CRIM

Citations: The Renaissance Imitation Mass Project

Observations

ID Observer Piece Observation type Show details
<3101> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Periodic entry, Interval patterns Expand

Periodic entry, Interval patterns

Voices:
Tenor
Bassus
Altus

Melodic interval of entry: 5-8+

Time interval of entry: S4/4

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Voices:
Bassus
Cantus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<3102> Raphaëlle Rouzic [CRIM_Mass_0019_4] Missa Veni sponsa Christi: Sanctus Periodic entry Expand

Periodic entry

Voices:
Tenor
Bassus
Cantus

Melodic interval of entry: 1+8+

Time interval of entry: M2/2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: True

Invertible: False

Remarks: Added entry : >A (flexed) M7 @4-

<3103> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Soggetto Expand

Soggetto

Voices:
Discantus
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3104> Alessandra Ignesti [CRIM_Mass_0014_5] Missa Mente tota: Agnus Dei Non-imitative duo Expand

Non-imitative duo

Voices:
Tenor
Bassus
Superius
Contratenor

Melodic interval of entry: 8+

Time interval of entry: B6

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<3105> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Non-imitative duo Expand

Non-imitative duo

Voices:
Discantus
Contratenor
Tenor
Bassus

Melodic interval of entry: 8-

Time interval of entry: M8

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<3106> Alessandra Ignesti [CRIM_Mass_0014_5] Missa Mente tota: Agnus Dei Periodic entry Expand

Periodic entry

Voices:
Bassus
Tenor
Contratenor
Superius

Melodic interval of entry: 1+1+8+

Time interval of entry: S3/3/3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<3107> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Cadence Expand

Cadence

Cantizans: Contratenor

Tenorizans: Discantus

Type: authentic

Tone: D

<3108> Alessandra Ignesti [CRIM_Mass_0014_5] Missa Mente tota: Agnus Dei Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: D

<3109> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Homorhythm Expand

Homorhythm

Voices:
Discantus
Tenor
Bassus

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

<3110> Alessandra Ignesti [CRIM_Mass_0014_5] Missa Mente tota: Agnus Dei Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

<3111> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3112> Anne Nautré [CRIM_Mass_0010_2] Missa Voulant honneur: Gloria Fuga Expand

Fuga

Voices:
Bassus
Tenor

Melodic interval of entry: 4+

Time interval of entry: B1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3113> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Soggetto Expand

Soggetto

Voice:
Contratenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3114> Alessandra Ignesti [CRIM_Mass_0014_5] Missa Mente tota: Agnus Dei Soggetto, Homorhythm, Interval patterns Expand

Soggetto, Homorhythm, Interval patterns

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

Voices:
Contratenor
Tenor

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<3115> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3116> Anne Nautré [CRIM_Mass_0010_2] Missa Voulant honneur: Gloria Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3117> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3118> Anne Nautré [CRIM_Mass_0010_2] Missa Voulant honneur: Gloria Fuga Expand

Fuga

Voices:
Tenor
Bassus

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3119> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Contrapuntal duo -

Contrapuntal duo

Voices:
Discantus
Contratenor

Remarks: Homorhythm

<3120> Alessandra Ignesti [CRIM_Mass_0014_5] Missa Mente tota: Agnus Dei Non-imitative duo Expand

Non-imitative duo

Voices:
Superius
Contratenor
Tenor
Bassus
Superius
Bassus

Melodic interval of entry: 8-8+

Time interval of entry: S6/6

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: In the last occurrence of the NIm, the Bassus is transposed an octave lower.

