CRIM

Citations: The Renaissance Imitation Mass Project

Observations

ID Observer Piece Observation type Show details
<101> Alexis Risler [CRIM_Model_0017] Benedicta es Periodic entry Expand

Periodic entry

Voices:
[Contratenor]
[Discantus]
[QuintaVox]

Melodic interval of entry: 7+4-

Time interval of entry: S1/1

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: True

<102> Alexis Risler [CRIM_Mass_0015_2] Missa Benedicta es: Gloria Periodic entry Expand

Periodic entry

Voices:
Contratenor
Discantus
Bassus

Melodic interval of entry: 7+11-

Time interval of entry: S1/1

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: True

<103> Alexis Risler [CRIM_Model_0017] Benedicta es Homorhythm Expand

Homorhythm

Voices:
[Discantus]
[Contratenor]
[Tenor]
[SextaVox]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

Remarks: The whole passage is repeated. Same music, but different voices.

<104> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Non-imitative duo Expand

Non-imitative duo

Voices:
Discantus
Contratenor
Tenor
Contratenor
Discantus
Contratenor
Tenor
Contratenor
Discantus
Contratenor
Tenor
Contratenor

Melodic interval of entry: 8-8+8-8+8-

Time interval of entry: S3/3/3/3/3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: True

Remarks: There is also a fuga between the two bassus voices, 1+ S3

<105> Alexis Risler [CRIM_Model_0017] Benedicta es Contrapuntal duo -

Contrapuntal duo

Voices:
[Discantus]
[Contratenor]

<106> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Non-imitative duo Expand

Non-imitative duo

Voices:
Contratenor
Discantus
Discantus
Contratenor

Melodic interval of entry: 5-

Time interval of entry: S12

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Invertible: True

<107> Alexis Risler [CRIM_Model_0017] Benedicta es Imitative duo Expand

Imitative duo

Voices:
[Contratenor]
[Bassus]
[Discantus]
[Tenor]
[QuintaVox]
[SextaVox]

Melodic interval of entry: 8-12+8-5+8-

Time interval of entry: S3/3/3/6/3

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

<108> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Fuga Expand

Fuga

Voices:
Discantus
Contratenor

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<109> Alexis Risler [CRIM_Model_0017] Benedicta es Imitative duo Expand

Imitative duo

Voices:
[Discantus]
[Contratenor]
[QuintaVox]
[Tenor]

Melodic interval of entry: 5-1+5-

Time interval of entry: S1/11/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: True

<110> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Fuga Expand

Fuga

Voices:
Discantus
Contratenor
Contratenor
Contratenor
Tenor

Melodic interval of entry: 4-1+1+5-

Time interval of entry: M4/10/10/1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<111> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
[Discantus]
[Contratenor]

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Discantus]
[Contratenor]

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<112> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Imitative duo, Interval patterns Expand

Imitative duo, Interval patterns

Voices:
Discantus
Contratenor
Tenor
Contratenor

Melodic interval of entry: 5-4-4+

Time interval of entry: S1/5/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: True

Voices:
Discantus
Contratenor

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: Parallel 3rds in the first ID make parallel 6ths in the second ID (invertible counterpoint)

<113> Alexis Risler [CRIM_Model_0017] Benedicta es Cadence Expand

Cadence

Cantizans: [Contratenor]

Tenorizans: [Discantus]

Type: authentic

Tone: D

Dovetail voice: [Discantus]

<114> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Cadence Expand

Cadence

Cantizans: Contratenor

Tenorizans: Discantus

Type: authentic

Tone: D

Dovetail voice: Tenor

Dovetail interval: 4-

<115> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[Discantus]
[Contratenor]

Melodic interval of entry: 8-

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<116> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Fuga Expand

Fuga

Voices:
Discantus
Tenor
Contratenor
Contratenor

Melodic interval of entry: 8-5+2-

Time interval of entry: S1/3/1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<117> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[Contratenor]
[Discantus]

Melodic interval of entry: 4+

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<118> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Fuga Expand

Fuga

Voices:
Contratenor
Discantus

Melodic interval of entry: 4+

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<119> Alexis Risler [CRIM_Model_0017] Benedicta es Soggetto Expand

Soggetto

Voice:
[Discantus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<120> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Fuga Expand

