CRIM

Citations: The Renaissance Imitation Mass Project

Observations

ID Observer Piece Observation type Show details
<201> Alexis Risler [CRIM_Model_0017] Benedicta es Cantus firmus Expand

Cantus firmus

Voice:-

Rhythmic durations: True

Melodic intervals: True

<202> Alexis Risler [CRIM_Mass_0015_5] Missa Benedicta es: Agnus Dei Fuga, Imitative duo Expand

Fuga, Imitative duo

Voices:
[Tenor]
[Contratenor]
[Discantus]
[SextaVox]

Melodic interval of entry: 4+5+12-

Time interval of entry: S2/4/10

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[QuintaVox]
[Bassus]
[Discantus]
[Contratenor]

Melodic interval of entry: 5-12+5-

Time interval of entry: S1/10/1

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: One sogetto, some presented in ID, others are include in FG

<203> Alexis Risler [CRIM_Model_0017] Benedicta es Counter-soggetto Expand

Counter-soggetto

Voice:-

Rhythmic durations: True

Melodic intervals: True

Remarks: Counter sogetto from an NIM with 3 occurences

<204> Alexis Risler [CRIM_Mass_0015_5] Missa Benedicta es: Agnus Dei Fuga, Non-imitative duo Expand

Fuga, Non-imitative duo

Voices:
[Contratenor]
[SextaVox]
[QuintaVox]
[SextaVox]
[Tenor]

Melodic interval of entry: 5-1+1+8+

Time interval of entry: S2/2/5/5

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Discantus]
[Contratenor]
[Tenor]
[QuintaVox]
[Tenor]
[Bassus]
[Discantus]
[Discantus]

Melodic interval of entry: 8-5-8+

Time interval of entry: S5/9/5

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: True

Remarks: Some of the FG entries are in fact a second NIM: S/Q mes. 38-41; B/S mes. 41-43. Fauxbourdon in C/Q/S mes. 38-40

<205> Alexis Risler [CRIM_Model_0017] Benedicta es Imitative duo Expand

Imitative duo

Voices:
[Contratenor]
[Bassus]
[Discantus]
[Tenor]
[QuintaVox]
[SextaVox]

Melodic interval of entry: 8-12+8-5+8-

Time interval of entry: S3/3/3/6/3

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

<206> Alexis Risler [CRIM_Mass_0015_5] Missa Benedicta es: Agnus Dei Fuga Expand

Fuga

Voices:
[Contratenor]
[Tenor]
[SextaVox]
[Discantus]
[QuintaVox]
[Bassus]
[Discantus]
[QuintaVox]
[Tenor]
[Contratenor]
[SextaVox]

Melodic interval of entry: 1+8-12+8-5-12+8-5+1+8-

Time interval of entry: S3/3/3/3/12/3/3/3/3/3

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<207> Peter Schubert [CRIM_Model_0019] Veni sponsa Christi None -

Observation

<208> Peter Schubert [CRIM_Mass_0019_1] Missa Veni sponsa Christi: Kyrie None -

Observation

<209> Alexis Risler [CRIM_Model_0017] Benedicta es Imitative duo, Non-imitative duo Expand

Imitative duo, Non-imitative duo

Voices:
[Discantus]
[Contratenor]
[QuintaVox]
[Tenor]

Melodic interval of entry: 5-1+5-

Time interval of entry: S1/11/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Voices:
[Contratenor]
[Bassus]
[Tenor]
[SextaVox]

Melodic interval of entry: 5-

Time interval of entry: S12

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<210> Alexis Risler [CRIM_Mass_0015_5] Missa Benedicta es: Agnus Dei Imitative duo, Non-imitative duo, Interval patterns Expand

Imitative duo, Non-imitative duo, Interval patterns

Voices:
[Discantus]
[Contratenor]
[QuintaVox]
[Tenor]
[Contratenor]
[Bassus]
[Tenor]
[SextaVox]

Melodic interval of entry: 5-4-4+1+5-5+5-

Time interval of entry: S1/8/1/11/1/8/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: True

Voices:
[Discantus]
[Bassus]
[QuintaVox]
[SextaVox]

