CRIM

Citations: The Renaissance Imitation Mass Project

Observations

ID Observer Piece Observation type Show details
<3301> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<3302> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Superius

Type: phrygian

Tone: D

<3303> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Superior
Contratenor
Bassus

Melodic interval of entry: 5-4-

Time interval of entry: M6/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3304> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie Periodic entry Expand

Periodic entry

Voices:
Tenor
Superius
Bassus

Melodic interval of entry: 8+12-

Time interval of entry: M4/4

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: First Module: 10,6 Second Module: 10,6

<3305> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Contratenor

Tenorizans: Superior

Type: authentic

Tone: G

<3306> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: C

<3307> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Tenor
Bassus
Contratenor
Superior
Tenor

Melodic interval of entry: 5-9+4+8-

Time interval of entry: M6/2/6/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3308> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie Fuga Expand

Fuga

Voices:
Bassus
Contratenor
Tenor

Melodic interval of entry: 9+5-

Time interval of entry: M2/6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3309> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Contratenor
Tenor

Melodic interval of entry: 5-9+4+8-

Time interval of entry: M6/2/6/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3310> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie Fuga Expand

Fuga

Voices:
Bassus
Contratenor
Tenor

Melodic interval of entry: 9+5-

Time interval of entry: M2/6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3311> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Soggetto Expand

Soggetto

Voice:
Superior

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3312> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie Soggetto, Cadence Expand

Soggetto, Cadence

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Cantizans: Contratenor

Tenorizans: Tenor

Type: authentic

Tone: G

<3313> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Tenor
Bassus
Contratenor
Superior
Tenor

Melodic interval of entry: 5-9+4+8-

Time interval of entry: M6/2/6/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3314> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie Fuga Expand

Fuga

Voices:
Superius
Bassus
Contratenor
Tenor
Superius
Contratenor

Melodic interval of entry: 8-4+4-8+5-

Time interval of entry: M6/2/6/4/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3315> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Soggetto Expand

Soggetto

Voice:
Superior

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3316> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<3317> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Soggetto Expand

Soggetto

Voice:
Contratenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3318> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie Soggetto Expand

Soggetto

Voice:
Bassus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3319> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Soggetto Expand

Soggetto

Voice:
Contratenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3320> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie Soggetto Expand

Soggetto

Voice:
Bassus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3321> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Imitative duo Expand

Imitative duo

Voices:
Contratenor
Superior
Bassus
Tenor

Melodic interval of entry: 5+5+

Time interval of entry: M6/10/6

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: First Module: 8,10,8,6,5,3,4,3,4,3,3,6 Second Module: 8,10,8,6,5,3,4,3,4,3,3,(3),6

<3322> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie Imitative duo Expand

Imitative duo

Voices:
Bassus
Tenor
Contratenor
Superius

Melodic interval of entry: 5+5+

Time interval of entry: M6/8/6

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: First Module:5,8,10,9,10,8,6,5 Second Module: 5,8,10,9,10,8,6,5

<3323> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Superior
Contratenor
Tenor

Melodic interval of entry: 4-4-

Time interval of entry: M2/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3324> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie None -

Observation

<3325> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Interval patterns Expand

Interval patterns

Voices:
Superior
Superior

Parallel 6: True

Parallel 3 (or 10): False

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<3326> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie None -

Observation

<3327> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Superior
Superior

Melodic interval of entry: 8+5-4-

Time interval of entry: M4/4/8

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3328> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie Imitative duo Expand

Imitative duo

Voices:
Tenor
Bassus
Superius
Tenor
Contratenor
Superius
Tenor
Bassus

Melodic interval of entry: 5-5-5+4-

Time interval of entry: M4/6/4/2/42

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: True

Remarks: (T,B) First Module: 8584 (S,T) Second Module: 858(5) --- (CT, S) First Module: 63156 (T,B) Second Module: 36843

<3329> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<3330> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: D

Remarks: Evaded

<3331> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor

Melodic interval of entry: 8+4-

Time interval of entry: M4/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3332> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie None -