Fuga

Voices:
Contratenor
Discantus

Melodic interval of entry: 8+

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<121> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[Contratenor]
[Discantus]

Melodic interval of entry: 4+

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<122> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Fuga Expand

Fuga

Voices:
Contratenor
Discantus

Melodic interval of entry: 4+

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<123> Alexis Risler [CRIM_Model_0017] Benedicta es Soggetto Expand

Soggetto

Voice:
[Bassus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<124> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Fuga Expand

Fuga

Voices:
Contratenor
Discantus

Melodic interval of entry: 8+

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<125> Alexis Risler [CRIM_Model_0017] Benedicta es Non-imitative duo Expand

Non-imitative duo

Voices:
[QuintaVox]
[Bassus]
[QuintaVox]
[SextaVox]
[QuintaVox]
[Bassus]

Melodic interval of entry: 1+1+

Time interval of entry: S3

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<126> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Contrapuntal duo, Fuga Expand

Contrapuntal duo, Fuga

Voices:
Contratenor
Bassus

Voice: -

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Contrapuntal duo is the NIM of the model, but there is also Fuga Contratenor>Bassus 5- S1, and also parallel 10ths between Discantus and Bassus

<127> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[Discantus]
[Contratenor]

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Also [Discantus] [Contratenor] parallel 3rds

<128> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
Contratenor
Bassus
Contratenor
Discantus

Melodic interval of entry: 5-8+5+

Time interval of entry: S1/4/3

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Contratenor
Bassus

Parallel 6: False

Parallel 3 (or 10): False

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: Also Contratenor Bassus parallel 3rds

<129> Alexis Risler [CRIM_Model_0017] Benedicta es Imitative duo, Non-imitative duo Expand

Imitative duo, Non-imitative duo

Voices:
[Discantus]
[Contratenor]
[QuintaVox]
[Tenor]

Melodic interval of entry: 5-1+5-

Time interval of entry: S1/11/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: True

Voices:
[Contratenor]
[Bassus]
[Tenor]
[SextaVox]

Melodic interval of entry: 5-

Time interval of entry: S12

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: The three voices make both Imitative Duos and Non-Imitative Duos.

<130> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Imitative duo Expand

Imitative duo

Voices:
Contratenor
Bassus
Discantus
Tenor

Melodic interval of entry: 5-8+5-

Time interval of entry: M1/16/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: Two "added'or "fake" entries: Tenor mes.208, Contratenor1 mes. 210

<131> Alexis Risler [CRIM_Model_0017] Benedicta es Soggetto Expand

Soggetto

Voice:
[Discantus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<132> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Soggetto Expand

Soggetto

Voice:
Discantus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<133> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[Contratenor]
[Tenor]

Melodic interval of entry: 1+

Time interval of entry: M1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<134> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Periodic entry Expand

Periodic entry

Voices:
Discantus
Contratenor
Contratenor
Tenor

Melodic interval of entry: 8-1+1+

Time interval of entry: M1/1/1

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<135> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[Contratenor]
[Tenor]

Melodic interval of entry: 1+

Time interval of entry: M1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<136> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Periodic entry Expand

Periodic entry

Voices:
Discantus
Contratenor
Contratenor
Tenor
Bassus

Melodic interval of entry: 8-1+1+8-

Time interval of entry: M1/1/1/1

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<137> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[QuintaVox]
[Tenor]

Melodic interval of entry: 1+

Time interval of entry: M1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<138> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Periodic entry Expand

Periodic entry

Voices:
Bassus
Contratenor
Contratenor
Tenor

Melodic interval of entry: 8+1+8-

Time interval of entry: M1/1/1

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<139> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[QuintaVox]
[Tenor]

Melodic interval of entry: 1+

Time interval of entry: M1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<140> Alexis Risler [CRIM_Mass_0015_3] Missa Benedicta es: Credo Fuga Expand

Fuga

Voices:
Discantus
Tenor

Melodic interval of entry: 8-

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<141> Anne Nautré [CRIM_Model_0020] Susanne un jour Fuga, Non-imitative duo Expand

Fuga, Non-imitative duo

Voices:
Superius
QuintaPars
Tenor
Bassus

Melodic interval of entry: 8-1+4-

Time interval of entry: M7/4/5

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Voices:
Superius
Contratenor
QuintaPars
Bassus