Melodic interval of entry: 8-

Time interval of entry: S9

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: True

Voices:
[Discantus]
[Bassus]

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: Parallel 10ths in the first ID become parallel 3rds in the second ID

<211> Alexis Risler [CRIM_Model_0017] Benedicta es Homorhythm Expand

Homorhythm

Voices:
[Discantus]
[Contratenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

Remarks: Homorythm is repeated in different voices (TQS)

<212> Alexis Risler [CRIM_Mass_0015_5] Missa Benedicta es: Agnus Dei Fuga, Non-imitative duo Expand

Fuga, Non-imitative duo

Voices:
[Discantus]
[QuintaVox]
[Discantus]

Melodic interval of entry: 8-8+

Time interval of entry: S6/6

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Tenor]
[Bassus]
[Contratenor]
[SextaVox]
[Tenor]
[Bassus]
[Contratenor]
[SextaVox]

Melodic interval of entry: 1+1+1

Time interval of entry: S6/6/6

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<213> Alexis Risler [CRIM_Model_0017] Benedicta es Periodic entry Expand

Periodic entry

Voices:
[Discantus]
[Tenor]
[SextaVox]

Melodic interval of entry: 8-8-

Time interval of entry: S2/2

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<214> Alexis Risler [CRIM_Mass_0015_5] Missa Benedicta es: Agnus Dei Fuga Expand

Fuga

Voices:
[Discantus]
[QuintaVox]
[SextaVox]
[Discantus]
[Bassus]
[Tenor]
[Contratenor]
[SextaVox]

Melodic interval of entry: 8-8-12+8-8+5-5-

Time interval of entry: M2/6/7/2/5/7/3

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<215> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<216> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<217> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Soggetto, Fuga Expand

Soggetto, Fuga

Voices:
Tenor
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<218> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Soggetto, Fuga Expand

Soggetto, Fuga

Voices:
Tenor
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M8

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<219> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M8

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<220> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Soggetto, Fuga Expand

Soggetto, Fuga

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
Superius
Bassus
Bassus
Contratenor

Melodic interval of entry: 12-8+

Time interval of entry: M8/7

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<221> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<222> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Fuga Expand

Fuga

Voices:
Bassus
Contratenor

Melodic interval of entry: 8+

Time interval of entry: M7

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<223> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: D

Dovetail voice: Tenor

Dovetail interval: 5+

<224> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Bassus

Type: authentic

Tone: D

Dovetail voice: Superius

<225> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<226> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<227> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M8

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<228> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Fuga Expand

Fuga

Voices:
Superius
Bassus
Tenor

Melodic interval of entry: 15-8+

Time interval of entry: M6/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<229> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: D

Dovetail voice: Superius

<230> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Bassus

Type: authentic

Tone: D

Dovetail voice: Superius

<231> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: D

Dovetail voice: Superius

<232> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: D

Dovetail voice: Superius

Remarks: Evaded cadence

<233> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M8

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Superius
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<234> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
Superius
Tenor

Melodic interval of entry: 8-

Time interval of entry: M8

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Tenor
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<235> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: D

Dovetail voice: Superius

<236> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: D

Dovetail voice: Superius

<237> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Fuga, Homorhythm Expand

Fuga, Homorhythm

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<238> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Fuga, Homorhythm Expand

Fuga, Homorhythm

Voices:
Tenor
Contratenor
Superius

Melodic interval of entry: 4+5+

Time interval of entry: M2/6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<239> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<240> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Non-imitative duo Expand

Non-imitative duo

Voices:
Tenor
Contratenor
Contratenor
Superius

Melodic interval of entry: 4+

Time interval of entry: M2

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: Intervals in first NIm: 43125314 *Intervals in second NIm: 4312(4)53(345)4 Second NIm is therefore slightly embellished *Notes in parentheses are those that divert from the original module

<241> Max Le Mée [CRIM_Model_0001] Vidi speciosam Soggetto, Periodic entry Expand

Soggetto, Periodic entry

Voice:
PrimusTenor

Rhythmic durations: True

Melodic intervals: False

Ostinato: False

Periodic: False

Voices:
PrimusTenor
SecundusTenor
Superius
Bassus

Melodic interval of entry: 1+8+8-

Time interval of entry: B1/1/1

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: The soggetto of this PEN is used rythmically for the anticipation of the PEN in the mass.

