CRIM

Citations: The Renaissance Imitation Mass Project

Observations

ID Observer Piece Observation type Show details
<3001> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3002> Anne Nautré [CRIM_Mass_0010_1] Missa Voulant honneur: Kyrie Soggetto Expand

Soggetto

Voices:
Superius
Contratenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3003> Anne Nautré [CRIM_Model_0012] Voulant honneur Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<3004> Anne Nautré [CRIM_Mass_0010_1] Missa Voulant honneur: Kyrie Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<3005> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3006> Anne Nautré [CRIM_Mass_0010_2] Missa Voulant honneur: Gloria Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3007> Anne Nautré [CRIM_Model_0012] Voulant honneur Cadence, Form and process Expand

Cadence, Form and process

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

Internal repetition: True

Comment: Section contrapuntique à quatre voix, reprise 4 voix dans la chanson (m.1, m.11, m.30, m.41)

<3008> Anne Nautré [CRIM_Mass_0010_2] Missa Voulant honneur: Gloria Cadence, Form and process Expand

Cadence, Form and process

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: G

Comment: Section contrapuntique à 4 voix

<3009> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

Remarks: Deux "sogetti" différents nous interessent ici, à la voix de T: m.5-7 et m.21-22. Le sogetto des mesures 5-7 (de ré à la) aurait également pu être sélectionné à la voix de S, m.6-9: les intervalles mélodiques sont les mêmes. Cependant la ressemblance des lignes mélodiques ne suffit pas à donner la sensation de TS, les différences rythmiques et ornementales masquant cette ressemblance.

<3010> Anne Nautré [CRIM_Mass_0010_2] Missa Voulant honneur: Gloria Periodic entry Expand

Periodic entry

Voices:
Contratenor
Bassus
Tenor

Melodic interval of entry: 5-8+

Time interval of entry: M2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<3011> Anne Nautré [CRIM_Model_0012] Voulant honneur Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: b

<3012> Anne Nautré [CRIM_Mass_0010_2] Missa Voulant honneur: Gloria Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: b

<3013> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Periodic entry Expand

Periodic entry

Voices:
Contratenor
Bassus
Discantus
Tenor

Melodic interval of entry: 8-12+8-

Time interval of entry: B2/2/2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<3014> Alessandra Ignesti [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Imitative duo Expand

Imitative duo

Voices:
Contratenor
Superius
Bassus
Tenor

Melodic interval of entry: 5+12-5+

Time interval of entry: B2/13

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

<3015> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Soggetto Expand

Soggetto

Voice:
Discantus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3016> Alessandra Ignesti [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Fuga Expand

Fuga

Voices:
Contratenor
Superius

Melodic interval of entry: 5+

Time interval of entry: S4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3017> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Non-imitative duo Expand

Non-imitative duo

Voices:
Discantus
Contratenor
Tenor
Bassus

Melodic interval of entry: 8-

Time interval of entry: M8

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<3018> Alessandra Ignesti [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Fuga Expand

Fuga

Voices:
Bassus
Tenor

Melodic interval of entry: 5+

Time interval of entry: M2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3019> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Non-imitative duo Expand

Non-imitative duo

Voices:
Discantus
Tenor
Contratenor
Bassus

Melodic interval of entry: 5-

Time interval of entry: S8

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<3020> Alessandra Ignesti [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Fuga Expand

Fuga

Voices:
Superius
Contratenor
Bassus
Tenor
Superius
Bassus

Melodic interval of entry: 8-5-5+8+8-

Time interval of entry: S2/6/2/4/2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<3021> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Non-imitative duo, Interval patterns Expand

Non-imitative duo, Interval patterns

Voices:
Discantus
Tenor
Discantus
Tenor
Discantus
Tenor
Discantus
Tenor

Melodic interval of entry: 2-2-2-2-

Time interval of entry: M6/6/6/6

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: True

Invertible: False

Voices:
Discantus
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<3022> Alessandra Ignesti [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Non-imitative duo, Interval patterns Expand

Non-imitative duo, Interval patterns

Voices:
Superius
Tenor
Superius
Tenor

Melodic interval of entry: 3-

Time interval of entry: S4

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: True

Invertible: False

Voices:
Superius
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: The four voices could also be said to form a fuga (Superius, bar 40 / Contratenor, bar 40, second beat; Tenor, bar 41, fourth beat; Bassus, bar 41), but the entries in the Contratenor and Bassus are not strict. Overall, the juxtaposition of two identical contrapuntal blocks (bars 41-42 and 43-44) appears to be more significant.

