CRIM

Citations: The Renaissance Imitation Mass Project

Observations

ID Observer Piece Observation type Show details
<1702> Raphaëlle Rouzic [CRIM_Mass_0014_3] Missa Mente tota: Credo Fuga Expand

Fuga

Voices:
Bassus
Tenor

Melodic interval of entry: 4+

Time interval of entry: S5

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1703> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Fuga Expand

Fuga

Voices:
Discantus
Contratenor
Discantus

Melodic interval of entry: 1+4+

Time interval of entry: M8/8

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1704> Raphaëlle Rouzic [CRIM_Mass_0014_3] Missa Mente tota: Credo Fuga Expand

Fuga

Voices:
Superius
Contratenor
Superius

Melodic interval of entry: 1+4+

Time interval of entry: S6/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<1705> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Fuga Expand

Fuga

Voices:
Bassus
Tenor

Melodic interval of entry: 4+

Time interval of entry: S4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1706> Raphaëlle Rouzic [CRIM_Mass_0014_3] Missa Mente tota: Credo Fuga Expand

Fuga

Voices:
Bassus
Tenor

Melodic interval of entry: 4+

Time interval of entry: S4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Bassus : Omission of the C note measure 232

<1707> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Cadence Expand

Cadence

Cantizans: Discantus

Tenorizans: Tenor

Type: authentic

Tone: D

Dovetail voice: Bassus

Remarks: Because of the Bassus interval, the cadence is evaded

<1708> Raphaëlle Rouzic [CRIM_Mass_0014_3] Missa Mente tota: Credo Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: D

Dovetail voice: Bassus

Remarks: Because of the Bassus interval, the cadence is evaded

<1709> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) None -

Observation

<1710> Raphaëlle Rouzic [CRIM_Mass_0014_3] Missa Mente tota: Credo None -

Observation

<1711> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Homorhythm, Interval patterns Expand

Homorhythm, Interval patterns

Voices:
Discantus
Bassus
Contratenor
Tenor

Simple: False

Staggered: True

Sequential: True

Fauxbourdon: False

Voices:
Discantus
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<1712> Raphaëlle Rouzic [CRIM_Mass_0014_3] Missa Mente tota: Credo Homorhythm, Interval patterns Expand

Homorhythm, Interval patterns

Voices:
Superius
Bassus
Contratenor
Tenor

Simple: False

Staggered: True

Sequential: True

Fauxbourdon: False

Voices:
Superius
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<1713> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Fuga Expand

Fuga

Voices:
Bassus
Discantus
Tenor

Melodic interval of entry: 8+8-

Time interval of entry: M5/8

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<1714> Raphaëlle Rouzic [CRIM_Mass_0014_3] Missa Mente tota: Credo Fuga Expand

Fuga

Voices:
Bassus
Superius
Tenor

Melodic interval of entry: 8+8-

Time interval of entry: S4/4

Periodic: True

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1715> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Periodic entry Expand

Periodic entry

Voices:
Discantus
Tenor
Contratenor

Melodic interval of entry: 8-1+

Time interval of entry: S6/6

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<1716> Raphaëlle Rouzic [CRIM_Mass_0014_3] Missa Mente tota: Credo Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 8-

Time interval of entry: S6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1717> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Soggetto Expand

Soggetto

Voice:
Contratenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<1718> Raphaëlle Rouzic [CRIM_Mass_0014_3] Missa Mente tota: Credo Soggetto Expand

Soggetto

Voice:
Contratenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<1719> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Contrapuntal duo -

Contrapuntal duo

Voices:
Discantus
Contratenor

Remarks: CD S>A S2 @8-

<1720> Raphaëlle Rouzic [CRIM_Mass_0014_3] Missa Mente tota: Credo Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

Remarks: CD S>A S2 @8-

<1721> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Contrapuntal duo -

Contrapuntal duo

Voices:
Tenor
Bassus

Remarks: CD T>B M0 @5-

<1722> Raphaëlle Rouzic [CRIM_Mass_0014_3] Missa Mente tota: Credo Contrapuntal duo -

