CRIM

Citations: The Renaissance Imitation Mass Project

Observations

ID Observer Piece Observation type Show details
<301> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<302> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<303> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Bassus

Type: authentic

Tone: D

Dovetail voice: Superius

Remarks: Would require change of ficta

<304> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Cadence Expand

Cadence

Cantizans: Contratenor

Tenorizans: Bassus

Type: authentic

Tone: D

Dovetail voice: Superius

<305> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: D

Dovetail voice: Superius

<306> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Soggetto, Cadence Expand

Soggetto, Cadence

Voice:
Contratenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: D

Dovetail voice: Superius

Remarks: Contains opening soggetto against soggetto of the second phrase

<307> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<308> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 8-

Time interval of entry: M10

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<309> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Bassus

Type: authentic

Tone: D

Dovetail voice: Superius

Remarks: Would require change of musica ficta

<310> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Bassus

Type: authentic

Tone: D

Dovetail voice: Superius

Remarks: Evaded

<311> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<312> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Contrapuntal duo, Fuga Expand

Contrapuntal duo, Fuga

Voice: -

Voices:
Bassus
Tenor

Melodic interval of entry: 8+

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Module: 865,10,3433 Transposed soggetto: 5-

<313> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: D

Dovetail voice: Superius

<314> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: D

Dovetail voice: Superius

Remarks: Evaded in other voices

<315> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Bassus

Type: authentic

Tone: D

Dovetail voice: Superius

Remarks: Would require ficta change

<316> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Superius

Type: authentic

Tone: D

Dovetail voice: Superius

<317> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<318> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<319> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<320> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Non-imitative duo Expand

Non-imitative duo

Voices:
Superius
Contratenor
Tenor
Bassus

Melodic interval of entry: 1+

Time interval of entry: M16

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: Four-voice NIm that repeats.

<321> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: D

Dovetail voice: Superius

<322> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: D

Dovetail voice: Superius

<323> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: D

Dovetail voice: Superius

<324> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: D

Dovetail voice: Superius

<325> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<326> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Non-imitative duo Expand

Non-imitative duo

Voices:
Contratenor
Tenor

Melodic interval of entry: 1+

Time interval of entry: M2

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: NIm within a four-voice NIm First module: -3-3-3-3343334344 Second module: -3-3-3-3343334344

<327> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
PrimusTenor
Contratenor
Secundus Tenor
Superius
Bassus
PrimusTenor
Contratenor
Secundus Tenor

Melodic interval of entry: 4+4-7+8-5+4+4-

Time interval of entry: S2/1/1/2/2/2/1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Internal periodic fuga, too.

<328> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Homorhythm, Interval patterns Expand

Homorhythm, Interval patterns

Voices:
[Superius]
[Contratenor]
[II.Tenor]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

Voices:
[II.Tenor]
[Contratenor]

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: Also // 6th between TenorII and Superius. The soggetto is at Superius.

<329> Agostino Magro [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<330> Agostino Magro [CRIM_Mass_0006_1] Missa Je suis déshéritée: Kyrie Soggetto Expand

Soggetto

Voice:
[Superius]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<331> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
Bassus
Superius
PrimusTenor
SecundusTenor
Bassus
Contratenor
PrimusTenor
Superius
SecundusTenor

Melodic interval of entry: 8+5-4-5-9+6-5+8-

Time interval of entry: M4/1/3/4/2/4/2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<332> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga Expand

Fuga

Voices:
I.Tenor
[Contratenor]
[Superius]
[Bassus]
[II. Tenor]
[Contratenor]

Melodic interval of entry: 5+4+8-8+5-

Time interval of entry: S2/2/3/2/2/1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Internal periodic fuga

<333> Agostino Magro [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Contratenor
Superius

Melodic interval of entry: 2+7+

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<334> Agostino Magro [CRIM_Mass_0006_1] Missa Je suis déshéritée: Kyrie Fuga Expand

Fuga

Voices:
Tenor
Bassus
Contratenor
Superius

Melodic interval of entry: 8-9+7+

Time interval of entry: S4/2/2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Fuga rhythmically flexed.

<335> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
SecundusTenor
Superius
PrimusTenor
Contratenor
SecundusTenor
Bassus

Melodic interval of entry: 9+5-4+4-8-

Time interval of entry: M3/3/2/4/5

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<336> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
[II.Tenor]
I.Tenor
[II.Tenor]
[Superius]
I.Tenor

Melodic interval of entry: 5+1+8+9-

Time interval of entry: S2/1/1/5

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Contratenor]
[II.Tenor]

Parallel 6: False

Parallel 3 (or 10): False

Chained 3 and 5: True

Chained 8 and 3: False

Chained 6 and 5: False

<337> Agostino Magro [CRIM_Model_0009] Je suis déshéritée Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: D

<338> Agostino Magro [CRIM_Mass_0006_1] Missa Je suis déshéritée: Kyrie Cadence Expand

Cadence

Cantizans: [Superius]

Tenorizans: [Superius]

Type: authentic

Tone: D

<339> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga, Cadence Expand

Fuga, Cadence

Voice:
Superius

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Cantizans: Superius

Tenorizans: PrimusTenor

Type: authentic

Tone: G

Dovetail voice: Superius

Remarks: I have already asserted this Fg a great number of times, tell me if you need me to give the detail of all the entries again.

