CRIM

Citations: The Renaissance Imitation Mass Project

Observations

ID Observer Piece Observation type Show details
<3501> Scott Troyer [CRIM_Model_0002] O gente brunette Form and process Expand

Form and process

<3502> Scott Troyer [CRIM_Mass_0003_2] Missa O gente brunette: Gloria Form and process Expand

Form and process

<3503> Scott Troyer [CRIM_Model_0002] O gente brunette Form and process Expand

Form and process

<3504> Scott Troyer [CRIM_Mass_0003_5] Missa O gente brunette: Agnus Dei Form and process Expand

Form and process

<3505> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
Tenor
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<3506> Raphaëlle Rouzic [CRIM_Mass_0019_3] Missa Veni sponsa Christi: Credo Fuga Expand

Fuga

Voices:
Tenor
Bassus

Melodic interval of entry: 4-

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Flexed : Certains changements intervalliques.

<3507> Scott Troyer [CRIM_Model_0002] O gente brunette Form and process Expand

Form and process

<3508> Scott Troyer [CRIM_Mass_0003_4] Missa O gente brunette: Sanctus Form and process Expand

Form and process

<3509> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi None -

Observation

<3510> Raphaëlle Rouzic [CRIM_Mass_0019_3] Missa Veni sponsa Christi: Credo Fuga Expand

Fuga

Voices:
Altus
Cantus

Melodic interval of entry: 4+

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3511> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi None -

Observation

<3512> Raphaëlle Rouzic [CRIM_Mass_0019_3] Missa Veni sponsa Christi: Credo Fuga Expand

Fuga

Voices:
Tenor
Bassus

Melodic interval of entry: 4-

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Flexed : Quelques modifications ont été apportées à la voix de Bassus mais le dessin mélodique est le même.

<3513> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi None -

Observation

<3514> Raphaëlle Rouzic [CRIM_Mass_0019_3] Missa Veni sponsa Christi: Credo Fuga Expand

Fuga

Voices:
Altus
Cantus
Bassus

Melodic interval of entry: 5+3-

Time interval of entry: S1/0

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Cantus
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: Strict entries : Pour le motif de tête ("Sedet ad dexteram")

<3515> Manon Manfredi [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor
Superius

Melodic interval of entry: 1+5+4+

Time interval of entry: M2/2/4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3516> Manon Manfredi [CRIM_Mass_0006_2] Missa Je suis déshéritée: Gloria Periodic entry Expand

Periodic entry

Voices:
Bassus
Tenor
Contratenor

Melodic interval of entry: 1+5+

Time interval of entry: M2/2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<3517> Manon Manfredi [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voices:
Superius
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3518> Manon Manfredi [CRIM_Mass_0006_2] Missa Je suis déshéritée: Gloria Periodic entry Expand

Periodic entry

Voices:
Superius
Contratenor
Tenor

Melodic interval of entry: 8-1+

Time interval of entry: M6/6

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<3519> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi None -

Observation

<3520> Raphaëlle Rouzic [CRIM_Mass_0019_3] Missa Veni sponsa Christi: Credo Imitative duo Expand

Imitative duo

Voices:
Tenor
Bassus
Altus
Cantus

Melodic interval of entry: 5-5+

Time interval of entry: S1/3/1

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

Remarks: Flexed : l'ambitus de 7eme ascendante n'est pas respectée à la voix d'Altus.

<3521> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi None -

Observation

<3522> Raphaëlle Rouzic [CRIM_Mass_0019_3] Missa Veni sponsa Christi: Credo Fuga Expand

Fuga

Voices:
Tenor
Bassus
Altus
Cantus

Melodic interval of entry: 5-8+5+

Time interval of entry: S1/2/1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Flexed : l'ambitus de 7eme ascendante n'est pas respectée à la voix d'Altus. Mélodiquement les voix de Tenor et Superius sont liées et les voix de Bassus et Altus sont liées.

<3523> Manon Manfredi [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voices:
Superius
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Remarks: soggetto 1: mesure 3-5 superius, et1-3 ténor. soggetto 2: mesure 7 au superius

<3524> Manon Manfredi [CRIM_Mass_0006_2] Missa Je suis déshéritée: Gloria Counter-soggetto Expand

Counter-soggetto

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voices:
Superius
Contratenor
Tenor

Melodic interval of entry: 8-1+

Time interval of entry: M6/6

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<3525> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi None -

Observation

<3526> Raphaëlle Rouzic [CRIM_Mass_0019_3] Missa Veni sponsa Christi: Credo Fuga Expand

Fuga

Voices:
Tenor
Bassus
Cantus
Altus

Melodic interval of entry: 5-5+4-

Time interval of entry: M4/2/2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Flexed : Le motif de tête est commun mais quelques modifications ont été apportées : Altus: troisième notes du motif de tête: répétition du G Bassus + Altus: motif en réduction

