CRIM

Citations: The Renaissance Imitation Mass Project

Observations

ID Observer Piece Observation type Show details
<3701> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Contrapuntal duo -

Contrapuntal duo

Voices:
Tenor
Bassus

Remarks: Module: 10,9,8,6,5,3,6,5,3,3

<3702> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria None -

Observation

<3703> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Tenor
Bassus
Contratenor
Superior

Melodic interval of entry: 5-9+4+

Time interval of entry: M6/2/6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3704> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria None -

Observation

<3705> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Imitative duo Expand

Imitative duo

Voices:
Tenor
Bassus
Contratenor
Superior

Melodic interval of entry: 5-4+

Time interval of entry: M6/2/6

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: True

Remarks: First Module: 3,6 Second Module: 6,3 IC 8

<3706> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria None -

Observation

<3707> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Tenor
Bassus
Contratenor
Superior
Tenor

Melodic interval of entry: 5-9+4+8-

Time interval of entry: M6/2/6/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3708> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria None -

Observation

<3709> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Bassus

Type: phrygian

Tone: D

<3710> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria None -

Observation

<3711> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Imitative duo Expand

Imitative duo

Voices:
Contratenor
Superior
Bassus
Tenor

Melodic interval of entry: 8-

Time interval of entry: M6/10/6

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: First Module: 8,10,8,6,5,3,4,3,4,3,3,6 Second Module: 8,10,8,6,5,3,4,3,4,3,3(3),6

<3712> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria Imitative duo Expand

Imitative duo

Voices:
Contratenor
Bassus
Superius
Tenor

Melodic interval of entry: 8-

Time interval of entry: M2/4/2

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: First Module: 10,9,6,6 Second Module: 10,9,6,6

<3713> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Soggetto Expand

Soggetto

Voice:
Superior

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3714> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria Soggetto Expand

Soggetto

Voice:
Bassus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3715> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Superior
Contratenor
Tenor

Melodic interval of entry: 4-4-

Time interval of entry: M2/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3716> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria Fuga Expand

Fuga

Voices:
Bassus
Tenor
Superius

Melodic interval of entry: 5+8+

Time interval of entry: M6/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3717> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Superior

Tenorizans: Tenor

Type: authentic

Tone: C

<3718> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: C

<3719> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Imitative duo Expand

Imitative duo

Voices:
Contratenor
Superior
Bassus
Tenor

Melodic interval of entry: 8-

Time interval of entry: M6/10/6

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: First Module: 8,10,8,6,5,3,4,3,4,3,3,6 Second Module: 8,10,8,6,5,3,4,3,4,3,3(3),6

<3720> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria Imitative duo Expand

Imitative duo

Voices:
Bassus
Tenor
Contratenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M6/8/6

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: First Module: 8,10,8,6,5,3 Second Module: 8,10,8,6,5,3

<3721> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Imitative duo Expand

Imitative duo

Voices:
Contratenor
Superior
Bassus
Tenor

Melodic interval of entry: 8-

Time interval of entry: M6/10/6

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: First Module: 8,10,8,6,5,3,4,3,43,3,6 Second Module: 8,10,8,6,5,3,4,3,4,3,3(3),6

<3722> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria Fuga Expand

Fuga

Voices:
Contratenor
Superius
Tenor

Melodic interval of entry: 5+8-

Time interval of entry: M6/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3723> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Superior

Tenorizans: Tenor

Type: authentic

Tone: C

<3724> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: C

<3725> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
Tenor
Altus

Melodic interval of entry: 5+

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Voices:
Tenor
Altus

Parallel 6: True

Parallel 3 (or 10): False

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: IP P3/6

<3726> Raphaëlle Rouzic [CRIM_Mass_0019_3] Missa Veni sponsa Christi: Credo Fuga Expand

Fuga

Voices:
Tenor
Bassus

Melodic interval of entry: 4-

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3727> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Superior
Contratenor
Tenor

Melodic interval of entry: 4-4-

Time interval of entry: M/2/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3728> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria Fuga Expand

Fuga

Voices:
Superius
Bassus

Melodic interval of entry: 9-

Time interval of entry: M4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3729> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Superior

Tenorizans: Contratenor

Type: authentic

Tone: D

Remarks: Not shown through musica ficta

<3730> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: D

Remarks: Evaded, not shown through musica ficta

<3731> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Soggetto Expand

Soggetto

Voice:
Bassus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3732> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3733> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<3734> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria Cadence Expand

