the last note measure 1: change of the rhythmic durations of the first note (Tenor-Altus)

<4017> Jon Oddie [CRIM_Model_0021] Benedicta es Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4018> Jon Oddie [CRIM_Mass_0018_4] Missa Benedicta es: Sanctus Cantus firmus Expand

Cantus firmus

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voices:
Bassus
Tenor
AltusPrimus
Bassus

Melodic interval of entry: 8+1+11-

Time interval of entry: M6/4/7

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<4019> Jon Oddie [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[Contratenor]
[Bassus]
[Discantus]
[Tenor]
[QuintaVox]
[SextaVox]
[Contratenor]
[Bassus]
[Discantus]
[Tenor]
[QuintaVox]
[SextaVox]

Melodic interval of entry: 8-12+8-5+8-7+8-12+8-5+8-

Time interval of entry: S3/3/3/6/3/9/3/3/3/6/3

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Contratenor]
[Bassus]
[Discantus]
[Tenor]

Melodic interval of entry: 8-12+8-

Time interval of entry: S3/3/3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: True

Internal repetition: True

Range: 136-144,145-153

Remarks: Some semi-imitative entrances of the subject's tail motive are not selected here since we do not have a good way of representing them (discantus and tenor, bb. 141-144 and parallel place)

<4020> Jon Oddie [CRIM_Mass_0018_4] Missa Benedicta es: Sanctus Fuga Expand

Fuga

Voices:
AltusPrimus
[Cantus]
AltusPrimus
Bassus
Tenor
Bassus
AltusPrimus
[Cantus]
Tenor
Tenor
AltusPrimus
AltusPrimus
Bassus
Tenor
AltusPrimus
[Cantus]
Tenor
Bassus
[Cantus]
AltusPrimus
Tenor
Bassus

Melodic interval of entry: 4+10-8-11+8-4-5+8+8-2-5+4-6-5+4+5+8-6-13+4-5-4-

Time interval of entry: S1/11/3/9/3/2/7/3/3/12/3/9/6/3/6/3/3/3/9/2/1/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Tenor
[Cantus]

Parallel 6: True

Parallel 3 (or 10): False

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: This is a massive MTI presentation with repeating modules at S1, S2 and S3 time intervals. Its full form would require further analysis, but two features stand out immediately: (1) there is an element of heightening tension in the way that Morales draws the final four entrances into closer stretto ; (2) there is a subtle element of formal return or 'framing'in the fact that a stretto interlock at the S1 time interval is used only at the beginning and at the end.

<4021> Jon Oddie [CRIM_Model_0017] Benedicta es Non-imitative duo Expand

Non-imitative duo

Voices:
[Discantus]
[Contratenor]
[Tenor]
[SextaVox]

Melodic interval of entry: 8-

Time interval of entry: B4

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<4022> Jon Oddie [CRIM_Mass_0018_4] Missa Benedicta es: Sanctus Non-imitative duo Expand

Non-imitative duo

Voices:
[Cantus]
AltusPrimus
[CantusSecundus]
AltusSecundus

Melodic interval of entry: 1+

Time interval of entry: B4

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: Morales extends the second chant segment further than Josquin does, and he moves the second NIm presentation up an octave so that both are at the same pitch

<4023> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Soggetto Expand

Soggetto

Voice:
Superior

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4024> Ian Lorenz [CRIM_Mass_0013_4] Missa Quo abiit dilectus tuus: Sanctus Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4025> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Contrapuntal duo -

Contrapuntal duo

Voices:
Superior
Contratenor

Remarks: Module: 10,9,8,6,5,3,6,5,3,3

<4026> Ian Lorenz [CRIM_Mass_0013_4] Missa Quo abiit dilectus tuus: Sanctus Contrapuntal duo -

Contrapuntal duo

Voices:
Tenor
Contratenor

Remarks: Module: -3,-2,1,3,4,3,4,6,8,10,9,8,5,6,5,3,3

<4027> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Contrapuntal duo -

Contrapuntal duo

Voices:
Superior
Contratenor

Remarks: Module: 10,9,8,6,5,3,6,5,3,3

<4028> Ian Lorenz [CRIM_Mass_0013_4] Missa Quo abiit dilectus tuus: Sanctus Fuga Expand

Fuga

Voices:
Tenor
Contratenor
Superius

Melodic interval of entry: 5+4+

Time interval of entry: M8/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4029> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Counter-soggetto Expand

Counter-soggetto

Voice:-

Rhythmic durations: True

Melodic intervals: True

<4030> Ian Lorenz [CRIM_Mass_0013_4] Missa Quo abiit dilectus tuus: Sanctus Counter-soggetto Expand

Counter-soggetto

Voice:-

Rhythmic durations: True

Melodic intervals: True

<4031> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Counter-soggetto Expand

