CRIM

Citations: The Renaissance Imitation Mass Project

Observations

ID Observer Piece Observation type Show details
<2502> Damien Bonnec [CRIM_Mass_0007_3] Missa Je suis déshéritée: Credo Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<2503> Damien Bonnec [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor
Superius

Melodic interval of entry: 1+5+4+

Time interval of entry: S1/1/2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<2504> Damien Bonnec [CRIM_Mass_0007_3] Missa Je suis déshéritée: Credo Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor
Superius

Melodic interval of entry: 1+5+4+

Time interval of entry: S1/1/3

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<2505> Damien Bonnec [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: S4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2506> Damien Bonnec [CRIM_Mass_0007_3] Missa Je suis déshéritée: Credo Fuga Expand

Fuga

Voices:
Tenor
Superius
Contratenor
Contratenor
Tenor
Superius
Superius

Melodic interval of entry: 8+5-1+1+5+

Time interval of entry: M7/7/11/5/11/10

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2507> Damien Bonnec [CRIM_Model_0009] Je suis déshéritée Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

Remarks: Tenor as additional CS

<2508> Damien Bonnec [CRIM_Mass_0007_3] Missa Je suis déshéritée: Credo Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

Remarks: Tenor as additional CS

<2509> Damien Bonnec [CRIM_Model_0009] Je suis déshéritée Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

Remarks: Tenor as additional CS

<2510> Damien Bonnec [CRIM_Mass_0007_3] Missa Je suis déshéritée: Credo Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

Remarks: Tenor as additional CS

<2511> Damien Bonnec [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Superius
Superius

Melodic interval of entry: 8+1+

Time interval of entry: M6/8

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2512> Damien Bonnec [CRIM_Mass_0007_3] Missa Je suis déshéritée: Credo Fuga Expand

Fuga

Voices:
Superius
Tenor
Bassus

Melodic interval of entry: 8-5-

Time interval of entry: M13/1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2513> Damien Bonnec [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M6

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2514> Damien Bonnec [CRIM_Mass_0007_3] Missa Je suis déshéritée: Credo Fuga Expand

Fuga

Voices:
Superius
Bassus
Tenor
Contratenor

Melodic interval of entry: 12-5+4+

Time interval of entry: M6/4/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2515> Damien Bonnec [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<2516> Damien Bonnec [CRIM_Mass_0007_3] Missa Je suis déshéritée: Credo Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<2517> Damien Bonnec [CRIM_Model_0009] Je suis déshéritée Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

<2518> Damien Bonnec [CRIM_Mass_0007_3] Missa Je suis déshéritée: Credo Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

<2519> Damien Bonnec [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor
Superius

Melodic interval of entry: 1+5+4+

Time interval of entry: S1/1/2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<2520> Damien Bonnec [CRIM_Mass_0007_3] Missa Je suis déshéritée: Credo Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor
Superius

Melodic interval of entry: 1+1+8+

Time interval of entry: M3/7/12

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2521> Damien Bonnec [CRIM_Model_0009] Je suis déshéritée Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

<2522> Damien Bonnec [CRIM_Mass_0007_3] Missa Je suis déshéritée: Credo Contrapuntal duo -

Contrapuntal duo

Voices:
Contratenor
Bassus

<2523> Damien Bonnec [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Contratenor
Superius

Melodic interval of entry: 5+4+

Time interval of entry: M3/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Bassus as CS to fuga 2 entry

<2524> Damien Bonnec [CRIM_Mass_0007_3] Missa Je suis déshéritée: Credo Fuga Expand

Fuga

Voices:
Contratenor
Tenor
Superius

Melodic interval of entry: 2-5+

Time interval of entry: S3/3

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Bassus is CS to Contratenor

<2525> Damien Bonnec [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Contratenor
Superius

Melodic interval of entry: 5+4+

Time interval of entry: M3/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Bassus is CS to Contratenor

<2526> Damien Bonnec [CRIM_Mass_0007_3] Missa Je suis déshéritée: Credo Fuga Expand

Fuga

Voices:
Contratenor
Tenor
Superius

Melodic interval of entry: 7-5+

Time interval of entry: S3/3

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Bassus is CS to Contratenor

<2527> Damien Bonnec [CRIM_Model_0009] Je suis déshéritée Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

<2528> Damien Bonnec [CRIM_Mass_0007_3] Missa Je suis déshéritée: Credo Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

<2529> Damien Bonnec [CRIM_Model_0009] Je suis déshéritée Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

<2530> Damien Bonnec [CRIM_Mass_0007_3] Missa Je suis déshéritée: Credo Non-imitative duo Expand