<3023> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Cadence Expand

Cadence

Cantizans: Discantus

Tenorizans: Tenor

Type: authentic

Tone: G

Dovetail voice: Contratenor

Dovetail interval: 3+

<3024> Alessandra Ignesti [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<3025> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) None -

Observation

<3026> Alessandra Ignesti [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Fuga Expand

Fuga

Voices:
Bassus
Contratenor

Melodic interval of entry: 5+

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3027> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Fuga Expand

Fuga

Voices:
Discantus
Tenor

Melodic interval of entry: 8-

Time interval of entry: S6

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3028> Alessandra Ignesti [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Fuga Expand

Fuga

Voices:
Bassus
Contratenor

Melodic interval of entry: 5+

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3029> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Periodic entry Expand

Periodic entry

Voices:
Contratenor
Discantus
Bassus
Tenor

Melodic interval of entry: 8-12+8-

Time interval of entry: B2/2/2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<3030> Alessandra Ignesti [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Fuga Expand

Fuga

Voices:
Contratenor
Bassus

Melodic interval of entry: 1+

Time interval of entry: S7

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3031> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Soggetto Expand

Soggetto

Voice:
Contratenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3032> Alessandra Ignesti [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Soggetto Expand

Soggetto

Voice:
Contratenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3033> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Non-imitative duo Expand

Non-imitative duo

Voices:
Discantus
Contratenor
Tenor
Bassus

Melodic interval of entry: 8-

Time interval of entry: M8

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<3034> Alessandra Ignesti [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Fuga Expand

Fuga

Voices:
Bassus
Tenor
Superius
Contratenor

Melodic interval of entry: 1+8+5-

Time interval of entry: B2/2/2

Periodic: False

Strict: True

Flexed: False

Sequential: True

Inverted: False

Retrograde: False

Remarks: No modular repetition

<3035> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3036> Alessandra Ignesti [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Soggetto Expand

Soggetto

Voice:
Bassus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<3037> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Bassus

Type: phrygian

Tone: D

<3038> Alessandra Ignesti [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: D

Dovetail voice: Tenor

<3039> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Contrapuntal duo -

Contrapuntal duo

Voices:
Discantus
Contratenor

<3040> Alessandra Ignesti [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Non-imitative duo Expand

Non-imitative duo

Voices:
Tenor
Bassus
Superius
Contratenor

Melodic interval of entry: 8+

Time interval of entry: M9

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<3041> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Form and process Expand

Form and process

Comment: This section cannot be described with a presentation type.

<3042> Alessandra Ignesti [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Form and process Expand

Form and process

Comment: This section cannot be described with a presentation type.

<3043> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Fuga Expand

Fuga

Voices:
Bassus
Tenor

Melodic interval of entry: 4+

Time interval of entry: M6

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Entry at the ninth above hidden in the Contratenor (bars 34-35).

<3044> Alessandra Ignesti [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Periodic entry Expand

Periodic entry

Voices:
Bassus
Tenor
Bassus
Superius
Tenor

Melodic interval of entry: 4+4-11+

Time interval of entry: M6/6/6

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: True

Invertible: False

Remarks: Added entry in the Tenor (bars 104-105).

<3045> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) None -

Observation

<3046> Alessandra Ignesti [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Tenor

<3047> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Periodic entry, Interval patterns Expand

Periodic entry, Interval patterns

Voices:
Bassus
Tenor
Discantus
Tenor

Melodic interval of entry: 5+5+6-

Time interval of entry: M4/4/4

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Added: True

Invertible: False

Voices:
Discantus
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: Added entries in the Superius and Bassus (bars 21-32).

<3048> Alessandra Ignesti [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: B1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3049> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) None -

Observation

<3050> Alessandra Ignesti [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 5+

Time interval of entry: S8

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3051> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) None -

Observation

<3052> Alessandra Ignesti [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 5+

Time interval of entry: M1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3053> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Cadence Expand

Cadence

Cantizans: Discantus

Tenorizans: Tenor

Type: authentic

Tone: G

<3054> Alessandra Ignesti [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<3055> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Fuga Expand

Fuga

Voices:
Bassus
Tenor
Altus

Melodic interval of entry: 4+5+

Time interval of entry: M8/6

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Flexed : The Altus voice doesn't present the full head motif (the last note is missing)

<3056> Raphaëlle Rouzic [CRIM_Mass_0019_4] Missa Veni sponsa Christi: Sanctus Fuga Expand

Fuga

Voices:
Bassus
Tenor
Altus

Melodic interval of entry: 4+5+

Time interval of entry: M6/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Flexed : The head motif is almost in a strict imitation, after, the counterpoint is free. The sixth note of the head motif : Bassus: 1 semi breve Tenor + Altus: 1 minim

<3057> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Soggetto Expand

Soggetto

Voice:
Cantus

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

Remarks: + SOGGETTO : mes. 19 to 21 >T

<3058> Raphaëlle Rouzic [CRIM_Mass_0019_4] Missa Veni sponsa Christi: Sanctus Fuga Expand