<340> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Imitative duo Expand

Imitative duo

Voices:
[Bassus]
[II.Tenor]
[Contratenor]
[Superius]

Melodic interval of entry: 4+5+4+

Time interval of entry: S1/4/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: The ID are anticipated by a little Fg. The CAD is inverted (I note the second CAD, but the first Duo also comes to a CAD in G).

<341> Max Le Mée [CRIM_Model_0001] Vidi speciosam Imitative duo Expand

Imitative duo

Voices:
Superius
Contratenor
SecundusTenor
Bassus

Melodic interval of entry: 5-4-5-

Time interval of entry: S3/8/3

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

Remarks: I delay the third entry to make it 'fit'. The ID are prolongated with three free entries.

<342> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga Expand

Fuga

Voices:
I. Tenor
[Bassus]
[II. Tenor]
[Superius]
I. Tenor
[Contratenor]
[II. Tenor]

Melodic interval of entry: 5-4+8-5+5-

Time interval of entry: S3/1/3/2/2/3

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: The 'second part'of the soggetto is repeated several times, giving an echo to the Fg.

<343> Max Le Mée [CRIM_Model_0001] Vidi speciosam None -

Observation

<344> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
I.Tenor
[II.Tenor]
[Contratenor]
[Superius]
I.Tenor
[Bassus]
[II.Tenor]

Melodic interval of entry: 1+5+5+5-4-3+

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Superius]
[Bassus]

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<345> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
Secundus Tenor
Primus Tenor
Superius
Contratenor
Primus Tenor
Secundus Tenor
Bassus
Contratenor
Secundus Tenor

Melodic interval of entry: 1+8+5-1+5-8-8+1+

Time interval of entry: M2/2/7/9/2/3/5/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<346> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga Expand

Fuga

Voices:
[Superius]
[Bassus]
[Contratenor]
I.Tenor
[II.Tenor]
[Superius]
[Bassus]
[Contratenor]
[II.Tenor]

Melodic interval of entry: 5-8+4+1+8+8-8+8-

Time interval of entry: B1/1/1/1/1/1/1/1

Periodic: True

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<347> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
Primus Tenor
Bassus
Secundus Tenor
Contratenor
Superius
Primus Tenor
Bassus

Melodic interval of entry: 4-8+5+8-4-

Time interval of entry: S2/2/1/2/5

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<348> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo None -

Observation

<349> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
Superius
Contratenor
PrimusTenor
Bassus
SecundusTenor
Superius

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<350> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga Expand

Fuga

Voices:
I.Tenor
[Bassus]
[II.Tenor]
[Contratenor]
[Superius]

Melodic interval of entry: 4-4+5+4+

Time interval of entry: M6/21/2/5

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<351> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
Bassus
PrimusTenor
SecundusTenor
Superius
Bassus

Melodic interval of entry: 4+1+8+8-

Time interval of entry: B1/1/1/1

Periodic: True

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<352> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga Expand

Fuga

Voices:
[Bassus]
I.Tenor
[II.Tenor]
[Contratenor]
[Superius]

Melodic interval of entry: 4+4-5+4+

Time interval of entry: M1/3/2/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Three periodic entries on D at Bassus, Tenor II, and Superius.

<353> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
Secundus Tenor
Primus Tenor
Bassus
Secundus tenor
Contratenor
Superius
Primus Tenor
Bassus
Secundus Tenor

Melodic interval of entry: 1+4-8+5+9-4-4+

Time interval of entry: S4/1/4/1/6/1/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: A module repeated on three voices, plus added entries.