Non-imitative duo

Voices:
Contratenor
Superius
Bassus
Tenor

Melodic interval of entry: 8-

Time interval of entry: M8

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<2531> Damien Bonnec [CRIM_Model_0009] Je suis déshéritée Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

<2532> Damien Bonnec [CRIM_Mass_0007_3] Missa Je suis déshéritée: Credo Fuga Expand

Fuga

Voices:
Superius
Contratenor
Bassus
Tenor

Melodic interval of entry: 4-5-5+

Time interval of entry: M5/6/4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: The soggetto is a combination of the model's soggetto and counter soggetto

<2533> Damien Bonnec [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Bassus
Tenor
Superius
Bassus

Melodic interval of entry: 8+8+12-

Time interval of entry: M2/2/1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2534> Damien Bonnec [CRIM_Mass_0007_3] Missa Je suis déshéritée: Credo Fuga Expand

Fuga

Voices:
Contratenor
Superius
Bassus

Melodic interval of entry: 5+12-

Time interval of entry: M10/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2535> Damien Bonnec [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Superius
Bassus

Melodic interval of entry: 12-

Time interval of entry: M1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Contratenor as CS

<2536> Damien Bonnec [CRIM_Mass_0007_3] Missa Je suis déshéritée: Credo Fuga Expand

Fuga

Voices:
Superius
Bassus

Melodic interval of entry: 12-

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Tenor as CS

<2537> Damien Bonnec [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<2538> Damien Bonnec [CRIM_Mass_0007_3] Missa Je suis déshéritée: Credo Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<2539> Damien Bonnec [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<2540> Damien Bonnec [CRIM_Mass_0007_3] Missa Je suis déshéritée: Credo Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor

Melodic interval of entry: 4+2+

Time interval of entry: M4/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2541> Damien Bonnec [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<2542> Damien Bonnec [CRIM_Mass_0007_3] Missa Je suis déshéritée: Credo Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor

Melodic interval of entry: 4+2+

Time interval of entry: M5/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2543> Jon Oddie [CRIM_Model_0017] Benedicta es Fuga, Non-imitative duo Expand

Fuga, Non-imitative duo

Voices:
[Discantus]
[Contratenor]
[Tenor]

Melodic interval of entry: 4-5-

Time interval of entry: S12/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Contratenor]
[QuintaVox]
[Tenor]
[Bassus]

Melodic interval of entry: 5-

Time interval of entry: S2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: True

Remarks: The third entry of the subject has a longer initial note than the others, which I "regularised" in the analyses. The non-imitative duos are not true invertible counterpoint but direct double counterpoint at the third (the countersubject in the bassus in b. 58 is shifted up a third with respect to the subject, compared with its appearance in the quinta vox in b. 57)

<2544> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<2545> Jon Oddie [CRIM_Model_0017] Benedicta es Fuga, Non-imitative duo Expand

Fuga, Non-imitative duo

Voices:
[Discantus]
[Contratenor]
[Tenor]

Melodic interval of entry: 4-5-

Time interval of entry: S12/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Contratenor]
[QuintaVox]
[Tenor]
[Bassus]

Melodic interval of entry: 5-

Time interval of entry: S2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: True

Remarks: The third entry of the subject has a longer initial note than the others, which I "regularised" in the analyses. The non-imitative duos are not true invertible counterpoint but direct double counterpoint at the third (the countersubject in the bassus in b. 58 is shifted up a third with respect to the subject, compared with its appearance in the quinta vox in b. 57)

<2546> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<2547> Jon Oddie [CRIM_Model_0017] Benedicta es Non-imitative duo Expand

Non-imitative duo

Voices:
[Discantus]
[Contratenor]
[Tenor]
[SextaVox]

Melodic interval of entry: 8-

Time interval of entry: S6

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<2548> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<2549> Jon Oddie [CRIM_Model_0017] Benedicta es Non-imitative duo Expand

Non-imitative duo

Voices:
[Contratenor]
[Bassus]
[Contratenor]
[SextaVox]
[Contratenor]
[Bassus]

Melodic interval of entry: 1+1+

Time interval of entry: S3/3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: A new countersubject, first heard in combination with the chant soggetto and its countersubject in bb. 66-67, is formed into cadential ostinatos. The discantus also participates in the first and third presentations of this new non-imitative block (not indicated in the data entry for clarity)

<2550> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<2551> Jon Oddie [CRIM_Model_0017] Benedicta es Fuga, Imitative duo Expand