Counter-soggetto

Voice:-

Rhythmic durations: True

Melodic intervals: True

<4032> Ian Lorenz [CRIM_Mass_0013_4] Missa Quo abiit dilectus tuus: Sanctus Counter-soggetto Expand

Counter-soggetto

Voice:-

Rhythmic durations: True

Melodic intervals: True

<4033> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Superior
Contratenor
Bassus

Melodic interval of entry: 5-4-

Time interval of entry: M6/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4034> Ian Lorenz [CRIM_Mass_0013_4] Missa Quo abiit dilectus tuus: Sanctus Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 5-

Time interval of entry: M10

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4035> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Contratenor

Tenorizans: Superior

Type: authentic

Tone: G

<4036> Ian Lorenz [CRIM_Mass_0013_4] Missa Quo abiit dilectus tuus: Sanctus Cadence Expand

Cadence

Cantizans: Contratenor

Tenorizans: Bassus

Type: authentic

Tone: G

<4037> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Contratenor

Tenorizans: Superior

Type: authentic

Tone: G

<4038> Ian Lorenz [CRIM_Mass_0013_4] Missa Quo abiit dilectus tuus: Sanctus Cadence Expand

Cadence

Cantizans: Contratenor

Tenorizans: Superius

Type: authentic

Tone: G

<4039> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<4040> Jon Oddie [CRIM_Mass_0018_4] Missa Benedicta es: Sanctus Fuga Expand

Fuga

Voices:
AltusSecundus
[Cantus]
[CantusSecundus]

Melodic interval of entry: 8+1+

Time interval of entry: S2/5

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<4041> Jon Oddie [CRIM_Model_0017] Benedicta es Soggetto Expand

Soggetto

Voice:
[Discantus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4042> Jon Oddie [CRIM_Mass_0018_4] Missa Benedicta es: Sanctus Fuga Expand

Fuga

Voices:
[Cantus]
[CantusSecundus]

Melodic interval of entry: 1+

Time interval of entry: S6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Cantus]
AltusPrimus
[CantusSecundus]
AltusSecundus

Melodic interval of entry: 1+

Time interval of entry: S6

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<4043> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<4044> Jon Oddie [CRIM_Mass_0018_4] Missa Benedicta es: Sanctus Soggetto Expand

Soggetto

Voice:
[Cantus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
AltusPrimus
AltusSecundus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<4045> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<4046> Jon Oddie [CRIM_Mass_0018_4] Missa Benedicta es: Sanctus Fuga Expand

Fuga

Voices:
AltusSecundus
[Cantus]
AltusPrimus
[CantusSecundus]
AltusPrimus
[Cantus]

Melodic interval of entry: 5+8-7+4-5+

Time interval of entry: M1/4/6/2/4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Entrances are largely strict except for differences in subject length (some entrances are truncated) and first note value (semibreve or minim)

<4047> Jon Oddie [CRIM_Model_0017] Benedicta es Cantus firmus Expand

Cantus firmus

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voice:
[Discantus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4048> Jon Oddie [CRIM_Mass_0018_4] Missa Benedicta es: Sanctus Cantus firmus Expand

Cantus firmus

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voices:
AltusPrimus
[Cantus]

Melodic interval of entry: 1+

Time interval of entry: M2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4049> Jon Oddie [CRIM_Model_0017] Benedicta es Cantus firmus Expand

Cantus firmus

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voice:
[Discantus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4050> Jon Oddie [CRIM_Mass_0018_4] Missa Benedicta es: Sanctus Cantus firmus Expand

Cantus firmus

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voices:
AltusPrimus
[Cantus]

Melodic interval of entry: 1+

Time interval of entry: M2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4051> Jon Oddie [CRIM_Model_0021] Benedicta es Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4052> Jon Oddie [CRIM_Mass_0018_5] Missa Benedicta es: Agnus Dei Cantus firmus Expand

Cantus firmus

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voices:
[Tenor]
[Cantus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
Altus
[Bassus]

Melodic interval of entry: 5-

Time interval of entry: B1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4053> Jon Oddie [CRIM_Model_0021] Benedicta es Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4054> Jon Oddie [CRIM_Mass_0018_5] Missa Benedicta es: Agnus Dei Cantus firmus Expand

Cantus firmus

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voices:
[Tenor]
[Cantus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
Altus
[Bassus]

Melodic interval of entry: 5-

Time interval of entry: B1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4055> Jon Oddie [CRIM_Model_0021] Benedicta es Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4056> Jon Oddie [CRIM_Mass_0018_5] Missa Benedicta es: Agnus Dei Cantus firmus Expand

Cantus firmus

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voice:
[Cantus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
[Tenor]
[Bassus]

Melodic interval of entry: 9-

Time interval of entry: B1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4057> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4058> Jon Oddie [CRIM_Mass_0018_5] Missa Benedicta es: Agnus Dei Cantus firmus Expand