Observation

<3333> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Imitative duo Expand

Imitative duo

Voices:
Superior
Contratenor
Tenor
Bassus

Melodic interval of entry: 5-5-

Time interval of entry: M4/13/4

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: First Module: 6,5,8,7,6,6,5,3,5,8,8,10(10) Second Module: 6,5,8,7,6,6,5,3,5,8,8,10

<3334> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie Imitative duo Expand

Imitative duo

Voices:
Bassus
Contratenor
Tenor
Superius
Bassus
Contratenor

Melodic interval of entry: 8+8+8+

Time interval of entry: M4/2/4/4/4

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: First Module: 5,10,5,10 Second Module: 5,10,5,10 Third Module: 5,10,5,10

<3335> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Soggetto Expand

Soggetto

Voice:
Superior

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3336> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie Soggetto Expand

Soggetto

Voice:
Bassus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3337> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus None -

Observation

<3338> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie Cadence Expand

Cadence

Cantizans: Contratenor

Tenorizans: Bassus

Type: phrygian

Tone: D

<3339> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Superior

Tenorizans: Contratenor

Type: authentic

Tone: D

<3340> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie None -

Observation

<3341> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Cadence Expand

Cadence

Cantizans: Contratenor

Tenorizans: Tenor

Type: authentic

Tone: G

<3342> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie None -

Observation

<3343> Scott Troyer [CRIM_Model_0002] O gente brunette Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<3344> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<3345> Scott Troyer [CRIM_Model_0002] O gente brunette None -

Observation

<3346> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Soggetto Expand

Soggetto

Voice:
[Tenor]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3347> Scott Troyer [CRIM_Model_0002] O gente brunette Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3348> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Soggetto Expand

Soggetto

Voice:
[Contratenor]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3349> Scott Troyer [CRIM_Model_0002] O gente brunette Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<3350> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<3351> Scott Troyer [CRIM_Model_0002] O gente brunette Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<3352> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<3353> Scott Troyer [CRIM_Model_0002] O gente brunette Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<3354> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<3355> Scott Troyer [CRIM_Model_0002] O gente brunette Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<3356> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<3357> Scott Troyer [CRIM_Model_0002] O gente brunette Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3358> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Fuga Expand

Fuga

Voices:
[Superius]
[Tenor]

Melodic interval of entry: 8-

Time interval of entry: B1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3359> Scott Troyer [CRIM_Model_0002] O gente brunette Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3360> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Soggetto Expand

Soggetto

Voices:
[Superius]
[Tenor]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3361> Scott Troyer [CRIM_Model_0002] O gente brunette Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<3362> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Contrapuntal duo -

Contrapuntal duo

Voices:
[Tenor]
[Bassus]

<3363> Scott Troyer [CRIM_Model_0002] O gente brunette Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<3364> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

Remarks: The bassus enters as the staggered voice if the superius is regularized and grouped with the contratenor and tenor.

<3365> Scott Troyer [CRIM_Model_0002] O gente brunette Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: C

<3366> Scott Troyer [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Cadence Expand

Cadence

Cantizans: [Superius]

Tenorizans: [Tenor]

Type: authentic

Tone: F

<3367> Scott Troyer [CRIM_Model_0002] O gente brunette None -

Observation

<3368> Scott Troyer [CRIM_Mass_0003_3] Missa O gente brunette: Credo Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

<3369> Scott Troyer [CRIM_Model_0002] O gente brunette None -

Observation

<3370> Scott Troyer [CRIM_Mass_0003_3] Missa O gente brunette: Credo Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<3371> Scott Troyer [CRIM_Model_0002] O gente brunette None -

Observation

<3372> Scott Troyer [CRIM_Mass_0003_3] Missa O gente brunette: Credo Fuga Expand

Fuga

Voices:
[Superius]
[Contratenor]

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3373> Scott Troyer [CRIM_Model_0002] O gente brunette None -

Observation

<3374> Scott Troyer [CRIM_Mass_0003_3] Missa O gente brunette: Credo Cadence Expand