Cadence

Cantizans: Contratenor

Tenorizans: Bassus

Type: phrygian

Tone: D

<3735> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Superior
Contratenor
Tenor

Melodic interval of entry: 8+5-4-

Time interval of entry: M4/4/8

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3736> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria Fuga Expand

Fuga

Voices:
Superius
Contratenor

Melodic interval of entry: 5-

Time interval of entry: M4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3737> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Superior
Contratenor
Tenor

Melodic interval of entry: 8+5-4-

Time interval of entry: M4/4/8

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3738> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria Fuga Expand

Fuga

Voices:
Bassus
Superius
Contratenor
Tenor

Melodic interval of entry: 8+5-4-

Time interval of entry: M4/4/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3739> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Periodic entry Expand

Periodic entry

Voices:
Altus
Cantus
Bassus

Melodic interval of entry: 5+8-

Time interval of entry: S3/3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<3740> Raphaëlle Rouzic [CRIM_Mass_0019_3] Missa Veni sponsa Christi: Credo Fuga Expand

Fuga

Voices:
Altus
Cantus

Melodic interval of entry: 5+

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Flexed : Le dessin mélodique est similaire mais les valeurs rythmiques ainsi que le premier intervalle diffèrent.

<3741> Jon Oddie [CRIM_Model_0021] Benedicta es Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3742> Jon Oddie [CRIM_Mass_0018_2] Missa Benedicta es: Gloria Cantus firmus, Fuga, Non-imitative duo Expand

Cantus firmus, Fuga, Non-imitative duo

Voice:-

Rhythmic durations: False

Melodic intervals: True

Voices:
[Altus]
[Tenor]

Melodic interval of entry: 1+

Time interval of entry: S5

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Cantus]
[Altus]
[Cantus]
[Tenor]

Melodic interval of entry: 1+

Time interval of entry: S4

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: The chant cantus firmus combines with two entrances of a countersubject in the altus and tenor. Due to the internal repetition of G-A within the c.f., part of these entrances form NIm modules (beginning at the third note of the CS and producing the vertical intervals 5-5-6-8-5-5-5)

<3743> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor

Melodic interval of entry: 8+4-

Time interval of entry: M4/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3744> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor

Melodic interval of entry: 8+4-

Time interval of entry: M4/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3745> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Superior

Tenorizans: Contratenor

Type: authentic

Tone: C

Remarks: Evaded

<3746> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: C

<3747> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi None -

Observation

<3748> Raphaëlle Rouzic [CRIM_Mass_0019_3] Missa Veni sponsa Christi: Credo Fuga Expand

Fuga

Voices:
Tenor
Bassus

Melodic interval of entry: 5-

Time interval of entry: S2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3749> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi None -

Observation

<3750> Raphaëlle Rouzic [CRIM_Mass_0019_3] Missa Veni sponsa Christi: Credo Contrapuntal duo -

Contrapuntal duo

Voices:
Altus
Cantus

<3751> Jon Oddie [CRIM_Model_0023] Benedicta es Cantus firmus, Fuga, Non-imitative duo Expand

Cantus firmus, Fuga, Non-imitative duo

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voices:
Altus
Quinta pars

Melodic interval of entry: 1+

Time interval of entry: B3

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Cantus
Altus
Cantus
Quinta pars

Melodic interval of entry: 1+

Time interval of entry: B3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: NIms begin at the third note (C) of the CS, excluding its two initial Gs.

<3752> Jon Oddie [CRIM_Mass_0018_2] Missa Benedicta es: Gloria Cantus firmus, Fuga, Non-imitative duo Expand

Cantus firmus, Fuga, Non-imitative duo

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voices:
[Altus]
[Tenor]

Melodic interval of entry: 1+

Time interval of entry: S5

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Cantus]
[Altus]
[Cantus]
[Tenor]

Melodic interval of entry: 1+

Time interval of entry: S5

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: The NIms began at the third note (C) of the CS: its first two notes produce a different interval in each entrance (8 vs. 3)

<3753> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi None -

Observation

<3754> Raphaëlle Rouzic [CRIM_Mass_0019_3] Missa Veni sponsa Christi: Credo Homorhythm Expand

Homorhythm

Voices:
Cantus
Altus
Tenor
Bassus

Simple: False

Staggered: False

Sequential: True

Fauxbourdon: False

Remarks: Sequencial : >S: +1/2Ton >T: + 1Ton >B: - quinte

<3755> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3756> Jon Oddie [CRIM_Mass_0018_2] Missa Benedicta es: Gloria Soggetto Expand

