CRIM

Citations: The Renaissance Imitation Mass Project

Observations

ID Observer Piece Observation type Show details
<583> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Periodic entry Expand

Periodic entry

Voices:
Altus
Cantus
Bassus

Melodic interval of entry: 5+8-

Time interval of entry: M6/6

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<613> Alessandra Ignesti [CRIM_Model_0019] Veni sponsa Christi Fuga Expand

Fuga

Voices:
Altus
Tenor
Cantus
Bassus
Altus
Cantus
Bassus

Melodic interval of entry: 5-8+12-8+8+11-

Time interval of entry: M2/6/8/8/8/9

Periodic: False

Strict: False

Flexed: False

Sequential: True

Inverted: False

Retrograde: False

Remarks: Two entries are not sequential: Tenor (bars 38-40) and Bassus (bars 48-50).

<581> Alessandra Ignesti [CRIM_Model_0019] Veni sponsa Christi Soggetto Expand

Soggetto

Voice:
Cantus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<615> Alessandra Ignesti [CRIM_Model_0019] Veni sponsa Christi Periodic entry Expand

Periodic entry

Voices:
Altus
Cantus
Bassus

Melodic interval of entry: 5+8-

Time interval of entry: M6/6

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: True

<579> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Periodic entry Expand

Periodic entry

Voices:
Altus
Cantus
Bassus
Altus
Cantus

Melodic interval of entry: 4+5-8+1+

Time interval of entry: M8/8/8/8

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<617> Alessandra Ignesti [CRIM_Model_0019] Veni sponsa Christi Imitative duo Expand

Imitative duo

Voices:
Altus
Cantus
Tenor
Altus

Melodic interval of entry: 5+5-5+

Time interval of entry: M6/14/6

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<577> Alessandra Ignesti [CRIM_Model_0019] Veni sponsa Christi Soggetto Expand

Soggetto

Voice:
Altus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<573> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Periodic entry Expand

Periodic entry

Voices:
Altus
Cantus
Bassus

Melodic interval of entry: 5+8-

Time interval of entry: S3/3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<510> Anne Nautré [CRIM_Model_0020] Susanne un jour Non-imitative duo Expand

Non-imitative duo

Voices:
Superius
Contratenor
Quinta Pars
Bassus

Melodic interval of entry: 8-

Time interval of entry: M7

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Invertible: False

<790> Anne Nautré [CRIM_Model_0020] Susanne un jour Interval patterns Expand

Interval patterns

Voices:
Quinta Pars
Bassus

Parallel 6: False

Parallel 3 (or 10): False

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: On peut considérer: - la voix de S comme sogetto - les voix de A et T comme contrapuntal duo (mouvement continu en notes noires) - les voix de Q et B comme deuxième contrapuntal duo (interval patterns: chain 85)

<597> Anne Nautré [CRIM_Model_0020] Susanne un jour Counter-soggetto Expand

Counter-soggetto

Voice:
Quinta Pars

Rhythmic durations: True

Melodic intervals: True

<750> Anne Nautré [CRIM_Model_0020] Susanne un jour Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Quinta Pars

Type: authentic

Tone: D

Remarks: Cadence m.35-36 Les entrées de Q et B ne font pas partie de la fuga car les intervalles mélodiques sont différents ; cependant, leur structure rythmique et la disposition des entrées incite à les entendre comme participant au mouvement fugué.

<748> Anne Nautré [CRIM_Model_0020] Susanne un jour Form and process Expand

Form and process

Comment: Cadence m.27-28

Remarks: Cadence m.27-28

<105> Anne Nautré [CRIM_Model_0020] Susanne un jour Non-imitative duo Expand

Non-imitative duo

Voices:
Superius
Contratenor
Quinta Pars
Bassus

Melodic interval of entry: 8-

Time interval of entry: M7

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: "flexed entries": motif à S et B commence par une semi-brève, à Q et T par une minime

<107> Anne Nautré [CRIM_Model_0020] Susanne un jour Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

Remarks: Le motif à S peut être considéré comme "sogetto", et le motif à C comme son "counter sogetto": rapport d'intervalles caractéristique (3)/5/8/5

<109> Anne Nautré [CRIM_Model_0020] Susanne un jour Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<991> Anne Nautré [CRIM_Model_0020] Susanne un jour Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

<111> Anne Nautré [CRIM_Model_0020] Susanne un jour Counter-soggetto Expand

Counter-soggetto

Voice:
Contratenor

Rhythmic durations: True

Melodic intervals: True

<989> Anne Nautré [CRIM_Model_0020] Susanne un jour Interval patterns Expand

Interval patterns

Voices:
Superius
Contratenor

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<987> Anne Nautré [CRIM_Model_0020] Susanne un jour Interval patterns Expand

Interval patterns

Voices:
Superius
Contratenor

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: Le bicinium est accompagné par la voix de Q

<983> Anne Nautré [CRIM_Model_0020] Susanne un jour Non-imitative duo Expand

Non-imitative duo

Voices:
Superius
Contratenor
Tenor
Quinta Pars

Melodic interval of entry: 8-

Time interval of entry: S4

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: La voix de Q sert de soutien harmonique au premier duo (do sib fa), la voix de B au second duo (mib sib fa)

<955> Anne Nautré [CRIM_Model_0020] Susanne un jour Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Quinta Pars

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

Remarks: L'homorythmie concerne aussi la voix de B mais son motif n'est pas réutilisé dans le credo.

<949> Anne Nautré [CRIM_Model_0020] Susanne un jour Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

Remarks: Contrapuntal duo SA + Q

<939> Anne Nautré [CRIM_Model_0020] Susanne un jour Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

<937> Anne Nautré [CRIM_Model_0020] Susanne un jour Non-imitative duo Expand

Non-imitative duo

Voices:
Superius
Contratenor
Quinta Pars
Bassus

Melodic interval of entry: 8-

Time interval of entry: M7

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Invertible: False

<354> Anne Nautré [CRIM_Model_0020] Susanne un jour Form and process Expand

Form and process

Internal repetition: True

<934> Anne Nautré [CRIM_Model_0020] Susanne un jour Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<932> Anne Nautré [CRIM_Model_0020] Susanne un jour Non-imitative duo Expand

Non-imitative duo

Voices:
Superius
Contratenor
Quinta Pars
Bassus

Melodic interval of entry: 8-

Time interval of entry: M7

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<926> Anne Nautré [CRIM_Model_0020] Susanne un jour Fuga Expand

Fuga

Voices:
Superius
Quinta Pars
Tenor

Melodic interval of entry: 8-1+

Time interval of entry: M7/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Flexed entries: valeurs rythmiques inégales

<362> Anne Nautré [CRIM_Model_0020] Susanne un jour Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 8-

Time interval of entry: B1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False