Fuga, Imitative duo

Voices:
[SextaVox]
[Tenor]
[Bassus]
[SextaVox]
[Tenor]
[Bassus]

Melodic interval of entry: 8+4-5-9+5-

Time interval of entry: S2/1/2/1/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[SextaVox]
[Tenor]
[Bassus]
[SextaVox]
[Tenor]
[Bassus]

Melodic interval of entry: 8+4-5-9+5-

Time interval of entry: S2/1/2/1/2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: True

Remarks: This is really an MTI presentation. Josquin brings in fuga entrances of the chant-derived descending-fourth motive alternately at 2-sb and 1-sb time intervals. As a result, the lattice of entrances involves *two* different repeated imitative duos, both altered through ic12. Entrances separated by 2sb are at 8+ and 5-; entrances separated by 1sb are at 4- and 9+.

<2552> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<2553> Jon Oddie [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[SextaVox]
[Bassus]

Melodic interval of entry: 7+

Time interval of entry: S2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<2554> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<2555> Jon Oddie [CRIM_Model_0017] Benedicta es Non-imitative duo, Cadence, Form and process Expand

Non-imitative duo, Cadence, Form and process

Voices:
[Tenor]
[SextaVox]
[Tenor]
[SextaVox]

Melodic interval of entry: 1+

Time interval of entry: S5

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Invertible: False

Cantizans: [Tenor]

Tenorizans: [SextaVox]

Type: authentic

Tone: G

Dovetail voice: [Contratenor]

Dovetail interval: 5+

Internal repetition: True

Remarks: Direct (quasi-ostinato) repetition of a cadential module in the same two voices.

<2556> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<2557> Jon Oddie [CRIM_Model_0017] Benedicta es Soggetto Expand

Soggetto

Voice:
[Bassus]

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<2558> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<2559> Jon Oddie [CRIM_Model_0017] Benedicta es Periodic entry, Non-imitative duo, Form and process Expand

Periodic entry, Non-imitative duo, Form and process

Voices:
[Contratenor]
[Discantus]
[QuintaVox]
[Tenor]
[Contratenor]
[Discantus]
[QuintaVox]
[Tenor]

Melodic interval of entry: 7+4-5-2+7+4-5-

Time interval of entry: S1

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: True

Voices:
[QuintaVox]
[Bassus]
[QuintaVox]
[Bassus]

Melodic interval of entry: 1+

Time interval of entry: S5

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Internal repetition: True

Remarks: The upper four voices form a lattice of invertible periodic entrances, with a repeating pattern of relationships creating two repetitions corresponding to the motivic repetition within the chant melody. The lower two voices form two NIms with the subject, only one of which is notated here.

<2560> Jon Oddie [CRIM_Model_0022] Benedicta es Form and process Expand

Form and process

Internal repetition: True

<2561> Jon Oddie [CRIM_Model_0017] Benedicta es Non-imitative duo, Form and process Expand

Non-imitative duo, Form and process

Voices:
[Tenor]
[SextaVox]
[Tenor]
[SextaVox]

Melodic interval of entry: 1+

Time interval of entry: S5

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Internal repetition: True

Remarks: This is the second of two NIms formed by the chant subject (in periodic entrances in the upper four voices) and a countersubject in one of the two lowest voices. (See the other relationship for a description of the PEn and the first NIm).

<2562> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto, Form and process Expand

Soggetto, Form and process

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

Internal repetition: True

<2563> Jon Oddie [CRIM_Model_0017] Benedicta es Fuga, Non-imitative duo Expand

Fuga, Non-imitative duo

Voices:
[QuintaVox]
[Contratenor]
[QuintaVox]
[Tenor]
[QuintaVox]

Melodic interval of entry: 1+1+1+1+

Time interval of entry: M4/2/6/6

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Discantus]
[QuintaVox]
[Discantus]
[QuintaVox]

Melodic interval of entry: 1+

Time interval of entry: M6

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: Here Josquin breaks the chant phrase into two motives, one corresponding to "et mittens" and the other to "sic salutavit". The "et mittens" motive forms a non-imitative duo which is repeated almost immediately by the same voices at the same pitch; the countersubject of this non-imitative duo is shared with the *other* non-imitative cell, as indicated here by the "fuga" entry. See the other relationship for details of the second non-imitative cell.