Contrapuntal duo

Voices:
Tenor
Bassus

Remarks: CD T>B M0 @5-

<1723> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Cadence Expand

Cadence

Cantizans: Discantus

Tenorizans: Tenor

Type: plagal

Tone: A

Dovetail voice: Contratenor

Remarks: Plagal voice: Bassus

<1724> Raphaëlle Rouzic [CRIM_Mass_0014_3] Missa Mente tota: Credo Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: plagal

Tone: A

Dovetail voice: Contratenor

Remarks: Plagal voice: Bassus

<1725> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) None -

Observation

<1726> Raphaëlle Rouzic [CRIM_Mass_0014_3] Missa Mente tota: Credo None -

Observation

<1727> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Soggetto Expand

Soggetto

Voice:
Contratenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

<1728> Raphaëlle Rouzic [CRIM_Mass_0014_3] Missa Mente tota: Credo Non-imitative duo Expand

Non-imitative duo

Voices:
Tenor
Bassus
Superius
Contratenor

Melodic interval of entry: 8+

Time interval of entry: S3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<1729> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Periodic entry Expand

Periodic entry

Voices:
Discantus
Tenor
Contratenor

Melodic interval of entry: 8-1+

Time interval of entry: S6/6

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<1730> Raphaëlle Rouzic [CRIM_Mass_0014_3] Missa Mente tota: Credo Non-imitative duo Expand

Non-imitative duo

Voices:
Bassus
Tenor
Superius
Contratenor

Melodic interval of entry: 8+

Time interval of entry: M10

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<1731> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Soggetto, Homorhythm Expand

Soggetto, Homorhythm

Voice:
Contratenor

Rhythmic durations: False

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
Discantus
Contratenor
Tenor
Bassus

Simple: False

Staggered: False

Sequential: True

Fauxbourdon: False

<1732> Raphaëlle Rouzic [CRIM_Mass_0014_3] Missa Mente tota: Credo Non-imitative duo Expand

Non-imitative duo

Voices:
Superius
Contratenor
Tenor
Bassus

Melodic interval of entry: 8-8-

Time interval of entry: S0/5/0

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<1733> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Contrapuntal duo, Interval patterns Expand

Contrapuntal duo, Interval patterns

Voices:
Discantus
Contratenor

Voices:
Discantus
Contratenor

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: CD S>A M0 @3-

<1734> Raphaëlle Rouzic [CRIM_Mass_0014_3] Missa Mente tota: Credo Non-imitative duo Expand

Non-imitative duo

Voices:
Superius
Contratenor
Tenor
Bassus
Superius
Contratenor

Melodic interval of entry: 8=8+

Time interval of entry: B2/3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<1735> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Homorhythm Expand

Homorhythm

Voices:
Discantus
Tenor
Bassus
Contratenor

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

Remarks: Staggered: Altus voice

<1736> Raphaëlle Rouzic [CRIM_Mass_0014_3] Missa Mente tota: Credo Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<1737> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Periodic entry Expand

Periodic entry

Voices:
Contratenor
Discantus
Bassus
Tenor

Melodic interval of entry: 8-12+8-

Time interval of entry: B2/2/2

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: Just the head motifs are concerned

<1738> Raphaëlle Rouzic [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Imitative duo Expand

Imitative duo

Voices:
Contratenor
Superius
Bassus
Tenor

Melodic interval of entry: 5+12-5+

Time interval of entry: B2/13/2

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: The second duo is flex

<1739> Alexis Risler [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1740> Alexis Risler [CRIM_Mass_0018_1] Missa Benedicta es: Kyrie Soggetto, Fuga Expand

Soggetto, Fuga

Voice:
[Tenor]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
[Altus]
[Tenor]

Melodic interval of entry: 1+

Time interval of entry: S5

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1741> Alexis Risler [CRIM_Model_0021] Benedicta es Contrapuntal duo, Fuga Expand

Contrapuntal duo, Fuga

Voices:
Superius
Bassus

Voices:
Superius
Tenor

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1742> Alexis Risler [CRIM_Mass_0018_1] Missa Benedicta es: Kyrie Contrapuntal duo, Imitative duo Expand

Contrapuntal duo, Imitative duo

Voices:
[Altus]
[Bassus]