Cantus firmus

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voice:
[Cantus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
[Bassus]
[Tenor]
[Bassus]

Melodic interval of entry: 2+5-

Time interval of entry: M6/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<4059> Jon Oddie [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[Discantus]
[Tenor]
[Contratenor]

Melodic interval of entry: 8-1+

Time interval of entry: B3/3

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: These fuga entrances also form NIms in Josquin; Morales's borrowing of these is analysed in a separate relationship

<4060> Jon Oddie [CRIM_Mass_0018_5] Missa Benedicta es: Agnus Dei Cantus firmus Expand

Cantus firmus

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voices:
[Cantus]
[Tenor]

Rhythmic durations: True

Melodic intervals: True

Ostinato: True

Periodic: False

Voices:
[Cantus]
[Tenor]

Melodic interval of entry: 8-

Time interval of entry: B3

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4061> Jon Oddie [CRIM_Model_0017] Benedicta es Non-imitative duo Expand

Non-imitative duo

Voices:
[Discantus]
[QuintaVox]
[Tenor]
[Bassus]
[Contratenor]
[SextaVox]

Melodic interval of entry: 8-1+

Time interval of entry: B3/3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<4062> Jon Oddie [CRIM_Mass_0018_5] Missa Benedicta es: Agnus Dei Contrapuntal duo Expand

Contrapuntal duo

Voices:
[Cantus]
Altus

Voices:
[Tenor]
Altus
[Bassus]

Melodic interval of entry: 4+8-

Time interval of entry: M7/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: True

Retrograde: False

Remarks: Not indicated in the data entry above is the fragmentary entrance of the first four CS notes preceding the entrance of the full CS in the altus, b. 19-20.

<4063> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Tenor
Bassus
Contratenor
Superior
Tenor

Melodic interval of entry: 5-9+4+8-

Time interval of entry: M6/2/6/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4064> Ian Lorenz [CRIM_Mass_0013_4] Missa Quo abiit dilectus tuus: Sanctus Fuga Expand

Fuga

Voices:
Bassus
Contratenor
Superius
Tenor

Melodic interval of entry: 9+4+8-

Time interval of entry: M2/6/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: First entrance is flexed by an additional minim

<4065> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Imitative duo Expand

Imitative duo

Voices:
Tenor
Bassus
Contratenor
Superior

Melodic interval of entry: 5+

Time interval of entry: M6/2/6

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: True

Remarks: First Module: 36 Second Module: 63 IC 8

<4066> Ian Lorenz [CRIM_Mass_0013_4] Missa Quo abiit dilectus tuus: Sanctus Fuga Expand

Fuga

Voices:
Bassus
Contratenor
Superius
Tenor

Melodic interval of entry: 9+4+8-

Time interval of entry: M2/6/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4067> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Contrapuntal duo -

Contrapuntal duo

Voices:
Tenor
Bassus

Remarks: Module: 10,9,8,6,5,3,6,5,3,3

<4068> Ian Lorenz [CRIM_Mass_0013_4] Missa Quo abiit dilectus tuus: Sanctus None -

Observation

<4069> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Imitative duo Expand

Imitative duo

Voices:
Contratenor
Superior
Bassus
Tenor

Melodic interval of entry: 8-

Time interval of entry: M6/10/6

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: First Module: 8,10,8,6,5,3,4,3,4,3,3,6 Second Module: 8,10,8,6,5,3,4,3,4,3,3(3),6

<4070> Ian Lorenz [CRIM_Mass_0013_4] Missa Quo abiit dilectus tuus: Sanctus None -

Observation

<4071> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Superior
Contratenor
Tenor

Melodic interval of entry: 4-4-

Time interval of entry: M2/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4072> Ian Lorenz [CRIM_Mass_0013_4] Missa Quo abiit dilectus tuus: Sanctus None -

Observation

<4073> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Superior
Contratenor
Tenor

Melodic interval of entry: 8+5-4-

Time interval of entry: M4/4/8

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4074> Ian Lorenz [CRIM_Mass_0013_4] Missa Quo abiit dilectus tuus: Sanctus Contrapuntal duo -

Contrapuntal duo

Voices:
Contratenor
Superius

Remarks: Module: 34333653567546324321

<4075> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Bassus

Type: phrygian

Tone: D

<4076> Ian Lorenz [CRIM_Mass_0013_4] Missa Quo abiit dilectus tuus: Sanctus None -

Observation

<4077> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Superior

Tenorizans: Tenor

Type: authentic

Tone: C

<4078> Ian Lorenz [CRIM_Mass_0013_4] Missa Quo abiit dilectus tuus: Sanctus None -