Melodic interval of entry: 8-

Time interval of entry: M7

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: "flexed entries": motif à S et B commence par une semi-brève, à Q et T par une minime

<142> Anne Nautré [CRIM_Mass_0020_1] Missa Susanne un jour: Kyrie Fuga, Non-imitative duo Expand

Fuga, Non-imitative duo

Voices:
[Superius]
TenorSecundus
Tenor

Melodic interval of entry: 8-1+

Time interval of entry: M7/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Superius]
Contratenor
TenorSecundus
Bassus

Melodic interval of entry: 8-

Time interval of entry: M7

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Invertible: False

<143> Anne Nautré [CRIM_Model_0020] Susanne un jour Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

Remarks: Le motif à S peut être considéré comme "sogetto", et le motif à C comme son "counter sogetto": rapport d'intervalles caractéristique (3)/5/8/5

<144> Anne Nautré [CRIM_Mass_0020_1] Missa Susanne un jour: Kyrie Contrapuntal duo -

Contrapuntal duo

Voices:
[Superius]
Bassus

<145> Anne Nautré [CRIM_Model_0020] Susanne un jour Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<146> Anne Nautré [CRIM_Mass_0020_1] Missa Susanne un jour: Kyrie Fuga Expand

Fuga

Voices:
[Superius]
TenorSecundus
Bassus
Contratenor

Melodic interval of entry: 8-4-8+

Time interval of entry: M4/8/8

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: m.14, B participe à la "fuga" mais les valeurs rythmiques sont changées: seule voix à citer exactement le "sogetto" du modèle

<147> Anne Nautré [CRIM_Model_0020] Susanne un jour Counter-soggetto Expand

Counter-soggetto

Voice:
Contratenor

Rhythmic durations: True

Melodic intervals: True

<148> Anne Nautré [CRIM_Mass_0020_1] Missa Susanne un jour: Kyrie Fuga Expand

Fuga

Voices:
Bassus
Tenor
Bassus

Melodic interval of entry: 5+4-

Time interval of entry: M9/17

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: "Flexed entries": valeur rythmique de la première note

<149> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[Bassus]
[SextaVox]
[Bassus]

Melodic interval of entry: 1+1+

Time interval of entry: S3/3

Periodic: True

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<150> Alexis Risler [CRIM_Mass_0015_4] Missa Benedicta es: Sanctus Fuga, Imitative duo, Interval patterns Expand

Fuga, Imitative duo, Interval patterns

Voices:
Contratenor
Discantus
Bassus

Melodic interval of entry: 5+4-

Time interval of entry: S5/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Contratenor
Tenor
Contratenor
Tenor

Melodic interval of entry: 5-5+5-

Time interval of entry: S1/24/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Voices:
Tenor
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: The two IDs are far from each other, but there are 3 "singleton" in between, entered here as Fuga

<151> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[Contratenor]
[Discantus]

Melodic interval of entry: 5+

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<152> Alexis Risler [CRIM_Mass_0015_4] Missa Benedicta es: Sanctus Fuga, Imitative duo Expand

Fuga, Imitative duo

Voices:
Contratenor
Tenor
Tenor

Melodic interval of entry: 7-2-

Time interval of entry: S6/19

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Tenor
Contratenor
Contratenor
Contratenor

Melodic interval of entry: 5+4+4-

Time interval of entry: S1/22/1

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: True

Remarks: The two IDs are far from each other, and there are 3 "singleton" (same sogetto than the IDs), notated here as Fuga

<153> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[Discantus]
[Contratenor]

Melodic interval of entry: 8-

Time interval of entry: M1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<154> Alexis Risler [CRIM_Mass_0015_4] Missa Benedicta es: Sanctus Imitative duo Expand

Imitative duo

Voices:
Contratenor
Contratenor
Contratenor
Tenor
Tenor
Contratenor

Melodic interval of entry: 1+1+8-4+8+

Time interval of entry: M1/8/1/34/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: Short canon used in different ways. I selected the notes referring to the model. Same motives in mes. 57-58, but part of a larger fuga starting in mes. 54.