<242> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Periodic entry, Imitative duo Expand

Periodic entry, Imitative duo

Voices:
[Bassus]
[II.Tenor]
[Contratenor]

Melodic interval of entry: 8+1+

Time interval of entry: S1/1

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: True

Invertible: False

Voices:
[Bassus]
I.Tenor
[Contratenor]
[Superius]

Melodic interval of entry: 5+4+5+

Time interval of entry: S1/3/1

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: The PEN (and its added entries) is rythmically anticipated with 'Et in unum Dominum'. The added entries also build an ID, at the same location.

<243> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga, Form and process Expand

Fuga, Form and process

Voices:
PrimusTenor
Bassus
SecundusTenor
Contratenor
Superius
Bassus
PrimusTenor
Bassus
SecundusTenor

Melodic interval of entry: 4-4+5+5+4-3+4-4+

Time interval of entry: S1/2/2/1/1/5/1/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Internal repetition: True

Comment: The imitation at Primus Tenor, Bassus, Secondus Tenor is played twice, with additional entries at Superius, Contratenor, and Bassus.

Remarks: I do not have another solution but to indicate a Fg, though I rather consider this as a modular repetition with additional entries.

<244> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga Expand

Fuga

Voices:
[II.Tenor]
[Bassus]

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: A ridiculous little imitation, vanished as soon as it is proposed...

<245> Max Le Mée [CRIM_Model_0001] Vidi speciosam None -

Observation

<246> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[II.Tenor]
[Bassus]

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

<247> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
PrimusTenor
Bassus
Superius
SecundusTenor
Contratenor
Superius
PrimusTenor

Melodic interval of entry: 4-8+4-4+5+8-

Time interval of entry: M5/3/1/11/2/8

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: The Fg is vaguely anticipated by the TenorII and the Contratenor.

<248> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga Expand

Fuga

Voices:
[Bassus]
I.Tenor
[Superius]
[II.Tenor]
[Bassus]
[Superius]
[II.Tenor]
I.Tenor
[Contratenor]
[Bassus]

Melodic interval of entry: 4+5+8-8-5+8-1+4+4-

Time interval of entry: M6/8/6/11/5/5/4/4/2/5

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: The first entries are melodically reduced. The opening 5th/4th jump is replaced by a fall of 4th/5th that directly leads to the original third note of the soggetto.

<249> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga, Cadence Expand

Fuga, Cadence

Voices:
PrimusTenor
Contratenor
Superius
Contratenor
Bassus
PrimusTenor
Contratenor
SecundusTenor
Bassus
PrimusTenor
PrimusTenor
SecundusTenor
Bassus
SecundusTenor
Contratenor
Bassus

Melodic interval of entry: 4+5+9-1+5+2+5-5-4+1+5-5+1+1+5-

Time interval of entry: S1/2/1/3/1/1/3/4/1/3/2/1/3/2/1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Cantizans: Superius

Tenorizans: PrimusTenor

Type: authentic

Tone: G

Dovetail voice: Superius

Remarks: I considered two entries as truncated by one minime, in order to keep an account of time intervals with semibreves.

<250> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga, Cadence Expand

Fuga, Cadence

Voices:
[Superius]
[Bassus]
[II.Tenor]
I.Tenor
[II.Tenor]
I.Tenor

Melodic interval of entry: 8-4+4-2-1+

Time interval of entry: S5/1/5/4/2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Cantizans: [Superius]

Tenorizans: I.Tenor

Type: authentic

Tone: G

Dovetail voice: [Superius]

<251> Max Le Mée [CRIM_Model_0001] Vidi speciosam Imitative duo Expand

Imitative duo

Voices:
Superius
Contratenor
SecundusTenor
Bassus

Melodic interval of entry: 5-4-5-

Time interval of entry: S3/8/3

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

Remarks: The third entry actually enters one semibreve before what I have indicated (hence the 'flexed entries'), but restores balance just after that.