Observation

<4079> Jon Oddie [CRIM_Model_0017] Benedicta es Soggetto Expand

Soggetto

Voice:
[Discantus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<4080> Jon Oddie [CRIM_Mass_0018_5] Missa Benedicta es: Agnus Dei Soggetto Expand

Soggetto

Voices:
[Cantus]
[Tenor]
[Cantus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
[Tenor]
Altus
Altus
Altus
[Tenor]

Melodic interval of entry: 1+1+1+1+

Time interval of entry: M2/12/8/2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Cantus]
[Tenor]
[Cantus]
[Tenor]

Melodic interval of entry: 1+

Time interval of entry: B6

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<4081> Jon Oddie [CRIM_Model_0017] Benedicta es None -

Observation

<4082> Jon Oddie [CRIM_Mass_0018_5] Missa Benedicta es: Agnus Dei Cantus firmus Expand

Cantus firmus

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voice:
[Cantus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
[Tenor]
[Bassus]
Altus

Melodic interval of entry: 5-5+

Time interval of entry: M1/10

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Bassus]
Altus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<4083> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<4084> Jon Oddie [CRIM_Mass_0018_5] Missa Benedicta es: Agnus Dei Cantus firmus Expand

Cantus firmus

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voices:
[Cantus]
AltusSecundus
CantusSecundus

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
Altus
[Tenor]
[Bassus]

Melodic interval of entry: 1+4-

Time interval of entry: S5/4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Cantus]
Altus
[Cantus]
[Tenor]

Melodic interval of entry: 1+

Time interval of entry: S5

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<4085> Jon Oddie [CRIM_Model_0017] Benedicta es Soggetto Expand

Soggetto

Voices:
[Bassus]
[Contratenor]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Remarks: This figure is one strand of a four-voice NIm in Josquin.

<4086> Jon Oddie [CRIM_Mass_0018_5] Missa Benedicta es: Agnus Dei Non-imitative duo Expand

Non-imitative duo

Voices:
[Cantus]
Altus
Altus
[Cantus]

Melodic interval of entry: 1+

Time interval of entry: S10

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<4087> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4088> Jon Oddie [CRIM_Mass_0018_5] Missa Benedicta es: Agnus Dei Fuga Expand

Fuga

Voices:
AltusSecundus
[Cantus]
CantusSecundus

Melodic interval of entry: 4+1+

Time interval of entry: S1/5

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4089> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4090> Jon Oddie [CRIM_Mass_0018_5] Missa Benedicta es: Agnus Dei Fuga Expand

Fuga

Voices:
AltusSecundus
CantusSecundus

Melodic interval of entry: 4+

Time interval of entry: S6

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4091> Jon Oddie [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[Discantus]
[Tenor]

Melodic interval of entry: 8-

Time interval of entry: B3

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4092> Jon Oddie [CRIM_Mass_0018_5] Missa Benedicta es: Agnus Dei Fuga Expand

Fuga

Voices:
AltusSecundus
CantusSecundus

Melodic interval of entry: 4+

Time interval of entry: S6

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4093> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<4094> Jon Oddie [CRIM_Mass_0018_5] Missa Benedicta es: Agnus Dei Non-imitative duo Expand

Non-imitative duo

Voices:
AltusSecundus
Altus
[Bassus]
CantusSecundus
Altus
[Tenor]

Melodic interval of entry: 4+

Time interval of entry: B3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Voices:
[Bassus]
Altus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: This passage contains 2 presentations of a 3-voice NIm. The non-chant voices of the NIm in each presentation are almost entirely in parallel thirds with the exception of the lowest voice's fourth note.

<4095> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<4096> Jon Oddie [CRIM_Mass_0018_5] Missa Benedicta es: Agnus Dei Non-imitative duo Expand

Non-imitative duo

Voices:
AltusSecundus
[Tenor]
[Bassus]
CantusSecundus
Altus
[Tenor]

Melodic interval of entry: 4+

Time interval of entry: B3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Voices:
[Tenor]
[Bassus]

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: This passage contains 2 presentations of a 3vv. NIm. The first presentation is preceded by a longer contrapuntal duo in the tenor and bassus, largely in parallel thirds, but this is not repeated for the second presentation.

<4097> Jon Oddie [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voice:
[Discantus]

Melodic interval of entry: 8-

Time interval of entry: B3

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4098> Jon Oddie [CRIM_Mass_0018_5] Missa Benedicta es: Agnus Dei Fuga Expand

Fuga

Voices:
AltusSecundus
CantusSecundus

Melodic interval of entry: 4+

Time interval of entry: B3

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<4099> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<4100> Jon Oddie [CRIM_Mass_0018_5] Missa Benedicta es: Agnus Dei Cantus firmus Expand

Cantus firmus

Voice:-

Rhythmic durations: False

Melodic intervals: True

Voice:
[Cantus]

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False