<155> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[Discantus]
[Contratenor]

Melodic interval of entry: 8-

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<156> Alexis Risler [CRIM_Mass_0015_4] Missa Benedicta es: Sanctus Fuga Expand

Fuga

Voices:
Contratenor
Tenor
Contratenor
Contratenor
Tenor
Contratenor
Contratenor
Contratenor
Tenor
Contratenor
Contratenor
Contratenor
Contratenor

Melodic interval of entry: 8-4+5+8-5+2-1+1+5+5-5+5-

Time interval of entry: S4/5/4/1/1/5/4/3/1/4/4/2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<157> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga, Cadence Expand

Fuga, Cadence

Voices:
Superius
Contratenor
PrimusTenor
Bassus
SecundusTenor
Superius

Melodic interval of entry: 4-5-4-4+8+

Time interval of entry: M6/10/6/11/3

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Cantizans: Bassus

Tenorizans: Contratenor

Type: authentic

Tone: G

Dovetail voice: Superius

Remarks: A very free fuga based on an idea asserted in another comment. I have indicated a CAD that is not really a CAD, as to compare with the mass. This whole song, anyway, counts a lot of cadential clausules for very few CAD actually audible, due to a lot of dovetails and a 'restless'behaviour. The CAD I selected is inverted, I cannot indicate it... As the soggetto of 'Vidi speciosam'is used again on 'Cuius inastimabilis', I have selected the latter, though I do not describe it. (after reflection, I find the actual CAD on bar 28, it could be the model of the CAD in the mass. I will indicate it in another comment)

<158> Max Le Mée [CRIM_Mass_0002_1] Missa Vidi speciosam: Kyrie Fuga, Cadence Expand

Fuga, Cadence

Voices:
[Superius]
[Contratenor]
I.Tenor
[Bassus]
[II.Tenor]
[Contratenor]
[Superius]
I.Tenor
[Bassus]
[II.Tenor]
[Contratenor]
[Bassus]
I.Tenor

Melodic interval of entry: 4-5-4-4+5+8-5+8-5-4+5+8-4+

Time interval of entry: M6/6/6/9/2/4/4/10/5/7/2/4/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Cantizans: [Superius]

Tenorizans: [II.Tenor]

Type: authentic

Tone: G

Dovetail voice: [Superius]

Remarks: The fuga is based on an ID I have already asserted in another comment. It is hard to find any other structural element in this fuga, as it is quite free. The first kyrie is based on only one element, leading to the CAD.

<159> Max Le Mée [CRIM_Model_0001] Vidi speciosam Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: SecundusTenor

Type: authentic

Tone: G

Dovetail voice: Superius

<160> Max Le Mée [CRIM_Mass_0002_1] Missa Vidi speciosam: Kyrie Cadence Expand

Cadence

Cantizans: [Superius]

Tenorizans: [II.Tenor]

Type: authentic

Tone: G

Dovetail voice: [Superius]

<161> Agostino Magro [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: S3

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<162> Agostino Magro [CRIM_Mass_0006_1] Missa Je suis déshéritée: Kyrie Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: S3

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<163> Agostino Magro [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor
Superius

Melodic interval of entry: 8+5+4+

Time interval of entry: S1/1/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<164> Agostino Magro [CRIM_Mass_0006_1] Missa Je suis déshéritée: Kyrie Fuga Expand

Fuga

Voices:
[Bassus]
[Tenor]
[Contratenor]
[Superius]

Melodic interval of entry: 8+5+4+

Time interval of entry: S1/1/2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<165> Max Le Mée [CRIM_Model_0001] Vidi speciosam Imitative duo Expand

Imitative duo

Voices:
Superius
Contratenor
SecundusTenor
Bassus

Melodic interval of entry: 5-4-5-

Time interval of entry: S3/7/4

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

Remarks: In the second duo, the first entry has been anticipated, so that the counterpoint is the one of an ID, even though the time interval of entries is not 'regular'. The Primis Tenor enters in imitation, turning the ID into a Fg.

<166> Max Le Mée [CRIM_Mass_0002_1] Missa Vidi speciosam: Kyrie Imitative duo Expand

Imitative duo

Voices:
I.Tenor
[Bassus]
[Superius]
[Contratenor]

Melodic interval of entry: 5-5+5-

Time interval of entry: S3/8/3

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: There is an added entry in Tenor II in m.26

<167> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
Superius
Contratenor
PrimusTenor
Bassus
Contratenor

Melodic interval of entry: 4-5-4-5+8+

Time interval of entry: S3/5/3/5/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: A big fuga, quite free, starting on an ID, broken by several secundary soggetti.