<354> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga Expand

Fuga

Voices:
[Bassus]
Secundus Tenor
I.Tenor
[Bassus]
[Superius]
[II.Tenor]

Melodic interval of entry: 4+5-4-12+9-

Time interval of entry: S/2/4/1/1/1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: First two voices are added entry relative to the fuga taken from the model

<355> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
Contratenor
PrimusTenor
Bassus
Superius
SecundusTenor

Melodic interval of entry: 1+4-8+4-

Time interval of entry: M2/5/3/1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<356> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga Expand

Fuga

Voices:
Contratenor
I.Tenor
[Bassus]
[Superius]
[II.Tenor]

Melodic interval of entry: 5-4-8+4-

Time interval of entry: S1/1/3/1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<357> Max Le Mée [CRIM_Model_0001] Vidi speciosam None -

Observation

<358> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga Expand

Fuga

Voices:
I. Tenor
[II. Tenor]
[Superius]

Melodic interval of entry: 8+8-

Time interval of entry: S/1/2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<359> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
Bassus
Superius
PrimusTenor
SecundusTenor

Melodic interval of entry: 8+5-4-

Time interval of entry: M4/1/3

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<360> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga Expand

Fuga

Voices:
[Bassus]
[Superius]
I.Tenor
[II.Tenor]

Melodic interval of entry: 8+5-4-

Time interval of entry: S2/1/1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<361> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
SecundusTenor
PrimusTenor

Melodic interval of entry: 5+

Time interval of entry: S3

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: A lot of added entries [there in fact is much more to this fuga]

<362> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga Expand

Fuga

Voices:
[II.Tenor]
[Contratenor]

Melodic interval of entry: 5+

Time interval of entry: S3

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: There are other entries to this fuga.

<363> Max Le Mée [CRIM_Model_0001] Vidi speciosam None -

Observation

<364> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga Expand

Fuga

Voices:
[Superius]
[Bassus]

Melodic interval of entry: 8-

Time interval of entry: B1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<365> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
Primus Tenor
Contratenor
Superius
Secundus Tenor
Bassus
Primus Tenor
Secundus Tenor
Bassus
Primus Tenor
Secundus Tenor
Bassus
Primus Tenor
Secundus Tenor

Melodic interval of entry: 4+5+9-1+5+4-5-4+1+5-5+1+

Time interval of entry: S1/2/1/3/1/2/2/1/2/2/1/3

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<366> Max Le Mée [CRIM_Mass_0002_2] Missa Vidi speciosam: Gloria Fuga Expand

Fuga

Voices:
[Superius]
[Contratenor]
I. Tenor
[Bassus]
[Bassus]
[II. Tenor]
[Contratenor]
I. Tenor

Melodic interval of entry: 5-1+5-8-4+10+10-

Time interval of entry: M2/4/1/7/2//9/1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<367> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Imitative duo Expand

Imitative duo

Voices:
Superius
Contratenor
Tenor
Bassus

Melodic interval of entry: 4-5-4-

Time interval of entry: B2/7/2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<368> Manon Manfredi [CRIM_Mass_0009_3] Missa Tota pulchra es: Credo Imitative duo Expand

Imitative duo

Voices:
[Tenor]
[Tenor]
[Tenor]
[Tenor]

Melodic interval of entry: 4-4+4-

Time interval of entry: M8/29/4

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

<369> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Imitative duo Expand

Imitative duo

Voices:
Superius
Contratenor
Tenor
Bassus

Melodic interval of entry: 8-1+8-

Time interval of entry: M9/27/9

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

<370> Manon Manfredi [CRIM_Mass_0009_3] Missa Tota pulchra es: Credo Imitative duo Expand

Imitative duo

Voices:
[Tenor]
[Bassus]
[Tenor]
[Tenor]

Melodic interval of entry: 5-5+1+

Time interval of entry: M5/22/6

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

<371> Agostino Magro [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<372> Agostino Magro [CRIM_Mass_0006_1] Missa Je suis déshéritée: Kyrie Soggetto Expand

Soggetto

Voice:
[Bassus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<373> Agostino Magro [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<374> Agostino Magro [CRIM_Mass_0006_1] Missa Je suis déshéritée: Kyrie Soggetto Expand

Soggetto

Voice:
[Bassus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<375> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Fuga Expand

Fuga

Voices:
Tenor
Tenor
Superius
Contratenor
Bassus
Superius
Tenor
Bassus

Melodic interval of entry: 2+7+8-7-14+8-3-

Time interval of entry: M1/2/2/2/2/2/7

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: On peut aussi le voir comme un PEN, si on considère la première occurrence du ténor comme une anticipation et la dernière de la basse comme un retard.