Soggetto

Voice:
[Cantus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3757> Jon Oddie [CRIM_Model_0023] Benedicta es Fuga, Periodic entry Expand

Fuga, Periodic entry

Voices:
Tenor
Quinta pars
Cantus
Cantus

Melodic interval of entry: 1+8+1+

Time interval of entry: S3/3/6

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Tenor
Quinta pars
Cantus

Melodic interval of entry: S3/3

Time interval of entry: 1+8+

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: The chant subject is also part of NIms, not indicated here

<3758> Jon Oddie [CRIM_Mass_0018_2] Missa Benedicta es: Gloria Soggetto Expand

Soggetto

Voice:
[Cantus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3759> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi None -

Observation

<3760> Raphaëlle Rouzic [CRIM_Mass_0019_3] Missa Veni sponsa Christi: Credo Periodic entry Expand

Periodic entry

Voices:
Bassus
Cantus
Altus

Melodic interval of entry: 5+5-

Time interval of entry: S1/1

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: Flexed : Seules les premières notes sont en imitation.

<3761> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3762> Anne Nautré [CRIM_Mass_0010_4] Missa Voulant honneur: Sanctus Fuga Expand

Fuga

Voices:
Contratenor
Superius
Bassus
Tenor

Melodic interval of entry: 8+8-8+

Time interval of entry: S3/4/3

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3763> Jon Oddie [CRIM_Model_0023] Benedicta es Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3764> Jon Oddie [CRIM_Mass_0018_2] Missa Benedicta es: Gloria Soggetto Expand

Soggetto

Voice:
[Cantus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3765> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3766> Jon Oddie [CRIM_Mass_0018_2] Missa Benedicta es: Gloria Fuga Expand

Fuga

Voices:
[Bassus]
[Tenor]
[Altus]

Melodic interval of entry: 4+4+

Time interval of entry: S2/1

Periodic: False

Strict: True

Flexed: False

Sequential: True

Inverted: False

Retrograde: False

<3767> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Imitative duo Expand

Imitative duo

Voices:
Superior
Contratenor
Tenor
Bassus

Melodic interval of entry: 8-

Time interval of entry: M4/13/4

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: First Module: 6,5,8,7,6,6,5,3,5,8,8,10 Second Module: 6,5,8,7,6,6,5,3,5,8,8,10

<3768> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria Fuga Expand

Fuga

Voices:
Superius
Bassus

Melodic interval of entry: 12-

Time interval of entry: M10

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3769> Manon Manfredi [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor
Superius

Melodic interval of entry: 1+5+4+

Time interval of entry: M2/2/4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3770> Manon Manfredi [CRIM_Mass_0006_1] Missa Je suis déshéritée: Kyrie Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor
Superius

Melodic interval of entry: 1+5+4+

Time interval of entry: M2/2/4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3771> Jon Oddie [CRIM_Model_0023] Benedicta es Cantus firmus Expand

Cantus firmus

Voice:-

Rhythmic durations: True

Melodic intervals: True

<3772> Jon Oddie [CRIM_Mass_0018_2] Missa Benedicta es: Gloria Cantus firmus Expand

Cantus firmus

Voice:-

Rhythmic durations: True

Melodic intervals: True

<3773> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Contrapuntal duo -

Contrapuntal duo

Voices:
Contratenor
Superior

Remarks: 2 CDs: CT and S, and B and T First Module: 67665346843 Second Module: 56663365336568

<3774> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria Fuga Expand

Fuga

Voices:
Superius
Tenor
Bassus
Contratenor

Melodic interval of entry: 8-5-8+

Time interval of entry: M6/6/6

Periodic: True

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3775> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<3776> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria Cadence Expand

Cadence

Cantizans: Contratenor

Tenorizans: Bassus

Type: phrygian

Tone: D

Remarks: Not shown through musica ficta

<3777> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<3778> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria Contrapuntal duo, Cadence Expand

Contrapuntal duo, Cadence

Voices:
Superius
Contratenor

Cantizans: Contratenor

Tenorizans: Superius

Type: phrygian

Tone: A

Remarks: Module: 565356633231

<3779> Manon Manfredi [CRIM_Model_0009] Je suis déshéritée Soggetto, Fuga, Interval patterns Expand

Soggetto, Fuga, Interval patterns

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
Tenor
Contratenor
Superius

Melodic interval of entry: 5+4+

Time interval of entry: M3/5

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Bassus
Contratenor

Parallel 6: False

Parallel 3 (or 10): False

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: Soggetto mesure 7-9

<3780> Manon Manfredi [CRIM_Mass_0006_1] Missa Je suis déshéritée: Kyrie Fuga Expand