Voices:
[Bassus]
[Cantus]
[Altus]
[Cantus]

Melodic interval of entry: 11+4-4+

Time interval of entry: S1/5/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

<1743> Alexis Risler [CRIM_Model_0021] Benedicta es Fuga Expand

Fuga

Voices:
Superius
Tenor

Melodic interval of entry: 5-

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1744> Alexis Risler [CRIM_Mass_0018_1] Missa Benedicta es: Kyrie Fuga Expand

Fuga

Voices:
[Cantus]
[Cantus]
[Tenor]
[Cantus]

Melodic interval of entry: 1+8-8+

Time interval of entry: S6/5/3

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1745> Alexis Risler [CRIM_Model_0017] Benedicta es Non-imitative duo Expand

Non-imitative duo

Voices:
[Discantus]
[QuintaVox]
[Tenor]
[Bassus]
[Contratenor]
[SextaVox]

Melodic interval of entry: 8-1+

Time interval of entry: B3/3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<1746> Alexis Risler [CRIM_Mass_0018_1] Missa Benedicta es: Kyrie Contrapuntal duo -

Contrapuntal duo

Voices:
[Tenor]
[Bassus]

<1747> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[SextaVox]
[Tenor]
[Bassus]
[SextaVox]
[Tenor]
[Bassus]

Melodic interval of entry: 8+4-5-9+5-

Time interval of entry: S2/1/2/1/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Can also be understood as two different sets of ID (S1 and S2), or MTI

<1748> Alexis Risler [CRIM_Mass_0018_1] Missa Benedicta es: Kyrie Non-imitative duo Expand

Non-imitative duo

Voices:
[Cantus]
[Tenor]
[Altus]
[Bassus]
[Tenor]
[Bassus]

Melodic interval of entry: 4-5-

Time interval of entry: S3/4

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: Bassus and Tenor also create Fuga from the CS of the NIM

<1749> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Fuga Expand

Fuga

Voices:
Contratenor
Discantus
Contratenor

Melodic interval of entry: 6+5-

Time interval of entry: S7/8

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<1750> Raphaëlle Rouzic [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Fuga Expand

Fuga

Voices:
Contratenor
Superius

Melodic interval of entry: 5+

Time interval of entry: S4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1751> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga, Periodic entry Expand

Fuga, Periodic entry

Voices:
[Contratenor]
[Discantus]
[QuintaVox]
[Tenor]
[Contratenor]
[Discantus]
[QuintaVox]
[Tenor]

Melodic interval of entry: 7+4-5-2+7+4-5-

Time interval of entry: S1/1/2/1/1/1/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voice: -

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: True

Remarks: The long Fuga contains another PEN CDQ, m.88-91

<1752> Alexis Risler [CRIM_Mass_0018_1] Missa Benedicta es: Kyrie Fuga Expand

Fuga

Voices:
[Bassus]
[Cantus]
[Tenor]
[Cantus]
[Bassus]
[Altus]
[Cantus]
[Bassus]

Melodic interval of entry: 8+4-7+11-8+4+11-

Time interval of entry: S2/4/1/1/2/2/1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: Contains PEN TCB 7+ 11- with INV

<1753> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Fuga Expand

Fuga

Voices:
Contratenor
Discantus
Contratenor

Melodic interval of entry: 6+5-

Time interval of entry: S7/8

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<1754> Raphaëlle Rouzic [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Imitative duo Expand

Imitative duo

Voices:
Superius
Contratenor
Bassus
Tenor
Superius
Bassus

Melodic interval of entry: 8-5+8-

Time interval of entry: S2/8/2/6/2

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

<1755> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Homorhythm, Interval patterns Expand

Homorhythm, Interval patterns

Voices:
Discantus
Contratenor
Tenor
Bassus

Simple: False

Staggered: False

Sequential: True

Fauxbourdon: False

Voices:
Discantus
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<1756> Raphaëlle Rouzic [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Fuga Expand

Fuga

Voices:
Superius
Contratenor
Tenor
Bassus

Melodic interval of entry: 5-3-5-

Time interval of entry: M1/2/1

Periodic: False

Strict: False

Flexed: False

Sequential: True

Inverted: False

Retrograde: False

<1757> Alexis Risler [CRIM_Mass_0018_2] Missa Benedicta es: Gloria Soggetto, Fuga Expand

Soggetto, Fuga

Voice:
[Cantus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
[Altus]
[Tenor]

Melodic interval of entry: 1+

Time interval of entry: S5

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1758> Alexis Risler [CRIM_Mass_0018_1] Missa Benedicta es: Kyrie Soggetto, Fuga Expand

Soggetto, Fuga

Voice:
[Cantus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
[Altus]
[Tenor]

Melodic interval of entry: 1+

Time interval of entry: S5

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1759> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga, Periodic entry Expand

Fuga, Periodic entry

Voices:
[Contratenor]
[Discantus]
[QuintaVox]
[Tenor]
[Contratenor]
[Discantus]
[QuintaVox]
[Tenor]

Melodic interval of entry: 7+4-5-2+7+4-5-

Time interval of entry: S1/1/21/1/1/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Contratenor]
[Discantus]
[QuintaVox]

Melodic interval of entry: 7+4-

Time interval of entry: S1/1

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: True

Remarks: The long Fuga includes another PEN between TCDQ in mes. 88-91

<1760> Alexis Risler [CRIM_Mass_0018_2] Missa Benedicta es: Gloria Fuga, Periodic entry Expand

Fuga, Periodic entry

Voices:
[Bassus]
[Altus]
[Cantus]
[Bassus]

Melodic interval of entry: 7+6+12-

Time interval of entry: S1/3/2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Bassus]
[Altus]
[Cantus]

Melodic interval of entry: 7+2+

Time interval of entry: S1/1

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: PEN is followed by a Fuga on the same sogetto

<1761> Alexis Risler [CRIM_Model_0017] Benedicta es Non-imitative duo Expand

Non-imitative duo

Voices:
[Contratenor]
[Bassus]
[Contratenor]
[SextaVox]
[Contratenor]
[Bassus]

Melodic interval of entry: 1+1+

Time interval of entry: S3/3

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<1762> Alexis Risler [CRIM_Mass_0018_2] Missa Benedicta es: Gloria Fuga Expand

Fuga

Voices:
[Tenor]
[Bassus]
[Altus]

Melodic interval of entry: 5-5+

Time interval of entry: M1/5

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1763> Stephanie Schlagel [CRIM_Model_0008] Ave Maria Imitative duo Expand

Imitative duo

Voices:
[Superius]
Altus
Tenor
Bassus

Melodic interval of entry: 5-1+5-

Time interval of entry: S1/9/1

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<1764> Stephanie Schlagel [CRIM_Mass_0005_5] Missa Ave Maria: Agnus Dei Imitative duo Expand

Imitative duo

Voices:
Tenor
Bassus
Sup[erius]
Altus

Melodic interval of entry: 5-12+5-

Time interval of entry: S1/17/1

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<1765> Stephanie Schlagel [CRIM_Model_0008] Ave Maria Periodic entry Expand

Periodic entry

Voices:
[Superius]
Altus
Tenor
Bassus

Melodic interval of entry: 8-1+8-

Time interval of entry: S4/4/4

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<1766> Stephanie Schlagel [CRIM_Mass_0005_5] Missa Ave Maria: Agnus Dei Fuga Expand

Fuga

Voices:
Sup[erius]
Altus
Tenor

Melodic interval of entry: 8-1+5-

Time interval of entry: S4/4/1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1767> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[Contratenor]
[Discantus]

Melodic interval of entry: 4+

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1768> Alexis Risler [CRIM_Mass_0018_2] Missa Benedicta es: Gloria Contrapuntal duo, Fuga, Interval patterns Expand

Contrapuntal duo, Fuga, Interval patterns

Voices:
[Altus]
[Tenor]

Voices:
[Tenor]
[Altus]

Melodic interval of entry: 1+

Time interval of entry: B5

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Tenor]
[Bassus]

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<1769> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[Contratenor]
[Discantus]

Melodic interval of entry: 5+

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1770> Alexis Risler [CRIM_Mass_0018_2] Missa Benedicta es: Gloria Imitative duo Expand

Imitative duo

Voices:
[Altus]
[Cantus]
[Bassus]
[Tenor]
[Altus]
[Bassus]
[Tenor]
[Cantus]

Melodic interval of entry: 5+12-5+4+8-8+5+

Time interval of entry: S1/5/1/13/1/5/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: True

Remarks: added entry (singleton) in T mes. 67

<1771> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga, Periodic entry Expand

Fuga, Periodic entry

Voices:
[Contratenor]
[Discantus]
[QuintaVox]
[Tenor]
[Contratenor]
[Discantus]
[QuintaVox]
[Tenor]

Melodic interval of entry: 7+4-5-2+7+4-5-

Time interval of entry: S1/1/2/1/1/1/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Contratenor]
[Discantus]
[QuintaVox]

Melodic interval of entry: 7+4-

Time interval of entry: S1/1

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: True

Remarks: The long Fuga includes another PEN in TCDQ mes. 88-91

<1772> Alexis Risler [CRIM_Mass_0018_2] Missa Benedicta es: Gloria Fuga Expand

Fuga

Voices:
[Altus]
[Cantus]

Melodic interval of entry: 7+

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1773> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[Contratenor]
[Discantus]

Melodic interval of entry: 5+

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1774> Alexis Risler [CRIM_Mass_0018_2] Missa Benedicta es: Gloria Fuga Expand

Fuga

Voices:
[Tenor]
[Bassus]
[Cantus]

Melodic interval of entry: 5-12+

Time interval of entry: S5/5

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1775> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Periodic entry Expand

Periodic entry

Voices:
Discantus
Tenor
Contratenor

Melodic interval of entry: 8-1+

Time interval of entry: S6/6

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<1776> Raphaëlle Rouzic [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Fuga Expand

Fuga

Voices:
Bassus
Contratenor

Melodic interval of entry: 5+

Time interval of entry: S1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1777> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Fuga Expand

Fuga

Voices:
Bassus
Discantus
Tenor
Contratenor

Melodic interval of entry: 8+8-5+

Time interval of entry: M5/8/12

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<1778> Raphaëlle Rouzic [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Periodic entry Expand

Periodic entry

Voices:
Bassus
Tenor
Superius
Contratenor

Melodic interval of entry: 1+8+4-

Time interval of entry: S4/4/4

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<1779> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) None -

Observation

<1780> Raphaëlle Rouzic [CRIM_Mass_0014_4] Missa Mente tota: Sanctus None -

Observation

<1781> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Contrapuntal duo, Interval patterns Expand

Contrapuntal duo, Interval patterns

Voices:
Discantus
Contratenor

Voices:
Discantus
Contratenor

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<1782> Raphaëlle Rouzic [CRIM_Mass_0014_4] Missa Mente tota: Sanctus Non-imitative duo Expand

Non-imitative duo

Voices:
Tenor
Bassus
Superius
Contratenor

Melodic interval of entry: 8-8-

Time interval of entry: S1/6/1

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<1783> Alexis Risler [CRIM_Mass_0018_3] Missa Benedicta es: Credo Soggetto, Fuga Expand

Soggetto, Fuga

Voice:
Cantus

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
[Tenor]
[Bassus]
[Cantus]

Melodic interval of entry: 4-11+

Time interval of entry: S3/1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: The fuga is very flexed!

<1784> Alexis Risler [CRIM_Mass_0018_1] Missa Benedicta es: Kyrie Soggetto, Fuga Expand

Soggetto, Fuga

Voice:
[Cantus]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

Voices:
[Altus]
[Tenor]

Melodic interval of entry: 1+

Time interval of entry: S5

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: There is a second ID but it is not relevant for this citation BS make Fuga 11+ S1, but with a different soggetto that that heard in AT

<1785> Alexis Risler [CRIM_Mass_0018_3] Missa Benedicta es: Credo Cadence Expand

Cadence

Cantizans: [Cantus]

Tenorizans: [Tenor]

Type: authentic

Tone: G

<1786> Alexis Risler [CRIM_Mass_0018_1] Missa Benedicta es: Kyrie Cadence Expand

Cadence

Cantizans: [Cantus]