<168> Max Le Mée [CRIM_Mass_0002_1] Missa Vidi speciosam: Kyrie Fuga Expand

Fuga

Voices:
[Superius]
[Contratenor]
I.Tenor
[Bassus]
[II.Tenor]
[Contratenor]
[Bassus]
[Superius]
I.Tenor
[Bassus]
[II.Tenor]
[Bassus]
I.Tenor

Melodic interval of entry: 4-5-4-4+5+8-12+8-5-4+4-4+

Time interval of entry: S3/3/3/4/2/2/2/5/3/3/3/3

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: The fuga contains two PENs (at the start and end)

<169> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
Contratenor
Bassus
SecundusTenor
Superius
Bassus
Contratenor
Superius

Melodic interval of entry: 5-1+8+4-8+5-5+

Time interval of entry: S1/3/2/5/2/1/5

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: A fuga that is quite free. I cannot find any 'bigger'structural element.

<170> Max Le Mée [CRIM_Mass_0002_1] Missa Vidi speciosam: Kyrie Fuga, Cadence Expand

Fuga, Cadence

Voices:
I.Tenor
[II.Tenor]
[Contratenor]
I.Tenor
[Bassus]
[Bassus]
[Superius]
[Bassus]
[Contratenor]
I.Tenor

Melodic interval of entry: 1+5+5-4-5-8+

Time interval of entry: S2/3/1/1/5/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Cantizans: [Superius]

Tenorizans: I.Tenor

Type: plagal

Tone: D

Dovetail voice: [Superius]

Remarks: End of the Christe.

<171> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
SecundusTenor
Contratenor
PrimusTenor
Superius
Bassus
Contratenor
SecundusTenor
Bassus

Melodic interval of entry: 4+4-8+12-9+6-2+

Time interval of entry: S2/1/2/2/1/1/3

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Once again, quite a free Fg. I really cannot describe it in another way, and it looks like it will be the same for all the material of this model.

<172> Max Le Mée [CRIM_Mass_0002_1] Missa Vidi speciosam: Kyrie Fuga Expand

Fuga

Voices:
[Contratenor]
[II.Tenor]
[Superius]
I.Tenor
[Bassus]
[II.Tenor]
[Bassus]

Melodic interval of entry: 5-8+8-4-4+1+

Time interval of entry: M4/11/2/8/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<173> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
PrimusTenor
Contratenor
SecundusTenor
Superius
Bassus
PrimusTenor
Contratenor
SecundusTenor
PrimusTenor
Superius

Melodic interval of entry: 4+4-7+8-5+4+4-4+5+

Time interval of entry: S2/1/1/2/2/2/1/2/1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<174> Max Le Mée [CRIM_Mass_0002_1] Missa Vidi speciosam: Kyrie Fuga Expand

Fuga

Voices:
[Superius]
[Contratenor]
I.Tenor
[Bassus]
[II.Tenor]
[Superius]
[Bassus]

Melodic interval of entry: 5-1+5-5+5+8-

Time interval of entry: M5/4/3/5/4/10

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<175> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
PrimusTenor
Contratenor
SecundusTenor
Superius
Bassus
PrimusTenor
Contratenor
SecundusTenor
PrimusTenor
Superius

Melodic interval of entry: 4+4-7+8-5+4+4-4+5+

Time interval of entry: S2/1/1/2/2/2/1/2/1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<176> Max Le Mée [CRIM_Mass_0002_1] Missa Vidi speciosam: Kyrie Fuga Expand

Fuga

Voices:
[Superius]
[Contratenor]
I.Tenor
[Bassus]
[II.Tenor]
[Superius]
[Bassus]

Melodic interval of entry: 5-1+5-5+5+8-

Time interval of entry: M5/4/3/5/4/10

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<177> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
SecundusTenor
PrimusTenor
Superius
Bassus
Contratenor
SecundusTenor
Bassus
Contratenor
SecundusTenor

Melodic interval of entry: 1+8+5-8+8-4+8-8+1+

Time interval of entry: M2/2/3/4/5/2/3/5/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: The last soggetto of the model, leading do the final CAD. It starts with an ID, which is quite 'flexed', but I am so happy to find something else than a fuga... As the first voice of the second duo starts before the second voice of the first duo, the time intervals and intervals of entries will correspond to this order: TenorII, Superius, Bassus, Contra.

<178> Max Le Mée [CRIM_Mass_0002_1] Missa Vidi speciosam: Kyrie Fuga Expand

Fuga

Voices:
I.Tenor
[Contratenor]
[Superius]
[II.Tenor]
Bassus]

Melodic interval of entry: 5+1+5-8-

Time interval of entry: M4/8/4/6

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<179> Alexis Risler [CRIM_Model_0017] Benedicta es Imitative duo Expand

Imitative duo

Voices:
[Contratenor]
[Bassus]
[Discantus]
[Tenor]
[QuintaVox]
[SextaVox]

Melodic interval of entry: 8-12+8-5+8-

Time interval of entry: S3/3/3/6/3

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: True

Remarks: Second entry is flexed, otherwise strict. The first four entries make a PEN.

<180> Alexis Risler [CRIM_Mass_0015_4] Missa Benedicta es: Sanctus Imitative duo Expand

Imitative duo

Voices:
Contratenor
Tenor
Discantus
Tenor
Contratenor
Bassus
Discantus
Tenor
Contratenor
Bassus

Melodic interval of entry: 8-12+8-4+8-12+8-5+8-

Time interval of entry: S3/3/3/9/3/3/3/6/3

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: True

Remarks: Second entry is flexed (= Josquin), otherwise strict. The first four entries and several of the intermediate entries made PENs.

<181> Alexis Risler [CRIM_Model_0017] Benedicta es Imitative duo Expand

Imitative duo

Voices:
[Contratenor]
[Bassus]
[Discantus]
[Tenor]
[QuintaVox]
[SextaVox]

Melodic interval of entry: 8-12+8-5+8-

Time interval of entry: S3/3/3/6/3

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

Remarks: Second entry is flexed, otherwise strict

<182> Alexis Risler [CRIM_Mass_0015_4] Missa Benedicta es: Sanctus Periodic entry Expand

Periodic entry

Voices:
Tenor
Contratenor
Tenor

Melodic interval of entry: 5+1+

Time interval of entry: S3/3

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<183> Alexis Risler [CRIM_Model_0017] Benedicta es Imitative duo Expand

Imitative duo

Voices:
[Discantus]
[Contratenor]
[QuintaVox]
[Tenor]

Melodic interval of entry: 5-1+5-

Time interval of entry: S1/11/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

<184> Alexis Risler [CRIM_Mass_0015_4] Missa Benedicta es: Sanctus Imitative duo, Interval patterns Expand

Imitative duo, Interval patterns

Voices:
Contratenor
Tenor
Contratenor
Bassus
Discantus
Tenor
Contratenor
Tenor
Contratenor
Bassus
Tenor
Tenor
Contratenor
Tenor

Melodic interval of entry: 5-5+5-9+5-5+5-8+5-5+5-2+5-

Time interval of entry: S1/7/1/6/1/7/1/9/1/9/1/8/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Voices:
Discantus
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<185> Alexis Risler [CRIM_Model_0017] Benedicta es Imitative duo, Non-imitative duo Expand

Imitative duo, Non-imitative duo

Voices:
[Discantus]
[Contratenor]
[QuintaVox]
[Tenor]

Melodic interval of entry: 5-1+5-

Time interval of entry: S1/11/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Voices:
[Contratenor]
[Bassus]
[Tenor]
[SextaVox]

Melodic interval of entry: 5-

Time interval of entry: S12

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<186> Alexis Risler [CRIM_Mass_0015_4] Missa Benedicta es: Sanctus Imitative duo, Non-imitative duo Expand

Imitative duo, Non-imitative duo

Voices:
Contratenor
Tenor
Contratenor
Bassus
Tenor
Tenor

Melodic interval of entry: 5-5+5-1+5-

Time interval of entry: S1/7/1/34/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Voices:
Tenor
Bassus
Bassus
Tenor
Tenor
Bassus