<2564> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<2565> Jon Oddie [CRIM_Model_0017] Benedicta es Non-imitative duo, Homorhythm, Form and process Expand

Non-imitative duo, Homorhythm, Form and process

Voices:
[Contratenor]
[Tenor]
[SextaVox]
[Bassus]
[Discantus]
[Contratenor]
[Tenor]
[SextaVox]
[Bassus]
[Discantus]
[Contratenor]
[QuintaVox]
[SextaVox]
[Bassus]

Melodic interval of entry: 1+1+

Time interval of entry: S4/4

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Voices:
[Discantus]
[Contratenor]
[Tenor]
[QuintaVox]
[SextaVox]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

Internal repetition: True

Remarks: The chant motive provides one strand of a homorhythmic four-voice NIm, which becomes a five-voice NIm when repeated through the addition of a fifth strand in the discantus. There is a limited amount of invertible counterpoint in that the chant motive which was in the bassus (but not the lowest voice) is moved up an octave into the contratenor for the second two presentations.

<2566> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<2567> Jon Oddie [CRIM_Model_0017] Benedicta es Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
[Discantus]
[Bassus]

Melodic interval of entry: 10-

Time interval of entry: B1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Tenor]
[SextaVox]

Parallel 6: False

Parallel 3 (or 10): False

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: Josquin flexes the chant soggetto between its second and third notes (A-B-A-G-.. becomes B-C-A-G-..). Very loose suggestion of fuga entry in the bass. There is a stretto-fuga-derived sequence of rising fourths and falling thirds in the tenor and sexta vox.

<2568> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<2569> Jon Oddie [CRIM_Model_0017] Benedicta es Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
[Discantus]
[Bassus]

Melodic interval of entry: 10-

Time interval of entry: B1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Tenor]
[SextaVox]

Parallel 6: False

Parallel 3 (or 10): False

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: Josquin flexes the chant soggetto between its second and third notes (A-B-A-G-.. becomes B-C-A-G-..). Very loose suggestion of fuga entry in the bass. There is a stretto-fuga-derived sequence of rising fourths and falling thirds in the tenor and sexta vox.

<2570> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<2571> Jon Oddie [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[Contratenor]
[Discantus]

Melodic interval of entry: 5+

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2572> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
Cantus

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<2573> Jon Oddie [CRIM_Model_0017] Benedicta es Soggetto, Fuga Expand

Soggetto, Fuga

Voice:
[Contratenor]

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
[Discantus]
[Tenor]

Melodic interval of entry: 8-

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: As with the previous segment of chant, the "fuga" is limited to a brief pre-imitation of the ornamented chant soggetto

<2574> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<2575> Jon Oddie [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[Discantus]
[Tenor]

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Very brief fuga on a four-note motive from the chant, followed by free counterpoint.

<2576> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<2577> Jon Oddie [CRIM_Model_0017] Benedicta es None -

Observation

<2578> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<2579> Jon Oddie [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[Contratenor]
[Discantus]
[Discantus]

Melodic interval of entry: 1+1+

Time interval of entry: S1/6

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2580> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<2581> Jon Oddie [CRIM_Model_0017] Benedicta es Non-imitative duo, Form and process Expand

Non-imitative duo, Form and process

Voices:
[Discantus]
[Contratenor]
[Discantus]
[Contratenor]

Melodic interval of entry: 1+

Time interval of entry: M6

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Internal repetition: True

Remarks: Immediate unaltered repetition of a two-voice NIm. (The first NIm presentation is disguised by the presence of a brief fuga cell, to whose final note the countersubject is spliced in the contratenor)

<2582> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<2583> Jon Oddie [CRIM_Model_0017] Benedicta es Fuga, Periodic entry, Imitative duo Expand

Fuga, Periodic entry, Imitative duo

Voices:
[Contratenor]
[Bassus]
[Discantus]
[Tenor]
[QuintaVox]
[SextaVox]

Melodic interval of entry: 8-12+8-5+8-

Time interval of entry: S3/3/3/6/3

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Contratenor]
[Bassus]
[Discantus]
[Tenor]

Melodic interval of entry: 8-12+8-5+8-

Time interval of entry: S3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: True

Voices:
[Discantus]
[Tenor]
[QuintaVox]
[SextaVox]

Melodic interval of entry: 8-5+8-

Time interval of entry: S3/6/3

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: The first four fuga entries (contratenor/bassus/discantus/tenor) are periodic entries at the distance of three semibreves; after an alternative interlock at the distance of six semibreves (tenor/quinta vox), the next two entrances (quinta vox/sexta vox) repeat the relationship of the opening PEn as an ID.

<2584> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<2585> Jon Oddie [CRIM_Model_0017] Benedicta es Non-imitative duo Expand

Non-imitative duo

Voices:
[QuintaVox]
[Discantus]
[SextaVox]
[Tenor]

Melodic interval of entry: 8-

Time interval of entry: S3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: These NIms could also be considered semi-imitative: the "countersubject" in the upper voice represents a partial entrance of the chant soggetto beginning at its fourth note.