Fuga

Voices:
Altus
Cantus

Melodic interval of entry: 5+

Time interval of entry: S3

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Flexed : change of rhythmic duration of the fourth note

<3059> Anne Nautré [CRIM_Model_0012] Voulant honneur Fuga Expand

Fuga

Voices:
Tenor
Bassus

Melodic interval of entry: 5-

Time interval of entry: M2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3060> Anne Nautré [CRIM_Mass_0010_2] Missa Voulant honneur: Gloria Fuga Expand

Fuga

Voices:
Tenor
Bassus

Melodic interval of entry: 5-

Time interval of entry: M2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3061> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Soggetto Expand

Soggetto

Voice:
Cantus

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

Remarks: + SOGGETTO mes. 19 to 21 >T

<3062> Raphaëlle Rouzic [CRIM_Mass_0019_4] Missa Veni sponsa Christi: Sanctus Imitative duo Expand

Imitative duo

Voices:
Tenor
Bassus
Cantus
Altus

Melodic interval of entry: 5-5-

Time interval of entry: S1/3/1

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

Remarks: Flexed : The Tenor, Superius and Altus voices don't present the full head motif

<3063> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3064> Anne Nautré [CRIM_Mass_0010_2] Missa Voulant honneur: Gloria Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<3065> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Soggetto Expand

Soggetto

Voice:
Cantus

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

Remarks: + SOGGETTO mes. 19 to 21 >T

<3066> Raphaëlle Rouzic [CRIM_Mass_0019_4] Missa Veni sponsa Christi: Sanctus Imitative duo Expand

Imitative duo

Voices:
Tenor
Cantus
Bassus
Tenor

Melodic interval of entry: 8+8+

Time interval of entry: S3/9/3

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<3067> Anne Nautré [CRIM_Model_0012] Voulant honneur Cadence, Form and process Expand

Cadence, Form and process

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: D

Comment: On s’intéresse ici au matériau polyphonique constitué par les trois voix supérieures.

Remarks: Cadence inverted

<3068> Anne Nautré [CRIM_Mass_0010_2] Missa Voulant honneur: Gloria Cadence, Form and process Expand

Cadence, Form and process

Cantizans: -

Tenorizans: -

Type: phrygian

Tone: D

Comment: Section contrapuntique, dont les trois voix supérieures nous intéressent

<3069> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Soggetto Expand

Soggetto

Voice:
Cantus

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

Remarks: + SOGGETTO : mes. 19 to 21 >T

<3070> Raphaëlle Rouzic [CRIM_Mass_0019_4] Missa Veni sponsa Christi: Sanctus Periodic entry Expand

Periodic entry

Voices:
Altus
Cantus
Bassus
Tenor

Melodic interval of entry: 5+5-5+

Time interval of entry: S2/4/3

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: Flexed : Il a un décalage (démarrage une semi breve avant) à la voix de Superius qui est compensé par une liaison entre deux semi breve sur D (mes.76-77)

<3071> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Periodic entry Expand

Periodic entry

Voices:
Contratenor
Bassus
Discantus
Tenor

Melodic interval of entry: 8-12+8-

Time interval of entry: B2/2/2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: True

<3072> Alessandra Ignesti [CRIM_Mass_0014_5] Missa Mente tota: Agnus Dei Non-imitative duo Expand

Non-imitative duo

Voices:
Superius
Contratenor
Tenor
Bassus

Melodic interval of entry: 8-

Time interval of entry: B3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<3073> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Periodic entry Expand

Periodic entry

Voices:
Contratenor
Bassus
Discantus
Tenor

Melodic interval of entry: 8-12+8-

Time interval of entry: B2/2/2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: True

<3074> Alessandra Ignesti [CRIM_Mass_0014_5] Missa Mente tota: Agnus Dei Non-imitative duo Expand

Non-imitative duo

Voices:
Superius
Contratenor
Tenor
Bassus

Melodic interval of entry: 8-

Time interval of entry: S6

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: The controsoggetto in the second part of the NIm (Contratenor, bars 7-9 and Bassus, bars 10-12) is transposed down a third (except for one note in the Bassus, bar 12, first beat).

<3075> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Fuga Expand

Fuga

Voices:
Discantus
Tenor

Melodic interval of entry: 8-

Time interval of entry: S6

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3076> Alessandra Ignesti [CRIM_Mass_0014_5] Missa Mente tota: Agnus Dei Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 4-

Time interval of entry: S3

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3077> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Fuga Expand

Fuga

Voices:
Discantus
Tenor

Melodic interval of entry: 8-

Time interval of entry: S6

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3078> Alessandra Ignesti [CRIM_Mass_0014_5] Missa Mente tota: Agnus Dei Fuga Expand

Fuga

Voices:
Superius
Tenor
Bassus
Contratenor
Bassus

Melodic interval of entry: 4-5-5+8-

Time interval of entry: S3/11/15

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3079> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Periodic entry, Interval patterns Expand

Periodic entry, Interval patterns

Voices:
Bassus
Tenor
Discantus
Tenor

Melodic interval of entry: 5+5+6-

Time interval of entry: M4/4/4

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: True

Invertible: False

Voices:
Discantus
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: Added entries in the Discantus and Bassus, bars 31-32.

<3080> Alessandra Ignesti [CRIM_Mass_0014_5] Missa Mente tota: Agnus Dei Non-imitative duo Expand

Non-imitative duo

Voices:
Superius
Tenor
Contratenor
Bassus

Melodic interval of entry: 8-

Time interval of entry: S7

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Invertible: True

Remarks: The first note of the soggetto is modified in the Bassus (B instead of D). Counterpoint inverted at the octave.

<3081> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Imitative duo Expand

Imitative duo

Voices:
Cantus
Altus
Tenor
Bassus

Melodic interval of entry: 5-5-

Time interval of entry: S2/10/2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<3082> Raphaëlle Rouzic [CRIM_Mass_0019_4] Missa Veni sponsa Christi: Sanctus Periodic entry Expand

Periodic entry

Voices:
Tenor
Bassus
Cantus

Melodic interval of entry: 5-8+

Time interval of entry: S2/2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: True

Invertible: False

Remarks: Added entry : >A S7 @1+

<3083> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Fuga Expand

Fuga

Voices:
Altus
Cantus
Bassus

Melodic interval of entry: 5+8-

Time interval of entry: S5/6

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Flexed : Each time the end of the head motif is different (last note)

<3084> Raphaëlle Rouzic [CRIM_Mass_0019_4] Missa Veni sponsa Christi: Sanctus Fuga Expand

Fuga

Voices:
Altus
Cantus

Melodic interval of entry: 4+

Time interval of entry: S6

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3085> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Non-imitative duo, Interval patterns Expand

Non-imitative duo, Interval patterns

Voices:
Discantus
Contratenor
Discantus
Contratenor
Discantus
Contratenor

Melodic interval of entry: 2-2-2-

Time interval of entry: M6/6/6

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Invertible: False

Voices:
Discantus
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<3086> Alessandra Ignesti [CRIM_Mass_0014_5] Missa Mente tota: Agnus Dei Non-imitative duo, Interval patterns Expand

Non-imitative duo, Interval patterns

Voices:
Superius
Contratenor
Superius
Contratenor
Superius
Contratenor

Melodic interval of entry: 3-3-3-

Time interval of entry: M6/6/6

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Invertible: False

Voices:
Superius
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<3087> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Cadence Expand

Cadence

Cantizans: Discantus

Tenorizans: Tenor

Type: authentic

Tone: G

Dovetail voice: Contratenor

Dovetail interval: 3+

<3088> Alessandra Ignesti [CRIM_Mass_0014_5] Missa Mente tota: Agnus Dei Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<3089> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Periodic entry, Interval patterns Expand

Periodic entry, Interval patterns

Voices:
Tenor
Bassus
Altus

Melodic interval of entry: 5-8+

Time interval of entry: S4/4

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Voices:
Bassus
Cantus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<3090> Raphaëlle Rouzic [CRIM_Mass_0019_4] Missa Veni sponsa Christi: Sanctus Periodic entry Expand

Periodic entry

Voices:
Tenor
Cantus
Altus

Melodic interval of entry: 1+1+

Time interval of entry: M2/2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: True

Invertible: False

Remarks: Added entry : >B (flexed entry) M4 @5-

<3091> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Non-imitative duo Expand

Non-imitative duo

Voices:
Discantus
Contratenor
Tenor
Bassus

Melodic interval of entry: 8-

Time interval of entry: B2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<3092> Alessandra Ignesti [CRIM_Mass_0014_5] Missa Mente tota: Agnus Dei Fuga Expand

Fuga

Voices:
Superius
Contratenor

Melodic interval of entry: 8+

Time interval of entry: B1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3093> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Bassus

Type: phrygian

Tone: D

<3094> Alessandra Ignesti [CRIM_Mass_0014_5] Missa Mente tota: Agnus Dei Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: D

<3095> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) None -

Observation

<3096> Alessandra Ignesti [CRIM_Mass_0014_5] Missa Mente tota: Agnus Dei Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

<3097> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) None -

Observation

<3098> Alessandra Ignesti [CRIM_Mass_0014_5] Missa Mente tota: Agnus Dei Fuga Expand

Fuga

Voices:
Contratenor
Superius

Melodic interval of entry: 5+

Time interval of entry: M8

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<3099> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) None -

Observation

<3100> Alessandra Ignesti [CRIM_Mass_0014_5] Missa Mente tota: Agnus Dei Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor