CRIM

Citations: The Renaissance Imitation Mass Project

Observations

ID Observer Piece Observation type Show details
<1101> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Fuga Expand

Fuga

Voices:
Superius
Contratenor

Melodic interval of entry: 4-

Time interval of entry: B2

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1102> Manon Manfredi [CRIM_Mass_0009_4] Missa Tota pulchra es: Sanctus Fuga Expand

Fuga

Voices:
[Tenor]
[Tenor]

Melodic interval of entry: 5-

Time interval of entry: M15

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Une partie du soggetto est entendue à la voix d'alto m.51-52, on peut le prendre comme faisant partie de la fugue, ou peut-être comme une anticipation de l'entrée de la voix d'alto une demi mesure plus tard. (c'est l'option que je choisis)

<1103> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Imitative duo Expand

Imitative duo

Voices:
Superius
Contratenor
Tenor
Bassus

Melodic interval of entry: 8-1+8-

Time interval of entry: M9/26/9

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

<1104> Manon Manfredi [CRIM_Mass_0009_4] Missa Tota pulchra es: Sanctus Periodic entry Expand

Periodic entry

Voices:
[Tenor]
[Tenor]
[Bassus]
[Tenor]

Melodic interval of entry: 5-8-5+

Time interval of entry: M4/4/4

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<1105> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Cadence Expand

Cadence

Cantizans: Discantus

Tenorizans: Tenor

Type: authentic

Tone: G

Remarks: First cadence : A>B in D Overlapping

<1106> Raphaëlle Rouzic [CRIM_Mass_0014_1] Missa Mente tota: Kyrie Cadence Expand

Cadence

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: G

Remarks: First cadence : A>B in D Overlapping

<1107> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Fuga Expand

Fuga

Voices:
Contratenor
Tenor

Melodic interval of entry: 1+

Time interval of entry: S4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1108> Manon Manfredi [CRIM_Mass_0009_4] Missa Tota pulchra es: Sanctus Fuga Expand

Fuga

Voices:
[Tenor]
[Tenor]
[Tenor]
[Bassus]

Melodic interval of entry: 1+1+8-

Time interval of entry: M14/9/8

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1109> Manon Manfredi [CRIM_Model_0011] Tota pulchra es Counter-soggetto Expand

Counter-soggetto

Voice: -

Rhythmic durations: True

Melodic intervals: True

<1110> Manon Manfredi [CRIM_Mass_0009_4] Missa Tota pulchra es: Sanctus Fuga Expand

Fuga

Voices:
[Tenor]
[Tenor]
[Tenor]

Melodic interval of entry: 1+1+

Time interval of entry: S5/5

Periodic: True

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1111> Anne Nautré [CRIM_Model_0020] Susanne un jour Fuga Expand

Fuga

Voices:
Superius
QuintaPars
Tenor

Melodic interval of entry: 8-1+

Time interval of entry: M7/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: Flexed entries: valeurs rythmiques inégales

<1112> Anne Nautré [CRIM_Mass_0020_3] Missa Susanne un jour: Credo Fuga Expand

Fuga

Voices:
[Superius]
TenorSecundus
Tenor

Melodic interval of entry: 8-1+

Time interval of entry: S3/2

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1113> Scott Troyer [CRIM_Model_0018] Baisez moy None -

Observation

<1114> Scott Troyer [CRIM_Model_0011] Tota pulchra es None -

Observation

<1115> Scott Troyer [CRIM_Model_0018] Baisez moy Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<1116> Scott Troyer [CRIM_Model_0011] Tota pulchra es None -

Observation

<1117> Anne Nautré [CRIM_Model_0020] Susanne un jour Non-imitative duo Expand

Non-imitative duo

Voices:
Superius
Contratenor
QuintaPars
Bassus

Melodic interval of entry: 8-

Time interval of entry: M7

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<1118> Anne Nautré [CRIM_Mass_0020_3] Missa Susanne un jour: Credo Non-imitative duo Expand

Non-imitative duo

Voices:
[Superius]
Contratenor
TenorSecundus
Bassus
Tenor
Bassus

Melodic interval of entry: 8-1+

Time interval of entry: S3/2

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

<1119> Anne Nautré [CRIM_Model_0020] Susanne un jour Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<1120> Anne Nautré [CRIM_Mass_0020_3] Missa Susanne un jour: Credo Soggetto Expand

Soggetto

Voice:
[Superius]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<1121> Anne Nautré [CRIM_Model_0020] Susanne un jour Non-imitative duo Expand

Non-imitative duo

Voices:
Superius
Contratenor
QuintaPars
Bassus

Melodic interval of entry: 8-

Time interval of entry: M7

Strict: False

Flexed: True

Flexed, tonal: False

Sequential: False

Invertible: False

<1122> Anne Nautré [CRIM_Mass_0020_3] Missa Susanne un jour: Credo Fuga Expand

Fuga

Voices:
Contratenor
Bassus

Melodic interval of entry: 8-

Time interval of entry: B1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1123> Anne Nautré [CRIM_Model_0020] Susanne un jour Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

<1124> Anne Nautré [CRIM_Mass_0020_3] Missa Susanne un jour: Credo Contrapuntal duo -

Contrapuntal duo

Voices:
[Superius]
Bassus

<1125> Manon Manfredi [CRIM_Model_0002] O gente brunette Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

Remarks: Homorythmie concerne la mesure 1, la deuxième mesure est en coontrepoint libre.

<1126> Manon Manfredi [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

Remarks: homorythmie concerne la mesure 1, la deuxième mesure est en contrepoint libre.

<1127> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Periodic entry Expand

Periodic entry

Voices:
Contratenor
Bassus
Discantus
Tenor

Melodic interval of entry: 8-5+8-

Time interval of entry: S4/4/4

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<1128> Raphaëlle Rouzic [CRIM_Mass_0014_2] Missa Mente tota: Gloria Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
Contratenor
Superius

Melodic interval of entry: 5+

Time interval of entry: S4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Superius
Contratenor

Parallel 6: True

Parallel 3 (or 10): False

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<1129> Anne Nautré [CRIM_Model_0020] Susanne un jour Counter-soggetto Expand

Counter-soggetto

Voice: -

Rhythmic durations: True

Melodic intervals: True

<1130> Anne Nautré [CRIM_Mass_0020_3] Missa Susanne un jour: Credo Fuga Expand

Fuga

Voices:
[Superius]
Contratenor
Bassus

Melodic interval of entry: 4-5-

Time interval of entry: B1

Periodic: True

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1131> Anne Nautré [CRIM_Model_0024] Susanne un jour Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<1132> Anne Nautré [CRIM_Mass_0020_3] Missa Susanne un jour: Credo Fuga Expand

Fuga

Voices:
Bassus
Contratenor
[Superius]
Bassus

Melodic interval of entry: 8+6+6-

Time interval of entry: S1/2/3

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1133> Anne Nautré [CRIM_Model_0020] Susanne un jour Contrapuntal duo -

Contrapuntal duo

Voices:
Superius
Contratenor

Remarks: Contrapuntal duo SA + Q

<1134> Anne Nautré [CRIM_Mass_0020_3] Missa Susanne un jour: Credo Contrapuntal duo -

Contrapuntal duo

Voices:
[Superius]
Contratenor

Remarks: Contrapuntal duo SA + B

<1135> Manon Manfredi [CRIM_Model_0002] O gente brunette Cadence Expand

Cadence

Cantizans: Tenor

Tenorizans: Superius

Type: authentic

Tone: C

<1136> Manon Manfredi [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Cadence Expand

Cadence

Cantizans: [Superius]

Tenorizans: [Tenor]

Type: authentic

Tone: F

<1137> Manon Manfredi [CRIM_Model_0002] O gente brunette Fuga Expand

Fuga

Voices:
Contratenor
Bassus
Tenor

Melodic interval of entry: 8-5+

Time interval of entry: M1/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Remarks: L'alto entre une deuxième fois en même temps que le ténor à la tierce.

<1138> Manon Manfredi [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Fuga Expand

Fuga

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Melodic interval of entry: 4-8+15-

Time interval of entry: M2/1/1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1139> Anne Nautré [CRIM_Model_0020] Susanne un jour Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
QuintaPars

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

Remarks: L'homorythmie concerne aussi la voix de B mais son motif n'est pas réutilisé dans le credo.

<1140> Anne Nautré [CRIM_Mass_0020_3] Missa Susanne un jour: Credo Fuga Expand

Fuga

Voices:
[Superius]
TenorSecundus
Bassus
Tenor
[Superius]
Bassus

Melodic interval of entry: 5-5-2+4+8-

Time interval of entry: M1/1/4/2/3

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: True

Retrograde: False

Remarks: Flexed entries: valeur rythmique de la première note inégale entre les différentes entrées

<1141> Manon Manfredi [CRIM_Model_0002] O gente brunette Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<1142> Manon Manfredi [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<1143> Manon Manfredi [CRIM_Model_0002] O gente brunette Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<1144> Manon Manfredi [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Soggetto Expand

Soggetto

Voice:
[Superius]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<1145> Manon Manfredi [CRIM_Model_0002] O gente brunette Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<1146> Manon Manfredi [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Soggetto Expand

Soggetto

Voice:
[Tenor]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<1147> Manon Manfredi [CRIM_Model_0002] O gente brunette Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<1148> Manon Manfredi [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Homorhythm Expand

Homorhythm

Voices:
[Superius]
[Contratenor]
[Tenor]
[Bassus]

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

Remarks: HR SAB mesure 19, mesure 20 HR entre TB, et HR entre SA

<1149> Manon Manfredi [CRIM_Model_0002] O gente brunette Form and process Expand

Form and process

Internal repetition: True

Remarks: Les six mesures sélectionnées sont entièrement répétées.

<1150> Manon Manfredi [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Form and process Expand

Form and process

Internal repetition: True

Remarks: les deux mesures du début de la section sont répétées

<1151> Manon Manfredi [CRIM_Model_0002] O gente brunette Soggetto Expand

Soggetto

Voice:
Tenor

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<1152> Manon Manfredi [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Soggetto Expand

Soggetto

Voice:
[Tenor]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<1153> Manon Manfredi [CRIM_Model_0002] O gente brunette Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

<1154> Manon Manfredi [CRIM_Mass_0003_1] Missa O gente brunette: Kyrie Form and process Expand

Form and process

Comment: Contrepoint à 4v.

<1155> Max Le Mée [CRIM_Model_0001] Vidi speciosam Imitative duo Expand

Imitative duo

Voices:
Superius
Contratenor
PrimusTenor
SecundusTenor

Melodic interval of entry: 5-4-5-

Time interval of entry: S3/7/3

Strict: False

Flexed: False

Flexed, tonal: False

Invertible: False

Remarks: Added voices at Contra, Sup, and TI.

<1156> Max Le Mée [CRIM_Mass_0002_5] Missa Vidi speciosam: Agnus Dei Imitative duo Expand

Imitative duo

Voices:
[II.Tenor]
[Bassus]
[Superius]
[Contratenor]

Melodic interval of entry: 5-5+5-

Time interval of entry: S3/10/3

Strict: False

Flexed: True

Flexed, tonal: False

Invertible: False

Remarks: The soggetti of the first duo contain an anticipation of the counter subject. Added voices at Quintus and Tenor II.

<1157> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga Expand

Fuga

Voices:
PrimusTenor
Bassus
SecundusTenor
Contratenor
Superius
Bassus

Melodic interval of entry: 4-4+5+5+8-

Time interval of entry: S2/2/1/2/5

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1158> Max Le Mée [CRIM_Mass_0002_5] Missa Vidi speciosam: Agnus Dei Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
[II.Tenor]
[Quintus]
[Superius]
[Bassus]
I.Tenor
[Contratenor]
[II.Tenor]
[Bassus]
I.Tenor

Melodic interval of entry: 4+5-5-5+4+4-5-8+

Time interval of entry: M6/2/8/2/6/3/6/6

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Bassus]
[II.Tenor]

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<1159> Max Le Mée [CRIM_Model_0001] Vidi speciosam Fuga, Cadence Expand

Fuga, Cadence

Voices:
SecundusTenor
PrimusTenor
Superius
Bassus
Contratenor
PrimusTenor
SecundusTenor
Bassus
Contratenor
SecundusTenor

Melodic interval of entry: 1+8+5-8+8-4+8-8+1+

Time interval of entry: M2/2/3/4/5/2/3/5/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Cantizans: Superius

Tenorizans: PrimusTenor

Type: authentic

Tone: G

Remarks: A 'funny'time interval behaviour, with voices getting further one to the other: M2/3/4/5 twice.

<1160> Max Le Mée [CRIM_Mass_0002_5] Missa Vidi speciosam: Agnus Dei Fuga, Cadence Expand

Fuga, Cadence

Voices:
[Bassus]
[Quintus]
I.Tenor
[II.Tenor]
[Contratenor]
I.Tenor
[Superius]
[Bassus]
[II.Tenor]
I.Tenor
[II.Tenor]

Melodic interval of entry: 5+5-5+4+5-5+12-5+1+4+

Time interval of entry: M2/6/2/6/2/2/4/3/6/5

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Cantizans: [Contratenor]

Tenorizans: I.Tenor

Type: authentic

Tone: G

Remarks: The alternance of 2 and 6 minimes gives kind of a periodicity to the Fuga.

<1161> Manon Manfredi [CRIM_Model_0002] O gente brunette Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<1162> Manon Manfredi [CRIM_Mass_0003_4] Missa O gente brunette: Sanctus Fuga Expand

Fuga

Voices:
[Contratenor]
[Superius]
[Bassus]
[Superius]
[Tenor]
[Contratenor]
[Superius]
[Tenor]
[Contratenor]
[Superius]

Melodic interval of entry: 8+15-8+5+1+8-4+5+

Time interval of entry: M4/6/3/1/1/8/10/2/1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<1163> Manon Manfredi [CRIM_Model_0002] O gente brunette Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<1164> Manon Manfredi [CRIM_Mass_0003_4] Missa O gente brunette: Sanctus Soggetto Expand

Soggetto

Voice:
[Superius]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<1165> Manon Manfredi [CRIM_Model_0002] O gente brunette Soggetto Expand

Soggetto

Voice:
Superius

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<1166> Manon Manfredi [CRIM_Mass_0003_4] Missa O gente brunette: Sanctus Soggetto Expand

Soggetto

Voice:
[Superius]

Rhythmic durations: True

Melodic intervals: True

Ostinato: False

Periodic: False

<1167> Anne Nautré [CRIM_Model_0020] Susanne un jour Non-imitative duo Expand

Non-imitative duo

Voices:
Superius
Contratenor
Tenor
QuintaPars

Melodic interval of entry: 8-

Time interval of entry: S4

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Remarks: La voix de Q sert de soutien harmonique au premier duo (do sib fa), la voix de B au second duo (mib sib fa)

<1168> Anne Nautré [CRIM_Mass_0020_3] Missa Susanne un jour: Credo Non-imitative duo Expand

Non-imitative duo

Voices:
[Superius]
Contratenor
TenorSecundus
Contratenor

Melodic interval of entry: 8-

Time interval of entry: M7

Strict: False

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: True

Remarks: La voix de T sert de soutien harmonique au premier duo (do sib fa), la voix de B au second duo (mib sib fa)

<1169> Manon Manfredi [CRIM_Model_0002] O gente brunette Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
Contratenor
Bassus
Tenor

Melodic interval of entry: 8-5+

Time interval of entry: M1/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Voices:
Tenor
Contratenor

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<1170> Manon Manfredi [CRIM_Mass_0003_4] Missa O gente brunette: Sanctus Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
[Superius]
[Tenor]
[Contratenor]
[Superius]
[Tenor]
[Superius]
[Bassus]
[Tenor]

Melodic interval of entry: 6-4+5+8-5+9-5+

Time interval of entry: M2/4/2/6/4/8

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
[Superius]
[Bassus]

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<1171> Anne Nautré [CRIM_Model_0020] Susanne un jour Interval patterns Expand

Interval patterns

Voices:
Superius
Contratenor

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: Le bicinium est accompagné par la voix de Q

<1172> Anne Nautré [CRIM_Mass_0020_3] Missa Susanne un jour: Credo Interval patterns Expand

Interval patterns

Voices:
[Superius]
Contratenor

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

Remarks: Le bicinium est accompagné par la voix de B

<1173> Anne Nautré [CRIM_Model_0020] Susanne un jour Homorhythm, Interval patterns Expand

Homorhythm, Interval patterns

Voices:
Superius
Contratenor
QuintaPars

Simple: True

Staggered: False

Sequential: False

Fauxbourdon: False

Voices:
Superius
Contratenor

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<1174> Anne Nautré [CRIM_Mass_0020_3] Missa Susanne un jour: Credo Interval patterns Expand