<2586> Jon Oddie [CRIM_Model_0022] Benedicta es None -

Observation

<2587> Jon Oddie [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[Contratenor]
[Bassus]
[Discantus]
[Tenor]
[QuintaVox]
[SextaVox]

Melodic interval of entry: 8-12+8-5+8-

Time interval of entry: S3/3/3/6/3

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: A direct repetition of the preceding point of imitation on "Nunc Mater exora natum": see the two relationships there for details

<2588> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<2589> Jon Oddie [CRIM_Model_0017] Benedicta es Imitative duo, Non-imitative duo Expand

Imitative duo, Non-imitative duo

Voices:
[Discantus]
[Contratenor]
[QuintaVox]
[Tenor]

Melodic interval of entry: 5-1+5-

Time interval of entry: S1/11/1

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

Voices:
[Discantus]
[Bassus]
[QuintaVox]
[SextaVox]

Melodic interval of entry: 5-

Time interval of entry: S12

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: The fuga entrances + countersubject form a three-voice cell which is repeated a fifth lower at its second presentation (with minor flexing in all voices).

<2590> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<2591> Jon Oddie [CRIM_Model_0017] Benedicta es Non-imitative duo, Homorhythm Expand

Non-imitative duo, Homorhythm

Voices:
[Discantus]
[Contratenor]
[Bassus]
[Tenor]
[QuintaVox]
[SextaVox]

Melodic interval of entry: 8-

Time interval of entry: S6

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: True

Voices:
[Discantus]
[Contratenor]
[Bassus]
[Tenor]
[QuintaVox]
[SextaVox]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

Remarks: Chant melody forms one strand of a homorhythmic 3-voice NIm, repeated immediately by the other three voices. The second presentation exchanges the top two voices (ic8)

<2592> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<2593> Jon Oddie [CRIM_Model_0017] Benedicta es Non-imitative duo, Homorhythm Expand

Non-imitative duo, Homorhythm

Voices:
[Discantus]
[Contratenor]
[Bassus]
[Tenor]
[QuintaVox]
[SextaVox]

Melodic interval of entry: 8-

Time interval of entry: S6

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: True

Voices:
[Discantus]
[Contratenor]
[Bassus]
[Tenor]
[QuintaVox]
[SextaVox]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

Remarks: Chant melody forms one strand of a homorhythmic 3-voice NIm, repeated immediately by the other three voices. The second presentation exchanges the top two voices (ic8)

<2594> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<2595> Jon Oddie [CRIM_Model_0017] Benedicta es Non-imitative duo, Homorhythm Expand

Non-imitative duo, Homorhythm

Voices:
[Discantus]
[Contratenor]
[Bassus]
[Tenor]
[QuintaVox]
[SextaVox]

Melodic interval of entry: 8-

Time interval of entry: S6

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: True

Voices:
[Discantus]
[Contratenor]
[Bassus]
[Tenor]
[QuintaVox]
[SextaVox]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

Remarks: Chant melody forms one strand of a homorhythmic 3-voice NIm, repeated immediately by the other three voices. The second presentation exchanges the top two voices (ic8)

<2596> Jon Oddie [CRIM_Model_0022] Benedicta es Soggetto Expand

Soggetto

Voice:
undefined (1)

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<2597> Stephanie Schlagel [CRIM_Model_0008] Ave Maria Periodic entry Expand

Periodic entry

Voices:
[Superius]
Altus
Tenor
Bassus

Melodic interval of entry: 8-1+8-

Time interval of entry: S4/4/4

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<2598> Stephanie Schlagel [CRIM_Mass_0005_4] Missa Ave Maria: Sanctus Fuga Expand

Fuga

Voices:
Altus
Sup[erius]

Melodic interval of entry: 8+

Time interval of entry: S5

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2599> Stephanie Schlagel [CRIM_Model_0008] Ave Maria Fuga Expand

Fuga

Voices:
Tenor
Bassus

Melodic interval of entry: 8-

Time interval of entry: B2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<2600> Stephanie Schlagel [CRIM_Mass_0005_4] Missa Ave Maria: Sanctus Contrapuntal duo -

Contrapuntal duo

Voices:
Tenor
Bassus

Remarks: Bassus soggetto also in Altus m. 29-31, Tenor 32-34

<2601> Stephanie Schlagel [CRIM_Model_0008] Ave Maria None -

Observation