<376> Manon Manfredi [CRIM_Mass_0009_3] Missa Tota pulchra es: Credo Fuga Expand

Fuga

Voices:
[Tenor]
[Tenor]
[Bassus]
[Tenor]
[Bassus]
[Tenor]
[Tenor]
[Bassus]

Melodic interval of entry: 4-5-7+7-7+3-8-

Time interval of entry: M2/6/3/6/3/3/6

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<377> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

Dovetail voice: Superius

<378> Manon Manfredi [CRIM_Mass_0009_3] Missa Tota pulchra es: Credo Cadence Expand

Cadence

Cantizans: [Tenor]

Tenorizans: [Bassus]

Type: authentic

Tone: G

Dovetail voice: [Tenor]

Remarks: Cadence incomplète manque la clausule de ténor du modèle

<379> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Fuga Expand

Fuga

Voices:
Tenor
Superius
Contratenor
Bassus
Tenor

Melodic interval of entry: 5+5-8-5+

Time interval of entry: S3/2/7/3

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<380> Manon Manfredi [CRIM_Mass_0009_3] Missa Tota pulchra es: Credo Fuga Expand

Fuga

Voices:
[Tenor]
[Tenor]
[Bassus]
[Tenor]
[Bassus]
[Tenor]
[Tenor]
[Bassus]

Melodic interval of entry: 1+3+8-5+4+8-

Time interval of entry: M5/2/4/4/6/5

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<381> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Fuga Expand

Fuga

Voices:
Tenor
Superius
Contratenor
Bassus
Tenor

Melodic interval of entry: 5+5-8-5+

Time interval of entry: S3/2/7/3

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<382> Manon Manfredi [CRIM_Mass_0009_3] Missa Tota pulchra es: Credo Fuga Expand

Fuga

Voices:
[Tenor]
[Tenor]
[Bassus]
[Tenor]
[Tenor]
[Tenor]
[Bassus]
[Tenor]

Melodic interval of entry: 1+5-9+5-1+5-9+

Time interval of entry: M4/2/2/6/4/2/2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<383> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<384> Manon Manfredi [CRIM_Mass_0009_3] Missa Tota pulchra es: Credo Homorhythm Expand

Homorhythm

Voices:
[Tenor]
[Tenor]
[Bassus]

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

Remarks: Le ténor est décalé par rapport au modèle, mais on ne peut pas parler de HR-S puisque cela ne concerne pas trois ou quatre voix mais seulement deux, mais cela reste une citation du modèle d'où la sélection.

<385> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Imitative duo Expand

Imitative duo

Voices:
Cantus
Altus
Tenor
Bassus

Melodic interval of entry: 5-

Time interval of entry: S2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<386> Raphaëlle Rouzic [CRIM_Mass_0019_2] Missa Veni sponsa Christi: Gloria Non-imitative duo Expand

Non-imitative duo

Voices:
Cantus
Altus
Tenor
Bassus

Melodic interval of entry: 5-

Time interval of entry: S2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<387> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Soggetto Expand

Soggetto

Voice:
Cantus

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<388> Raphaëlle Rouzic [CRIM_Mass_0019_2] Missa Veni sponsa Christi: Gloria Periodic entry Expand

Periodic entry

Voices:
Altus
Cantus
Tenor

Melodic interval of entry: 5+8-

Time interval of entry: S1/1

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<389> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Soggetto Expand

Soggetto

Voice:
Cantus

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<390> Raphaëlle Rouzic [CRIM_Mass_0019_2] Missa Veni sponsa Christi: Gloria Periodic entry Expand

Periodic entry

Voices:
Bassus
Tenor
Cantus

Melodic interval of entry: 5+5+

Time interval of entry: S1/1

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: True

Invertible: False

Remarks: Added entries : BTAA S1/M1/5 5+5+2-

<391> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Cadence Expand

Cadence

Cantizans: Altus

Tenorizans: Cantus

Type: authentic

Tone: G

Dovetail voice: Bassus

Dovetail interval: 8-

Remarks: Inverted cadence

<392> Raphaëlle Rouzic [CRIM_Mass_0019_2] Missa Veni sponsa Christi: Gloria Cadence Expand

Cadence

Cantizans: Altus

Tenorizans: Cantus

Type: Authentic

Tone: G

Dovetail voice: Bassus

Dovetail interval: 8-

<393> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Cadence Expand

Cadence

Cantizans: Altus

Tenorizans: Cantus

Type: authentic

Tone: G

Dovetail voice: Tenor

Dovetail interval: 4-

Remarks: Inverted cadence

<394> Raphaëlle Rouzic [CRIM_Mass_0019_2] Missa Veni sponsa Christi: Gloria Cadence Expand

Cadence

Cantizans: Bassus

Tenorizans: Altus

Type: authentic

Tone: G

Dovetail voice: Tenor

Dovetail interval: 5+

Remarks: Inverted cadence

<395> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<396> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Soggetto Expand

Soggetto

Voice:
[Superius]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<397> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Counter-soggetto Expand

Counter-soggetto

Voice:
Contratenor

Rhythmic durations: True

Melodic intervals: True

<398> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Counter-soggetto Expand

Counter-soggetto

Voice:
[Contratenor]

Rhythmic durations: True

Melodic intervals: True

<399> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<400> Raphaëlle Rouzic [CRIM_Mass_0019_2] Missa Veni sponsa Christi: Gloria Soggetto Expand

Soggetto

Voice:
Bassus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False