<252> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Imitative duo, Cadence Expand

Imitative duo, Cadence

Voices:
[II.Tenor]
[Bassus]

Melodic interval of entry: 5-

Time interval of entry: S3

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

Cantizans: [II.Tenor]

Tenorizans: [Bassus]

Type: authentic

Tone: D

Dovetail voice: [Superius]

<253> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga, Cadence Expand

Fuga, Cadence

Voices:
Contratenor
Bassus
SecundusTenor
Superius
Contratenor
PrimusTenor
Superius

Melodic interval of entry: 5-1+8+4-5-5+

Time interval of entry: M2/6/3/14/3/9

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Cantizans: Superius

Tenorizans: PrimusTenor

Type: authentic

Tone: G

Dovetail voice: SecundusTenor

Dovetail interval: 4-

<254> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Imitative duo, Cadence Expand

Imitative duo, Cadence

Voices:
[Bassus]
[II.Tenor]
[Superius]
[II.Tenor]

Melodic interval of entry: 1+8+8-

Time interval of entry: S2/5/2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

Cantizans: [II.Tenor]

Tenorizans: [Superius]

Type: authentic

Tone: D

Dovetail voice: [Superius]

Remarks: The cadence is inverted.

<255> Max Le Mée [CRIM_Model_0001] Vidi speciosam Soggetto Expand

Soggetto

Voice:
Bassus

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<256> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Imitative duo Expand

Imitative duo

Voices:
[Bassus]
[II.Tenor]

Melodic interval of entry: 1+

Time interval of entry: M9

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

Remarks: A soggetto that we find back several pagesbefore. It is reused on 'et resurexit'. It is probably far-fetched, but we can consider that Sohier makes a figuralism by 'resuscitating'an old soggetto...

<257> Max Le Mée [CRIM_Model_0001] Vidi speciosam Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: False

Melodic intervals: False

Ostinato: False

Periodic: False

<258> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga, Cadence Expand

Fuga, Cadence

Voices:
[Bassus]
[II.Tenor]
[Superius]
[Bassus]
[Superius]

Melodic interval of entry: 4+5+8-8+

Time interval of entry: M7/4/7/7

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Cantizans: [Superius]

Tenorizans: [II.Tenor]

Type: authentic

Tone: G

Dovetail voice: [Superius]

<259> Max Le Mée [CRIM_Model_0001] Vidi speciosam None -

Observation

<260> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Imitative duo, Cadence Expand

Imitative duo, Cadence

Voices:
[Superius]
[II.Tenor]

Melodic interval of entry: 5-

Time interval of entry: B1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Cantizans: [Superius]

Tenorizans: [II.Tenor]

Type: authentic

Tone: D

Dovetail voice: [Superius]

<261> Max Le Mée [CRIM_Model_0001] Vidi speciosam Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<262> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga, Homorhythm, Cadence Expand

Fuga, Homorhythm, Cadence

Voices:
I.Tenor
[II.Tenor]
[Superius]

Melodic interval of entry: 2+2-

Time interval of entry: M11/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Superius]
[Contratenor]
I.Tenor
[II.Tenor]
[Bassus]

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

Cantizans: [Superius]

Tenorizans: I.Tenor

Type: authentic

Tone: D

Dovetail voice: [Superius]

Remarks: The HR is based on the 'main soggetto', and developed in a little fuga.

<263> Max Le Mée [CRIM_Model_0001] Vidi speciosam Soggetto Expand

Soggetto

Voice:
PrimusTenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<264> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Homorhythm Expand

Homorhythm

Voices:
[Contratenor]
I.Tenor
[II.Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

Remarks: The 'second soggetto'is the basis of an HR on 'et mortuos'.