Tenorizans: [Tenor]

Type: authentic

Tone: G

<1787> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga Expand

Fuga

Voices:
[Contratenor]
[Discantus]

Melodic interval of entry: 5+

Time interval of entry: S1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1788> Alexis Risler [CRIM_Mass_0018_3] Missa Benedicta es: Credo Imitative duo, Non-imitative duo Expand

Imitative duo, Non-imitative duo

Voices:
[Bassus]
[Tenor]
[Bassus]
[Altus]

Melodic interval of entry: 5+5-5+

Time interval of entry: S1/13/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Voices:
[Altus]
[Bassus]
[Tenor]
[Bassus]

Melodic interval of entry: 1+

Time interval of entry: B7

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<1789> Alexis Risler [CRIM_Model_0017] Benedicta es Fuga, Periodic entry Expand

Fuga, Periodic entry

Voices:
[Contratenor]
[Discantus]
[QuintaVox]
[Tenor]
[Contratenor]
[Discantus]
[QuintaVox]
[Tenor]

Melodic interval of entry: 7+4-5-2+7+4-5-

Time interval of entry: S1/1/2/1/1/1/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Contratenor]
[Discantus]
[QuintaVox]

Melodic interval of entry: 7+4-

Time interval of entry: S1/1

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: The long fuga includes another PEN in TCDQ mes. 88-91

<1790> Alexis Risler [CRIM_Mass_0018_3] Missa Benedicta es: Credo Fuga, Periodic entry Expand

Fuga, Periodic entry

Voices:
[Tenor]
[Cantus]
[Bassus]

Melodic interval of entry: 11+11-

Time interval of entry: S2/1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Altus]
[Cantus]
[Bassus]

Melodic interval of entry: 7+11-

Time interval of entry: S1/1

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

Remarks: PEN and FUGA have the same sogetto

<1791> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<1792> Ian Lorenz [CRIM_Mass_0007_4] Missa Je suis déshéritée: Sanctus Cantus firmus Expand

Cantus firmus

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

<1793> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée None -

Observation

<1794> Ian Lorenz [CRIM_Mass_0007_4] Missa Je suis déshéritée: Sanctus Fuga Expand

Fuga

Voices:
Bassus
Tenor
Contratenor

Melodic interval of entry: 5+5+

Time interval of entry: M2/10

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1795> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée None -

Observation

<1796> Ian Lorenz [CRIM_Mass_0007_4] Missa Je suis déshéritée: Sanctus Interval patterns Expand

Interval patterns

Voices:
Tenor
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<1797> Alexis Risler [CRIM_Model_0017] Benedicta es Imitative duo, Non-imitative duo Expand

Imitative duo, Non-imitative duo

Voices:
[Discantus]
[Contratenor]
[QuintaVox]
[Tenor]

Melodic interval of entry: 5-1+5-

Time interval of entry: S1/11/1

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

Voices:
[Contratenor]
[Bassus]
[Tenor]
[SextaVox]

Melodic interval of entry: 5-

Time interval of entry: S12

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<1798> Alexis Risler [CRIM_Mass_0018_3] Missa Benedicta es: Credo Fuga, Imitative duo Expand

Fuga, Imitative duo

Voices:
[Tenor]
[Cantus]
[Tenor]

Melodic interval of entry: 5+9-

Time interval of entry: S2/7

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Altus]
[Bassus]
[Altus]
[Bassus]

Melodic interval of entry: 5-5+5-

Time interval of entry: M1/18/1

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: ID and FUGA have the same sogetto

<1799> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Superius

Melodic interval of entry: 8+

Time interval of entry: M6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1800> Ian Lorenz [CRIM_Mass_0007_4] Missa Je suis déshéritée: Sanctus Fuga Expand

Fuga

Voices:
Tenor
Bassus

Melodic interval of entry: 8-

Time interval of entry: M4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1801> Ian Lorenz [CRIM_Model_0009] Je suis déshéritée Fuga Expand

Fuga

Voices:
Tenor
Bassus

Melodic interval of entry: 8+

Time interval of entry: M6

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False