Fuga

Voices:
Tenor
Contratenor
Bassus
Superius

Melodic interval of entry: 5+5-6+

Time interval of entry: M2/1/5

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3781> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Contrapuntal duo -

Contrapuntal duo

Voices:
Contratenor
Superior

Remarks: Module: 156856333332431

<3782> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria None -

Observation

<3783> Jon Oddie [CRIM_Model_0023] Benedicta es Fuga, Periodic entry Expand

Fuga, Periodic entry

Voices:
Cantus
Sexta pars
Quinta pars
Cantus
Bassus
Sexta pars
Quinta pars
Bassus

Melodic interval of entry: 11-7+11-5+7+11-

Time interval of entry: M2/2/2/6/2/2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Voices:
Cantus
Sexta pars
Quinta pars

Melodic interval of entry: 11-7+

Time interval of entry: M2/2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: True

<3784> Jon Oddie [CRIM_Mass_0018_2] Missa Benedicta es: Gloria Fuga, Periodic entry Expand

Fuga, Periodic entry

Voices:
[Bassus]
[Altus]
[Cantus]
[Bassus]
[Altus]
[Cantus]
[Bassus]

Melodic interval of entry: 7+2+8-7+6+5-

Time interval of entry: M2/2/6/2/6/4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Bassus]
[Altus]
[Cantus]

Melodic interval of entry: 7+2+

Time interval of entry: M2/2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: The final M4 time interval in the fuga has been normalised here (it is literally M3, but the bassus entrance is the only one whose first note is an S rather than an M)

<3785> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3786> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3787> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

Remarks: + SOGGETTO >A (mesures 50 à 51)

<3788> Raphaëlle Rouzic [CRIM_Mass_0019_3] Missa Veni sponsa Christi: Credo Fuga Expand

Fuga

Voices:
Bassus
Tenor
Altus
Cantus

Melodic interval of entry: 5+8+4+

Time interval of entry: M1/7/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Flexed : Seules les premières notes (la new combination) sont en imitation.

<3789> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voices:
Superius
Tenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3790> Anne Nautré [CRIM_Mass_0010_4] Missa Voulant honneur: Sanctus Fuga Expand

Fuga

Voices:
Contratenor
Tenor
Bassus
Contratenor
Tenor
Superius
Bassus

Melodic interval of entry: 5-6-8+1+8-

Time interval of entry: M2/4/3/3/1/1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Entrée simultanée de deux voix, m.21 et m.26

<3791> Manon Manfredi [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voices:
Superius
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Remarks: Deux soggetti différents, un à la voix de superius l'autre à la voix de ténor.

<3792> Manon Manfredi [CRIM_Mass_0006_1] Missa Je suis déshéritée: Kyrie Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<3793> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Tenor
Bassus
Contratenor
Superior
Tenor

Melodic interval of entry: 5-5+8+8-

Time interval of entry: M4/6/4/6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3794> Ian Lorenz [CRIM_Mass_0013_2] Missa Quo abiit dilectus tuus: Gloria Fuga Expand

Fuga

Voices:
Tenor
Bassus
Contratenor
Superius

Melodic interval of entry: 5-8+5+

Time interval of entry: M4/4/8

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3795> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi None -

Observation

<3796> Raphaëlle Rouzic [CRIM_Mass_0019_3] Missa Veni sponsa Christi: Credo Homorhythm Expand

Homorhythm

Voices:
Cantus
Altus
Tenor
Bassus

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

Remarks: Staggered >T

<3797> Jon Oddie [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[SextaVox]
[Tenor]
[Bassus]
[SextaVox]
[Tenor]
[Bassus]

Melodic interval of entry: 8+4-5-9+5-

Time interval of entry: S2/1/2/1/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3798> Jon Oddie [CRIM_Mass_0018_2] Missa Benedicta es: Gloria Fuga Expand

Fuga

Voices:
[Bassus]
[Altus]
[Cantus]
[Bassus]
[Altus]
[Cantus]
[Bassus]

Melodic interval of entry: 7+2+8-7+6+5-

Time interval of entry: M2/2/6/2/6/4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Last time interval has been normalised (literally M3, but would be M4 if final entrance had the same initial note value as others)

<3799> Anne Nautré [CRIM_Model_0012] Voulant honneur Contrapuntal duo -

Contrapuntal duo

Voices:
Tenor
Bassus

<3800> Anne Nautré [CRIM_Mass_0010_4] Missa Voulant honneur: Sanctus Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor