CRIM

Citations: The Renaissance Imitation Mass Project

Observations

ID Observer Piece Observation type Show details
<2902> Alessandra Ignesti [CRIM_Mass_0014_2] Missa Mente tota: Gloria Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<2903> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Soggetto Expand

Soggetto

Voice:
Cantus

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<2904> Raphaëlle Rouzic [CRIM_Mass_0019_4] Missa Veni sponsa Christi: Sanctus Fuga Expand

Fuga

Voices:
Tenor
Cantus
Bassus
Altus

Melodic interval of entry: 8+8-5+

Time interval of entry: S5/3/1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2905> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Periodic entry, Interval patterns Expand

Periodic entry, Interval patterns

Voices:
Bassus
Tenor
Discantus
Tenor

Melodic interval of entry: 5+5+6-

Time interval of entry: M4/4/4

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: True

Invertible: True

Voices:
Discantus
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<2906> Alessandra Ignesti [CRIM_Mass_0014_2] Missa Mente tota: Gloria Counter-soggetto Expand

Counter-soggetto

Voice:
Bassus

Rhythmic durations: True

Melodic intervals: True

<2907> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<2908> Alessandra Ignesti [CRIM_Mass_0014_2] Missa Mente tota: Gloria Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<2909> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Soggetto Expand

Soggetto

Voice:
Discantus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<2910> Alessandra Ignesti [CRIM_Mass_0014_2] Missa Mente tota: Gloria Fuga Expand

Fuga

Voices:
Tenor
Bassus

Melodic interval of entry: 5-

Time interval of entry: B2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Normalized entry in the Tenor.

<2911> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Bassus

Type: phrygian

Tone: D

Dovetail voice: Superius

Dovetail interval: 15+

<2912> Alessandra Ignesti [CRIM_Mass_0014_2] Missa Mente tota: Gloria Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Bassus

Type: authentic

Tone: D

Dovetail voice: Superius

Dovetail interval: 15+

<2913> Alexis Risler [CRIM_Model_0023] Benedicta es Non-imitative duo Expand

Non-imitative duo

Voices:
Tenor
Bassus
Quinta pars
Sexta pars
Cantus
Tenor
Cantus
Altus

Melodic interval of entry: 1+8+1+

Time interval of entry: S3/3/7

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: CS "singleton" in B mes. 12-14

<2914> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Fuga Expand

Fuga

Voices:
Contratenor
Tenor
Discantus
Contratenor
Bassus
Contratenor
Tenor

Melodic interval of entry: 1+8+5-7-8+5-

Time interval of entry: S1/1/1/4/1/1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Fuga involves rhythmic flexing for sixth entry.

<2915> Alexis Risler [CRIM_Model_0023] Benedicta es Fuga Expand

Fuga

Voices:
Cantus
Quinta pars

Melodic interval of entry: 4-

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2916> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Fuga, Imitative duo Expand

Fuga, Imitative duo

Voices:
Discantus
Contratenor

Melodic interval of entry: 5-

Time interval of entry: S2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Tenor
Contratenor
Discantus
Contratenor
Tenor
Contratenor

Melodic interval of entry: 5+4+4-5-5+

Time interval of entry: S1/3/1/3/1

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: True

<2917> Alexis Risler [CRIM_Model_0023] Benedicta es Fuga Expand

Fuga

Voices:
Tenor
Altus
Bassus
Quinta pars
Sexta pars
Altus
Tenor

Melodic interval of entry: 5+5-5+8-5+5-

Time interval of entry: S1/1/1/2/2/1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2918> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor
Bassus
Tenor
Bassus
Bassus
Contratenor
Bassus

Melodic interval of entry: 2+1+5-1+4+1+2+5-

Time interval of entry: S1/2/2/2/2/2/1/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2919> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
Tenor
Cantus
Altus

Melodic interval of entry: 8+5-

Time interval of entry: S4/2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Voices:
Cantus
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: Flexed : differences between some rhythmic durations IP P3 S>B measures 22 to 25

<2920> Raphaëlle Rouzic [CRIM_Mass_0019_4] Missa Veni sponsa Christi: Sanctus Fuga Expand

Fuga

Voices:
Bassus
Altus
Tenor
Bassus

Melodic interval of entry: 8+4-5-

Time interval of entry: S5/8/4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2921> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Non-imitative duo Expand

Non-imitative duo

Voices:
Superius
Altus
Tenor
Bassus

Melodic interval of entry: 8-

Time interval of entry: B3

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: NIM: Fuga between Discantus and Tenor + Controsoggetto in the Contratenor and Bassus (Bassus is fragment, inverted of Contratenor).

<2922> Alessandra Ignesti [CRIM_Mass_0014_2] Missa Mente tota: Gloria Non-imitative duo Expand

Non-imitative duo

Voices:
Superius
Altus
Tenor
Bassus

Melodic interval of entry: 8-

Time interval of entry: B3

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: NIM: Fuga between the Discantus and Tenor + Contrsoggetto in the Contratenor and Bassus (fragment, inverted).

<2923> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) None -

Observation

<2924> Alessandra Ignesti [CRIM_Mass_0014_2] Missa Mente tota: Gloria Imitative duo Expand

Imitative duo

Voices:
Contratenor
Superius
Bassus
Tenor

Melodic interval of entry: 5+12-5+

Time interval of entry: S1/18/1

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<2925> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Soggetto Expand

Soggetto

Voice:
Discantus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<2926> Alessandra Ignesti [CRIM_Mass_0014_2] Missa Mente tota: Gloria Soggetto Expand

Soggetto

Voice:
Bassus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<2927> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Non-imitative duo Expand

Non-imitative duo

Voices:
Discantus
Contratenor
Tenor
Bassus

Melodic interval of entry: 8-

Time interval of entry: M8

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<2928> Alessandra Ignesti [CRIM_Mass_0014_2] Missa Mente tota: Gloria Contrapuntal duo -

Contrapuntal duo

Voices:
Bassus
Contratenor

<2929> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Contrapuntal duo -

Contrapuntal duo

Voices:
Discantus
Contratenor

Remarks: Homorhythm

<2930> Alessandra Ignesti [CRIM_Mass_0014_2] Missa Mente tota: Gloria Non-imitative duo Expand

Non-imitative duo

Voices:
Superius
Contratenor
Tenor
Bassus

Melodic interval of entry: 8-

Time interval of entry: B2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: Homorhythm

<2931> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Contrapuntal duo -

Contrapuntal duo

Voices:
Discantus
Contratenor

Remarks: Homorhythm

<2932> Alessandra Ignesti [CRIM_Mass_0014_2] Missa Mente tota: Gloria Non-imitative duo Expand

Non-imitative duo

Voices:
Superius
Contratenor
Tenor
Bassus

Melodic interval of entry: 8-

Time interval of entry: B2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: Homorhythm

<2933> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) None -

Observation

<2934> Alessandra Ignesti [CRIM_Mass_0014_2] Missa Mente tota: Gloria Homorhythm, Interval patterns Expand

Homorhythm, Interval patterns

Voices:
Superius
Altus
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

Voices:
Tenor
Bassus

Parallel 6: False

Parallel 3 (or 10): False

Chained 3 and 5: True

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: Chain 4/3 between Contratenor and Tenor.

<2935> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) None -

Observation

<2936> Alessandra Ignesti [CRIM_Mass_0014_2] Missa Mente tota: Gloria Non-imitative duo Expand

Non-imitative duo

Voices:
Superius
Contratenor
Tenor
Bassus

Melodic interval of entry: 8-

Time interval of entry: B3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<2937> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Contrapuntal duo -

Contrapuntal duo

Voices:
Discantus
Contratenor

Remarks: Homorhythm

<2938> Alessandra Ignesti [CRIM_Mass_0014_2] Missa Mente tota: Gloria Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

Remarks: Homorhythm

<2939> Alexis Risler [CRIM_Model_0017] Benedicta es None -

Observation

<2940> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Fuga, Imitative duo Expand

Fuga, Imitative duo

Voices:
Bassus
Discantus
Contratenor

Melodic interval of entry: 16+5-

Time interval of entry: S3/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Contratenor
Contratenor
Bassus
Contratenor

Melodic interval of entry: 5-4-8+

Time interval of entry: S1/5/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: IDs and Fuga have the same sogetto

<2941> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Contrapuntal duo -

Contrapuntal duo

Voices:
Discantus
Contratenor

Remarks: Homorhythm

<2942> Alessandra Ignesti [CRIM_Mass_0014_2] Missa Mente tota: Gloria Non-imitative duo Expand

Non-imitative duo

Voices:
Tenor
Bassus
Superius
Contratenor
Tenor
Bassus

Melodic interval of entry: 8+8-

Time interval of entry: S8/4

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: Normalized entries

<2943> Alexis Risler [CRIM_Model_0017] Benedicta es None -

Observation

<2944> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Fuga Expand

Fuga

Voices:
Contratenor
Bassus
Discantus
Contratenor

Melodic interval of entry: 8-12+4-

Time interval of entry: S3/1/3

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: flexed tonal entry in B1

<2945> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) None -

Observation

<2946> Alessandra Ignesti [CRIM_Mass_0014_2] Missa Mente tota: Gloria Non-imitative duo Expand

Non-imitative duo

Voices:
Tenor
Bassus
Tenor
Bassus

Melodic interval of entry: 1+

Time interval of entry: M24

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<2947> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Cadence Expand

Cadence

Cantizans: Discantus

Tenorizans: Tenor

Type: authentic

Tone: G

<2948> Alessandra Ignesti [CRIM_Mass_0014_2] Missa Mente tota: Gloria Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<2949> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Non-imitative duo Expand

Non-imitative duo

Voices:
Discantus
Tenor
Contratenor
Bassus

Melodic interval of entry: 5-

Time interval of entry: S8

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<2950> Alessandra Ignesti [CRIM_Mass_0014_2] Missa Mente tota: Gloria None -

Observation

<2951> Alessandra Ignesti [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Imitative duo Expand

Imitative duo

Voices:
Tenor
Discantus
Bassus
Tenor

Melodic interval of entry: 8+9-5+

Time interval of entry: M4/1/4

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<2952> Alessandra Ignesti [CRIM_Mass_0014_2] Missa Mente tota: Gloria None -

Observation

<2953> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Fuga Expand

Fuga

Voices:
Altus
Tenor

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Flexed : Just the head motif is strict

<2954> Raphaëlle Rouzic [CRIM_Mass_0019_4] Missa Veni sponsa Christi: Sanctus Fuga Expand

Fuga

Voices:
Tenor
Bassus

Melodic interval of entry: 5-

Time interval of entry: S2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2955> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[SextaVox]
[Tenor]
[Bassus]
[SextaVox]
[Tenor]
[Bassus]

Melodic interval of entry: 8+4-5-9+5-

Time interval of entry: S2/1/2/1/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: The fuga includes 2 kinds of ID: at S1 and S2

<2956> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Fuga Expand

Fuga

Voices:
Discantus
Contratenor
Bassus
Contratenor
Discantus
Bassus
Tenor
Contratenor
Bassus

Melodic interval of entry: 5-5-4+5+8-1+1+5-

Time interval of entry: M3/3/1/2/5/4/4/1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<2957> Alexis Risler [CRIM_Model_0017] Benedicta es Non-imitative duo Expand

Non-imitative duo

Voices:
[Contratenor]
[Bassus]
[Contratenor]
[SextaVox]
[Contratenor]
[Bassus]

Melodic interval of entry: 1+1+

Time interval of entry: S3/3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: 3-voice modules with Q

<2958> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
Contratenor
Bassus
Contratenor
Tenor

Melodic interval of entry: 5-8+4-

Time interval of entry: S1/1/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Voices:
Discantus
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<2959> Alexis Risler [CRIM_Model_0017] Benedicta es Non-imitative duo Expand

Non-imitative duo

Voices:
[Contratenor]
[Bassus]
[Contratenor]
[SextaVox]
[Contratenor]
[Bassus]

Melodic interval of entry: 1+1+

Time interval of entry: S3/3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: 3-voice modules with Q

<2960> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
Contratenor
Bassus
Contratenor
Tenor

Melodic interval of entry: 5-8+4-

Time interval of entry: S1/1/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Voices:
Discantus
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<2961> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[SextaVox]
[Tenor]

Melodic interval of entry: 8+

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2962> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Imitative duo Expand

Imitative duo

Voices:
Tenor
Bassus
Bassus
Discantus

Melodic interval of entry: 5-4-15+

Time interval of entry: S1/5/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: True

<2963> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Periodic entry Expand

Periodic entry

Voices:
Altus
Cantus
Bassus
Altus
Cantus

Melodic interval of entry: 4+5-8+8+

Time interval of entry: M8/8/8/8

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Added: True

Invertible: False

Remarks: Flexed : Cantus (measure 42) A ->C Altus (measure 44) rhythmic durations + added entry : >B M10 @4-

<2964> Raphaëlle Rouzic [CRIM_Mass_0019_4] Missa Veni sponsa Christi: Sanctus Fuga Expand

Fuga

Voices:
Altus
Tenor
Bassus

Melodic interval of entry: 5-8-

Time interval of entry: M5/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Flexed : The head motif isn't presented in his totality at the Bassus voice The Altus voice has somes rhythmic durations shifted

<2965> Alexis Risler [CRIM_Model_0017] Benedicta es None -

Observation

<2966> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Fuga Expand

Fuga

Voices:
Contratenor
Bassus
Contratenor
Discantus
Tenor
Bassus
Contratenor
Discantus
Bassus

Melodic interval of entry: 5-6+4+8-5-8+5+12-

Time interval of entry: S1/1/1/7/1/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: First and second entries start on the same beat. First note of entry in C1 is shortened, but for the form it has been considered as a breve starting on the downbeat of mes. 84

<2967> Alexis Risler [CRIM_Model_0017] Benedicta es None -

Observation

<2968> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Imitative duo Expand

Imitative duo

Voices:
Contratenor
Contratenor
Tenor
Contratenor

Melodic interval of entry: 1+1+1+

Time interval of entry: S2/7/2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<2969> Alexis Risler [CRIM_Model_0017] Benedicta es Contrapuntal duo -

Contrapuntal duo

Voices:
[Discantus]
[Contratenor]

Remarks: starts as a fuga

<2970> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Fuga, Non-imitative duo Expand

Fuga, Non-imitative duo

Voices:
Tenor
Contratenor
Discantus

Melodic interval of entry: 1+8+

Time interval of entry: S3/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Tenor
Contratenor
Discantus
Contratenor

Melodic interval of entry: 5+

Time interval of entry: S5

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: True

<2971> Alexis Risler [CRIM_Model_0017] Benedicta es None -

Observation

<2972> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Imitative duo Expand

Imitative duo

Voices:
Tenor
Contratenor
Contratenor
Discantus

Melodic interval of entry: 5+1+4+

Time interval of entry: S1/5/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: True

Remarks: Ascending scale on "Et ascendit in caelum"

<2973> Alexis Risler [CRIM_Model_0017] Benedicta es None -

Observation

<2974> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Fuga Expand

Fuga

Voices:
Tenor
Contratenor
Discantus
Contratenor

Melodic interval of entry: 1+8+8-

Time interval of entry: S3/2/3

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2975> Alexis Risler [CRIM_Model_0017] Benedicta es None -

Observation

<2976> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Periodic entry, Interval patterns Expand

Periodic entry, Interval patterns

Voices:
Contratenor
Tenor
Contratenor

Melodic interval of entry: 5-5+

Time interval of entry: S1/1

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Voices:
Discantus
Tenor

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<2977> Alexis Risler [CRIM_Model_0017] Benedicta es None -

Observation

<2978> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Periodic entry, Interval patterns Expand

Periodic entry, Interval patterns

Voices:
Contratenor
Tenor
Contratenor

Melodic interval of entry: 5-5+

Time interval of entry: S1/1

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Voices:
Discantus
Tenor

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<2979> Alexis Risler [CRIM_Model_0017] Benedicta es None -

Observation

<2980> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Fuga, Periodic entry Expand

Fuga, Periodic entry

Voices:
Tenor
Contratenor
Discantus

Melodic interval of entry: 5+4+

Time interval of entry: S1/1

Periodic: True

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Contratenor
Discantus
Contratenor

Melodic interval of entry: 5+5-

Time interval of entry: S1/1

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: Fuga starts as a new 3-entry PEN, but module is different

<2981> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[SextaVox]
[Tenor]
[Bassus]
[SextaVox]
[Tenor]
[Bassus]

Melodic interval of entry: 8+4-5-9+5-

Time interval of entry: S2/1/2/1/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: The fuga can be divided in 2 kinds of IDs: at S1 and S2

<2982> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor
Discantus

Melodic interval of entry: 4+5+4+

Time interval of entry: S1/2/3

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2983> Alexis Risler [CRIM_Model_0017] Benedicta es Non-imitative duo Expand

Non-imitative duo

Voices:
[Contratenor]
[Bassus]
[Contratenor]
[SextaVox]
[Contratenor]
[Bassus]

Melodic interval of entry: 1+1+

Time interval of entry: S3/3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: 3-voice module with Q

<2984> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Periodic entry, Non-imitative duo Expand

Periodic entry, Non-imitative duo

Voices:
Contratenor
Bassus
Tenor
Contratenor
Bassus
Tenor

Melodic interval of entry: 5-4+2+5-4+

Time interval of entry: S1/1/6/1/1

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: True

Voices:
Contratenor
Bassus
Contratenor
Bassus

Melodic interval of entry: 1+

Time interval of entry: S8

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: Not a single PEN with 6 entries, but 2x3 entries

<2985> Alexis Risler [CRIM_Model_0017] Benedicta es Soggetto Expand

Soggetto

Voice:
[Discantus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Remarks: Part of an homorythm section

<2986> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Fuga Expand

Fuga

Voices:
Bassus
Bassus
Bassus

Melodic interval of entry: 1+1+

Time interval of entry: S9/3

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2987> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Soggetto Expand

Soggetto

Voice:
Superior

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<2988> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<2989> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Contrapuntal duo -

Contrapuntal duo

Voices:
Superior
Contratenor

Remarks: Module: 10,9,8,6,5,3,6,5,3,3

<2990> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie Imitative duo Expand

Imitative duo

Voices:
Superius
Contratenor
Tenor
Bassus

Melodic interval of entry: 4-5-4-

Time interval of entry: M8/14/8

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: First Module: 10,9,8,6,5,3,6,5,3,3 Second Module: 10,9,8,6,5,3,6,5,3,3

<2991> Ian Lorenz [CRIM_Model_0015] Quo abiit dilectus tuus Soggetto Expand

Soggetto

Voice:
Superior

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<2992> Ian Lorenz [CRIM_Mass_0013_1] Missa Quo abiit dilectus tuus: Kyrie Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<2993> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Periodic entry Expand

Periodic entry

Voices:
Altus
Cantus
Bassus

Melodic interval of entry: 5+8-

Time interval of entry: S3/3

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Added: False

Invertible: True

Remarks: Flexed : Some rhythmic durations had been changed

<2994> Raphaëlle Rouzic [CRIM_Mass_0019_4] Missa Veni sponsa Christi: Sanctus Periodic entry Expand

Periodic entry

Voices:
Altus
Bassus
Tenor

Melodic interval of entry: 8-5+

Time interval of entry: M4/4

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: True

Invertible: True

Remarks: Added entry : > Altus M8 @4+ Strict entries : just a difference in a rhythmic duration measure 40 at the Bassus voice on the A note: 1 semi breve -> 1 minim

<2995> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Periodic entry Expand

Periodic entry

Voices:
Altus
Cantus
Bassus

Melodic interval of entry: 5+8-

Time interval of entry: S3/3

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Added: False

Invertible: True

Remarks: Flexed : Some rhythmic durations had been changed

<2996> Raphaëlle Rouzic [CRIM_Mass_0019_4] Missa Veni sponsa Christi: Sanctus Periodic entry Expand

Periodic entry

Voices:
Altus
Tenor
Bassus

Melodic interval of entry: 1+8-

Time interval of entry: S2/2

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: Flexed : Some rhythmic durations had been changed

<2997> Raphaëlle Rouzic [CRIM_Model_0019] Veni sponsa Christi Periodic entry Expand

Periodic entry

Voices:
Altus
Cantus
Bassus

Melodic interval of entry: 5+8-

Time interval of entry: S3/3

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Added: False

Invertible: True

Remarks: Flexed : Some rhythmic durations had been changed

<2998> Raphaëlle Rouzic [CRIM_Mass_0019_4] Missa Veni sponsa Christi: Sanctus Periodic entry Expand

Periodic entry

Voices:
Bassus
Tenor
Altus

Melodic interval of entry: 5+2+

Time interval of entry: S1/1

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: Flexed : Bassus and Tenor voices don't present the full head motif

<2999> Anne Nautré [CRIM_Model_0012] Voulant honneur Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<3000> Anne Nautré [CRIM_Mass_0010_1] Missa Voulant honneur: Kyrie Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

<3001> Anne Nautré [CRIM_Model_0012] Voulant honneur Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False