<3527> Manon Manfredi [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voices:
Superius
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3528> Manon Manfredi [CRIM_Mass_0006_2] Missa Je suis déshéritée: Gloria Soggetto Expand

Soggetto

Voices:
Tenor
Bassus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3529> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi None -

Observation

<3530> Raphaëlle Rouzic [CRIM_Mass_0019_3] Missa Veni sponsa Christi: Credo Imitative duo Expand

Imitative duo

Voices:
Tenor
Bassus
Cantus
Altus

Melodic interval of entry: 5-5+4-

Time interval of entry: S2/3/1

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

Remarks: Flexed : Le motif de tête est commun mais quelques modifications ont été apportées : Altus: troisième notes du motif de tête: répétition du G Bassus + Altus: motif de tête en réduction

<3531> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Bassus
Altus
Tenor
Superius
Tenor
Superius

Melodic interval of entry: 5+1+5+5-5+

Time interval of entry: S2/6/1/12/1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Tenor
Superius
Tenor
Superius

Melodic interval of entry: 5+5-5+

Time interval of entry: S1/12/1

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

Voices:
Superius
Bassus
Superius
Bassus

Melodic interval of entry: 1+

Time interval of entry: S13

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: In addition to the two different fuga interlocks, there is a partial repetition of the tail of the chant soggetto in the bass of bb. 89-91 (spliced together with the preceding countersubject).

<3532> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: True

Periodic: False

<3533> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 5+

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3534> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3535> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Altus
Tenor
Superius

Melodic interval of entry: 5-5+

Time interval of entry: S1/1

Periodic: True

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: The first fuga entrance is no more than a brief, opportunistic pre-imitation

<3536> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3537> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Tenor
Superius
Bassus
Tenor

Melodic interval of entry: 5+9-9+

Time interval of entry: S1/1/3

Periodic: True

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: The third fuga entrance (in the bassus) is fragmentary

<3538> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3539> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 5+

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3540> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3541> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 5+

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3542> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3543> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 5+

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3544> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3545> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 5+

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3546> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3547> Jon Oddie [CRIM_Model_0021] Benedicta es Imitative duo Expand

Imitative duo

Voices:
Bassus
Altus
Tenor
Superius

Melodic interval of entry: 5+5-5+

Time interval of entry: S1/6/1

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: The same imitative duo is introduced at the same pitch level first in the free voices, then in the canonic voices

<3548> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<3549> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Altus
Bassus
Tenor
Superius
Altus

Melodic interval of entry: 4-4+5+4-

Time interval of entry: S1/2/1/1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Voices:
Tenor
Superius
Altus

Melodic interval of entry: 5+4-

Time interval of entry: S1/1

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: The first entrance in the altus is flexed and the final entrance in the same voice is truncated; the others are strict. It's interesting that Mouton's treatment of the chant in this secunda pars is usually fairly straightforward contrapuntally, with the exceptions of the more complex passages of fuga here and at "quo salvantur omnia" (b. 105). Is this a reflection of the importance of these parts of the text, or is it simply motivated musically by these chant fragments being easier to form into fuga?

<3550> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<3551> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 5+

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3552> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3553> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<3554> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 5+

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Internal repetition: True

Range: 143-147,147-152

<3555> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3556> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Fuga Expand

Fuga

Voices:
Contratenor
Bassus
Contratenor
Bassus
Bassus
Tenor
Bassus
Tenor
Tenor

Melodic interval of entry: 8-3+8-4+8+6-5+2+

Time interval of entry: M8/8/2/2/1/18/12/2/46

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Flexed entries: l'intervalle mélodique entre la première note du motif et la première note noire varie.

<3557> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3558> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Fuga Expand

Fuga

Voices:
Bassus
Tenor

Melodic interval of entry: 8+

Time interval of entry: S9

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3559> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3560> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Fuga Expand

Fuga

Voices:
Tenor
Contratenor
Bassus
Tenor

Melodic interval of entry: 1+8-8+

Time interval of entry: M7/4/10

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3561> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<3562> Scott Troyer [CRIM_Mass_0011_1] Missa Je n’en puis plus durer: Kyrie Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<3563> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer Periodic entry Expand

Periodic entry

Voices:
Bassus
Tenor
Bassus

Melodic interval of entry: 5+8-

Time interval of entry: M5

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<3564> Scott Troyer [CRIM_Mass_0011_1] Missa Je n’en puis plus durer: Kyrie Periodic entry Expand

Periodic entry

Voices:
Bassus
Tenor
Bassus

Melodic interval of entry: 5+5-

Time interval of entry: B2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<3565> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer None -

Observation

<3566> Scott Troyer [CRIM_Mass_0011_1] Missa Je n’en puis plus durer: Kyrie Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

<3567> Anne Nautré [CRIM_Model_0012] Voulant honneur Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Bassus

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

<3568> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<3569> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<3570> Scott Troyer [CRIM_Mass_0011_1] Missa Je n’en puis plus durer: Kyrie Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<3571> Anne Nautré [CRIM_Model_0012] Voulant honneur Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<3572> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<3573> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3574> Scott Troyer [CRIM_Mass_0011_1] Missa Je n’en puis plus durer: Kyrie Imitative duo Expand

Imitative duo

Voices:
Contratenor
Tenor
Superius
Bassus

Melodic interval of entry: 4-8+11-

Time interval of entry: S1/2/1

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<3575> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: D

<3576> Scott Troyer [CRIM_Mass_0011_1] Missa Je n’en puis plus durer: Kyrie Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: D

<3577> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3578> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3579> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3580> Scott Troyer [CRIM_Mass_0011_1] Missa Je n’en puis plus durer: Kyrie Fuga Expand

Fuga

Voices:
Contratenor
Bassus
Superius

Melodic interval of entry: 5-8+

Time interval of entry: M5/4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3581> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer None -

Observation

<3582> Scott Troyer [CRIM_Mass_0011_1] Missa Je n’en puis plus durer: Kyrie Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3583> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer None -

Observation

<3584> Scott Troyer [CRIM_Mass_0011_1] Missa Je n’en puis plus durer: Kyrie Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Bassus

Type: authentic

Tone: D

<3585> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Contrapuntal duo -

Contrapuntal duo

Voices:
Contratenor
Superior

Remarks: Module: 8656533468653346564343

<3586> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie Periodic entry Expand

Periodic entry

Voices:
Tenor
Bassus
Contratenor

Melodic interval of entry: 5-8+

Time interval of entry: M4/4

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Added: False

Invertible: True

Remarks: First entry in the tenor is shortened by a minim (flexed) First Module: 313 Second Module: 10,12,10 -IC 12

<3587> Jon Oddie [CRIM_Model_0021] Benedicta es None -

Observation

<3588> Jon Oddie [CRIM_Mass_0018_1] Missa Benedicta es: Kyrie Cantus firmus Expand

Cantus firmus

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voice:
[Cantus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
[Altus]
[Tenor]

Melodic interval of entry: 1+

Time interval of entry: S5

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: The CS combines with the the soggetto/CF in two different ways (without creating a repeating module). Some version of this opening CS is common to all the mvts. of Morales'mass.

<3589> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Contrapuntal duo -

Contrapuntal duo

Voices:
Contratenor
Superior

Remarks: Module: 8656533468653346564343

<3590> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie Fuga Expand

Fuga

Voices:
Superius
Tenor
Bassus
Contratenor
Superius

Melodic interval of entry: 4-5-8+5+

Time interval of entry: M1/4/4/6

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Tenor entrance is flexed by a minim

<3591> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer Fuga Expand

Fuga

Voices:
Superius
Bassus
Tenor

Melodic interval of entry: 8-1+

Time interval of entry: S3

Periodic: True

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3592> Scott Troyer [CRIM_Mass_0011_1] Missa Je n’en puis plus durer: Kyrie Fuga Expand

Fuga

Voices:
Contratenor
Bassus
Superius
Bassus

Melodic interval of entry: 1+8+12-

Time interval of entry: S4

Periodic: True

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3593> Scott Troyer [CRIM_Model_0013] Je n’en puis plus durer None -

Observation

<3594> Scott Troyer [CRIM_Mass_0011_1] Missa Je n’en puis plus durer: Kyrie Fuga Expand

Fuga

Voices:
Tenor
Superius
Contratenor
Tenor
Contratenor
Superius

Melodic interval of entry: 5+5-5-5+4+

Time interval of entry: M2/6/7/4/6

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<3595> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor
Superior
Tenor
Bassus

Melodic interval of entry: 2+4+4+4-8-

Time interval of entry: M8/6/6/6/8

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: First tenor entrance is motivically flexed to fit the counterpoint (starts on A instead of G)

<3596> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie None -

Observation

<3597> Jon Oddie [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3598> Jon Oddie [CRIM_Mass_0018_1] Missa Benedicta es: Kyrie Fuga Expand

Fuga

Voices:
[Bassus]
[Cantus]
[Altus]
[Cantus]
[Tenor]
[Cantus]

Melodic interval of entry: 11+4-4+8-8+

Time interval of entry: S1/5/1/5/3

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Bassus]
[Cantus]
[Altus]
[Cantus]

Melodic interval of entry: 11+4-4+

Time interval of entry: S1/5/1

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<3599> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Bassus

Type: phrygian

Tone: D

<3600> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Bassus

Type: phrygian

Tone: D