<3121> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3122> Anne Nautré [CRIM_Mass_0010_2] Missa Voulant honneur: Gloria Fuga Expand

Fuga

Voices:
Tenor
Bassus

Melodic interval of entry: 5+

Time interval of entry: M2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3123> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Periodic entry, Interval patterns Expand

Periodic entry, Interval patterns

Voices:
Tenor
Bassus
Altus

Melodic interval of entry: 5-8+

Time interval of entry: S4/4

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Voices:
Bassus
Cantus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<3124> Raphaëlle Rouzic [CRIM_Mass_0019_4] Missa Veni sponsa Christi: Sanctus Periodic entry Expand

Periodic entry

Voices:
Cantus
Tenor
Bassus
Altus
Cantus
Tenor

Melodic interval of entry: 1+5-5+4+8-

Time interval of entry: M2/2/2/2/2

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: Flexed : The two successive entries of the Altus voice don't present the entire head motif.

<3125> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Cadence Expand

Cadence

Cantizans: Discantus

Tenorizans: Tenor

Type: authentic

Tone: G

<3126> Alessandra Ignesti [CRIM_Mass_0014_5] Missa Mente tota: Agnus Dei Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<3127> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3128> Anne Nautré [CRIM_Mass_0010_2] Missa Voulant honneur: Gloria Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3129> Anne Nautré [CRIM_Model_0012] Voulant honneur Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<3130> Anne Nautré [CRIM_Mass_0010_2] Missa Voulant honneur: Gloria Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<3131> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3132> Anne Nautré [CRIM_Mass_0010_2] Missa Voulant honneur: Gloria Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3133> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3134> Anne Nautré [CRIM_Mass_0010_2] Missa Voulant honneur: Gloria Fuga Expand

Fuga

Voices:
Bassus
Tenor

Melodic interval of entry: 8+

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3135> Anne Nautré [CRIM_Model_0012] Voulant honneur Cadence, Form and process Expand

Cadence, Form and process

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

Internal repetition: True

Comment: Section contrapuntique à quatre voix, présentée 4 fois dans la chanson: m.1, m.11, m.30, m.41

<3136> Anne Nautré [CRIM_Mass_0010_2] Missa Voulant honneur: Gloria Cadence, Form and process Expand

Cadence, Form and process

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

Internal repetition: True

Comment: Section contrapuntique à quatre voix, identique au début du Gloria, à l'exception des mesures 7-9 (insertion d'un new material à l’intérieur de la citation).

<3137> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Bassus

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3138> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3139> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Bassus

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3140> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 8-

Time interval of entry: M2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3141> Anne Nautré [CRIM_Model_0012] Voulant honneur Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<3142> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<3143> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Bassus

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3144> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Soggetto Expand

Soggetto

Voice:
Bassus

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3145> Anne Nautré [CRIM_Model_0012] Voulant honneur Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

<3146> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Contrapuntal duo -

Contrapuntal duo

Voices:
Bassus
Tenor

<3147> Anne Nautré [CRIM_Model_0012] Voulant honneur Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<3148> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<3149> Anne Nautré [CRIM_Model_0012] Voulant honneur Form and process Expand

Form and process

Internal repetition: True

Comment: Section contrapuntique à quatre voix, présentée 4 fois: m.1, m.11, m.30, m.41

<3150> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Form and process Expand

Form and process

Comment: Section contrapuntique à quatre voix

<3151> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3152> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Fuga Expand

Fuga

Voices:
Tenor
Bassus
Superius

Melodic interval of entry: 4-3+

Time interval of entry: M2/6

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<3153> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3154> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Fuga Expand

Fuga

Voices:
Tenor
Bassus

Melodic interval of entry: 5+

Time interval of entry: M2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Concerne uniquement les trois semi-brèves

<3155> Anne Nautré [CRIM_Model_0012] Voulant honneur Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Superius

Type: phrygian

Tone: A

Remarks: Cadence inverted

<3156> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Contrapuntal duo, Cadence Expand

Contrapuntal duo, Cadence

Voices:
Superius
Contratenor

Cantizans: Superius

Tenorizans: Contratenor

Type: phrygian

Tone: A

<3157> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Imitative duo Expand

Imitative duo

Voices:
Cantus
Altus
Tenor
Bassus

Melodic interval of entry: 5-5-

Time interval of entry: S2/10/2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<3158> Raphaëlle Rouzic [CRIM_Mass_0019_3] Missa Veni sponsa Christi: Credo Fuga Expand