Cadence

Cantizans: [Superius]

Tenorizans: [Contratenor]

Type: authentic

Tone: A

<3375> Scott Troyer [CRIM_Model_0002] O gente brunette None -

Observation

<3376> Scott Troyer [CRIM_Mass_0003_3] Missa O gente brunette: Credo Fuga Expand

Fuga

Voices:
[Contratenor]
[Superius]

Melodic interval of entry: 5+

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3377> Scott Troyer [CRIM_Model_0002] O gente brunette None -

Observation

<3378> Scott Troyer [CRIM_Mass_0003_3] Missa O gente brunette: Credo Fuga Expand

Fuga

Voices:
[Tenor]
[Bassus]

Melodic interval of entry: 8-

Time interval of entry: S3

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3379> Scott Troyer [CRIM_Model_0002] O gente brunette None -

Observation

<3380> Scott Troyer [CRIM_Mass_0003_3] Missa O gente brunette: Credo Fuga Expand

Fuga

Voices:
[Tenor]
[Bassus]

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3381> Jon Oddie [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Soggetto, Periodic entry Expand

Soggetto, Periodic entry

Voices:
Discantus
Tenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
Contratenor
Discantus
Bassus
Tenor

Melodic interval of entry: 8-12+8-

Time interval of entry: B2/2/2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: True

Remarks: The material Willaert borrowed from b. 55 is part of a NIm in Josquin, not noted here because the other subject is not borrowed.

<3382> Jon Oddie [CRIM_Mass_0016_1] Missa Mente tota: Kyrie Imitative duo, Non-imitative duo Expand

Imitative duo, Non-imitative duo

Voices:
[Discantus]
[ContratenorPrimus]
Tenor
Bassus

Melodic interval of entry: 5-4-5-

Time interval of entry: B2/13/2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

Voices:
[Discantus]
ContratenorSecundus
[ContratenorPrimus]
Vagans

Melodic interval of entry: 5-

Time interval of entry: B2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: Every movement of the Willaert piece is structured as a double canon for [discantus], [contratenor primus], tenor and bassus (in some order). Since the time and pitch interval between the first and second pairs of voices is always the same, every section consists of overlapping ID presentations. Only the portion of the ID which also participates in the NIm is selected here.

<3383> Scott Troyer [CRIM_Model_0002] O gente brunette None -

Observation

<3384> Scott Troyer [CRIM_Mass_0003_3] Missa O gente brunette: Credo Cadence Expand

Cadence

Cantizans: [Superius]

Tenorizans: [Tenor]

Type: authentic

Tone: F

<3385> Jon Oddie [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Non-imitative duo Expand

Non-imitative duo

Voices:
Discantus
Tenor
Contratenor
Bassus

Melodic interval of entry: 5-

Time interval of entry: S8

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: This duo begins imitatively with entrances of a 3-note head motive, followed by differing continuations; the continuation of the upper/leading entrance in Josquin's duos is not borrowed and is not indicated here.

<3386> Jon Oddie [CRIM_Mass_0016_1] Missa Mente tota: Kyrie Fuga, Imitative duo, Non-imitative duo Expand

Fuga, Imitative duo, Non-imitative duo

Voices:
[ContratenorPrimus]
[Discantus]
Bassus
Tenor

Melodic interval of entry: 5+12-5+

Time interval of entry: S4/3/4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[ContratenorPrimus]
[Discantus]
Bassus
Tenor

Melodic interval of entry: 5+12-5+

Time interval of entry: B2/13/2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

Voices:
Bassus
[ContratenorPrimus]
Tenor
[Discantus]

Melodic interval of entry: 5+

Time interval of entry: B2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: The IDs arise as a consequence of the double-canon structure; only the portion involving borrowed material is highlighted here. The borrowed soggetto divides into two motives (A-Bb-A and A-G-A-Bb-A), which Willaert brings back at the conclusion of the canonic phrase in the upper voices. Their overlapping with the repetition of the opening duo in the lower voices results in additional fuga and NIms where the four voices overlap in bb. 40--48

<3387> Jon Oddie [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Soggetto Expand

Soggetto

Voices:
Contratenor
Bassus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Remarks: This is one voice of a NIm in Josquin's motet; the other subject is not selected as it is not borrowed here (it was used on its own as a countersubject in Willaert's first point of imitation).