Interval patterns

Voices:
[Superius]
Contratenor

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<1175> Anne Nautré [CRIM_Model_0020] Susanne un jour Homorhythm Expand

Homorhythm

Voices:
Superius
Contratenor
Tenor
Bassus

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

<1176> Anne Nautré [CRIM_Mass_0020_3] Missa Susanne un jour: Credo Homorhythm Expand

Homorhythm

Voices:
[Superius]
Contratenor
Tenor

Simple: False

Staggered: True

Sequential: False

Fauxbourdon: False

<1177> Max Le Mée [CRIM_Model_0018] Baisez moy Non-imitative duo, Cadence Expand

Non-imitative duo, Cadence

Voices:
Bassus
Contratenor
Tenor
Superius

Melodic interval of entry: 8+5-8+

Time interval of entry: S1/1/1

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Cantizans: Superius

Tenorizans: Tenor

Type: authentic

Tone: C

<1178> Max Le Mée [CRIM_Mass_0017_1] Missa Baisez moy: Kyrie Non-imitative duo, Cadence Expand

Non-imitative duo, Cadence

Voices:
TenorPrimus
Contratenor
TenorSecundus
[Discantus]

Melodic interval of entry: 8+5-8+

Time interval of entry: S1/1/1

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Invertible: False

Cantizans: [Discantus]

Tenorizans: TenorSecundus

Type: authentic

Tone: C

<1179> Max Le Mée [CRIM_Model_0018] Baisez moy Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
Bassus
Tenor
Contratenor
Bassus
Tenor

Melodic interval of entry: 4+2+7-4+

Time interval of entry: B1/2/1/1

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Bassus
Superius

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<1180> Max Le Mée [CRIM_Mass_0017_1] Missa Baisez moy: Kyrie Fuga Expand

Fuga

Voices:
TenorPrimus
TenorSecundus
Contratenor
TenorPrimus
TenorSecundus

Melodic interval of entry: 4+2+7-4+

Time interval of entry: B1/2/1/1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1181> Max Le Mée [CRIM_Model_0018] Baisez moy Imitative duo Expand

Imitative duo

Voices:
Bassus
Tenor

Melodic interval of entry: 4+

Time interval of entry: B1

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<1182> Max Le Mée [CRIM_Mass_0017_1] Missa Baisez moy: Kyrie Imitative duo Expand

Imitative duo

Voices:
TenorPrimus
TenorSecundus

Melodic interval of entry: 4+

Time interval of entry: B1

Strict: True

Flexed: False

Flexed, tonal: False

Invertible: False

<1183> Max Le Mée [CRIM_Model_0018] Baisez moy None -

Observation

<1184> Max Le Mée [CRIM_Mass_0017_1] Missa Baisez moy: Kyrie Soggetto Expand

Soggetto

Voice:
Barricanor

Rhythmic durations: False

Melodic intervals: False

Ostinato: False

Periodic: False

<1185> Max Le Mée [CRIM_Model_0018] Baisez moy Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
Bassus
Tenor
Contratenor
Bassus
Tenor

Melodic interval of entry: 4+2+7-4+

Time interval of entry: B1/2/1/1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Voices:
Bassus
Superius

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<1186> Max Le Mée [CRIM_Mass_0017_1] Missa Baisez moy: Kyrie Fuga Expand

Fuga

Voices:
TenorPrimus
TenorSecundus
TenorPrimus
TenorSecundus

Melodic interval of entry: 4+6-4+

Time interval of entry: B1/3/1

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1187> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Fuga Expand

Fuga

Voices:
[Bassus]
SecundusTenor
PrimusTenor
Superius
[Bassus]
PrimusTenor

Melodic interval of entry: 5+8+8+15-8+

Time interval of entry: M1/6/7/1/7

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<1188> Damien Bonnec [CRIM_Mass_0008_1] Missa Quare fremuerunt gentes: Kyrie Fuga Expand

Fuga

Voices:
[Bassus]
I.Tenor
[Superius]
2.Tenor
[Bassus]
I.Tenor
[Contratenor]
[Bassus]
[Bassus]
2.Tenor
I.Tenor
[Superius]
2.Tenor
[Bassus]
I.Tenor