Fuga

Voices:
Cantus
Altus

Melodic interval of entry: 5-

Time interval of entry: S2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Cette FUGA, additionnée à la FUGA : T>B S1 @5- forment un ID mesures 1 à 10 Du fait du différent "time interval" entre les deux voix de chaque duo, ces FUGA ne sont pas regroupées comme ID.

<3159> Anne Nautré [CRIM_Model_0012] Voulant honneur Form and process Expand

Form and process

Comment: section contrapuntique à 4 voix

<3160> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Form and process Expand

Form and process

Comment: Section contrapuntique à 4 voix

<3161> Anne Nautré [CRIM_Model_0012] Voulant honneur Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: G

<3162> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<3163> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3164> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3165> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Imitative duo Expand

Imitative duo

Voices:
Cantus
Altus
Tenor
Bassus

Melodic interval of entry: 5-5-

Time interval of entry: S2/10/2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<3166> Raphaëlle Rouzic [CRIM_Mass_0019_3] Missa Veni sponsa Christi: Credo Fuga Expand

Fuga

Voices:
Tenor
Bassus

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Cette FUGA, additionnée à la FUGA : S>A S2 @5- forment un ID mesures 1 à 10 Du fait du différent "time interval" (différences rythmiques également) entre les deux voix de chaque duo, ces FUGA ne sont pas regroupées comme ID.

<3167> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Bassus

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3168> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Fuga Expand

Fuga

Voices:
Superius
Contratenor

Melodic interval of entry: 8-

Time interval of entry: M2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3169> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

Remarks: Les deux motifs sélectionnés correspondent aux deux soggetti qui nous intéressent ici

<3170> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Contrapuntal duo, Cadence Expand

Contrapuntal duo, Cadence

Voices:
Superius
Contratenor

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: G

<3171> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3172> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Fuga Expand

Fuga

Voices:
Superius
Contratenor

Melodic interval of entry: 8-

Time interval of entry: M3

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3173> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Bassus

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3174> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Fuga Expand

Fuga

Voices:
Contratenor
Superius

Melodic interval of entry: 5+

Time interval of entry: M2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3175> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3176> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Fuga Expand

Fuga

Voices:
Superius
Contratenor

Melodic interval of entry: 8-

Time interval of entry: M2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3177> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3178> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Fuga Expand

Fuga

Voices:
Contratenor
Superius
Contratenor
Superius

Melodic interval of entry: 5+1+4+

Time interval of entry: M2/4/2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<3179> Anne Nautré [CRIM_Model_0012] Voulant honneur Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: G

<3180> Anne Nautré [CRIM_Mass_0010_3] Missa Voulant honneur: Credo Contrapuntal duo, Cadence Expand

Contrapuntal duo, Cadence

Voices:
Superius
Contratenor

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: G

<3181> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Soggetto Expand

Soggetto

Voice:
Bassus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3182> Raphaëlle Rouzic [CRIM_Mass_0019_3] Missa Veni sponsa Christi: Credo Periodic entry Expand

Periodic entry

Voices:
Bassus
Cantus
Tenor

Melodic interval of entry: 8+5-

Time interval of entry: S2/2

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: Flexed : the head motif is in strict quotation, after that, the counterpoint is different.

<3183> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Soggetto Expand

Soggetto

Voice:
Bassus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3184> Raphaëlle Rouzic [CRIM_Mass_0019_3] Missa Veni sponsa Christi: Credo Fuga, Form and process Expand

Fuga, Form and process

Voices:
Bassus
Cantus
Altus

Melodic interval of entry: 8+1+

Time interval of entry: S2/5

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Comment: There is an evolution in the rhythm of the two first notes of the head motif : 1 semi breve + 1 minim -> 1 minim and a half + 1 semi minim + 1 minim

Remarks: Flexed : Only the head motif is quote "Filium Dei uni-", after that, the counterpoint is different.