<3388> Jon Oddie [CRIM_Mass_0016_1] Missa Mente tota: Kyrie Fuga Expand

Fuga

Voices:
[ContratenorPrimus]
[Discantus]

Melodic interval of entry: 5+

Time interval of entry: B2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: This segment of the double canon is heard only once (it is not repeated by the lower voices) due to its proximity to the final cadence of the section.

<3389> Jon Oddie [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Soggetto, Counter-soggetto, Non-imitative duo Expand

Soggetto, Counter-soggetto, Non-imitative duo

Voice:
Contratenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voice:-

Rhythmic durations: True

Melodic intervals: True

Voices:
Discantus
Tenor
Contratenor
Bassus
Discantus
Tenor

Melodic interval of entry: 1+4+

Time interval of entry: M8/8

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: The subject ends with a cantizans cadence, the countersubject with a tenorizans cadence. Josquin first presents the subject and countersubject as singletons, then in NIm combination. Two more presentations of the NIm flex the subject and retain only the tail of the countersubject (it is joined to a new head-motive, not borrowed and so not indicated here).

<3390> Jon Oddie [CRIM_Mass_0016_1] Missa Mente tota: Kyrie Fuga, Non-imitative duo Expand

Fuga, Non-imitative duo

Voices:
[Discantus]
[ContratenorPrimus]

Melodic interval of entry: 5-

Time interval of entry: B2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
ContratenorSecundus
Tenor
Vagans
Bassus
[Discantus]
Tenor
[ContratenorPrimus]
Bassus

Melodic interval of entry: 5-5+5-

Time interval of entry: B2/10/2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: True

Remarks: Within the context of the double-canon, Willaert contrives to quote Josquin's NIm in two different ways. The initial canonic entrances of the borrowed subject (tenor/bassus) are accompanied by the borrowed countersubject in the free voices (contratenor secundus/vagans). The second set of canonic entrances (discantus/contratenor primus) overlap with the tail of the canon in the lower voices, and Willaert concludes the canonic phrase with the countersubject so that the overlap of the voice pairs produces two more presentations of the NIm (inverted and transposed). The end of the canonic phrase in the upper voices accordingly produces two final entrances of the countersubject without the accompanying subject.

<3391> Scott Troyer [CRIM_Model_0002] O gente brunette None -

Observation

<3392> Scott Troyer [CRIM_Mass_0003_3] Missa O gente brunette: Credo Fuga Expand

Fuga

Voices:
[Bassus]
[Tenor]

Melodic interval of entry: 8+

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3393> Scott Troyer [CRIM_Model_0002] O gente brunette None -

Observation

<3394> Scott Troyer [CRIM_Mass_0003_3] Missa O gente brunette: Credo Fuga Expand

Fuga

Voices:
[Bassus]
[Tenor]
[Contratenor]

Melodic interval of entry: 5+4+

Time interval of entry: S1/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3395> Scott Troyer [CRIM_Model_0002] O gente brunette None -

Observation

<3396> Scott Troyer [CRIM_Mass_0003_3] Missa O gente brunette: Credo Cadence Expand

Cadence

Cantizans: [Tenor]

Tenorizans: [Bassus]

Type: authentic

Tone: F

<3397> Scott Troyer [CRIM_Model_0002] O gente brunette None -

Observation

<3398> Scott Troyer [CRIM_Mass_0003_3] Missa O gente brunette: Credo Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<3399> Scott Troyer [CRIM_Model_0002] O gente brunette None -

Observation

<3400> Scott Troyer [CRIM_Mass_0003_3] Missa O gente brunette: Credo Cadence Expand

Cadence

Cantizans: [Tenor]

Tenorizans: [Bassus]

Type: authentic

Tone: F