Melodic interval of entry: 5+8+8-5-5+4+11-4+5+1+8+12-4-8+

Time interval of entry: M2/5/1/10/2/10/3/6/1/5/6/0/2/7

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<1189> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Fuga Expand

Fuga

Voices:
[Bassus]
SecundusTenor
PrimusTenor
Contratenor

Melodic interval of entry: 5+1+5+

Time interval of entry: M8/9/7

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1190> Damien Bonnec [CRIM_Mass_0008_2] Missa Quare fremuerunt gentes: Gloria Fuga Expand

Fuga

Voices:
[Contratenor]
I.Tenor
[Bassus]
2.Tenor
I.Tenor
[Bassus]
I.Tenor
[Superius]
[Bassus]
2.Tenor
[Superius]
2.Tenor

Melodic interval of entry: 8-2-5+4-1+2-12+12-5+8+8-

Time interval of entry: M2/8/8/6/8/6/8/10/4/2/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<1191> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Fuga Expand

Fuga

Voices:
[Bassus]
SecundusTenor
PrimusTenor
Contratenor

Melodic interval of entry: 5+1+5+

Time interval of entry: M8/9/7

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1192> Damien Bonnec [CRIM_Mass_0008_2] Missa Quare fremuerunt gentes: Gloria Fuga Expand

Fuga

Voices:
[Contratenor]
I.Tenor
[Bassus]
2.Tenor
I.Tenor
[Bassus]
I.Tenor
[Superius]
[Bassus]
2.Tenor
[Superius]
2.Tenor

Melodic interval of entry: 8-2-5+4-1+2-12+12-5+8+8-

Time interval of entry: M2/8/8/6/8/6/8/10/4/2/4

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<1193> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Fuga Expand

Fuga

Voices:
Contratenor
Discantus
Tenor

Melodic interval of entry: 6+5-

Time interval of entry: S7/8

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1194> Raphaëlle Rouzic [CRIM_Mass_0014_2] Missa Mente tota: Gloria Contrapuntal duo, Interval patterns Expand

Contrapuntal duo, Interval patterns

Voices:
Superius
Bassus

Voices:
Superius
Bassus

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False

<1195> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Fuga Expand

Fuga

Voices:
[Bassus]
PrimusTenor

Melodic interval of entry: 5+

Time interval of entry: S8

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

Remarks: End of the principal soggetto

<1196> Damien Bonnec [CRIM_Mass_0008_2] Missa Quare fremuerunt gentes: Gloria Fuga Expand

Fuga

Voices:
[Bassus]
[Bassus]

Melodic interval of entry: 4-

Time interval of entry: M4

Periodic: False

Strict: True

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1197> Damien Bonnec [CRIM_Model_0010] Quare fremuerunt gentes Fuga Expand

Fuga

Voices:
[Bassus]
SecundusTenor
Contratenor
PrimusTenor
Superius

Melodic interval of entry: 4+5+5-8+

Time interval of entry: M4/4/16/6

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

<1198> Damien Bonnec [CRIM_Mass_0008_2] Missa Quare fremuerunt gentes: Gloria Fuga Expand

Fuga

Voices:
[Bassus]
2.Tenor
[Superius]

Melodic interval of entry: 4+8+

Time interval of entry: M16/4

Periodic: False

Strict: False

Flexed: False

Sequential: False

Inverted: False

Retrograde: False

<1199> Raphaëlle Rouzic [CRIM_Model_0016] Mente Tota (from Vultuum tuum) Periodic entry Expand

Periodic entry

Voices:
Contratenor
Bassus
Discantus
Tenor

Melodic interval of entry: 8-5+8-

Time interval of entry: S4/4/4

Strict: True

Flexed: False

Flexed, tonal: False

Sequential: False

Added: False

Invertible: False

<1200> Raphaëlle Rouzic [CRIM_Mass_0014_2] Missa Mente tota: Gloria Fuga, Interval patterns Expand

Fuga, Interval patterns

Voices:
Bassus
Tenor

Melodic interval of entry: 3+

Time interval of entry: M1

Periodic: False

Strict: False

Flexed: True

Sequential: False

Inverted: False

Retrograde: False

Voices:
Bassus
Tenor

Parallel 6: False

Parallel 3 (or 10): True

Chained 3 and 5: False

Chained 8 and 3: False

Chained 6 and 5: False