<265> Max Le Mée [CRIM_Model_0001] Vidi speciosam None -

Observation

<266> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Imitative duo, Cadence Expand

Imitative duo, Cadence

Voices:
[Superius]
I.Tenor
[Contratenor]
[Bassus]

Melodic interval of entry: 8-3+8-

Time interval of entry: S1/1/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Cantizans: [Superius]

Tenorizans: I.Tenor

Type: authentic

Tone: G

Dovetail voice: [Bassus]

Dovetail interval: 1+

<267> Max Le Mée [CRIM_Model_0001] Vidi speciosam None -

Observation

<268> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Imitative duo, Cadence Expand

Imitative duo, Cadence

Voices:
[II.Tenor]
[Bassus]

Melodic interval of entry: 5+

Time interval of entry: B1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Cantizans: [II.Tenor]

Tenorizans: [Bassus]

Type: authentic

Tone: D

Dovetail voice: [Superius]

<269> Agostino Magro [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<270> Agostino Magro [CRIM_Mass_0006_1] Missa Je suis déshéritée: Kyrie Soggetto Expand

Soggetto

Voice:
[Superius]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<271> Agostino Magro [CRIM_Model_0009] Je suis déshéritée None -

Observation

<272> Agostino Magro [CRIM_Mass_0006_1] Missa Je suis déshéritée: Kyrie Fuga Expand

Fuga

Voices:
[Tenor]
[Contratenor]

Melodic interval of entry: 5+

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<273> Agostino Magro [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<274> Agostino Magro [CRIM_Mass_0006_1] Missa Je suis déshéritée: Kyrie Fuga Expand

Fuga

Voices:
[Tenor]
[Contratenor]

Melodic interval of entry: 5+

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<275> Agostino Magro [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<276> Agostino Magro [CRIM_Mass_0006_1] Missa Je suis déshéritée: Kyrie Soggetto Expand

Soggetto

Voice:
[Superius]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<277> Agostino Magro [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M8

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<278> Agostino Magro [CRIM_Mass_0006_1] Missa Je suis déshéritée: Kyrie Fuga Expand

Fuga

Voices:
[Bassus]
[Superius]
[Tenor]

Melodic interval of entry: 6+6-

Time interval of entry: M41

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<279> Agostino Magro [CRIM_Model_0009] Je suis déshéritée None -

Observation

<280> Agostino Magro [CRIM_Mass_0006_1] Missa Je suis déshéritée: Kyrie Cadence Expand

Cadence

Cantizans: [Superius]

Tenorizans: [Tenor]

Type: authentic

Tone: D

Dovetail voice: [Superius]

<281> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: F

Dovetail voice: Superius

<282> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Bassus

Type: authentic

Tone: F

Dovetail voice: Superius

<283> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: F

Dovetail voice: Superius

<284> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: F

Dovetail voice: Superius

Remarks: Evaded

<285> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Contratenor

Type: authentic

Tone: F

Dovetail voice: Superius

<286> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie None -

Observation

<287> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<288> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Contrapuntal duo, Form and process Expand

Contrapuntal duo, Form and process

Voices:
Tenor
Superius

Comment: Similar to Gombert's combination in mm.21-23 between the tenor and the contratenor with a few slight rhythmic alterations

Remarks: Intervals in CD: 4313654

<289> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: C

Dovetail voice: Superius

<290> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Contratenor

Type: authentic

Tone: C

Dovetail voice: Superius

<291> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<292> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Fuga Expand

Fuga

Voices:
Bassus
Superius

Melodic interval of entry: 15+

Time interval of entry: M2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<293> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<294> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Fuga Expand

Fuga

Voices:
Contratenor
Tenor
Bassus

Melodic interval of entry: 2-4-

Time interval of entry: M1

Periodic: True

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<295> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée None -

Observation

<296> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Imitative duo Expand

Imitative duo

Voices:
Bassus
Superius
Contratenor
Tenor

Melodic interval of entry: 15+

Time interval of entry: M2/1

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

Remarks: First module: 12,17,17 Second module: 5, (1), -3, 3* *Parentheses indicate intervals outside of the module, and negative numbers indicate voice crossing

<297> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Bassus

Type: authentic

Tone: F

Dovetail voice: Superius

<298> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Superius

Type: authentic

Tone: F

Dovetail voice: Superius

<299> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<300> Ian Lorenz [CRIM_Mass_0007_1] Missa Je suis déshéritée: Kyrie Non-imitative duo Expand

Non-imitative duo

Voices:
Bassus
Contratenor
Superius
Contratenor

Melodic interval of entry: 5+3-

Time interval of entry: M4/1

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: First module: 3(45)686345 Second module: 3686345 Amazingly enough, the same module exists at the fifth above after 4 minims AND at the third below after 1 minim.