<3185> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Periodic entry Expand

Periodic entry

Voices:
Contratenor
Bassus
Discantus
Tenor

Melodic interval of entry: 8-12+8-

Time interval of entry: B2/2/2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: True

<3186> Alessandra Ignesti [CRIM_Mass_0014_3] Missa Mente tota: Credo Imitative duo Expand

Imitative duo

Voices:
Contratenor
Superius
Tenor
Bassus

Melodic interval of entry: 5+12-5+

Time interval of entry: B2/19/2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<3187> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Soggetto Expand

Soggetto

Voice:
Bassus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Remarks: Just the conclusion of the Bassus point.

<3188> Alessandra Ignesti [CRIM_Mass_0014_3] Missa Mente tota: Credo Fuga Expand

Fuga

Voices:
Contratenor
Superius

Melodic interval of entry: 5+

Time interval of entry: S4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3189> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) None -

Observation

<3190> Alessandra Ignesti [CRIM_Mass_0014_3] Missa Mente tota: Credo Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

<3191> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Soggetto Expand

Soggetto

Voice:
Contratenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3192> Alessandra Ignesti [CRIM_Mass_0014_3] Missa Mente tota: Credo Imitative duo Expand

Imitative duo

Voices:
Bassus
Tenor
Bassus
Tenor

Melodic interval of entry: 5+8-5+

Time interval of entry: M2/12/2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: Second module not complete.

<3193> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Periodic entry Expand

Periodic entry

Voices:
Contratenor
Bassus
Discantus
Tenor

Melodic interval of entry: 8-12+8-

Time interval of entry: B2/2/2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: True

<3194> Alessandra Ignesti [CRIM_Mass_0014_3] Missa Mente tota: Credo Periodic entry Expand

Periodic entry

Voices:
Contratenor
Bassus
Superius
Tenor

Melodic interval of entry: 8-12+8-

Time interval of entry: B2/2/2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: True

<3195> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Cadence Expand

Cadence

Cantizans: Discantus

Tenorizans: Tenor

Type: phrygian

Tone: A

Dovetail voice: Contratenor

<3196> Alessandra Ignesti [CRIM_Mass_0014_3] Missa Mente tota: Credo Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: phrygian

Tone: A

Dovetail voice: Contratenor

<3197> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Non-imitative duo Expand

Non-imitative duo

Voices:
Discantus
Discantus

Melodic interval of entry: 5-

Time interval of entry: S8

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<3198> Alessandra Ignesti [CRIM_Mass_0014_3] Missa Mente tota: Credo Non-imitative duo Expand

Non-imitative duo

Voices:
Superius
Tenor
Contratenor
Bassus

Melodic interval of entry: 5-

Time interval of entry: S8

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: Normalized entry in the contratenor.

<3199> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Imitative duo Expand

Imitative duo

Voices:
Tenor
Discantus
Bassus
Tenor

Melodic interval of entry: 8+9-5+

Time interval of entry: M4/1/4

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<3200> Alessandra Ignesti [CRIM_Mass_0014_3] Missa Mente tota: Credo Periodic entry, Imitative duo, Interval patterns Expand

Periodic entry, Imitative duo, Interval patterns

Voices:
Bassus
Tenor
Superius

Melodic interval of entry: 5+8+

Time interval of entry: M4/4

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: True

Invertible: False

Voices:
Tenor
Superius
Bassus
Tenor

Melodic interval of entry: 8+9-5+

Time interval of entry: M4/1/4

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

Voices:
Contratenor
Tenor

Parallel 6: False

Parallel 3 (or 10): False

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: IP (bars 61-62): parallel fourths between the Tenor and Contratenor.