Melodic interval of entry: 1+1+

Time interval of entry: S8/36

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<187> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[Contratenor]
[Tenor]

Melodic interval of entry: 5-

Time interval of entry: B1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<188> Alexis Risler [CRIM_Mass_0015_4] Missa Benedicta es: Sanctus Fuga, Non-imitative duo Expand

Fuga, Non-imitative duo

Voices:
Tenor
Tenor
Tenor
Contratenor
Tenor

Melodic interval of entry: 5-1+2+5-

Time interval of entry: S2/3/4/1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Contratenor
Tenor
Discantus
Tenor

Melodic interval of entry: 4+

Time interval of entry: B1

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: The first two entries of the Fuga are the lower voices of the two NIMs

<189> Max Le Mée [CRIM_Model_0001] Vidi speciosam Imitative duo Expand

Imitative duo

Voices:
Superius
Contratenor
PrimusTenor
Bassus

Melodic interval of entry: 4-5-4-

Time interval of entry: S3/5/3

Strict: False

Flexed: False

Flexed, tonal: True

Invertible: False

<190> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga Expand

Fuga

Voices:
I.Tenor
[Superius]
[Contratenor]
[Bassus]
[II.Tenor]
[Bassus]

Melodic interval of entry: 8+4-8-4+4-

Time interval of entry: S2/1/2/11/3

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<191> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
Superius
Contratenor
PrimusTenor
Bassus
SecundusTenor
Superius

Melodic interval of entry: 4-5-4-4+8+

Time interval of entry: M6/10/6/11/3

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: If we consider that the 5th entry starts at the beginning of the 9th bar, the time interval becomes S3/5/3/5/2.

<192> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga Expand

Fuga

Voices:
[II.Tenor]
[Superius]
[Contratenor]
[Bassus]
I.Tenor
[II.Tenor]
[Contratenor]
[Bassus]

Melodic interval of entry: 8+4-8-4+1+5+8-

Time interval of entry: S2/1/2/5/6/1/2

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<193> Max Le Mée [CRIM_Model_0001] Vidi speciosam Soggetto Expand

Soggetto

Voice:
Contratenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<194> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga Expand

Fuga

Voices:
[Contratenor]
[Bassus]

Melodic interval of entry: 8-

Time interval of entry: B1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<195> Max Le Mée [CRIM_Model_0001] Vidi speciosam Soggetto Expand

Soggetto

Voice:
Contratenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<196> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga Expand

Fuga

Voices:
[Contratenor]
[Bassus]

Melodic interval of entry: 8-

Time interval of entry: B1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<197> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
Bassus
Superius
PrimusTenor
SecundusTenor
Bassus
Contratenor
PrimusTenor
Superius
SecundusTenor

Melodic interval of entry: 8+5-4-5-7+6-5+8-

Time interval of entry: S2/1/1/2/1/2/1/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: The end of the soggetto (the diatonic descent) is used as a counter-soggetto of its own, becoming independent on 'circumdabant'. This fact is important for Sohier will use this characteristic to produce a figuralism. I consider that the third entry, on the contra, starts one M later, for it is the only one that is 'flexed'.

<198> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Fuga Expand

Fuga

Voices:
I.Tenor
[Contratenor]
[Superius]
[Bassus]
[II.Tenor]

Melodic interval of entry: 5+4+8-4+

Time interval of entry: S1/1/1/3

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: The counter-soggetto is used to make a figuralism on 'descendit de'. It is anticipated at the bassus on 'Qui proper nos". As this diatonic descent is also the end of soggetto, it can be considered as anticipated by the soggetto ('Qui propter nos homines, et proper nostram').

<199> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
Secundus Tenor
Primus Tenor
Contratenor
Secundus Tenor
Bassus

Melodic interval of entry: 5+5-4+8-

Time interval of entry: M6/2/4/5

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<200> Max Le Mée [CRIM_Mass_0002_3] Missa Vidi speciosam: Credo Non-imitative duo Expand

Non-imitative duo

Voices:
[Superius]
[II.Tenor]
[Contratenor]
[Bassus]

Melodic interval of entry: 8-4+8-

Time interval of entry: M1/7/1

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: A NIM forming overlapping cadences.the cadence I indicate is the first one.